Little sociological attention is directed to dreams and dreaming, and none at all is directed to how people tell one another about dreams. Ordinary settings in which dreams are told mimic the conditions of “breaching” experiments and should produce anomie, but dream telling proceeds without trouble. Foundational orientations of ordinary dream talk assimilate into professional dream studies, where dream narratives are “data” and the analysis of narratives is “dream analysis.” That such practices proceed without (...) trouble poses some interesting problems for sociology in terms of how anyone experiences “constraint” in the telling and hearing of dreams. (shrink)

Dreams are not real, so when we recount them we prefix an intensional operator like “I dreamed that…”. Linguists will analyze this construction in terms of clausal complementation syntax and possible worlds semantics. But talking about a dream is often more like telling a story, with a potentially complex discourse structure (involving propositional discourse units connected by coherence relations like NARRATION, BACKGROUND, and EXPLANATION) that is hard to fit inside a single syntactically embedded that-clause (or a sequence of (...) independently embedded clauses). I show how we can analyze actual, complex dream report stories using a formal discourse semantics framework. I then explore how to extend this discourse framework to visual dream reporting, like in movies and comics, where it’s not immediately clear that we even have any intensional operators or embeddings to begin with. (shrink)

"I used to feel guilty at night. I live in, I always used to live in two countries, the diurnal one and the continuous very tempestuous nocturnal one.... What a delight to head off with high hopes to night's court, without any knowledge of what may happen! Where shall I be taken tonight! Into which country? Into which country of countries?" -- Hélène Cixous, from _Dream I Tell You_ For years, Hélène Cixous has been writing down fragments of her dreams (...) immediately after awaking. In _Dream I Tell You_, she collects fifty from the past ten years. Cixous's accounts of her dreamscapes resist standard psychoanalytic interpretations and reflect her lyrical, affecting, and deeply personal style. The dreams, reproduced in what Cixous calls both their "brute and innocent state," are infused with Cixous's humor, wit, and sense of playfulness. Dreams have always been a crucial part of Cixous's writing. They are her archives and it is with them that she writes. Without dreaming, Cixous writes, "I would crumble to dust." As in many of her other texts, Cixous's mother, father, daughter, and friends populate this work, which offers artistic and provocative meditations on the themes of family, death, and resurrection. Scenes of a daily life-getting a haircut, caring for her child, preparing for work-become beautifully and evocatively skewed in Cixous's dreams. She also writes of dreams, both amusing and unsettling, in which she spends an evening with Martin Heidegger, has her lunch quietly interrupted by a young lion, flees the Nazis, and tours Auschwitz. The "you" of the title is fellow philosopher and friend Jacques Derrida, to whom these texts are addressed. The book reflects on many of the subjects the two grappled with in their work and in conversation: the deconstruction of psychoanalysis, literary production, subjectivity, sexual difference, and the question of friendship. (shrink)

"I used to feel guilty at night. I live in, I always used to live in two countries, the diurnal one and the continuous very tempestuous nocturnal one.... What a delight to head off with high hopes to night's court, without any knowledge of what may happen! Where shall I be taken tonight! Into which country? Into which country of countries?"--Hélène Cixous, from _Dream I Tell You_ For years, Hélène Cixous has been writing down fragments of her dreams immediately after (...) awaking. In _Dream I Tell You_, she collects fifty from the past ten years. Cixous's accounts of her dreamscapes resist standard psychoanalytic interpretations and reflect her lyrical, affecting, and deeply personal style. The dreams, reproduced in what Cixous calls both their "brute and innocent state," are infused with Cixous's humor, wit, and sense of playfulness. Dreams have always been a crucial part of Cixous's writing. They are her archives and it is with them that she writes. Without dreaming, Cixous writes, "I would crumble to dust." As in many of her other texts, Cixous's mother, father, daughter, and friends populate this work, which offers artistic and provocative meditations on the themes of family, death, and resurrection. Scenes of a daily life-getting a haircut, caring for her child, preparing for work-become beautifully and evocatively skewed in Cixous's dreams. She also writes of dreams, both amusing and unsettling, in which she spends an evening with Martin Heidegger, has her lunch quietly interrupted by a young lion, flees the Nazis, and tours Auschwitz. The "you" of the title is fellow philosopher and friend Jacques Derrida, to whom these texts are addressed. The book reflects on many of the subjects the two grappled with in their work and in conversation: the deconstruction of psychoanalysis, literary production, subjectivity, sexual difference, and the question of friendship. (shrink)

Dream reports were collected from normal subjects in an effort to determine the degree to which dream reports can be used to identify individual dreamers. Judges were asked to group the reports by their authors. The judges scored the reports correctly at chance levels. This finding indicated that dreams may be at least as much like each other as they are the signature of individual dreamers. Our results suggest that dream reports cannot be used to identify the (...) individuals who produced them when identifiers like names and gender of friends and family members are removed from the dream report. In addition to using dreams to learn about an individual, we must look at dreams as telling us about important common or generic aspects of human consciousness. (shrink)

Where do we come from? Is our destiny determined by the genes we inherit? Do we all see the same blue color when we look at the sky? In this book Gottfried (Jeff) Schatz, the world-renowned biochemist and co-discoverer of mitochondrial DNA, gives lucid - albeit often surprising - answers to universal questions and takes the reader on a fascinating journey of discovery across the boundaries of scientific disciplines. With passion and a keen sense of wonder, he draws on philosophy, (...) cultural history and art to formulate his reflections on the mystery of life. The key to understanding life is to be found in its chemistry, and he proves that this is no dry endeavor and certainly not devoid of beauty. The result is a collection of eloquently and poetically written essays dealing with key issues in the natural sciences. It will appeal not only to scientists, but to all curious minds, regardless of educational and professional background. (shrink)

It is a familiar fact that dreams are hard to recall. Because of this, memory alone is not a reliable indication of what they are like. Consider the following examples. Some people claim that they never dream. The truth is, psychologists assure us, that they do not remember having dreamt. Researchers say that they can tell when someone is dreaming, by his rapid eye movements and a certain pattern of brain waves recorded on an electroencephalograph . When a sleeper's (...) eyes move rapidly, and he registers the appropriate pattern of brain-waves on the EEG, and then he is awakened, he almost always reports a dream. By this test, no one has yet been discovered who does not dream at all. In fact, psychologists have established that the average person has four to six periods of dreaming each night. Some people say that they always dream in black and white, never in colour. Again, however, they have apparently forgotten the colours that occur in dreams, as is shown by the fact that most often, if we wake a sleeper in the middle of a dream, when it is still fresh in his mind, he then can report colours. Another claim that some people make is that dreams never last more than a few seconds. This also seems to be a case of forgetting dreams, since periods of REM, together with EEG readings, indicate that dreams take longer than this; in fact they may last as long as thirty-five minutes. Finally, it is a piece of folk wisdom that eating rich foods just before sleep causes nightmares. According to scientists, however, all that eating such foods can do is to cause a person enough bodily discomfort to wake him often during the night. This leads him to remember more of his dreams—and therefore more of their vividness and strangeness—than he usually does. (shrink)

Having fascinated some of the greatest philosophers from the earliest times, dreaming figures importantly in the history of philosophy, as in Plato’s Theaetetus, Augustine’s Confessions, and, perhaps most famously, Descartes’s Mediations. By far the greatest philosophical focus on dreaming has been epistemic: Socrates suggests to Theaetetus that since he cannot tell whether he is dreaming, he cannot trust his senses to know contingent facts about the world around him. And a similar worry drives Descartes’s radical doubt in the First Meditation. (...) We might think that dream skepticism is, among the radical Cartesian skeptical scenarios, a particularly worrying one, since dreams, unlike evil demons, are a commonplace of everyday life. (shrink)

The other night I had a very strange, and strangely coherent, dream. Socrates and Meno appeared to be arguing with each other in my presence. They talked English, I suppose, since I clearly thought I followed them; but I seem to remember that Greek words occurred from time to time. When I woke it seemed to me that the dream had some bearing on disputed matters of Platonic interpretation, so I shall try to reconstruct it here. Meno speaks (...) first:Tell me, Socrates, do you think that the just and the admirable are the same thing?I should hardly think so; for we call many things admirable—for example a young lad's cheek—which we would hardly call just; and perhaps vice versa. But I am only guessing, of course, because I cannot know whether A is the same as B unless I know what A is and what B is. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies 22 (2002) 234-236 [Access article in PDF] Book Review Dreaming Me: An African American Woman's Spiritual Journey Dreaming Me: An African American Woman's Spiritual Journey. By Jan Willis. New York: Riverhead Books, 2001. 321 pp. This book invites comparison with Diana Eck's Encountering God: A Spiritual Journey from Bozeman to Banaras(Boston: Beacon Press, 1993). Both are by prominent women scholars, both have "spiritual journey" in the subtitle, (...) and both are about Christians who come to terms with a non-Christian religion—Hinduism in Eck's case, Buddhism in Willis's case. But as soon as one gets past the titles, it is the differences that strike one. Where Eck maintains an Olympian poise, hobnobbing with Hindus but remaining a Christian and an objective scholar, interpreting and analyzing as she goes, Willis plunges into Buddhism without rejecting her family's Baptist tradition, becoming a fully participant observer so as to ask how her own history and the history of her fellow African Americans can be healed by an intensely personal internal dialogue. Eck gives us theology. Willis gives us herself. Recognized as "one of the first American scholar-practitioners of Tibetan Buddhism" (294), her students ask her if she practices meditation as well as teaching it. She gives a carefully crafted answer that unifies the practice of Buddhism with the practice of academic teaching as an authentically human activity within the Humanities.The book has the form of a Hindu epic, incidents from Willis's life interrupting the frame story, the dreaming of the title. This dream (whether actual or metaphorical, we are not told) moves with considerable dramatic power from the terror of being pursued by lions to the dreamer's transformation into a lioness who roars the Dharma like Queen Shrimala. Its five parts are called Birth, Odyssey, Choices, Becoming, and Return, taking us from her childhood as a Baptist in Docena, Alabama, to Cornell University, to India and Nepal, and back to Docena, as a self-described Baptist-Buddhist (310).Willis's journey is intimately bound up with her search for self-acceptance as a "white gal"—a noticeably light-complexioned black woman in the Jim Crow South —and for the nobility of African Americans as fully human beings. Her early experiences [End Page 234] were not encouraging. Blacks were not only physically segregated in Docena, they were electronically expunged from television shows by spurious technical difficulties ("trouble along the cable"), and she endured an attack by the Ku Klux Klan on her family's home. The customary but thoroughly illegal suffrage examination administered to her father included such questions as "How many words are there in the U.S. Constitution?" (58, italics in original). He had been specially prepared for such absurdities, and he passed. Midway in her pilgrimage Willis searches for her roots (or "kin," as she says, using the Southern word) in county and federal records, and her initial excitement turns to humiliation as the white historian tells her, with disdainful triumph, that her intelligence must have come from the white slave owner who "everybody says" was her "granddaddy's daddy" (251). A black woman was presumed to be lacking in native intelligence, and Willis's intellectual powers suffered insult not only from whites but from her own mother, who, perhaps having internalized the white folks' contempt, regarded being smart as somehow evil (25). As a student at Cornell, Willis discovered black power and participated in Black Student Alliance (BSA) demonstrations, sometimes involving guns, but she came to believe that direct political action was not for her. She was, she decided, a teacher at heart, and after much soul searching she opted for the "peaceful transformation" (129) that she hoped would come from the study and practice of Buddhism.Although her skin color was a puzzlement to some Indians, who wondered about her caste, her Tibetan teachers in Nepal accepted her as a student who was at least the equal of the white students, and even, perhaps, superior to them. A spot of blonde in her hair was interpreted as the... (shrink)

In general, dreams are a novel but realistic simulation of waking social life, with a mixture of characters, motivations, scenarios, and positive and negative emotions. We propose that the sharing of dreams has an empathic effect on the dreamer and on significant others who hear and engage with the telling of the dream. Study 1 tests three correlations that are predicted by the theory of dream sharing and empathy: that trait empathy will be correlated with frequency of (...) telling dreams to others, with frequency of listening to others’ dreams, and with trait attitude towards dreams (for which higher scores indicate positive attitude). 160 participants completed online the Toronto Empathy Questionnaire and the Mannheim Dream Questionnaire. Pearson partial correlations were conducted, with age and sex partialled out. Trait empathy was found to be significantly associated with the frequency of listening to the dreams of others, frequency of telling one’s own dreams to others, and attitude towards dreams. Study 2 tests the effects of discussing dreams on state empathy, using an adapted version of the Shen (2010) state empathy scale, for 27 pairs of dream sharers and discussers. Dream discussion followed the stages of the Ullman (1996) dream appreciation technique. State empathy of the dream discusser towards the dream sharer was found to increase significantly as a result of the dream discussion, with a medium effect size, whereas the dream sharer had a small decrease in empathy towards the discusser. A proposed mechanism for these associations and effects is taken from the robust findings in the literature that engagement with literary fiction can induce empathy towards others. We suggest that the dream acts as a piece of fiction that can be explored by the dreamer together with other people, and can thus induce empathy about the life circumstances of the dreamer. We discuss the speculation that the story-like characteristics of adult human dreams may have been selected for in human evolution, including in sexual selection, as part of the selection for emotional intelligence, empathy, and social bonding. (shrink)

Recently, a beekeeper discovered the metabolic wizardry of wax worms, their ability to decompose polyethylene. While this organism has usually been perceived as a model organism in science or a pest to beekeepers, it acquired a new mode of being as potentially probiotic, inviting us to dream of a future without plastic waste. In this paper, I explore how wax worms are entangled with material practices of care and narratives that give meaning to these practices. These stories, however, are (...) marked by manipulation, exploitation, and extermination, and call for a questioning of our modes of caring. Consequently, I offer a counter-narrative that questions our anthropocentric practices of caring and the stories we attach to them. Borrowing Puig de la Bellacasa’s notion of ecopoetics, I tell another story based on my participation in the making of an art installation hosting wax worms. The installation creates an opening of a world of curiosity and cultivates a sensibility for wax worms expanding their modes of being and our capabilities of appreciation. In the end, I argue that by mattering and storying differently, we have the opportunity to challenge anthropocentric interests and make a different world of caring and co-existence possible. (shrink)

Westworld tells the story of a technologically advanced theme park populated by robots referred to as hosts, who follow a script and rules that the park's operators set up for them. Alan Turing argued that machines think not because they have special powers or because they are like us. Turing's perspective is illustrated perfectly in the show's focus on the hosts. Objecting to Turing's theory, John Searle proposes a situation called the “Chinese room argument”, concluding that the man in the (...) room does not understand Chinese even though he can correctly manipulate the symbols and give output that might lead an observer to believe that the man does understand Chinese. The Maze represents consciousness, a privileged knowledge of our own thoughts, it also represents the inward journey for the hosts to reach consciousness. Once hosts are able to solve the Maze, they become truly conscious and develop their own voice. (shrink)

Evan’s book is in many ways an exercise in remapping. The first is suggested by the book’s title. Waking, Dreaming, Being challenges existing ways of mapping the conceptual relationship between conscious states across the sleep-wake cycle. The idea that waking and dreaming are not discrete states but can interpenetrate each other—that, to use Evan’s words, they “aren’t opposed but flow into and out of [one] an other” —is a central theme running through the book. If Evan is correct, then the (...) taxonomy of conscious states that underlies large parts of contemporary philosophy of mind and cognitive neuroscience has to be redrawn. As Evan tells us in the introduction, the book’s organizing principle... (shrink)

In the Preface to The Chinese Dream: Education the Future I wrote:This is a work in narrative. It tells a story about modern China – a story of an economic and cultural miracle. But...

_A major theoretical statement by a distinguished political scholar explains why a policy of liberal hegemony is doomed to fail_ In this major statement, the renowned international-relations scholar John Mearsheimer argues that liberal hegemony, the foreign policy pursued by the United States since the Cold War ended, is doomed to fail. It makes far more sense, he maintains, for Washington to adopt a more restrained foreign policy based on a sound understanding of how nationalism and realism constrain great powers abroad. (...) It is widely believed in the West that the United States should spread liberal democracy across the world, foster an open international economy, and build institutions. This policy of remaking the world in America’s image is supposed to protect human rights, promote peace, and make the world safe for democracy. But this is not what has happened. Instead, the United States has ended up as a highly militarized state fighting wars that undermine peace, harm human rights, and threaten liberal values at home. Mearsheimer tells us why this has happened. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:W. T. Jones SOMNIO ERGO SUM: DESCARTES'S THREE DREAMS What is remarkable about Descartes's dreams is not that he dreamed (for even philosophers presumably dream), but that he wrote down a description of his dreams and of his interpretation of them and then kept this record for more than thirty years, until his death.* What is remarkable, in a word, is that this thinker, who prided himself on (...) his rationalism and who has come to represent, at least to philosophers, the very spirit of rationalism, should have taken his dreams so seriously. Philosophers—perhaps because the dreams conflict with their view of Descartes, perhaps because they conflict with their view of themselves and their discipline—have tended to play down the dreams or to ignore them altogether. Thus, though Bernard Williams, the author of a recent volume on Descartes, refers to the dreams as "a significant event," he proceeds in a footnote to undercut the adjective by quoting Christiaan Huygens, apparently with approval, to the effect that the dreams show "a great weakness [in Descartes], and I think that it will seem much the same to Catholics who have freed themselves from bigotry." If we try to free ourselves from what seems to be a standing philosophical prejudice against dreams and dreaming, what can Descartes's dreams tell us about his theories? That is the topic of this article. But first a caveat concerning my position on the interpretation of dreams generally. The interpreter of a dream, like the interpreter of other cultural products, has to try to steer a course between the Scylla of overinterpretation (reading into the dream something that is not expressed in it) and the Charybdis of underinterpretation (missing something that is actually expressed in the dream). My own bias leads me to fear overinterpretation more than underinterpretation; I had?Descartes's original Latin record of the dreams no longer survives. A new English translation by my colleague, John F. Benton, of a late seventeenth-century paraphrase of a portion of Descartes's text appears as an appendix to this article. 145 146Philosophy and Literature rather go aground on Charybdis than be shipwrecked on the Scylla of the Freudians and the Jungians.2 I am skeptical of interpretations of Descartes's dreams that are not supported by nondream materials—on the assumption that any dynamic element expressed in the dreams that is not also expressed in nondream materials is unlikely to be of much importance for understanding Descartes's thought. Therefore, instead of beginning with the dreams and then looking here and there in nondream materials for supporting evidence, I shall begin with nondream materials and only later turn to the dreams. In a word, I shall try to read back both from nondream material and from dream material to dynamic elements which may be present in, and shaping, both. My hope is that the uncovering of these elements will result in a better understanding of nondream and dream material alike. I Accordingly, I shall begin with a brief account of some of the themes of two of Descartes's best known philosophical writings, The Discourse on Method (1637) and the Meditations on First Philosophy (1641). The Discourse is particularly relevant to our inquiry because it "covers" the period in which the dreams occur, but in a very different medium from that of the Olympica and at a later date. The Discourse was in fact a discreet, as it were sanitized, version of the whole long voyage of discovery in which the dreams were but one, if nonetheless a critical, episode. Descartes tells us he had been educated "at one of the most celebrated schools in Europe" and had not beenjudged by his instructors "inferior" to his fellow students. Yet, on completing his course of study, he found himself "embarrassed with so many doubts and errors" that the only result of his efforts to instruct himself had been the "increasing discovery" of his own ignorance. Having gone through all the sciences of his time—languages, literature, rhetoric, theology, philosophy—without learning anything of consequence, he had then turned to travel, to seeing courts and armies, hoping thereby to discover the answers he sought "in... (shrink)

Is there a way to tell whether what you remember was something you dreamt or something that really happened without making reference to coherence criteria? I suggest contra Descartes that there is a certain sign ‘by means of which one can distinguish clearly between being awake and being asleep’. This certain sign is the intensive magnitude associated with every sensation.

Labour, for capitalist critique, is not just slavery analogised; it is slavery materialised and expanded. Across the Marxist terrain, class struggle is presupposed by the struggle not to be a slave: the struggle of ‘the worker’ combats a slavery simultaneously more complex, because it is more mediated, and implicitly more emancipatory, because it materialises what has been called ‘objective possibility’. In this article, I track symptoms of the sublation of slavery by labour in the telling of ‘new labour history’ (...) and counter with ‘objective impossibility’ as a more open and efficacious diagnostic for the slave’s political position. Though the sentences of United States labour history are alive with promises of solidarity, the field also remains an unstable landmine of antagonism, death, failure, limit. I argue that this labour history, despite its gestures towards the problem ‘race’, is grammatically caught in a web of desires that Sylvia Wynter names ‘the hegemony of the labour conceptual frame (i.e., the frame of the struggle against capitalism)’. The labour conceptual frame is hegemonic because the relation between race and class already presupposes a latent Marxist orientation to subjects, objects, consciousness, and history that renders perfect the slave’s objective impossibility and culminates, at the nexus of race and class, in an uncritical conversion of labour’s objective possibility into pure, unmediated possibility. This article tracks how the black worker remains stubbornly impossible throughout this theoretical convergence, bending the apparatus of labour history, the purchase of Marxist theory, and the salience of class-first politics through the excess of blackness to labour. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Daring and Disappointing Dreams of Transhumanism's Secular EschatologyMichael Baggot L.C.IntroductionAlthough it is a largely secular movement, contemporary transhumanism borrows heavily from both Christian orthodoxy and heresies to construct a vision for human happiness. This article traces the roots of transhumanism's soteriology and eschatology and then examines the underlying anthropological problems that drive the hoped-for salvation through digital immortality. Unfortunately, the admirable desire to extend life sacrifices an appreciation (...) for the integral harmony of the human person's animal and spiritual dimensions. Since human actions manifest the person's intrinsic corporeality, attempts to detach the human personality from the body through digitalization would produce replicas of the dead without achieving true immortality. The surprising quasi-religious thrust of contemporary transhumanism's secular eschatology presents an opportunity to rediscover the Catholic patrimony's reflection on authentic divinization through the transhumanizing effects of divine grace. The article thus concludes with a Thomistic theosis-centered reorientation of secular transhumanism's eschatological aspirations for immanent immortality toward true human flourishing. [End Page 841]The Secular Eschatology of Contemporary TranshumanismThe leading transhumanist philosopher, Oxford University professor Nick Bostrom, thinks that his movement will provide real solutions to the perennial problems of humanity that traditional religions have tried and failed to address:While not a religion, transhumanism might serve a few of the same functions that people have traditionally sought in religion. It offers a sense of direction and purpose and suggests a vision that humans can achieve something greater than our present condition. Unlike most religious believers, however, transhumanists seek to make their dreams come true in this world, by relying not on supernatural powers or divine intervention but on rational thinking and empiricism, through continued scientific, technological, economic, and human development.1Yet, for all its protests against antiquated creeds, secular transhumanism frequently tends toward quasi-religious expressions. For instance, Meghan O'Gieblyn finds striking parallels between the evangelical and transhumanist worldviews she has embraced and abandoned during her life.2 Her writing explores her harrowing transition from Christian fundamentalism to trans-humanism and her eventual disillusionment with the techno-movement. Bible school had taught her about the various epochs of salvation history and her position within the "dispensation of grace" that marked the final preparation for the longed-for "millennial kingdom." As an adult, she spurned the false promises of organized religion and sought a more rational organization for her life. Later, a book recommendation plunged her into the thought of Google guru Ray Kurzweil and his narrative of evolutionary eras pointing toward an imminent "singularity" in which intelligent machines would emerge from an informational explosion. Such advanced robots would bring digital immortality through mind uploads and a nanotech new earth [End Page 842] that would put Eden to shame. Through his projects, Kurzweil purports to continue the Enlightenment tradition of empirical science and rational rigor. Similarly, many transhumanists tend to follow their Enlightenment predecessors in chiding traditional religion for obscurantist opposition to scientific progress. Nonetheless, O'Gieblyn discovered that the very movement that pretends to supplant the superstitions of the old-time religion is itself "a secular outgrowth of Christian eschatology."3The Christian-trained author could not help but detect familiar religious themes in the technocentric movement. Before it spread through the offices of Silicon Valley, the term "transhuman" first appeared in Henry Francis Carey's 1814 version of Dante's Paradiso, where the poet pilgrim recognizes that not even his own genius can describe the joy of risen life when he writes, "words may not tell of that transhuman change."4 Recent efforts to substitute supernatural resurrection with technological advancement find antecedents in the thirteenth-century friar Roger Bacon's quest for an elixir of life. Later, the nineteenth-century Russian Orthodox philosopher Nikolai Fedorov claims humans should use technology to control Darwin's unguided evolutionary process. Similarly, the twentieth-century Jesuit paleontologist Pierre Teilhard de Chardin predicted a global machine network that would merge consciousnesses worldwide and prompt the Omega Point of transphysical union with the divine.The Eugenicist Julian Huxley strips such notions of their religious trappings to present a secular transhumanist project that will "overcome limitations…to arrive at... (shrink)

In Carnap’s autobiography, he tells the story how one night in January 1931, “the whole theory of language structure” in all its ramifications “came to [him] like a vision”. The shorthand manuscript he produced immediately thereafter, he says, “was the first version” of Logical Syntax of Language. This document, which has never been examined since Carnap’s death, turns out not to resemble Logical Syntax at all, at least on the surface. Wherein, then, did the momentous insight of 21 January 1931 (...) consist? We seek to answer this question by placing Carnap’s shorthand manuscript in the context of his previous efforts to accommodate scientific theories and metalinguistic claims within Wittgenstein’s Tractatus theory of meaning. The breakthrough of January 1931 consists, from this viewpoint, in the rejection of the Tractatus theory in favor of the meta-mathematical perspective of Hilbert, Gödel, and Tarski. This was not yet the standpoint of the published Logical Syntax, as we show, but led naturally to the “principle of tolerance” and thus to Carnap’s mature philosophy, in which the inconsistencies between this first view and the principle of tolerance, which survived into the published Syntax, were overcome. (shrink)

There are two epistemological problems connected with dreaming, which are of different kinds and require different treatment. The internal problem is best seen as a problem of rational consistency, of how we can maintain all of: Dreams are experiences we have during sleep. Dream-experiences are sufficiently similar to waking experiences for the subject to be able to mistake them for waking experiences. We can tell that we are awake. (1)-(3) threaten to violate a requirement on discrimination: that we can (...) only tell Xs from Ys if there is some detectable difference between Xs and Ys. Attempts to solve the problem by Descartes and Williams are considered. It is suggested that if we take account of levels of epistemic risk, we can use Descartes's criterion of lack of coherence, at least with hindsight - which is the time when we need to use it. (shrink)

A conscious mind in a sleeping brain: the title of this book provides a vivid image of the phenomenon of lucid dreaming, in which dreamers are consciously aware that they are dreaming while they seem to be soundly asleep. Lucid dreamers could be said to be awake to their inner worlds while they are asleep to the external world. Of the many questions that this singular phenomenon may raise, two are foremost: What is consciousness? And what is sleep? Although we (...) cannot pro vide complete answers to either question here, we can at least explain the sense in which we are using the two terms. We say lucid dreamers are conscious because their subjective reports and behavior indicate that they are explicitly aware of the fact that they are asleep and dreaming; in other words, they are reflectively conscious of themselves. We say lucid dreamers are asleep primarily because they are not in sensory contact with the external world, and also because research shows physiological signs of what is conventionally considered REM sleep. The evidence presented in this book-preliminary as it is-still ought to make it clear that lucid dreaming is an experiential and physiological reality. Whether we should consider it a paradoxical form of sleep or a paradoxical form of waking or something else entirely, it seems too early to tell. (shrink)

The aim of this article is to show that statistical analysis and hermeneutics are not mutually exclusive. Although statistical analysis may capture some patterns and regularities, statistical methods may themselves generate different types of interpretation and, in turn, give rise to even more interpretations. The discussion is lodged within the context of a quantitative analysis of dream content. I attempted to examine the dialogical texts of reported dreams monologically, but soon found myself returning to dialogic contexts to make sense (...) of statistical patterns. One could cogently argue that the reported statistical relationships in this study, rather than pointing to any interaction among the "signifieds," speak only to the relationships among the "signifiers" that were being played out through various actors on the analytic or scientific stage, since all of the constructs used in theorizing about, interpreting, and telling dreams come from the same discursive system. (shrink)

In 2005, seven European countries signed the so-called Prüm Treaty to increase transnational collaboration in combating international crime, terrorism and illegal immigration. Three years later, the Treaty was adopted into EU law. EU member countries were now obliged to have systems in place to allow authorities of other member states access to nationally held data on DNA, fingerprints, and vehicles by August 2011. In this paper, we discuss the conditions of possibility for the Prüm network to emerge, and argue that (...) rather than a linear ascent towards technological and political convergence and harmonisation, the story of Prüm is heterogeneous and halting. This is reflected also in the early stages of implementing the Prüm Decision which has proven to be more challenging than it was hoped by the drivers of the Prüm process. In this sense, the Prüm network sits uncomfortably with success stories of forensic science . Instead of telling a story of heroic science, the story of Prüm articulates the European dream: one in which goods, services, and people live and travel freely and securely. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Melon and the Dictionary:Reflections on Descartes's DreamsAlan Gabbey and Robert E. HallThe interpretation of dreams is rarely answerable to either evidential or settled theoretical control. When the phantasms of the dreaming mind seem unaccountable, as they often do, they seem to belong to a mental world beyond the reach of historical, philosophical, or scientific analysis, a world for which the rules of methodological engagement seem inappropriate, rather than (...) merely impossible to observe. So in advance we ask the reader's indulgence if we appear somewhat to ignore the historian's normal duty to transmute favored speculations into well-argued conclusions based on solid evidence. We do have evidence to present, however, and indeed one or two conclusions that seem to us compelling. But if skeptics question their value, at least they will do so without envy, since they will not want to chase after our speculations on the Dreams—unless with the intention of chasing them and us out of the Cartesian arena altogether.Most of that arena is set aside for exegetical tussles with the respectable philosophizing of the Meditations, the Discourse on Method, and The Principles of Philosophy or The Passions of the Soul. But for some of the liveliest Cartesian games, you must move to that part of the arena where biographers, psychologists, psychoanalysts, and historians have fun with the "petit registre en parchemin," as the Stockholm Inventory describes it.1 This notebook contained [End Page 651] the twelve-page Olympica, in which Descartes recounted the three Dreams, announced his discovery of the foundations of "a wonderful science," and in the margin of the manuscript noted a year later his emerging understanding of "the foundation of a wonderful discovery." Later we'll rerun a few of the Olympian performances of previous interpreters, as preliminaries to a couple of our own interpretative games.First let us recall what happened on Saint Martin's Eve, the night of 10 November 1619, in Descartes's twenty-fourth year.2 In the days preceding that night Descartes's concern with the search for truth gave him much mental torment which the society of his friends could not dissipate. This tired him so much that his brain became inflamed: "he fell into a kind of enthusiasm, which left him in such a state that his depressed spirit was ready to receive dreams and visions." Retiring to bed "full of enthusiasm" from "having found that day the foundations of a wonderful science," Descartes (Baillet tells us) had three dreams "which he imagined could have come only from on high." In Dream I, while he was walking through the streets, his imagination was haunted by terrifying phantoms (fantômes). A severe disabling weakness in his right side forced him to bend over to his left so that he could continue toward his destination. Ashamed of walking in that way, he tried to straighten up, but a strong whirlwind spun him round three or four times on his left foot. Still more terrifying was the thought that he was falling at every step because of the difficulty in dragging himself through the streets.Then seeing a college with open gates, he entered, seeking relief from his afflictions, and intending to pray in the college chapel. But he had passed someone he knew without hailing him. He tried to return to greet him and was hurled back by the wind blowing against the chapel. At the same time he saw in the middle of the college courtyard another person who greeted him civilly by name, and told him that if he cared to look for Monsieur N., "he had something to give him." "M. Descartes imagined that it was a melon that someone had brought from some foreign country." But even more surprising was the fact that those who gathered round him to talk were standing straight and firm on their feet, whereas he was still bent over and staggering about, even though the wind which had threatened several times to blow him over had now greatly abated. At this point he awoke to feel a pain that made him fear that all this was the [End Page 652] work of... (shrink)

A philosophical look at the movie Inception and its brilliant metaphysical puzzles Is the top still spinning? Was it all a dream? In the world of Christopher Nolan's four-time Academy Award-winning movie, people can share one another's dreams and alter their beliefs and thoughts. Inception is a metaphysical heist film that raises more questions than it answers: Can we know what is real? Can you be held morally responsible for what you do in dreams? What is the nature of (...) dreams, and what do they tell us about the boundaries of "self" and "other"? From Plato to Aristotle and from Descartes to Hume, Inception and Philosophy draws from important philosophical minds to shed new light on the movie's captivating themes, including the one that everyone talks about: did the top fall down (and does it even matter)? Explores the movie's key questions and themes, including how we can tell if we're dreaming or awake, how to make sense of a paradox, and whether or not inception is possible Gives new insights into the nature of free will, time, dreams, and the unconscious mind Discusses different interpretations of the film, and whether or not philosophy can help shed light on which is the "right one" Deepens your understanding of the movie's multi-layered plot and dream-infiltrating characters, including Dom Cobb, Arthur, Mal, Ariadne, Eames, Saito, and Yusuf An essential companion for every dedicated Inception fan, this book will enrich your experience of the Inception universe and its complex dreamscape. (shrink)

Recent debates over the rise of an American Empire have relied on analogies to past empires, from ancient Athens to modern Britain. Such historical analogies, while inexact and debatable, are a basic mode of understanding our relation to the past. This article explores the analogy of the United States to the Roman Empire. The figure of Rome is a contested legacy, as can be seen in the long-ago writings of Livy and Tacitus, in the developing ideal of Rome during the (...) Middle Ages, and in the works of modern scholars and poets living under Soviet domination in Poland. Tacitus tells us that the most profound symptoms of empire may be seen in the homeland. The debate over analogies for the American Empire is thus a debate over the ?state of America's soul.? (shrink)

This article is about knowledge and argument. The purpose is to dramatize certain questions of knowledge: how and why does the better knowledge not become the better argument; what are the voices access ible to the claiming of new knowledge; what are the limits and destinies of contemporary expertise? The article is also an experiment in aca demic and intellectual forms, an experiment which corresponds to the central inquiry: how should knowledge speak now? There are three parts. The first part (...) tells a story about enlightenment and persuasion. The second part is a dialogue between two voices which speak for the argumentative ethos of knowledge - Newtonian is a voice of the centre, and Paracelsan speaks from and for the margins. The third part is a dia logue between Critic and Speculator, a dialogue about the fate of know ledge in postmodernity. Throughout, the text includes a range of quotations, synchronized with its arguments. The continuous source of excerpts is the BSE news, which is taken to represent aspects of know ledge in our time. There is a strong association made between questions of contemporary knowledge and ecological crisis. Major reference points include: Beck; Baudrillard; Blanchot; Jabes. (shrink)

This book is about you. How does your brain work and where do your thoughts and dreams come from? How can you harness their creative power? Ableman posits a crucial relationship between language and memory and thus between language and self-awareness. Most startlingly he maintains that the human 'person' is essentially the language component of a large-brained animal. Ableman has researched his theory using existing data derived from the malfunctioning mind as manifested in schizophrenia, sleepwalking, autism, 'out of body' experiences (...) and nightmares. His revolutionary claims constitute an exciting and persuasive theory of mind which orthodox science could - and should - test. (shrink)

In this collection of interviews, Derrick Jensen discusses the destructive dominant culture with ten people who have devoted their lives to undermining it. Whether it is Carolyn Raffensperger and her radical approach to public health, or Thomas Berry on perceiving the sacred; be it Kathleen Dean Moore reminding us that our bodies are made of mountains, rivers, and sunlight; or Vine Deloria asserting that our dreams tell us more about the world than science ever can, the activists and philosophers interviewed (...) in How Shall I Live My Life? each bravely present a few of the endless forms that resistance can and must take. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Recovering the Snorra Edda:On Playing Gods, Loki, and the Importance of HistoryMathias Moosbrugger (bio)Distinguamus ergo quam fidem debeamus historiae,quam fidem debeamus intellegentiae.—Augustinus, De vera religioneI.It might seem rather uncreative to those familiar with René Girard's thinking to deal with the story of the murder of Baldr as told in the Edda by Snorri Sturluson, one of the foremost representatives of the extraordinary poetic culture of medieval Iceland, from a (...) Girardian point of view. This is obviously because Girard himself has analyzed this story in detail in a chapter of his book The Scapegoat.1 Everything else could either be seen as an unnecessary addition to what has already been said—at most a contribution of interesting but in the end not substantial details—or a (perhaps hypercritical) objection to the mimetic theory as a whole from the viewpoint of another theoretical approach, in order to detect the heuristic or hermeneutical weaknesses of the mimetic theory. I do not intend to do either. Nevertheless, I will try to outline [End Page 105] a rereading of the Baldr-story that is quite different from and in some respects contrary to the interpretation suggested by Girard. I am, in fact, suggesting that, in order to understand the proper narrative structure and the inner hermeneutical dynamic of the story, it is fundamentally important to read it not solely paying attention to the phenomenological structure of the text, but in the first place attending to the historical context of its genesis. Luckily, this has been the object of historical research for many decades, and we are therefore provided with a solid fundament for the following considerations. I hope to show convincingly that only the application of historical research can enable us to reconstruct the actual essence of this story—something, by the way, that historical research itself has not yet been able to accomplish. Certainly, all this does not mean that we have to historicize the story itself, as, for example, Saxo Grammaticus did in his Gesta Danorum, but merely that we need to situate it—or rather, its author—in the proper historical context.2 And as the mimetic theory is not, as critics constantly claim, a quasi-totalitarian and mono-dimensional system that allows only one "dogmatic" interpretation of a story, it is possible to reinterpret texts already analyzed "formally correctly" by means of the mimetic theory without—I hope—becoming unfaithful to its main theoretical insights. By connecting a historical approach with the insights provided by mimetic theory, I intend to defend an author, Snorri Sturluson, who, I think, is greatly underestimated in Girard's interpretation of the Baldr-story (Girard does not even mention the author's name) and to recover the most profound hermeneutical value of his Edda, which has not yet been detected by historians. Snorri was a poetic genius, but it is not he who needs this defense; it is we who need it, because he is, as I want to show, an author with an incredible understanding of the socioanthropological powers that govern human society.II.It is useful to recapitulate Girard's interpretation in The Scapegoat; this requires in the first place a general overview of Snorri's Baldr-story itself.3 We all know the main elements of this story: Baldr, the best and most loved of all the gods, is, as dreams tell him, in danger of being killed. Odin, Baldr's father and the highest of all the gods, knows this and is also aware that this would be the beginning of the end of the world. So the Aesir prepare a strategy in order to prevent any such thing from happening: the goddess Frigg has all creatures take an oath that they will not do Baldr any harm—be it by fire, water, iron, metal, stones, earth, trees, diseases, animals, birds, poisons, or snakes. This [End Page 106] "all-in insurance" makes Baldr and his fellow gods slaphappy—in the truest sense of the word: assuming that nothing can ever hurt Baldr now, they stand around him and throw at him whatever comes to their minds or respectively their hands—and everything seems to... (shrink)

I was dreaming about Delores when the phone interrupted us. It was the Chief, or ‘Stress,’ as we liked to call him, telling me to get part of my anatomy down to Shakey’s Funeral Parlor. My head ached. I thought I must be the only sucker who gets a hangover from being drunk on life. I got up, put two eggs, a spoonful of wheatgerm, the remains of the scotch, and the phonebill into the blender and fed the whole (...) lot to the cat. It helped, but not as much as Delores would have. I should have married her even if she was a Hubot. At least she could play chess. I was still Rumanating over Delores as I hit the curb outside Shakey’s.I had the notion that Shakey’s was once a pizza joint but I could have been wrong. I found Stress, disheveled as usual, in the lobby.‘You’re late,’ he said. I wasn’t, but he’s thatkinda guy. He says ‘Jump!’ and you say ‘With or without my legs?’ We got our free Cokes from Shakey himself, who led us down the hall. (shrink)

Author tells the story of his close and very long-lasting acquaintance with Leszek Kołakowski as well as commentates on his intellectual biography and achievements as political and literary essayist, philosopher, historian of ideas, and public figure. In particular, he describes in details the first half of Kołakowski’s life, namely the period when he made his long journey from being communist in his student years to becoming as a young scholar the leading figure of Marxist revisionism in the late fifties and, (...) after a time, a principled critic of Marxism itself and a fervent anti-communist.In many respects, Kołakowski’s itinerary was not exceptional but it had at least two noteworthy characteristics. First, in opposition to quite a few other cases, his way away from communism turned out to be scholarly fruitful as it resulted in an uniquely indepth historical research, covering the founders, the golden age and the breakdown of so called “scientific socialism” (his voluminous work Main Currents of Marxism remains one of the best and the most comprehensive monographs of the topic). Second, Kołakowski’s abandoning of his former Weltanschauung was followed by his discovery of religion as an extremely important part of human experience and sine qua non condition of the survival of civilization, permanently menaced by barbarians. However, it is to be doubt whether he may be considered as a convert or a religious thinker in the strict sense of the word since he believed in horrors of the absence of God rather than in the real presence of his in the world. As defender of transcendence and tradition, Kołakowski certainly became a kind of catholic-Christian without denomination but as acritical philosopher remained at the same time highly skeptical about everything. Dreaming of solid fundaments, he was all his life an uncompromising enemy of any fundamentalism. Being nostalgic about the Absolute, he was incurable anti-absolutist. (shrink)

'The Liberals tells us the story of an India in transition from a very personal vantage point, one that is full of cheeky intelligence and delicious insight. Hindol Sengupta has given us lots to think about and even more to chuckle about'- Santosh Desai 'Here is an account of Manmohan's children, the Gen Next who have the world as their oyster... Hindol Sengupta's droll memoirs at such a young age will echo in many a young person's mind. Hindol speaks for (...) India's future and a funky future it is too!' - Meghnad Desai 'An engaging personal tale of the post-reform generation told with spirit by one of its children' - Gurcharan Das 1991. The year the Indian economy opened up to the world and unleashed a billion desires and dreams. But who are these restless dreamers? This is a very private story of a very public middle-class consumption revolution. From proselytizing American schools in Calcutta to Page-3 parties in Delhi and television studios in Bombay, The Liberals brings to life unforgettable characters spawned by the needs of the world's largest democracy. Communist Bob Dylans jam with murderous villagers, girlfriends give lessons in capitalism, TV stylists snarl over white shirts, Amar Singh talks about love and Akshay Kumar about what it takes to be the boy next door. Through it all, Hindol Sengupta lives to tell the tale of GDP rising. This is the autobiography of liberalization, entertaining and immensely relatable, and an insider's account of finding one's place in a newly liberalized India. (shrink)

In his Meditations Descartes tells us that he initially thought error might be avoided if he withheld assent “no less carefully from what is not plainly certain and indubitable than from what is obviously false.” For example, he thinks it plainly certain and indubitable that he is “sitting by the fire, wearing a winter cloak, holding this paper in my hands, and so on.” And yet even what is “plainly certain and indubitable” can be doubted. “I will suppose, then, not (...) that there is a supremely good God, the source of truth; but that there is an evil spirit, who is supremely powerful and intelligent, and does his utmost to deceive me.” Such a deceiver can spin illusions that appear indubitably real and true—of hands, fire, cloak, paper—and not only when there are none present in any particular case but even where there are none at all in any case. “I will suppose that sky, air, earth, colors, shapes, sounds and all external objects are mere delusive dreams, by means of which he lays snares for my credulity.”2 The deceiver hypothesis is the most difficult skeptical doubt Descartes must surmount in the remaining Meditations. I say the deceiver hypothesis, and for Descartes the deceiver is a mere possibility, raised so as to motivate the reconstitution of knowledge that follows. That there might be a powerful deceiver is itself a threat to knowledge for Descartes. Indeed even the possibility of an evil deceiver is so powerful a threat that Descartes must do nothing less than prove God’s existence to reestablish certainty. It is only at the end of his Meditations that Descartes can say, as if looking back on a hysterical moment, that the evil deceiver idea was “exaggerated” and “ridiculous.”3.. (shrink)

When Propertius tells Cynthia in 2. 29A that, on his drunken way to another woman the previous night, he was seized and hauled back to Cynthia by a band of Cupids, it is fairly clear that the poet is giving dramatic embodiment to the erotic commonplace that the lover fired by wine is unable to stay away from his mistress but is dragged back to her perforce by love.The nature of the drama in which the topos is embodied is, however, (...) not at all clear. Most commentators have seen it as nothing more than a fantasy or fairy-tale having no connection whatsoever with real life. Two, while recognizing that elements of fantasy are present, nevertheless have felt that the action of the drama is derived from real life with the Cupids playing a real-life role.I believe that those who have seen 2. 29A as merely fantasy are incorrect. This is not to say that pure fantasy does not occur in Propertius’ work. But when it does it takes place in a dream or fantasy landscape. In 2. 29A the scene is the streets of Rome and this realistic setting suggests that, as in another realistic setting Propertius although giving rein to his fantasy links it with reality by taking on himself the role of triumphator, so here it is more likely that the characters in a drama with a real setting will have real-life roles to play. (shrink)

Borges’ The Circular Ruins tells the story of a magician who turns out to be a character in a dream. Leibowitz (2021) argues that this scenario undermines the rational indubitability of Descartes’ Cogito. The magician, he argues, is an unreal appearance and therefore does not exist. I argue that Borges drew a distinction between reality and existence and that he was right to do so. There are various senses of reality and the sense in which a dreamt character is (...) unreal poses no threat to their existence or to the indubitability of the Cogito. The magician is unreal because he is a mind-dependent, illusory and fake. Nonetheless, he can be certain that he thinks, therefore he is. (shrink)

Finding Oz tells the remarkable story behind one of the world’s most enduring and best-loved books. Offering profound new insights into the true origins and meaning of L. Frank Baum’s 1900 masterwork, it delves into the personal turmoil and spiritual transformation that fueled Baum’s fantastical parable of the American Dream. Before becoming an impresario of children’s adventure tales, the J. K. Rowling of his age, Baum failed at a series of careers and nearly lost his soul before setting out (...) on a journey of discovery that would lead to the Land of Oz. Drawing on original research, Evan Schwartz debunks popular misconceptions and shows how the people, places, and events in Baum’s life gave birth to his unforgettable images and characters, from the Yellow Brick Road to the Emerald City to the dual view of witches that reflected the life of Baum’s mother-in-law, the radical women’s rights leader Matilda Joslyn Gage. A narrative that sweeps across late-nineteenth-century America, Finding Oz ultimately reveals how failure and heartbreak can sometimes lead to redemption and bliss, and how one individual can ignite the imagination of the entire world. (shrink)

Presence research can tell us why we feel present in the real world and can experience presence while using virtual reality technology (and movies and games) but has strikingly less to say on why we feel present in the scenes described in a book. Just how is it that the wonderful tangible detail of the real world or the complexity of digital technology can be matched and even surpassed by a story in a paperback book? This paper identifies a range (...) of potential neurological solutions to this problem (and the “real world” and “dream” problems for good measure). We consider Jeannerod’s neural simulation of action, Grush’s emulation theory of representation and Rizzolatti’s work on mirror neurons as being candidate solutions to the “book problem”. We conclude by observing that these potential solutions further underline the “purpose” of presence is to act in the world whether it is real, virtual or solely in our imaginations. (shrink)

Right now, you are undergoing the conscious experience of reading this text, combined with a shifting background of sensory, emotional, and cognitive coloring. The conscious experience of the reading, together with the accompanying background feel of sensation, emotion, and thought, make up how things subjectively seem to you, how things appear, as best you can tell, from your own unique point of view. Consciousness is at once acutely familiar-it makes up the experienced moments of your waking (and perhaps your dreaming) (...) life. But consciousness also raises deep and interesting philosophical questions, questions about how any mere physical subject could produce such a wonder, and questions about how there could be a seemingly private and isolated spot of personal subjectivity in an objective, impersonal world. Perhaps the challenge of developing a satisfying theoretical understanding of consciousness is beyond us-we've reached the limits of what we can comprehend. Or maybe today's shortcomings are only temporary barriers to an illuminating theory of consciousness, one properly embedding it in our scientific worldview. And possibly we already have the resources for a satisfactory theory from the way we think about things in commonsense terms. This reader provides an entry point for considering these and related theoretical questions surrounding consciousness. This introductory section begins with a brief background survey of contemporary debates on consciousness. It then provides a characterization of the notion of consciousness at issue, and considers why consciousness understood this way might be theoretically problematic. It follows with a survey of some of the major theoretical positions on consciousness, and it closes with a synopsis of the sections of the book. (shrink)

Sometimes I dream that I am an astronaut. I land my spaceship on a distant planet. When I tell me children on that planet that on earth school is compulsory and that we have homework every evening, they split their sides laughing. And so I decide to stay with them for a long, long time… Well anyway… until the summer holidays. Each state of the mind is irreducible. The mere act of giving it a name, that is of classifying (...) it, implies a falsification of it. From all this, it would be possible to deduce that there is no science in Tlon, let alone rational thought. The paradox, however, is that sciences exist, in countless number… The metaphysicians of Tlon are not looking for truth, nor even for an approximation of it; they are after a kind of amazement. They consider metaphysics a branch of fantastic literature. They know that a system is nothing more than the subordination of all aspects of the universe to some one of them. Even the phrase ‘all the aspects’ can be rejected, since it presupposes the impossible inclusion of the present moment, and of past moments. (shrink)

What altered states of consciousness—the dissolution of feelings of time and self—can tell us about the mystery of consciousness. During extraordinary moments of consciousness—shock, meditative states and sudden mystical revelations, out-of-body experiences, or drug intoxication—our senses of time and self are altered; we may even feel time and self dissolving. These experiences have long been ignored by mainstream science, or considered crazy fantasies. Recent research, however, has located the neural underpinnings of these altered states of mind. In this book, neuropsychologist (...) Marc Wittmann shows how experiences that disturb or widen our everyday understanding of the self can help solve the mystery of consciousness. Wittmann explains that the relationship between consciousness of time and consciousness of self is close; in extreme circumstances, the experiences of space and self intensify and weaken together. He considers the emergence of the self in waking life and dreams; how our sense of time is distorted by extreme situations ranging from terror to mystical enlightenment; the experience of the moment; and the loss of time and self in such disorders as depression, schizophrenia, and epilepsy. Dostoyevsky reported godly bliss during epileptic seizures; neurologists are now investigating the phenomenon of the epileptic aura. Wittmann describes new studies of psychedelics that show how the brain builds consciousness of self and time, and discusses pilot programs that use hallucinogens to treat severe depression, anxiety, and addiction. If we want to understand our consciousness, our subjectivity, Wittmann argues, we must not be afraid to break new ground. Studying altered states of consciousness leads us directly to the heart of the matter: time and self, the foundations of consciousness. (shrink)

In this paper I tell the story of the evolution of the climate change regime, locating its origins in "the dream of Rio," which supposed that the nations of the world would join in addressing the interlocking crises of environment and development. I describe the failure at Copenhagen and then go on to discuss the "reboot" of the climate negotiations advocated by Eric A. Posner and David Weisbach. I bring out some ambiguities in their notion of International Paretianism, which (...) is supposed to effectively limit the influence of moral ideals in international affairs, and pose a dilemma. I go on to discuss the foundations of their views regarding climate justice, arguing that the most reasonable understandings of their favored theoretical views would not lead to some of their conclusions. Finally, I return to the climate regime, and make some observations about the road ahead, concluding that for the foreseeable future the most important climate change action will be within countries rather than among them. (shrink)

Must mental properties figure in psychological causal laws if they are causally efficacious? And do those psychological causal laws give the essence of mental properties? Contrary to the prevailing consensus, I argue that, on the usual conception of laws that is in play in these debates, there are in fact lawless causally efficacious properties both in and out of the philosophy of mind. I argue that this makes a great difference to the philosophical relevance of empirical psychology. 1 begin by (...) making the case that revolutions and hurricanes are lawless phenomena, before arguing for a similar thesis about creativity, love, courage, dreams, daydreams, and musings. Furthermore, the empirical research on these phenomena suggests that the philosophical issues may be independent of what empirical psychology can tell us. (shrink)

Although there is a growing acknowledgement of the potential of a more nuanced healthcare paradigm and practice, the discourses of health promotion—and with that nursing and other healthcare professionals’ practice—still tend to focus on the medical diagnosis, disease and the rationale of biomedicine. There is a need for shifting to a human practice that draws on a broader perspective related to illness. This requires a transformation of practices which can be constructed within a narrative understanding. A narrative approach appreciates the (...) importance of emotion and intersubjective relation in the telling and listening that occur in the clinical encounter. The essence of nursing lies in the creative imagination, the sensitive spirit and the intelligent understanding of the individuals’ possibilities of becoming empowered in his or her own life. This entails that the focus of the use of patients’ narratives is, ultimately, not the story itself, but the nurses’ and other healthcare professionals’ ability to support the patients in finding useful meaning in their stories. Herein, it is of particular importance to let the patients narrate about what is sparkling moments or events in the lived life. Stories with such focus can open up for patients’ hopes and dreams, which gives inspiration for finding meaningful ways to cope in life empowering personal recovery. It is, therefore, crucial to transform clinical settings into places that acknowledge the need for imagination and creativity, aiming at creating the opportunity for sensibility and vision essential to encouraging a narrative approach and thereby the ability to reflect upon and promote a healing process. (shrink)