Merleau-Ponty suggests that to perceive is to be “geared into” the world. In perceiving, we are related to a temporally structured modal space of bodily possibilities that is co-constituted by the body and the world. When we perceive, we are “geared into” this structure and responsive to it; when we misperceive, we are not. In misperceiving, we are unaware of our failure to be geared into the world, and in this respect, we lack awareness of what we are doing. In (...) explaining misperception via this lack of self-awareness, Merleau-Ponty anticipates a key feature of M. G. F. Martin's epistemic disjunctivism: the idea that perceptions and misperceptions can be indiscriminable because of a self-awareness we lack, rather than a set of positive phenomenal features that two experiences share. However, because Merleau-Ponty's account of self-awareness imposes relatively few cognitive demands, he is able to explain how adults, infants, and dogs can be self-aware in the same sense, and how they can fail to discriminate between their experiences in the same way. This provides Merleau-Ponty with the resources to answer Susanna Siegel's objection to epistemic disjunctivism on the basis of “cognitively unsophisticated hallucinators.”. (shrink)

Early 20th century debates over the possibility of ‘metaphysics’ are grounded in a set of questions and answers whose central themes are already delineated in Kant’s critical philosophy. Wittgenstein and Carnap are sympathetic to Kant’s dismissal of transcendent metaphysics, but skeptical that there could be any substantive account of the fundamental conditions of our meaning-making. By contrast, Heidegger follows Fichte and the early German Romantics in seeing answers to the problems raised by metacritique not in science, but in the non-discursive (...) forms of understanding and expression exemplified in art. This Romantic turn to art is not taken arbitrarily; it is motivated by methodological considerations that emerge within Kant’s own critical system. I take up the Kantian considerations which lead to an understanding of art as a window into the fundamental conditions of meaning-making before turning to Heidegger’s development of this line of thought. Next, I examine Carnap and Wittgenstein’s skepticism concerning the meaning of Heidegger’s philosophical terminology, focusing on what is perhaps the most problematic case: Heidegger’s talk of ‘the nothing’. I argue that this skepticism is overblown. Heidegger’s talk of the nothing is meaningful in the way that talk about figure and ground is meaningful: it serves as an ostensive indication of intersubjectively accessible structural features of our encounters with things. I conclude by drawing out the existential ramifications of the decision to speak or be silent, drawing on Audre Lorde to illustrate the place of art in making it possible for us to lead authentic lives. (shrink)

Kant and Heidegger argue that our subjectivity escapes scientific explanation, while also providing the conditions that enable it. This understanding of the relationship between subjectivity and science places limits on the explanatory scope of the sciences. But what makes transcendental reflection on the structure of subjectivity possible in the first place? Fink argues that transcendental philosophy encounters its own limits in attempting to characterize its own conditions of possibility. I argue that the limits of science and transcendental philosophy entail that (...) nature cannot be conceived as a specific object, or as a totality of objects in the world, but only as the ontological ground of phenomenal manifestation in general. Nature is not identical with anything discoverable in either science or phenomenology; it is, rather, the origin from which discovery of phenomena proceeds. (shrink)

Naturalists seek to ground what exists in a set of fundamental metaphysical principles that they call ‘nature’. But metaphysical principles can’t function as fundamental explanatory grounds, since their ability to explain anything depends on the intelligibility granted by transcendental structures. What makes metaphysical principles intelligible, what unifies them, and allows them to characterize the being of worldly objects are the transcendental structures through which worldly objects are manifest. This means that the search for fundamental explanatory grounds must go deeper than (...) the postulation of brute metaphysical facts. But this search cannot end with transcendental structures either, since the mode of being of transcendental subjects also calls out for explanation. Conceiving of transcendental subjects through the concept of being-in-the-world ties the mode of being of subjects to the world they inhabit. What grounds the existence of worldly objects, and what grounds our existence as being-in-the-world is nature: a principle that is neither an object, nor a subject – a principle that makes possible our encounters with intelligible worldly things. (shrink)

One of the central limitations of sensory substitution devices (SSDs) is their inability to reproduce the non-sensory feelings that are normally associated with visual experiences, especially hedonic and aesthetic responses. This limitation is sometimes reported to cause SSD users frustration. To make matters worse, it is unclear that improvements in acuity, bandwidth, or training will resolve the issue. Yet, if SSDs are to actually reproduce visual experience in its fullness, it seems that the reproduction of non-sensory feelings will be of (...) some importance. We offer a novel solution. Researchers can produce hedonic and aesthetic responses by eliciting these feelings artificially, pairing distal objects that should be pleasurable to pleasurable stimulus outputs from the SSD. We outline two strategies for accomplishing this: first, by means of a prefixed, hardwired, association of pleasant distal objects to pleasant stimulus outputs from the SSD; second, by means of a flexible, feedback-based association which creates associations based on a subject-directed matching of distal objects to patterns of stimuli from the SSD which the subject takes to have the corresponding hedonic properties. We evaluate some problems with both strategies, and we argue that the feedback-based strategy is more promising. Researchers can use this strategy to help the blind, allowing them to take pleasure in the objects they perceive using SSDs. (shrink)

This report highlights and explores five questions that arose from the workshop on sensory substitution and augmentation at the British Academy, March 26th through 28th, 2013.

A systematic review was carried out on the production and publication of research papers related to the study of Business Accounting, Sustainability, Responsible Finance, during the period between 2017 and 2022 under the PRISMA approach (Preferred Reporting Items for Systematic reviews and Meta-Analyses). The purpose of the analysis proposed in this document was to know the main characteristics of the publications registered in the Scopus and Wos databases during the study of the proposed variables, achieving the identification of 64 publications (...) in total. Thanks to this first identification, it was possible to refine the results through the keywords entered in the search button of both platforms, which were BUSINESS ACCOUNTING, SUSTAINABILITY, RESPONSIBLE FINANCES, reaching a total of 14 documents, excluding duplicates and those that did not meet the analysis criteria. Among the main findings in the analysis applied to the identified articles, it is highlighted that business accounting must evolve towards a model that effectively integrates sustainability into its processes. Business practices that incorporate social and environmental metrics not only meet stakeholder expectations and regulatory standards, but also drive long-term economic success. (shrink)

This is an excerpt from a report that highlights and explores five questions which arose from the workshop on perceptual learning and perceptual recognition at the University of Toronto, Mississauga on May 10th and 11th, 2012. This excerpt explores the question: How do we recognize distinct types of emotion in music?

This report highlights and explores five questions which arose from the workshop on perceptual learning and perceptual recognition at the University of Toronto, Mississauga on May 10th and 11th, 2012: 1. How should we demarcate perceptual learning from perceptual development? 2. What are the origins of multimodal associations? 3. Does our representation of time provide an amodal framework for multi-sensory integration? 4. What counts as cognitive penetration? 5. How can philosophers and psychologists most fruitfully collaborate?

This is an excerpt from a report that highlights and explores five questions which arose from the workshop on perceptual learning and perceptual recognition at the University of Toronto, Mississauga on May 10th and 11th, 2012. This excerpt explores the question: What counts as cognitive penetration?

This is an excerpt from a report that highlights and explores five questions which arose from the workshop on perceptual learning and perceptual recognition at the University of Toronto, Mississauga on May 10th and 11th, 2012. This excerpt explores the question: Does our representation of time provide and amodal framework for multi-sensory integration?

This is an excerpt from a report on the Sensory Substitution and Augmentation Conference at the British Academy in March of 2013. This portion of the report explores the question: Does sensory substitution generate perceptual or cognitive states?

‘Naturalizing phenomenology’ by limiting it to the ontology of the sciences is problematic on both metaphysical and phenomenological grounds. While most assessments of the prospects for a ‘naturalized phenomenology’ have focused on approaches based in Husserlian transcendental phenomenology, problems also arise for non-reductive approaches based in Heideggerian existential phenomenology. ‘Heideggerian cognitive science’ faces a dilemma. On the one hand, if it is directly concerned with the nature of subjectivity, and this subjectivity is assumed to be ontologically irreducible to its physical (...) enablers yet still metaphysically dependent on them, then Heideggerian cognitive science will either leave that metaphysical dependence an unexplained instance of supervenience, or ground it in speculation about brute metaphysical laws that have an unclear relationship to the ontology of the sciences. On the other hand, if Heideggerian cognitive science is not directly concerned with the nature of subjectivity, but is instead merely aimed at the development of a Heideggerian phenomenological psychology, then it doesn’t fully address the ontological implications of phenomenology’s transcendental approach, and so, while it might succeed in explaining the realization of psychological phenomena scientifically, the existence of subjectivity will remain inexplicable based on the ontology of the sciences. Neither strategy succeeds in ‘naturalizing phenomenology’: either rejects scientific naturalism, or makes its requirements trivial, while either rejects the transcendental dimension of phenomenology, or fails to address its ontological implications. (shrink)

This is an excerpt from a report that highlights and explores five questions which arose from the workshop on perceptual learning and perceptual recognition at the University of Toronto, Mississauga on May 10th and 11th, 2012. This excerpt explores the question: How can philosophers and psychologists most fruitfully collaborate?

This is an excerpt from a report on the Sensory Substitution and Augmentation Conference at the British Academy in March of 2013. This portion of the report explores the question: How does sensory substitution interact with the brain’s architecture?

This is an excerpt from a report that highlights and explores five questions which arose from the workshop on perceptual learning and perceptual recognition at the University of Toronto, Mississauga on May 10th and 11th, 2012. This excerpt explores the question: What are the origins of multimodal associations?

Egan’s book develops an approach to philosophy informed by the later Wittgenstein’s views on language and its entanglement in our ‘form of life’, and by Heidegger’s analyses of anxiety, authenticit...

European Journal of Philosophy, EarlyView.