The Italian Dominican Ptolemy of Lucca figures among the most significant political theoreticians of the Middle Ages. In his De regimine principum, a continuation of Thomas Aquinas’ De regno, Ptolemy paints a highly original picture of civil happiness. Taking the Roman Republic as his model, Ptolemy praises the “political” government that is presented as a sufficient condition for felicitas civilis, and this through the virtue of its citizens, the balance of its forces, and the harmonious and active collaboration of the (...) various groups that constitute the community. (shrink)

We discuss two models of virtue cultivation that are present throughout the Republic: the self-mastery model and the harmony model. Schultz (2013) discusses them at length in her recent book, Plato’s Socrates as Narrator: A Philosophical Muse. We bring this Socratic distinction into conversation with two modes of intentional regulation strategies articulated by James J. Gross. These strategies are expressive suppression and cognitive reappraisal. We argue that that the Socratic distinction helps us see the value in cognitive reappraisal and that (...) the contemporary neurological research supports the wide range of attitudes toward the value of emotional experience that mirror those found in the Republic. (shrink)

In Nicomachean Ethics 2.1, Aristotle draws a now familiar analogy between aretai ('virtues') and technai ('skills'). The apparent basis of this comparison is that both virtue and skill are developed through practice and repetition, specifically by the learner performing the same kinds of actions as the expert: in other words, we become virtuous by performing virtuous actions. Aristotle’s claim that “like states arise from like activities” has led some philosophers to challenge the virtue-skill analogy. In particular, Aristotle’s skill analogy is (...) sometimes dismissed because of the role that practical wisdom or phronesis purportedly plays in character virtue. In this paper, I argue that a proper understanding of character virtue, phantasia-based emotions, and Aristotle’s implicit distinction between habituated and strict or full virtue (aretè kuria) grounds his virtue-skill analogy. Character virtue stems from the non-rational orektikon and is developed through the habituation of passionate elements, primarily phantasia and pathé. Pathé are pleasurable or affective perceptions, not judgments or beliefs. Thus, pathé are subject to non-rational habituation. Practical wisdom, on the other hand, is an intellectual virtue stemming from the rational part of the soul. Though practical wisdom is necessary for full virtue (aretè kuria), it is not necessary for the habituated character virtue that Aristotle refers in Book II. Once we understand the phantastic basis of emotions and the distinction between habituated and full virtue, the virtue-skill analogy is apt. I conclude by briefly mentioning two contemporary forms of emotion regulation—cognitive reappraisal and cognitive behavioral therapy—that lend support from empirical psychology to Aristotle’s claim that emotions (pathé) can be habituated. Character virtue is indeed a skill; it is—at least in part—the skill of emotion regulation. (shrink)

This essay draws on Adam Smith’s moral sentimentalism to critique primatologist Frans de Waal’s gradualist theory of human morality. De Waal has spent his career arguing for continuity between primate behavior and human morality, proposing that empathy is a primary moral building block evident in primate behavior. Smith’s moral sentimentalism—with its emphasis on the role of sympathy in moral virtue—provides the philosophical framework for de Waal’s understanding of morality. Smith’s notion of sympathy and the imagination involved in sympathy is qualitatively (...) different from animal sympathy. I argue that Smithian sympathy includes the ability to represent propositional attitudes and take into account multiple perspectives which are then synthesized into a singular impartial perspective. Furthermore, Smithian moral judgment requires the capacity for emotion regulation and moral self-cultivation, or the ability to shape and control one’s reactive attitudes. Taken together, these capacities far outstrip the capacities of animals, disrupting de Waal’s gradualism. (shrink)

Three studies were designed to explore a major criticism of sacrificial dilemmas, namely that their potential humorous aspects may distort moral decision-making. We collected moral responses (i.e. moral judgment and choice of action) but also asked participants to rate the funniness of moral dilemmas, in order to combine humour assessment and moral responses. In addition, the emotional responses to moral dilemmas were recorded for both men and women (including emotions related to humour), and the potential effect of individuals’ need for (...) humour was also considered. Overall, three main results were reported. Firstly, the dilemmas used in our studies were not rated as funny at all. Secondly, reading moral dilemmas increased negative emotions (i.e. sadness, disgust, guilt) and decreased positive emotions associated with humour (i.e. joy, amusement, and mirth), with gender effects since women experienced stronger negative emotions than men. Thirdly, funniness ratings of sacrificial dilemmas did not vary according to gender and need for humour. This series of studies does not report empirical evidence to support the humorous aspects of trolley-type dilemmas, but invites a more systematic examination of how sacrificial dilemmas are perceived by participants who have to produce moral responses. (shrink)

From Experience to the “Event”The Stakes of the Thought of an “Originary Symbolism”This article proposes to understand the progressive conceptualization of experience as “originary symbolism.” After having examined the notions of form but also – and above all – those of categorical attitude and expression, we show that Merleau-Ponty turns toward a concept of experience that is from the start expressive. Here, the symbolic function, in Cassirer’s sense, is slowly replaced by a “symbolism” in which the diacritical, institution, and the (...) unconscious play a fundamental role. Making use of Merleau-Ponty’s unpublished notes, particularly those in the Sensible World and the World of Expression, allows us to observe the convergence of diacritical thought, institution, and the unconscious toward one unified conception of originary symbolism. Hence, we propose an approach that departs from the traditional categories of consciousness and of evidence, and founds a theory of experience as “event”.Dall’esperienza all’ «evento»La posta in gioco del «simbolismo originario»L’articolo si propone di comprendere la progressiva concettualizzazione merleaupontyana dell’esistenza come «simbolismo originario». Dopo aver esaminato le nozioni di forma, ma anche e soprattutto di atteggiamento categoriale e di espressione, mostreremo che Maurice Merleau-Ponty si indirizza a una concezione dell’esperienza che ne fa qualcosa di immediatamente espressivo; concezione in cui la funzione simbolica, nel senso di Cassirer, viene poco a poco sostituita da un «simbolismo» in cui il diacritico, l’istituzione e l’inconscio giocano un ruolo fondamentale. Il ricorso alle Note inedite di Merleau-Ponty, e in particolare a Le monde sensible et le monde de l’expression, consente appunto di osservare la convergenza dei tre concetti di diacritico, di istituzione e di inconscio, in direzione di una medesima concezione del simbolismo originario. Proponiamo quindi un approccio che si discosta dalle tradizionali categorie della coscienza e dell’evidenza, per fondare una teoria dell’esperienza come «evento». (shrink)

Ethics instruction within an interdisciplinary core program involving a diverse student community representing many major fields of study presents unique challenges. Those challenges are in some ways compounded in the context of a religiously affiliated university whose spiritual and ethical commitments are grounded in the Judeo-Christian tradition even as its student population reflects increasing religious diversity. The authors present one method of addressing these challenges in hopes of inspiring broader discussions of how to teach ethics across the curriculum to students (...) from many backgrounds and with myriad academic and professional goals. (shrink)

Cet article tente tout d'abord de comprendre la difficulté à laquelle est soumise l'élaboration d'une éthique du développement technique. Pour cela, on analyse le concept de technique afin de montrer qu'il incarne aujourd'hui un certain style de rapport au monde reposant sur la confusion de la conscience et de l'expérience. Or cette confusion constitue un obstacle majeur à toute réflexion éthique véritable. On montre alors comment le concept d'« institution », élaboré par Merleau-Ponty dans les années 1950, permet de déjouer (...) les illusions inhérentes au style technique et de poser les fondements d'une pensée éthique à ce sujet. (shrink)

In light of the political facts of his time and his own experience, Merleau-Ponty tries, in the preface to Signs, to detect a general structure of history and culture. Concerned with establishing a concrete philosophy, the French philosopher never detached his political reflection from the particularity of circumstances. This article proposes to take up both the spirit and method of Merleau-Ponty. With regard to the spirit, this is a matter of seeing whether the analyses in the preface to Signs still (...) make sense for us today. With regard to method, we try to develop an interpretation anchored in the current experience of French politics. This rootedness in current events is fundamental if we do not want to betray the concern for contingency, the sign of a concrete political approach. We will find that the ethics of engagement defined by Merleau-Ponty in the expression, “virtu without resignation” could also be the response to certain contemporary problems. (shrink)

Merleau-Ponty, Theatre and Politics.Virtue and Plasticity of the ImaginaryWe will attempt, starting from a course given at the Sorbonne and devoted to the work of the actor, to develop the meaning of the theatrical metaphor in the political philosophy of Merleau-Ponty. Even if the presence of the theater in his philosophy does not seem evident at first glance, it is possible to negotiate his political thought from the metaphor of the theater. This metaphor even allows us to clarify the meaning (...) of a well known expression from the Preface of Signs: “virtue without resignation.” We will then construe the concept of the “plasticity of the imaginary” so as to show how a reflection on the theater opens up a certain understanding of Merleau-Ponty’s ethics.Merleau-Ponty, teatro e politica.Virtù e plasticità dell’ immaginarioA partire da un corso tenuto alla Sorbona e consacrato al mestiere dell’attore, proveremo a sviluppare il senso della metafora teatrale nella filosofi a politica diMerleau-Ponty. Anche se la presenza del teatro nella sua filosofi a non sembra a un primo approccio evidente, è possibile attraversare il suo pensiero politico proprio a partire dalla metafora del teatro. Quest’ultima permette di chiarire il significato di un’espressione ben nota della fine della Prefazione a Segni: quella di «virtù senza alcuna rassegnazione». Si elabora allora il concetto di «plasticità dell’immaginario» per mostrare come la riflessione sul teatro offra a una determinata comprensione dell’etica merleau-pontiana. (shrink)

The goal of this article is to bring together two methodological approaches to the study of images. The first was developed by Aby Warburg, around his work for the Mnemosyne Atlas. The second was created by researchers establishing the framework for a software entitled Lignes de Temps. I will try to demonstrate that a new methodology in the understanding of images works toward a ‘pedagogy of imagination’. I will also try to show how, from my point of view, this innovative (...) methodology, which redefines the roles of the audience and its relationships to pictures, was already active within the research of Warburg. The spectator-researcher does not need a pre-established hypothesis. He or she can trust his own practice with the images to spark a new string of thoughts. From that potential of imagination and creation, a whole new field of singular and personal images may spring. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 347 Anoelus Silesius, le POlerin ChOrubinique. By Eugene Susini. (Paris: Presses Universitaires de France, 1964. 2 vols.) "II a fallu pratiquement attendre le vingti~me si~cle pour que ffit donn~e sa vdritable place Angelus Silesius (de son vrai nom Johannes Scheffier) tomb~ dans l'oubli ou presque pendant plus de deux cents ans," ~crit M. Eugene Susini, Professeur en Sorbonne, dans son introduction au P$lerin Ch~rubinique. Mais si les (...) travaux consacr~s ~ ce podte mystique sont ddj~ nombreux, on n'avait jusqu'~ present ~ditd en France que quelques fragments, ~parpill~s dans des anthologies. Depuis l'ouvrage de M. Henri Plard (1943), il n'y avait pas eu d'ddition qui present ~t ~ nouveau le texte original et une traduction en regard. C'est maintenant chose faite, et M. Susini fair plus que combler cette lacune. En effet, les textes d'Angelus Silesius (16241677 ) sont prdcddds d'une introduction historique, biographique et litt~raire, dtude substantielle sur le milieu off v~cut Angelus Silesius, et sur son itin~raire spirituel. L'originalitd profonde de ce catholique converti se ddgage de cette dtude, dont l'ampleur et la concision forcent l'admiration. Ce n'est pas tout. Ace premier volume un second fait suite, consaer~ ~ d'abondantes notes (178 p.) relatives aux distiques et aux quatrains; ces derni~res s'~elairent les unes les autres, et grace ~ une minutieuse critique interne et externe, ces vers sont replaces dans un contexte plus vaste que le prdsentateur a pris soin d'~clairer par de constantes r~f~rences ~ des passages d'autres oeuvres mystiques, ou des Ecritures elles-mdmes. Enfin, un index alphabdtique complete tr~s utilement ces notes (p. 179 s 257). On ne salt ce qu'il convient d'admirer le plus, le travail de l'~rudit et de l'historien, ou celui du traducteur. La t~iche n'dtait pas aisde; il fallait rendre en alexandrins ce qui avait dt~ compos~ de m~me, afin de laisser aux sentences non seulement leur saveur, mais aussi leur forme d'dpigrammes-proverbes. I1 faut dire que la r~ussite est totale. Le P~lerin Ch~rubinique est en m~me temps un ouvrage ddfinitif, car on ne volt pasce que pourrait apporter une nouvelle traduction, une prgsentation du texte original different, ou un nouveau recueil de notes--ces derni~res ~tant ici d'une grande ampleur. C'est un ouvrage important, non seulement pour le germaniste, mais aussi pour l'historien des litt~ratures, et celui des religions. ANTOINE F~IVRE The Sense oj Decadence in Nineteenth-Century France. By Koenraad W. Swart. (Archives Internationales d'Histoire des Idles, 7; The Hague : M. Nijhoff, 1964. Pp. xi + 272. Gld. 27.50.) "Seek and ye shall find!" Scholars have generally followed this injunction and found in history pretty much what they set out to discover. For a long time, the nineteenth century was seen as an age of progress, its own self-image seeming to bear this out. More recently our own concern with decadence has led us to discover similar views in earlier times. After A. E. Carter, 1 Professor Koenraad Swart has given us The Sense o] Decadence in NineteenthJCentury France (The Hague : 1964), the seventh volume to appear in Martinus Nijhoff's International Archives of the History of Ideas. This is a broader chronicle than Carter's. It presents the antecedents of the idea of decadence from antiquity to the French Revolution, its modern forms rooted in a diversity of romantic reactions, its fin-de-si~cle culmination and its (temporary) waning before the brief affirmative revival that preceded World War I. In terms of present preoccupations, this is a timely book. A solid concluding chapter sketches "the foreign perspective," in which French developments appear as part of a broader context. The study provides a mine of information, a convenient companion and counterindicator to Bury's Idea o] Progress. Why, then, is it a dull and unsatisfactory book? In the first place because, having suggested the existence of another dimension to the histoire de grand-papa, the history of ideas cannot be written as, simply, another version of the serial chronicle of events. It... (shrink)

We study the case of two sibling species ofHippolais(Aves). Very little differences can be observed in the morphology of both species. The breeding area of these species are complementary. Roughly, one species breeds North and East of Europe (Hippolais icterina) while the other breeds South and West of Europe (Hippolais polyglotta). There exitst a narrow zone of sympatry passing through Burgundy. Since several years, it has been observed that this area of sympatry was moving in the North-East direction at a (...) European scale. This means that progressivelyH. icterina is declining and is replaced byH. polyglotta. Some assumptions can be made in order to explain this evolution, for instance competition or predation. Series of observations concerning the diets of nestlings of both species have been realized. These observations show some differences in the diet compositions. The breeding success of the two species has been studied. Numerical simulations of a competition model taking into account the observed differences between the food types eaten by the two species are presented. These simulations do not explain the regression ofH. icterina. Then, we present numerical simulations of a predation model with one predator attacking the nestlings of both species. These simulations show that with time one of the two preys must extinct. Predation rather than competition seems to be the right explanation. (shrink)

La quête de repères identificatoires est probablement l'une des plus vieilles entreprises que l'humanité s'est donnée pour asseoir son histoire et construire sa mémoire. Toutes les sociétés, toutes les civilisations, fussent les pires totalitarismes, ont besoin d'une genèse héroïque — et donc exemplaire — pour fonder leurs origines. Une geste destinée à justifier leur présent ; un point de départ qui fixe un "avant" et un "après" et qui fait qu'à partir d'un événement créateur, selon la formule maintes fois annoncée, (...) toujours contredite : "rien ne sera plus jamais comme avant". On a tous besoin d'un père, tous besoin d'un géniteur, individuel ou collectif. Cette qualité peut naturellement se décliner sous différentes formes : le "père fondateur" est, selon les cas, un homme, une femme, un événement, un discours, un livre... Cet ouvrage se propose donc d'explorer ce concept, en croisant différentes approches : la linguistique, l'histoire, la philosophie, la littérature et le droit. (shrink)

While nanosciences and nanotechnologies appear as new concepts developed at the end of the twentieth century, we show that metallic nanoparticles have already been used since ancient times, in particular as colorant in the glass and ceramic industries. Moreover, a lot of natural nanomaterials are also present in the mineral, vegetal and animal worlds. Nevertheless, the breakthrough of nanotechnology has been permitted in the past few decades by the advent of apparatus allowing the manipulation and observation of the nanoworld. Indeed, (...) nowadays, nanomaterials and nanoparticles are used for many applications in our daily life, such as in the fields of electronics, catalysis, optics, biology, and medicine. This article presents an overview about nanotechnologies, with applications from ancient times till the present. (shrink)

Parmi les différentes conceptualisations dont le phénomène de la guerre a pu faire l'objet, l'oeuvre de Thomas Hobbes et celle de Cari von Clausewitz se sont souvent trouvées rangées, depuis le développement du champ disciplinaire des relations internationales en particulier, parmi des auteurs dits " réalistes " tels que Thucydide ou Machiavel notamment. Or leur pensée respective semble échapper à toutes les formes de catégorisation : ni pur " réalisme ", ni bellicisme, ni pensée de la " raison d'Etat ", (...) d'une part, ni idéalisme, "pacifisme ", ou pensée de la guerre juste, d'autre part, l'oeuvre de Hobbes et celle de Clausewitz occupent une place à part parmi ceux qui, semblablement à eux, ont pris la guerre pour objet de leur réflexion. Malgré les deux siècles et bien d'autres choses qui les séparent, une pensée hétérodoxe de la guerre se fait ainsi écho à travers elles. Hobbes comme Clausewitz s'efforcent en effet d'appréhender la guerre, non point en juristes, tel Hugo Grotius, ni même en spécialistes de l'art de la guerre, comme Machiavel, ou bien encore en moralistes, tel Juste Lipse, mais bel et bien en tant que théoriciens soucieux de saisir la logique présidant aux rapports conflictuels entre les êtres humains, c'est-à-dire à la fois la suite des causes et des effets conduisant à la guerre et l'ensemble des règles commandant le déroulement de cette dernière une fois enclenchée. Le tableau de la guerre qu'offrent par conséquent Hobbes et Clausewitz à leurs lecteurs, bien qu'il puisse paraître sombre ou cynique, n'est pas celui de la déraison ou d'une hybris totalement déchaînée : loin de présenter la guerre comme un phénomène inextricable, chacun s'efforce, à sa façon, de rendre intelligible le phénomène guerrier, d'en mettre à nu les principes et les ressorts à la fois passionnels et rationnels, nécessaires et contingents. (shrink)

"L'ouvrage que nous propose aujourd'hui Mme Delphine Espagno est peut-être la plus belle des invitations qui ait été écrite afin d'inciter le lecteur, citoyen et/ou juriste, à comprendre la pensée du doyen de Bordeaux. Léon Duguit méritait effectivement le présent ouvrage et hommage car le doyen, comme Jean-Jacques Rousseau avant lui, a longtemps été et est encore souvent présenté soit comme un marginal de la pensée juridique, soit est même dédaigné de façon méprisante comme si sa qualité de juriste (...) lui était déniée. Hauriou, nous rappelle l'auteure, ira même ainsi jusqu'à affubler Duguit d'être un "anarchiste de la chaire" ce qui n'avait manifestement pas totalement déplu à ce dernier! Car, ce que rappelle Mme Espagno dès son introduction, c'est bien une nouvelle manière de penser et de réinventer le Droit dans son ensemble que nous invite à accomplir Léon Duguit. Il n'est pas qu'un faiseur de théorie(s) (comme celles du service public, des agents publics ou encore de l'Etat), il est - pour reprendre l'expression de Chenot désormais consacrée - un véritable "faiseur de système dans son sens le plus noble et mélioratif. Duguit assume en effet son rôle de guide et nous a donné à voir une nouvelle façon d'appréhender le Droit non pas tel qu'il est mais tel qu'il devrait être. Un Droit qu'il a comme réinventé en chaussant de nouvelles lunettes tel le spectateur qui verrait en deux dimensions et désormais en découvrirait - grâce à lui - une troisième. Après Léon Duguit, les juristes n'ont ainsi pu feindre de ne concevoir le Droit qu'à l'instar d'un artifice fictif, technique et juridique : le Droit est devenu indissociable de la sociologie. Ce "droit duguiste" nous offre alors grâce à la lumière qu'y dépose avec délicatesse Mme Delphine Espagno la vision renouvelée des relations existantes entre Droit, individu et collégialité ou société. En outre, ce que va construire le doyen de Bordeaux n'est pas - comme on le lit encore souvent - une "simple" théorie du service public mais une théorie réaliste de l'Etat par le service public", Mathieu Touzeil-Divina. (shrink)

To test whether mental activities collected from non-REM sleep are influenced by REM sleep, we suppressed REM sleep using clomipramine 50 mg or placebo in the evening, in a double blind cross-over design, in 11 healthy young men. Subjects were awakened every hour and asked about their mental activity. The marked REM-sleep suppression induced by clomipramine did not substantially affect any aspects of dream recall . Since long, complex and bizarre dreams persist even after suppressing REM sleep either partially or (...) totally, it suggests that the generation of mental activity during sleep is independent of sleep stage. (shrink)

The restructured globalized economy has provided women with employment opportunities. Globalisation has also meant a shift towards self-regulation of multinationals as part of the restructuring of the world economy that increases among others things, flexible employment practices, worsening of labour conditions and lower wages for many women workers around the world. In this context, as part of the global trend emphasising Corporate Social Responsibility (CSR) in the 1980s, one important development has been the growth of voluntary Corporate Codes of Conduct (...) to improve labour conditions. This article reviews from a feminist interdisciplinary perspective the broad academic literature on women workers, covering the more classical debate on women workers in the industrialization process and entering into women workers in the global supply chains and women workers and corporate codes of conduct. The main argument is that this research on women workers is crucial to frame the issues of business ethics and in particular CSR and Codes of Conduct in the context of women in the global political economy. When this crucial knowledge is ignored, then the ethical policies of the companies also ignore the real situation of the women workers at the bottom of their supply chains. (shrink)

Delphine Abadie Malgré une historiographie riche de plusieurs orientations, les imaginaires, la recherche et les débats académiques semblent parfois demeurer enfermés dans l’exigence d’un devoir-être de la philosophie africaine tout à fait caractéristique du seul moment ethnophilosophique. Pourtant, les avenues les plus récentes en philosophie africaine partagent un ensemble de présupposés qui rendent inopérante cette confrontation stérile entre un type de philosophie qui désignerait la « véritable » manière de décoloniser les épistémologies africaines, et toutes les autres formes de (...) la philosophie en Afrique. Depuis les années 1980, on doit constater pourtant que la plupart des philosophes du continent ont emprunté des avenues qui nous éloignent de ce premier moment décolonial de l’« authenticité africaine » en internalisant les critiques développées durant les plusieurs décennies qu’a duré la fameuse querelle de la philosophie africaine. Éclairé par la distinction entre approche décoloniale et approche postcoloniale, cet article propose une relecture des chemins parcourus, des détours et des mutations opérées par la philosophie africaine telle qu’elle s’est développée dans l’espace francophone depuis les années 1940 jusqu’à nos jours. (shrink)

Il s’agit de comprendre l’influence exercée par Schopenhauer sur l’œuvre de Paul Claudel. Malgré son peu d’intérêt pour la philosophie allemande, il découvre dans la théorie musicale de Wagner la pensée ontologique et esthétique de Schopenhauer. Celle-ci a sur lui une grande influence. Elle lui permet de développer une conception originale du désir et une vision poétique du monde structurée par la distinction entre harmonie et mélodie. Elle inspire en outre son écriture et sa dramaturgie, puisque Claudel prête à la (...) musique une place fondamentale dans sa versification. Nous montrons l’importance de cette influence en étudiant plus particulièrement la pièce intitulée L’Échange. (shrink)

Along with Machiavelli, Hobbes is usually regarded as the pre-eminent representative of the ‘power-politics’ school of classical realism. He is frequently quoted for his pessimistic depiction of the state of nature that he so famously described as a brutal and anarchic arena in which each individual seeks his own advantage to the detriment of all other individuals, in a perpetual struggle for power. As reflective of this, political realism is sometimes even named the ‘Hobbesian tradition’. Yet there is reason to (...) question whether the standard characterization of realism as a form of moral scepticism which ‘resists the application of morality to war’ provides an accurate description of Hobbes’s political philosophy. In this essay I examine Hobbes’s conception of war, in order to show how, in some fundamental respects, it deviates from this ‘realism’. (shrink)