One very common tactic for enforcing political orthodoxies is to malign the character, "style" and even mental health of those who challenge them. The most extreme version of this was an old Soviet favorite: to declare political dissidents mentally ill and put them in hospitals. In the US, those who take even the tiniest steps outside of political convention are instantly decreed "crazy", as happened to the 2002 anti-war version of Howard Dean and the current iteration of Ron Paul (in (...) most cases, what is actually "crazy" are the political orthodoxies this tactic seeks to shield from challenge). (shrink)

Hastings Center Report, Volume 52, Issue 2, Page 10-14, March‐April 2022.

Scientific cognitivism is the idea that nature must be aesthetically appreciated in light of scientific information about it. I defend Carlson's traditional formulation of scientific cognitivism from some recent criticisms. However, I also argue that if we employ this formulation it is difficult to uphold two claims that Carlson makes about scientific cognitivism: (i) it is the correct analysis of the notion of appropriate aesthetic appreciation of nature, and (ii) it justifies the idea that nature, seen aright, is always beautiful (...) (that is, positive aesthetics about nature). I attempt to find a revised formulation of scientific cognitivism that can support both of these claims. I argue that to do this we must rethink the notion of positive aesthetics and its place in our theorizing about the appropriate aesthetic appreciation of nature. Specifically, I propose that positive aesthetics be made ‘internal’ to the theory of appropriate aesthetic appreciation, in the sense that this theory determines the correct scientific categories for appreciating a natural object, in part, in virtue of a ‘beauty-making’ criterion. I argue that this sort of formulation of scientific cognitivism can support both of Carlson's claims and does not compromise the objectivist scruples that motivate the view. (shrink)

In this paper, I reinterpret the conflict between rewilders and those who want to preserve traditional agricultural landscapes. By showing that underlying both positions is a common outlook in which nature preservation can be described as a primarily interpretative act geared towards the preservation of meaning by establishing a successful contact with external reality, I hope to refocus the debate away from the current stalemate. Too often, the debate ends in a dispute about what counts as ‘real nature’. By interpreting (...) nature preservation – whether it is directed at rewilding or at preserving old agricultural landscapes – as an act that is a response to nature's meanings, we will refocus attention on the real issue underlying preservation: articulating the ways nature is meaningful to us. (shrink)

Recently, several authors have defended a new version of formalism in the aesthetics of nature and attempted to refute earlier arguments against the doctrine. In this essay, we assess this new formalism by reconsidering the force of antiformalist arguments against both traditional formalism and new formalism. While we find that these arguments remain effective against traditional formalism, new formalism falls largely beyond their scope. We therefore provide a novel line of argument for the insignificance of the formal appreciation of nature. (...) This argument suggests that new formalism is inadequate as a theory of the aesthetics of nature. (shrink)

Invalid journals are recent challenges in the academic world and many researchers are unacquainted with the phenomenon. The number of victims appears to be accelerating. Researchers might be suspicious of predatory journals because they have unfamiliar names, but hijacked journals are imitations of well-known, reputable journals whose websites have been hijacked. Hijacked journals issue calls for papers via generally laudatory emails that delude researchers into paying exorbitant page charges for publication in a nonexistent journal. This paper presents a method for (...) detecting hijacked journals by using a classification algorithm. The number of published articles exposing hijacked journals is limited and most of them use simple techniques that are limited to specific journals. Hence we needed to amass Internet addresses and pertinent data for analyzing this type of attack. We inspected the websites of 104 scientific journals by using a classification algorithm that used criteria common to reputable journals. We then prepared a decision tree that we used to test five journals we knew were authentic and five we knew were hijacked. (shrink)

Our culture praises—indeed revels in—the beauty of the human form. And yet, in the midst of this exuberant celebration of corporeal beauty, not even the most unreflective can be unaware of the problems that have been laid at its feet. The philosopher Kathleen Higgins notes a “pervasive impression that is widespread in our culture: that beauty, or some near kin of it, is unsavory, a temptation that might get the soul off-track” (2000, 89). In response to this suspicion, some have (...) argued that beauty is in desperate need of reform or redefinition in our time. In this essay, I attempt to analyze and evaluate this counsel. How should these claims be understood? Would we be wise to follow them? (shrink)

Natural beauty has often been viewed as a somewhat vague and subjective matter. Even theorists who view disputes concerning the aesthetic value of artworks as involving correct and incorrect judgements have argued that, in many disputes concerning natural beauty, there are no correct or incorrect judgements. In this essay, I consider recent attempts to develop a more objectivist view of nature appreciation based on the role of scientific knowledge in such appreciation. In response to recent criticisms of this approach, I (...) argue that, when developed, it does provide a viable conception of objectivity for nature aesthetics. (shrink)

The distinction between organic and inorganic nature receives little attention in contemporary nature aesthetics. Traditionally, however, this distinction was considered to have important aesthetic ramifications. Nick Zangwill has recently suggested that aesthetic differences between organic and inorganic nature arise because natural functions are present only in organic nature (for example, in the parts of organisms). I argue for a different explanation: though inorganic nature too has natural functions, these are metaphysically distinct from those characteristic of organic nature. I defend the (...) claim that this difference in functions is aesthetically significant, and use it to justify a common intuition about the thesis of positive aesthetics for nature. (shrink)

Although recent work in philosophical aesthetics has brought welcome attention to the beauty of nature, the aesthetic appreciation of animals remains rarely discussed. The existence of this gap in aesthetic theory can be traced to certain ethical difficulties with aesthetically appreciating animals. These difficulties can be avoided by focusing on the aesthetic quality of “looking fit for function.” This approach to animal beauty can be defended against the view that “looking fit” is a non-aesthetic quality and against Edmund Burke’s famous (...) critique of the connection between fitness and the beauty of animals. (shrink)

In recent debates about how we ought to aesthetically appreciate nature, one important argument (the Respect Argument) claims that appropriate aesthetic appreciation of nature involves taking nature “on its own terms.” Some object that, while respect morally constrains the actions we take toward certain people or things, aesthetically appreciating nature does not involve action, but only mere contemplation. The Respect Argument therefore fails. In this article, I reply to this objection, arguing that the concept of respect can yield a kind (...) of moral constraint even upon contemplative activities such as aesthetic appreciation. (shrink)

The aesthetics of nature is a growing sub-field of contemporary aesthetics. In this article, I outline the view called ‘Scientific cognitivism’, which has been central in recent discussions of nature aesthetics. In assessing two important arguments for this view, I outline some recent thinking about key issues for the aesthetics of nature, including the relationship between nature and art and the relevance of ethical considerations to the aesthetic appreciation of nature.

While human genetic research promises to deliver a range of health benefits to the population, genetic research that takes place in Indigenous communities has proven controversial. Indigenous peoples have raised concerns, including a lack of benefit to their communities, a diversion of attention and resources from non-genetic causes of health disparities and racism in health care, a reinforcement of “victim-blaming” approaches to health inequalities, and possible misuse of blood and tissue samples. Drawing on the international literature, this article reviews the (...) ethical issues relevant to genetic research in Indigenous populations and considers how some of these have been negotiated in a genomic research project currently under way in a remote Aboriginal community. We consider how the different levels of Indigenous research governance operating in Australia impacted on the research project and discuss whether specific guidelines for the conduct of genetic research in Aboriginal and Torres Strait Islander communities are warranted. (shrink)

Aesthetic preservation is the idea of sparing natural areas from development because of their aesthetic value. In this article I discuss a problem for aesthetic preservation that I call the ‘hidden gems problem’: in certain cases, the natural area under consideration is so remote and/or fragile that few people can actually experience it. In these cases, it becomes unclear how nature's aesthetic value can justify its preservation when development promises practical human benefits. After rejecting some potential responses to the hidden (...) gems problem, I offer a different solution. I argue that we have an aesthetic reason to preserve nature's hidden gems because they are required to produce ‘true judges’ of aesthetic value, who are capable of improving the general quality of taste for landscape. I develop this argument using the example of recent preservationist efforts to save the isolated landscape of Sable Island, Nova Scotia. (shrink)

Assessing the success or failure of a work of architecture typically requires determining its function. However, architectural criticism often founders on apparently intractable disputes concerning the 'true' function of particular works. In this essay, I propose that the proper function of an architectural work is a matter of empirical fact, and can be determined by examining the history of the relevant architectural type. I develop this claim by appeal to the so-called 'etiological theory of function'.

Why do so many of God’s followers seem to prefer their boxed-in religion over God? Listen to their rhetoric and you might wonder how a Supreme Being could be so narrow and small, so angry and unattractive. It’s time to start over with an honest conversation instead of a box. If God does exist, there should be some clear indications of his being. And if humans bear God’s image, as the Bible indicates, then we should be able to connect with (...) God on some level. This book is about God, not religion. It’s about questions more than watertight answers. It’s about the experience of God more than it is about incontrovertible evidence that he exists. God can’t be seen, but he can be found. And while he can’t be fully explained, he can be known and experienced. Religious boxes have a way of blinding us to spiritual reality. So this dialogue is all God, no box. Are you ready? (shrink)

One of the most serious theoretical obstacles to contemporary spacetime substantivalism is Earman and Norton's hole argument. We argue that applying the bundle theory of substance to spacetime points allows spacetime substantivalists to escape the conclusion of this argument. Some philosophers have claimed that the bundle theory cannot be applied to substantival spacetime in this way due to problems in individuating spacetime points in symmetrical spacetimes. We demonstrate that it is possible to overcome these difficulties if spatiotemporal properties are viewed (...) as tropes rather than universals. (shrink)

In Natural Beauty, Ronald Moore presents a novel account of our aesthetic encounters with the natural world. In this essay, I consider the relation between Moore's 'syncretic aesthetic' and rival views of the aesthetics of nature, particularly the view sometimes called 'scientific cognitivism'. After discussing Moore's characterization of rival views in general, and scientific cognitivism in particular, I rehearse his reasons for rejecting the latter view. I critique these arguments, but also suggest that scientific cognitivism and the syncretic aesthetic need (...) not, after all, be viewed as incompatible notions. (shrink)

This is the first book-length analysis of the techniques and procedures of ancient mathematical commentaries. It focuses on examples in Chinese, Sanskrit, Akkadian and Sumerian, and Ancient Greek, presenting the general issues by constant detailed reference to these commentaries, of which substantial extracts are included in the original languages and in translation, sometimes for the first time. This makes the issues accessible to readers without specialized training in mathematics or in the languages involved. The result is a much richer understanding (...) than was hitherto possible of the crucial role of commentaries in the history of mathematics in four different linguistic areas, of the nature of mathematical commentaries in general, of the contribution that the study of mathematical commentaries can make to the history of science and to the study of commentaries in general, and of the ways in which mathematical commentaries are like and unlike other kinds of commentaries. (shrink)

A basic aspect of emotional responding to music involves the liking for specific pieces. Juslin & Vll (J&V) fail to acknowledge that simple exposure plays a fundamental role in this regard. Listeners like what they have heard but not what they have heard too often. Exposure represents an additional mechanism, ignored by the authors, that helps to explain emotional responses to music.

We applaud Bullot and Reber's attempt to encompass the function of artworks within their psycho-historical model of art appreciation. However, we suggest that in order to fully realize this aim, they require a clearer distinction between an artist's intentions toward an artwork and its proper functions. We also show how such a distinction improves the internal coherence of their model.

It is my contention that what is generally construed as the Euthyphro Dilemma as a reason to deny that moral facts are based on theological facts is one of the worst arguments proposed in philosophy of religion or ethical theory, and that Socrates, the character of the dialogue who poses the dilemma, was both morally bankrupt in his challenge to Euthyphro, but more importantly here, ought to have lost the argument hands down. But in any dialogue, the author controls what (...) people say. Plato was able to easily give Socrates the victory by writing the ending of the story himself, where Euthyphro, believing that piety is what the gods approve of, loses the argument abysmally. The version of events presented here is different. This time, Euthyphro is permitted to offer a reasonable defence of his position, and he has the benefit of having been able to read all that has been said on the Euthyphro dilemma over the last couple of millennia, and especially the last fifty years. Under such circumstances, Socrates does not stand a chance. We arrive at our scene, the steps of the Dunedin High Court, in Dunedin, New Zealand, on a cool mid-winter July morning. (shrink)

Resenha do livro de Juan Adolfo Bonaccini. Kant e o problema da coisa em si no Idealismo Alemáo : sua atualidade e relevância para a compreensáo do problema da Filosofia. Rio de Janeiro: Relume Dumará, 2003. 442 páginas [Coleçáo Metafísica 3].

GMO Sapiens: The Life-Changing Science of Designer Babies, by Paul Knoepfler, is a very readable introduction for the general lay public to genetically modified crops, CRISPR-Cas9, gene therapy, an...