Literary fiction gives us a window into ourselves and into those who may seem most unfamiliar to us. We therefore have a moral imperative to read, just as, as psychotherapists, we have a moral imperative to listen. Literary study teaches us to read closely, to listen for structure as well as content, and it also instructs us about different ways of paying attention. Inversely, because the practice of psychotherapy values connection and process, rather than simply interpretation, it shows us how (...) we can bring ourselves more fully to literature. In this paper I propose ways of engaging the field of phenomenological psychology in this dialectical relationship of literature and psychotherapy. By using as a case study a recent experience of teaching Aimee Bender’s (2000) novel An Invisible Sign of My Own in an interdisciplinary seminar on literature and psychology, I illustrate how literature and clinical discourses can inform and challenge each other as we seek to understand the meaning and lived experience of neuroses. I argue that the very act of reading can give the reader the sense and structure of experience that, if explored in a dialogal context, helps us gain access to phenomena that is neither simply self-generated nor simply observed in the other. I term this access evocation: A response that is a calling forth of the reader’s own lived experiencing. Indo-Pacific Journal of Phenomenology , Volume 12, Special Edition July 2012. (shrink)

Free association -- Architecture and the unconscious -- The evocative object world -- The fourth object and beyond.

Most academics write in a dispassionate, third-person voice. That stylistic choice is so expected in academic contexts that when an evocative, first-person voice is used instead, it feels unsettling and out of place to many of us. But why should we react so negatively to such a subversion of expectations? Is it because of the subversion itself, or is it because of an inherent incompatibility between evocative writing and realist analytical traditions? In this paper I’ll show that the freedom of (...) first-person, evocative writing in autoethnography is a strength to be embraced rather than something to be avoided. I’ll further show how offering readers a more complete sensory understanding of experience and meaning isn’t incompatible with realist analytical traditions. I will do this through an exploration of my current research on childhood sexual abuse, which has inspired me to set aside my initial unease with evocative writing and embark on a journey from autoethnographic skeptic to advocate. (shrink)

Le présent article s’interroge sur l’action citoyenne et plus particulièrement sur ce qui peut pousser des personnes, qui ont toujours vécu dans un « anonymat politique », à se lancer dans une action publique qui interpelle les gouvernements. L’auteure prend pour point de départ la conception selon laquelle des préoccupations vécues dans la vie quotidienne sont à l’origine d’une prise de conscience quant à un problème qui concerne ce que les acteurs identifient comme des biens communs. Elle illustre sa thèse (...) à partir d’une étude menée auprès d’un comité de citoyens qui s’est formé dans la foulée de la mobilisation contre le gaz de schiste au Québec en 2010. (shrink)

This article shows how descriptive imagery can be used to hijack evolved psychological instincts and prejudice the judgment of others, particularly in the legal and political domains. By mimicking the cues that represented threats to our ancestors, those wishing to color the perception of others can subtly trigger the affective responses that evolved to help navigate ancestral threats. When this happens, logic may be unseated in favor of deep-seated instinctual responses, often to a problematic degree. In this way, lawyers, politicians, (...) and activists, taking a page out of the playbook of novelists and other storytellers, can weaponize words, images, descriptions, and narratives to, often improperly, sway the opinions of others. (shrink)

In 2006, Two Dutch psychiatric residents and their residency training director reported on a small qualitative survey among 13 psychiatrists working in their mental health institution. The psychiatrists were interviewed about their attitude toward religion and spirituality. The interviewers were especially interested in the role religion plays according to the psychiatrists in the relationship between psychiatrists and patient (Fiselier et al. 2006). The theme is not new, and it still evokes a lot of controversy, considering the turmoil the well-known authority (...) and opinion leader in this field of inquiry Koenig recently provoked with his editorial in Psychiatric Bulletin (Koenig 2008; Correspondence 2008). .. (shrink)

I submit that philosophy makes progress, but it does so in a way that is distinct from the sense in which the word applies to science, and is more akin to what happens in allied fields such as mathematics and logic. I develop a model of philosophy as “evoking” (to use L. Smolin's term) a series of peaks in conceptually defined but empirically constrained, landscapes, or what N. Rescher calls “aporetic clusters.” I also discuss empirical evidence for the existence of (...) such clusters, following a statistical survey of philosophers’ views about their own field, carried out by D. Bourget and D.J. Chalmers. (shrink)

Does cultural evolution happen by a process of copying or replication? And how exactly does cultural transmission compare with that paradigmatic case of replication, the copying of DNA in living cells? Theorists of cultural evolution are divided on these issues. The most important objection to the replication model has been leveled by Dan Sperber and his colleagues. Cultural transmission, they argue, is almost always reconstructive and transformative, while strict ‘replication’ can be seen as a rare limiting case at most. By (...) means of some thought experiments and intuition pumps, I clear up some confusion about what qualifies as ‘replication’. I propose a distinction between evocation and extraction of cultural information, applying these concepts at different levels of resolution. I defend a purely abstract and information-theoretical definition of replication, while rejecting more material conceptions. In the end, even after taking Sperber’s valuable and important points on board, the notion of cultural replication remains a valid and useful one. This is fortunate, because we need it for certain explanatory projects. (shrink)

In The Years of Extermination, the second volume of Nazi Germany and the Jews, Saul Friedländer attempts to write an “integrated” history of the Holocaust that captures the “convergence” of German decisions and policies, the reaction of the surrounding world, and the perceptions and experiences of the Jews. Although several historiographical issues are studied in detail , the most innovative aspect of the book is its extensive use of excerpts from over forty diaries of Jewish victims, which are interspersed among (...) the statements of Nazi leaders and officials, Wehrmacht soldiers, churchmen, and various collaborators and bystanders in order to juxtapose “entirely different levels of reality.” What ultimately holds the book together, despite its intentionally disrupted narrative and Friedländer’s disclaimer that the history of the Holocaust can be encompassed within any “single conceptual framework,” is the overarching theme of the “crisis of liberalism.”. (shrink)

The Power of Example is an interdisciplinary examination of the integral role that examples and exemplification play in anthropological theory and practice. Explores the evocative and persuasive power, both positive and negative, of ‘exemplary examples’ in social life Includes contributions from established and up-and-coming anthropologists, as well as leading scholars of religious and cultural studies Features an international array of case studies on exemplification from Left radical activists in Denmark to scientific metrological practice in Brazil.

In his work on aesthetics, John Dewey provocatively (and enigmatically) called art the "most universal and freest form of communication," and tied his reading of aesthetic experience to such an employment. I will explore how art, a seemingly obscure and indirect means of communication, can be used as the most effective and moving means of communication in certain circumstances. Dewey's theory of art will be shown to hold that art can be purposively employed to communicatively evoke a certain experience through (...) an auditor's experience of an art object. Such a use is shown to be an extension of Dewey's conceptions of scientific method and the role of experience in criticism and communication, and is discussed in light of examples drawn from contemporary film, sculpture, and classical Japanese poetry. (shrink)

In Science and Religious Anthropology: A Spiritually Evocative Naturalist Interpretation of Human Life, Wesley J. Wildman has awakened work in religious anthropology to a new day and a new kind of light. No one who works in religious anthropology, or in religion and science studies more generally, should be taken seriously who has not read, digested, and contended with Wildman’s work. Indeed, if one is looking for an education in genuine interdisciplinarity, in rigorous scholarly analysis and argumentation, and in the (...) ways in which academic theology, religious studies, and the scientific study of religion can mutually inform one another, Wildman’s book is the ideal school. Wildman carefully analyzes, creatively .. (shrink)

Science and Religious Anthropology explores the convergence of the biological sciences, human sciences, and humanities around a spiritually evocative, naturalistic vision of human life. The disciplinary contributions are at different levels of complexity, from evolution of brains to existential longings, and from embodied sociality to ecosystem habitat. The resulting interpretation of the human condition supports some aspects of traditional theological thinking in the world's religious traditions while seriously challenging other aspects. Wesley Wildman draws out these implications for philosophical and religious (...) anthropology and argues that the modern secular interpretation of humanity is most compatible with a religious form of naturalistic humanism.This book resists the reduction of meaning and value questions while taking scientific theories about human life with full seriousness. It argues for a religious interpretation of human beings as bodily creatures emerging within a natural environment that permits engagement with the valuational potentials of reality. This engagement promotes socially borne spiritual quests to realize and harmonize values in everything human beings do, from the forging of cultures to the crafting of personal convictions. (shrink)

This paper deals with the highly personal way an individual makes sense of the world in a way that avoids the pitfalls of the so‐called private language. For Wittgenstein following a rule can never mean just following another rule, though we do follow rules blindly. His idea of the ‘form of life’ elicits that ‘what we do’ refers to what we have learnt, to the way in which we have learnt it and to how we have grown to find it (...) self‐evident. But the reference to the ‘bedrock’, to what was originally learnt, is the only kind of situation for which it makes sense to ask whether the meaning of a concept is correctly stated. Dialogue, conversation, and exchange of ideas are the right ways to characterize all the other situations. The challenge of Wittgensteinian philosophy is therefore that of a balance of the individual and the community, of language and the world. His insistence on the third person is countered by the importance he gives to each individual's personal stance: persons must speak for themselves and do what they can do. Given the growing interest for the kind of educational research where the ‘personal’ is focused on, I will try to take up the challenge to see how here as elsewhere ‘language’ works. By making clear what it does for us, it will gradually become clear how this kind of research may itself have to be reinterpreted. (shrink)

In this article, I outline various ways in which artifacts are interwoven with autobiographical memory systems and conceptualize what this implies for the self. I first sketch the narrative approach to the self, arguing that who we are as persons is essentially our life story, which, in turn, determines our present beliefs and desires, but also directs our future goals and actions. I then argue that our autobiographical memory is partly anchored in our embodied interactions with an ecology of artifacts (...) in our environment. Lifelogs, photos, videos, journals, diaries, souvenirs, jewelry, books, works of art, and many other meaningful objects trigger and sometimes constitute emotionally laden autobiographical memories. Autobiographical memory is thus distributed across embodied agents and various environmental structures. To defend this claim, I draw on and integrate distributed cognition theory and empirical research in human-technology interaction. Based on this, I conclude that the self is neither defined by psychological states realized by the brain nor by biological states realized by the organism, but should be seen as a distributed and relational construct. (shrink)

A growing interest in affect holds much promise for anthropology by providing a new frame to examine and articulate subjective and intersubjective states, which are key parts of human consciousness and behavior. Affect has its roots in the social, an observation that did not go unnoticed by Durkheim and since then has been kept in view by those social scientists interested in the emotions, feelings, and subjectivity. However, the challenge for ethnographers has always been to articulate in words and conceptualize (...) theoretically what is only felt and sensed. What we are calling “evocative ethnography” is an ethnography that meets this challenge to make room for, and hold onto, feelings and affect in its description and explanation. The papers in this special issue accomplish that, as well as provide some anthropological insights into affect theory. (shrink)

This article starts out by introducing the category of the ‘one-character film’ — that is, narrative feature films that rely on a single onscreen character. One-character films can range from extremely laconic movies entirely focused on the action in the narrative here-and-now via highly talkative films that revolve around soliloquies of self-reflection, questioning of identity and a problematizing of the narrative past to strongly dialogue-heavy films that — via phones and other telecommunication devices — reach far beyond the depicted scene. (...) It is on the latter that the article eventually focuses. Films like Buried, Locke or The Guilty centrifugally thrust the viewers into a simultaneous present that remains invisible and that they have to imagine in sensory ways. Imagining this invisible elsewhere, which I call mise en esprit, can be facilitated and evoked through various cinematic means such as reduced within-modality-interference, suggestive verbalizations, acousmatic voices and sound effects. (shrink)

This paper situates the original choreography of Sacre as a basis for an ongoing exploration of non-Western themes in modern dance, a persistent fascination with the Orientalist ‘Other,’ before exploring the versions choreographed by Wigman, Bausch and Graham in chronological order of their first performances. In analysing different interpretations of the same score, two themes become apparent: first, that this piece heralded the birth of Modernism in classical dance performance, and second, that the driving anti-classical, anti-traditional rhythms that characterise the (...) piece communicate an enduring interest in primitive aesthetics. Accordingly, this discussion takes Nijinsky’s Sacre as a starting point in re-evaluating the influence of primitivism and Otherness on contemporary dance, and represents an early indication of the significance of the Saidian, non-Western ‘Other’ in shaping the evolution of avant-garde dance. (shrink)

This article explores the relationship between the affective intensities of screen media and its potential to serve as an affective force for the transmission of intergenerational trauma. I explore how watching a documentary portraying historical atrocities that preceded the birth of the documentary’s viewers yet affected their lives in profound ways, is one of the manifold engagements in genealogy and memory work that seeks to know the past affectively. My focus is on Indisch viewers whose relatives suffered through various atrocities (...) that took place in Indonesia in the 20th century. By ethnographically exploring Indisch affective engagements with Joshua Oppenheimer’s documentary, The Act of Killing, I show how such engagements need to be analysed as occurring across human and non-human interactions and beyond the subject–object distinction. I argue that the affectivity of screen media that showcase instances of historical violence that have never received much public representation needs to be understood with particular historical contingencies. This article alerts us to how processes of getting to know the past affectively reveal the fragility of the embodied self in the wake of cataclysmic violence. (shrink)