This essay presents the Aestheticism of the 19th century as the foundational movement of modernist-formalist aesthetics of the 20th century. The main principle of this movement is what I denominate “productive opacity”. Aestheticism has not been recognized as a philosophical aesthetic theory. However, its definition of artwork as an exclusive kind of form—a deep, opaque form—is among the most precise ever given in the discipline. This essay offers an interpretation of aestheticism as a formalist theory, referred to here as “deep (...) formalism”, focusing on the thinking of leading aestheticists, Walter Pater, Oscar Wilde, and James Whistler. These three thinkers defined artwork as a form saturated with an inextricable content, viz. opaque form. (shrink)

This chapter presents the meeting points and conflicts between Arthur Danto’s philosophy of art and George Dickie’s avowedly succeeding theory. Its focus is on the internalist-externalist debate on the ontology of the artwork as created and perceived within the artworld. It shows that both Danto and Dickie developed anti-formalist theories, that contributed to the demise of aesthetic modernism. Inverting the formalist distinction between internal and external properties of the artwork, they classified the sensuous properties of the artwork as secondary in (...) its essence and identity. Accordingly, Danto and Dickie’s definitions of art emerged from the challenge “to be consistent with art appearing in every possible way.” Both negated the Neo-Wittgensteinians’s proposal to forgo the project of defining art and found the then-new pluralism to be revealing of the essence of art, directing philosophy to art’s nonexhibited infrastructure – beyond the reach of the eye. Across from this, the chapter presents their opposing ideas as revealed through different analyses of the concept of the “artworld”: as an intellectual sphere by Danto versus an institutional one by Dickie. Danto’s internalist/intentionalist ontology begins with the mental and stretches to its embodying material. Opposing it, Dickie’s externalist ontology points to social practices as constituting the artwork, which is attributed with the status of “arthood” by agents in its social sphere. Accordingly, I claim, Danto’s ontology is more versatile than Dickie’s. -/- . (shrink)

An important aspect of the debate between the A-theory and the B-theory of time relates to the supposed implications of each for some of the most basic human attitudes and stances. The asymmetry in our attitudes towards past and future events in our life (pleasant and unpleasant), and towards the temporal limits of our existence, that is, toward birth and death, is supposedly considered differently by the two theories. I argue that our attitudes are neither justified nor discredited by anything (...) which is in debate between the A-Theory and the B-theory, and therefore that neither theory of time is supported by the asymmetry in our attitudes. (shrink)

Seventeenth-century optics naturalizes the eye while estranging the mind from objects. A mere screen, on which rests a blurry array of light stains, the eye no longer furnishes the observer with genuine re-presentations of visible objects. The intellect is thus compelled to decipher flat images of no inherent epistemic value, accidental effects of a purely causal process, as vague, reversed reflections of wholly independent objects. Reflecting on and trespassing the boundaries between natural and artificial, orderly and disorderly, this optical paradox (...) is a Baroque phenomenon; and it is the origin of Descartes’ celebrated doubt---whether we know anything at all. (shrink)

Difficulties understanding speech form one of the most prevalent complaints among older adults. Successful speech perception depends on top-down linguistic and cognitive processes that interact with the bottom-up sensory processing of the incoming acoustic information. The relative roles of these processes in age-related difficulties in speech perception, especially when listening conditions are not ideal, are still unclear. In the current study, we asked whether older adults with a larger working memory capacity process speech more efficiently than peers with lower capacity (...) when speech is presented in noise, with another task performed in tandem. Using the Eye-tracking of Word Identification in Noise Under Memory Increased Load an adapted version of the “visual world” paradigm, 36 older listeners were asked to follow spoken instructions presented in background noise, while retaining digits for later recall under low or high memory load. In critical trials, instructions directed listeners’ gaze to pictures of objects whose names shared onset or offset sounds with the name of a competitor that was displayed on the screen at the same time. We compared listeners with different memory capacities on the time course for spoken word recognition under the two memory loads by testing eye-fixations on a named object, relative to fixations on an object whose name shared phonology with the named object. Results indicated two trends. For older adults with lower working memory capacity, increased memory load did not affect online speech processing, however, it impaired offline word recognition accuracy. The reverse pattern was observed for older adults with higher working memory capacity: increased task difficulty significantly decreases online speech processing efficiency but had no effect on offline word recognition accuracy. Results suggest that in older adults, adaptation to adverse listening conditions is at least partially supported by cognitive reserve. Therefore, additional cognitive capacity may lead to greater resilience of older listeners to adverse listening conditions. The differential effects documented by eye movements and accuracy highlight the importance of using both online and offline measures of speech processing to explore age-related changes in speech perception. (shrink)

This book offers, for the first time in aesthetics, a comprehensive account of aestheticism of the 19<SUP>th</SUP> century as a philosophical theory of its own right. Taking philosophical and art-historical viewpoints, this cross-disciplinary book presents aestheticism as the foundational movement of modernist aesthetics of the 20<SUP>th</SUP> century. Emerging in the writings of the foremost aestheticists - Oscar Wilde, Walter Pater, James Whistler, and their formalist successors such as Clive Bell, Roger Fry, and Clement Greenberg - aestheticism offers a uniquely synthetic (...) definition of art. It captures the artwork’s relations between form and content, art’s independent ontology and autonomy, art’s internal completeness, criticism, immunity to recruitment, the uniqueness of each medium, and musicality, as well as the logical-theoretical affiliation of art for art’s sake to epistemology, ethics and philosophy of language.<BR> Those are used by Michalle Gal to formulate a definition of art in terms of a theory of Deep Formalism, setting aestheticism, which aspires to preserve the artistic medium, as a critique of the current linguistic-conceptual aesthetics that developed after the linguistic turn of aesthetics. (shrink)

The paper reconstructs Hegel’s account of shame as a fundamental affect. Qua spiritual, the human individual strives for self-determination; hence she is ashamed of the fact that, q...

Contemporary philosophy can be characterized along the lines of a profound and vigorous debate between the prevalent ideas of 20th century philosophy’s linguistic–conceptualist age, on the one hand, and the re-emergent field of what we might call ‘visualist’ philosophy on the other hand, which is experiencing a revival within the framework of the current visual turn in philosophy. Thoughtful Images: Illustrating Philosophy through Art by Thomas E. Wartenberg stands at the intersection of these two camps. The philosophical visual turn foregrounds (...) the importance of the visual sphere, and it is this sphere with which Wartenberg engages. Investigating the genre of philosophical images throughout history, Wartenberg’s significant book joins the controversy between the characterization of humans as linguistic–conceptual or rather as visual beings. Do we reach intellectual superiority only through linguistic–conceptual schemes, or, rather, is it the richness of visuality and its level of detail – which can never be fully captured by language – that allows us a true glimpse of our reality and our very selves? I shall later claim that Wartenberg falls on the linguistic–conceptualist side of the polemic. But, a concrete example that may actually support the visualist perspective is found in the book’s final chapter, which is devoted to what Wartenberg terms ‘graphic philosophy’. Here, Wartenberg analyses Alison Bechdel’s Fun Home: A Family Tragicomic – a memoir produced through illustrations that address the philosophical question of scepticism via Bechdel’s ‘epistemological crisis’. Bechdel is overcome with doubt over the truth status and objectivity of her own personal diary entries. Wartenberg argues that ‘this is parallel to Descartes’s worry in the Meditations that he might be mistaken about everything he takes to be true’, and is knowingly resolved by Ludwig Wittgenstein in his On Certainty (Wartenberg 2023: 282). He emphasizes the centrality of images in the memoir to portray a conceptually life-changing event for Bechdel, namely an encounter with a woman in a restaurant whose appearance assists her in figuring out her own identity. Wartenberg notes that text itself is insufficient to express Bechdel’s ideas here, arguing that ‘the visual information … is essential to our understanding of this incident in the book. Bechdel here uses a picture to convey information quickly in a readily understood manner, something that could not be done as efficiently with words alone’ (281). (shrink)

The paper analyzes the visual aspect of metaphors, offering a new theory of metaphor that characterizes its syntactic structure, material composition and visuality as its essence. It will accordingly present the metaphorical creating or transfiguring, as well as conceiving or understanding, of one thing as a different one, as a visual ability. It is a predication by means of producing non-conventional compositions – i.e., by compositional, or even aesthetic, means. This definition is aimed to apply to the various kinds of (...) metaphors: conceptual, linguistic, visual, and material. It will thus challenge the definition of metaphor as a conceptual or linguistic phenomenon in nature that is based on its semantic mechanism, broad concepts, and cognitive value. Those definitions have been prevalent since the second half of 20th century, under the influence of the philosophy of language, and later of cognitive studies. (shrink)

The paper develops a conception of marital love as a complex recognitive relation, which I articulate by juxtaposing it against other recognitive relations that figure in Hegel's theory of modern civil society (i.e., respect and esteem). Drawing on Hegel's early writings, I argue that, if love is to provide its unique sort of recognition, it must obtain between “living beings who are equal in power”—a peculiar form of equality that I name (drawing on Stanley Cavell's work) “dynamic equality.” I conclude (...) that it is by Hegel's own lights that we should reject his notorious conception of the sexual difference. However, I also offer reasons why, from Hegel's early 19th century perspective, he could consider the following two conditions as compatible: (1) equality within marriage and (2) sexual hierarchy outside marriage, namely, in civil society. (shrink)

While aligned with John Neville Figgis’ pluralism and Marxist socialism, Harold Laski endorsed liberal and democratic values. However, he synthesised several elements from older liberal theories in a way that diluted the division to which these theories had adhered, namely that between the private and the political spheres. The resulting combination preserves privacy’s status as the realm where individuals are free to pursue their separate ends, but enables essentially private activities based in voluntary social spaces to infuse the space of (...) politics. From this emerged a vision of liberal democracy, in which freedom plays out in multiple private spaces that do not require an autonomous civic arena to complement them. The combination was reached within the contexts of mid-century thinking about the welfare state and a broader project of reformulating democracy by reducing its equation with representation. (shrink)

This paper proposes to define metaphor as a visual-material structure, the sphere of which is ontological rather than cognitive or conceptual. It argues that the essence of metaphor, as either an aesthetic or a communicative unit or both, resides in the qualitative dimension and appearance, or even materiality, of the metaphorical medium and its form. The paper thus offers a new theory of metaphor, focusing on the medium of metaphor, which composes and transfigures or reconstructs its target anew: a composition (...) that is prior to understanding or conceptualizing the target. In doing so, the paper presents a formalist ontology of metaphors, established via an externalist account of metaphors, as opposed to the prevailing cognitivist-conceptualist account which I characterize as internalist. The various kinds of metaphor – linguistic, poetic, visual or material – are based on their external structure, rather than an internal-conceptual mechanism of understanding, as assumed by a significant segment of the literature. Visual metaphor, therefore, is the paradigmatic kind of metaphor, the analysis of which can be generalized to other kinds of metaphor. Furthermore, the paper tries to overcome the current discrepancy between the formalist character of the metaphorical medium and the dominance of cognitivist and conceptualist theories of metaphor. Challenging these, I claim that if the identity of metaphor is indeed based on its composition, then it is actually based on its aesthetic qualities. That is to say, not only are there autonomous visual or material metaphors, that are not based on linguistic or conceptual ones, but linguistic and conceptual metaphors are based on visuality: they are enabled by the structural possibilities offered by visual media. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophers, Carers, and Psychodramatic GamesCorinne Gal (bio), Alexandre Chapy (bio), Marielle Fau (bio), and Muriel Guaveia (bio)Dear Jonathan D. Moreno,Thank you for the honor of taking the time to comment on the work we do. It is very meaningful for us to be able to talk with you.We, too, see a big difference between philosophers and carers (in the broadest sense) who deal with the suffering of patients and (...) try to find methods to help them. But, if theory is at the service of the clinic, it becomes a formidable asset to refine our therapeutic methods and better understand what is happening to our patients.Indeed, patients suffering from psychosis, severe neurosis … are difficult to accompany and “recalcitrant to therapy by word alone” to use your terms. It is on this point that Ludwig Binswanger distanced himself from psychoanalysis. Binswanger ran a sanatorium in Switzerland (the Bellevue Clinic) and took in patients suffering from this type of psychological pathology. Aware that “the divan” and the analysis of the transference (unconscious) made little progress, he sought other ways of understanding his patients. The work of Edmund Husserl, the founder of the phenomenological movement, and then the work of Martin Heidegger1 fascinated him because they attempted to answer fundamental questions about being. The patients we work with ask themselves and us the same question: What is being? How can we feel existence within ourselves? Binswanger then created daseinsanalysis as an analysis of existence in which he was able to develop, among other dimensions, what he called “artists’ gestures,” including the possibility of (physical) contact with the patients. The body regained existential importance in the therapy.There are also strong similarities between psychiatric phenomenology and the work of Jacob Levy Moreno (2014, p. 214). We would like to quote your work: “ Nonetheless, there were links between them. Heidegger and J.L. shared preoccupation with personal authenticity and meaning [End Page 230] just enough to be considered part of the trends that led to postwar existentialism and fueled the new humanistic psychology, NTL, and encounter groups.”Jacob Levy Moreno’s working methods are much more powerful, allowing us to work as closely as possible with bodily feelings, since the body involved in the action is so present in psychodrama. Because, to this question of being posed by our patients, is linked the body as a felt, sensing body: the body that I am (which differs from the object body). Schizophrenic patients often express, and this is a terrible suffering, that they no longer feel anything, that they no longer feel they exist, that they no longer feel emotions or feelings. They do not know how to be in the world and with others. For us it is a fundamental symptom, as much as hallucinations. We link it to the loss of natural evidence (Blankenburg, 1991), the loss of contact with reality (Minkowski, 1929). Most of the time, in psychodrama, we “externalize” what the patients feel in different roles played by players, which allows us to work at the heart of each person’s difficulties in interaction. Trained in psychodrama by Anne Ancelin Schützenberger, we have to our credit a set of techniques to support the expression of psychodramatic play, a sort of “toolbox.” Depending on the context, the moment of the patient, our own state, we open our toolbox and try to choose and use the technique that best fits the needs of the game, of what we understand about the difficulty of the protagonist or the group. We do not do anything systematic, we are craftsmen. We have chosen to present a very simple game, without any technique used, except for the initial soliloquy, with a stabilized patient suffering from paucisymptomatic forms of schizophrenia. This is to demonstrate how the possibility of encounter, constitutive of existence, is a fundamental dimension of psychodrama.We thank you for the examples you have given us, they will be a source of inspiration and will fill our toolbox.To John Nolte:We thank you very much for your comments which honor us.The aim of the article was to present how the encounter in... (shrink)

In the Ethics,1 Spinoza presents a rigorous naturalistic view of man and nature. Man is a part of nature, a subject of the same domain—not a domain separate from it, nor a domain within that of nature. Man cannot act against nature or in an unnatural way; in comparison with any other part or creature of nature, man is not special, more important or qualitatively different. All general laws of nature apply equally to animals, inanimate objects, humans, God, the mind, (...) and the affects. Nature can be explicated based on necessary causes, and there are no extra-natural factors that affect it or anything in it: no supernatural power or metaphysical principles create or regulate it, and no separate methods of explanation .. (shrink)

The ArgumentThis paper contains two main sections. In the first I suggest a mechanism of interpretation, based on a distinction between two aspects of meaning, analyzed using two kinds of rhetorical-poetical constructions:tropesto explore the linguistic relations—metaphors, metonyms, synecdoches, etc.—that endow terms with content, andtopicsto account for the structuring function of key expressions, which enables the recognition and adjudication of phrases, arguments, texts, genres, etc. In the second section I substantiate my claims by demonstrating how new light is shed on Galileo (...) Galilei's neglected and obscureDe Motuif these two aspects of the meaning of its central theoretical terms are taken into consideration; interpreted through this approach it is revealed as a text revolutionary in its ideas, while the communicative efficacy of its continuous use of the traditional terminology is unveiled. (shrink)

This essay characterizes the perception of the visual hybrid as nonconceptual, introducing the terminology of nonconceptual content theory to aesthetics. The visual hybrid possesses a radical but nonetheless exemplary aesthetic composition and is well established in culture, art, and even design. The essay supplies a philosophical analysis of the results of cross-cultural experiments, showing that while categorization or conceptual hierarchization kicks in when the visual hybrids are juxtaposed with linguistic descriptions, no conceptual scheme takes effect when participants are presented with (...) mere visual hybrids. In isolation, the hybrids do not lend themselves to classification. I draw four conclusions from these experimental outcomes: 1. The perception of visual hybrids follows the structure of a nonconceptual mental content, because the original categories or concepts of the hybrids’ components are not combined into one, and their properties are not applied to one another, therefore none of the components reconstructs the other such that it is introduced to a new category. 2. Language freezes the hybridity of the visual hybrid into conceptuality. 3. Given that language has a freezing effect in the case of an extreme visual phenomenon such as the hybrid, it is all the more restraining in moderate artistic compositions, such as visual metaphors, in which properties of one component (the source) are applied to the other (the target). In those, nonconceptuality emerges from relatively organized compositions, forms, and relations, and from the dependence of objects and their properties on perceptual context. 4. Thus, the nonconceptualist terminology is suitable for the analysis of aesthetic perception in general and aesthetic perception’s relation to language. Keywords aesthetics, perception, nonconceptual content, hybrids, visual metaphors. (shrink)

Not only Greek philosophers listened to prophets. René Descartes also long pondered over the familiar words of Ausonius: "What path shall I choose for myself in life?" And-what an amusing play on words-the idea of methodos entered philosophy with Descartes. The very path of his metaphysical thought was the last possible one within the confines of Aristotelian metaphysics, when, having posited certain principles of discourse, in the end they themselves are conclusively reached and the entire system becomes a manifest certainty. (...) Descartes provides a glimpse of the possibility of a new type of metaphysical reflection in which the correctness of the chosen principles is grounded in the completeness and noncontradictoriness of the system built on their basis but not confined to them. (shrink)

The fundamentals of the Frankfurt school's conception of art were expounded in Horkheimer and Adorno's book, Dialectic of Enlightenment, where the "critical theory of society" appeared in the form of a specific philosophy of history—the history of bourgeois enlightenment, whose sources the authors trace to ancient Greek mythology.

Since the appearance of private property and the state, the attention of thinkers of many generations has been focused without interruption on questions of war and peace. Most, however, have been unable to explain these sociohistorical phenomena. A truly scientific theory of war and peace has been established only by the founders of Marxism-Leninism.

The present epoch is one of transition from capitalism to socialism, within which two opposite social systems exist simultaneously. Inasmuch as one of the systems - that of capitalism - is a source of wars, and the system of socialism is the source of peace, questions pertaining to the place of military means in the struggle between the two systems, questions of the struggle between the forces of war and peace and for the cessation of wars between peoples, constitute one (...) of the most important elements in the meaning of the epoch. The resolution of the Central Committee of the CPSU "On the Sixtieth Anniversary of the Great October Socialist Revolution" [0 60-i godovshchine Velikoi Oktiabr'skoi sotsialisticheskoi revoliutsii] states: "The Great October opened a new epoch - that of the transition of humanity from capitalism to socialism, the epoch of struggle for liberation of people from imperialism, for cessation of wars between peoples, for overthrow of the dominance of capitalism, for socialism.". (shrink)

Considerable attention has been given in recent years to the study of the methodological problems of domestic and foreign policy. Some definite results have been achieved. The essence and structure of politics, the content and specific features of its various branches and tendencies have been explored; the place of the social sciences in the study of politics has been determined; and the question of the necessity of elaborating a special theory of politics has been posed.

The aesthetic comprehension of works of art has two aspects: it sheds light on something of essential importance in the work itself and in its creator, and at the same time enriches and enhances its own problematic. For, "A work of art in which thought is alienated from itself is also part of the domain of comprehending thought; and the spirit, submitting itself to the requirements of scientific investigation, thereby clearly satisfies a need of its own most innermost nature.".

In recent years the science of what is to be, futurology, has become one of the most popular branches of knowledge in the West. A fever to prognosticate, the desire to penetrate the barriers of time, to predict or at least sense the central direction of history, possesses philosophers and historians, economists and sociologists, politicians and preachers, public figures, and the heads of scientific institutions and of the largest industrial firms. In the United States, England, France, and Italy, committees to (...) study the shape of the future organization of society appear one after the other. Journals of futurology are founded. Special conferences, seminars, colloquiums and even religious meetings are convened, which produce a veritable squall of prognoses, projects both abstract and narrowly practical, spiritualist prophecies, and predictions positive and irrational. (shrink)

Changes in the productive forces and, consequently, in the economic structure of socialist society as a whole are being prepared by the current relationships of production. We refer particularly to the influence of socioeconomic processes under the conditions of the revolution in science and technology on the development of the individual as a factor in the productive forces and as subject in production relationships.

One of the primary propositions in Marxist philosophy is that thought is historical in nature. "The theoretical thought of each epoch," observed Engels, "is a historical product which takes on very different forms at different times, and also very different content" . Accordingly, any analysis of the nature of thought in general that does not consider its historical character is either incomplete or may result in false conclusions. Naturally, what we are talking about is substantive thought, i.e., thought that proceeds (...) on a basis of elaboration and development of definite principles relating to the structure and evolution of material existence, and that is expressed in terms of knowledge concerning nature, society, and man. (shrink)

I think we will agree that there are questions that it is not always preferable to put point-blank. Among them we may class that of whether ethics belongs to the category of philosophical knowledge. We know that the custom of regarding ethics as knowledge exclusively philosophical in nature persists to this day. Such a notion, with origins in the past, expresses, in our view, the dominance of spontaneous, uncontrollable factors in the real morality of society. In Hegel's expression, ethical theory (...) usually came too late: all that was left for it to do was to interpret various changes that had taken place in moral attitudes, shifts in the world of moral reflection and moral feeling. But sometimes it entered the picture entirely too early. On the one hand, this means that ethical theory has been insufficiently oriented toward practice, limiting itself to the rationalization of spontaneously established views and preferences of moral consciousness that we were incapable of abandoning. On the other hand, it testifies that the moral regulation of people's behavior was to only a very small degree subject to the need to be equipped with theory, inasmuch as practice itself was strongly constrained within the narrow limits of the processes of life . Ethical theory, for the most part, provided the morality actually being practiced with various philosophical illusions, in the form of compensatory and adaptive viewpoints, and, along with this, offered certain regulatory notions in the area of socialization to morality. (shrink)

In the Western countries it has recently become fashionable to assert that a genuine socialist system is a pluralist society, not the "monolithic" systems established in the socialist countries that represent socialist societies of a supposedly less democratic order. This idea is also being employed by certain Left parties in the West, which also identify the concepts of so-called "true socialism" and "true democracy" with pluralism.

A partir de l'idée de “ folie ” chez S. Paul , Fr. Le Gal explore le thème de “ la folie sainte de Dieu ” qui n'est autre que la révélation de son amour fou pour l'homme. Examinant tout d'abord la polysémie du terme, sa réflexion porte en première partie sur Jésus-Christ comme “ homme de la dérision et Dieu à la folie ”, examinant au passage la parabole comme lieu de l' “ ironie christique ”. Dans la seconde (...) partie, c'est Paul qui révèle le contenu à la fois christologique, théologique et spirituel de la folie dans la tension entre la scandale de la croix et le risque pour l'apôtre et le croyant de n'être pas reçus. C'est pourtant là que se manifestera la “ folie sainte ”.Beginning with the idea of 'folly " in St. Paul , Fr Le Gal explores the theme of "the holy folly of God " that is nothing other than the revelation of his mad love for man. Examining first of all the polysemy of the term, his reflection in the first part is on Jesus Christ as "man of derision and God of folly ", examining in passing the parable as the area of "christic irony ". In the second part, it is Paul who reveals, at the same time, the christological, theological, and spiritual content of folly in the tension between the scandal of the cross and the risk for the apostle and the believer not to be accepted. It is there, nevertheless, that the "holy folly " manifests itself. (shrink)

In the past few decades, liberal and democratic thought has been subjected to attacks from the adherents of nationalism, populism, and social radicalism. Much of these attacks involve suspicions about liberalism’s association with the contents and purveyors of structured knowledge, scientific and humanistic alike. I suggest that an examination of the history of liberal beliefs may add to our understanding of what is at stake. Such an examination may reveal how liberal thought in the twentieth century shifted away from its (...) earlier individualist and constitutional position towards the pluralist position that grants a special place to educated knowledge, to experts and professionals, and thus invites allegations of elitism. In particular, I focus on the differences between the ideas that conventional liberal authors elaborated during early modernity and the nineteenth century, on the one hand, and the version of liberal values and the polity based on them that were tacitly adopted during the mid-twentieth century, on the other hand. The examination involves highlighting the common denominators of mid-century authors on right, left, and centre, such as Laski, Popper and Hayek, as well as asking what in their shared worldview could attract allegations of elitism from later generations. (shrink)

Many believe that Goodman’s new riddle of induction proves the impossibility of a purely syntactical theory of confirmation. After discussing and rejecting Jackson’s solution to Goodman’s paradox, I formulate the “new riddle of deduction,” in analogy to the new riddle of induction. Since it is generally agreed that deductive validity can be defined syntactically, the new riddle of induction equally does not show that inductive validity cannot be defined syntactically. I further rely on the analogy between induction and deduction in (...) order to explain why some predicates, such as “grue,” are unprojectible. (shrink)

Postmodernism as a mythologem reflecting the remarkable shift that has taken place in contemporary Western culture as a whole entered the consciousness of our intelligentsia with the usual delay. This is not surprising if one bears in mind the constantly "lagging" character of our consciousness, which also colors in corresponding tones the whole of "Russian civilization," and if one believes that it is condemned to be always "catching up" and making up for lost time. Having arisen in the West as (...) a concept describing certain special characteristics of the latest architectural style that no longer fitted into the rather passé category of modernism, the concept of the postmodern was initially current, both in the West and in Russia, among people close to architecture. At that time it had not yet been able to acquire the "philosophical" subtext that is already felt in the book of Charles Jencks that came out in 1977 in Germany under the gaudy title The Language of Postmodern Architecture. (shrink)

The question of a universal human nature and the universally human significance of values, first and foremost moral values—a question that, it would seem, had long ago been thoroughly scrutinized in the works of Marxist scholars, including V. P. Tugarinov—has suddenly acquired a "second wind" in public consciousness and in the journalism of our days. Well-known writers, journalists, and scholars have come together on a theoretical platform, which is summed up in a statement by D. S. Likhachev: "Morality is a (...) part of human nature. Its norms are stable and eternal. Indeed, what can be counterposed to the commandment "Thou shalt not kill'? Some new commandment? ‘Kill’? And what about the commandment ‘Thou shalt not steal’? or ‘Thou shalt not bear false witness’?". (shrink)

McTaggart's negative thesis in his proof for the unreality of time, which contends that the A-series is contradictory, is still today upheld as a proof of the unreality of the properties of past, present, and future, and of the `flow of time'. In my paper, I defend the possibility of a complete and consistent description of the A-series, thus refuting McTaggart's negative thesis. I show that the failure to acknowledge the possibility of such a description is due to an ambiguity (...) in natural language. Once this ambiguity is clarified, and in light of the disanalogy between time and space, the usual description of the A-series, `Event e was future, is present, and will be past', is shown to be a successful description of the change in the temporal A-properties. (shrink)

In this paper I defend the rejection of fatalism about the past by showing that there are possible circumstances in which it would be rational to attempt to bring about by our decisions and actions a necessary and sufficient condition, other things being equal, for something which we see as favorable to have occurred in the past. The examples I put forward are analogous to our attempts to bring about the occurrence of future events, and demonstrate the symmetry between the (...) past and the future in this respect. (shrink)

The following describes the concept of apoliticism, distinguishing it from indifference, which is also considered a negative attitude toward politics. Whereas apoliticism is the rejection of the official political institutions, possibly with the plan of an alternative system, the indifferent rejects politics altogether and is politically disinterested. If reflective negativism rejects politics as mechanism, the indifferent rejects it as a pursuit. I also distinguish between the extra-political, as the condition of being outside of any environment in which free deliberation and (...) public engagement is possible, and the supra-political condition, as blurring the line between public political activities and rites prescribed by the state on the one hand and the private sphere of the individual on the other hand. If different, both are forms of political poverty. These concepts may serve as means for a more nuanced understanding of the structure of apolitical attitudes. (shrink)

This article traces the limits of the understanding of beauty as unified multiplicity in Plotinus’ Enneads vi 2 and vi 6. These treatises can be read as insisting on the significance of multiplicity for beauty and as implying a distinction between the illuminated and the unilluminated beauty of Intellect. In treatise vi 7, this distinction is made explicit and a deeper understanding of beauty as the manifestation of the Good in Intellect is introduced.

The following paper, together with its sequel ("The use and non-use of mathematics"), is a study in the mathematization of nature. It looks into the history of one of the most emblematic achievements of this fundamental aspect of the making of modem science - the Inverse Square Law of universal gravitation - before its celebrated application by Newton to celestial mechanics. What did it take, we ask, to tum a particular mathematical ratio into a candidate for a law of nature?

This study examined students' reasoning about simple repeated choices. Each choice involved ''betting'' on two events, differing in probability. We asked subjects to generate or evaluate alternative strategies such as betting on the most likely event on every trial, betting on it on almost every trial, or employing a ''probability matching'' strategy. Almost half of the college students did not generate or rank strategies according to their expected value, but few subjects preferred a strategy of strict probability matching. High-school students (...) showed greater deviations from expected value than college students. Similar misunderstandings were observed in a choice task involving real (not hypothetical) repeated trials. Large gender differences in prediction strategies and in related computational skills were observed. Subjects who understand the optimal strategy usually do so in terms of independence of successive trials rather than calculation. Some subjects understand the concept of independence but fail to bring it to bear, thinking it can be overridden by intuition or local balancing (representativeness). (shrink)

This paper expands on the political vision embedded in Donald Winnicott’s psychoanalytic work. It comments on Winnicott’s notion that individuality is produced by society, and adds that such production inevitably involves power asymmetry. It is argued that Winnicott values rights and property as communicative devices rather than as private enclosures held against society. However, it is also maintained that Winnicott thinks that social deliberation itself depends on a preceding objective instance that may be referred to as justice. Lastly, aspects of (...) Winnicott’s outlook that touch on ideas of welfare and distribution are examined, especially those concerning the relationships between the market and social agencies, and between the household and the state. It is suggested that these attributes point to an affinity Winnicott has with a progressive liberal trend dating back to Mill, the later manifestation of this liberalism being evident in the design of the 20th-century welfare state. It is concluded that it is for this polity that Winnicott wrote his psychological theory. (shrink)

Supporters of the A-theory of time sometimes refer to an alleged experience of the passage of time in support of their theory. In this paper I argue that it is an illusion that we experience the passage of time, for such an experience is impossible. My argument relies on the general assertion that experience is contingent, in the sense that if it is possible to experience the passage of time, it is also possible to experience that time does not pass. (...) Having established this claim, I argue that it is impossible to experience that time does not pass, and hence that it is impossible to experience the passage of time. (shrink)

The mid-century object relations approach saw the category of schizoids as crucial to its own formation. Rooted in a developmental phase where the perception of the mother as a whole and real person had not yet been secured, the schizoid constitution impeded relationships and forced schizoids to communicate through a compliant persona while the kernel self remained isolated. Fairbairn, Winnicott, and Guntrip thought that schizoid features underlay many other pathologies that earlier, Freudian psychoanalysis had misidentified. To correct this, a move (...) to the attachment-oriented theory was necessary, triggering the development of the object relations perspective as a distinct and independent approach. While playing this role in the development of object relations theory, the schizoid category also attracted a note of disapproval. Fairbairn, Winnicott, and Guntrip described schizoids as harmful to society through their everyday actions and through the ideas they propagated. This judgemental nuance highlights an aspect of the alliance between object relations theory and the contemporary welfare state ideology. Culminating in the Beveridge plan, that ideology framed citizenship as comprehensive engagement with society on multiple levels. Citizenship was not just a political activity but also a personally rewarding one, as it allowed expression to each person’s wishes in ways that benefited others. Inability to engage and be rewarded in this way marked obstinate classes and produced rigid and conservative ideologies that opposed the welfare state. Object relations theory described the schizoid condition along similar lines and castigated its consequences for similar reasons. (shrink)

ExcerptFrom the late 1970s to the mid-1990s, a series of critical remarks were traded between the historian and cultural critic Christopher Lasch and the psychoanalyst and feminist philosopher Jessica Benjamin. Researchers describe that exchange as involving competing perceptions of psychoanalysis, but the debate also covered mismatching approaches to critical theory and, more widely, to the ideals befitting a free polity. Lasch’s appeal to the traditions of the American past faced off against Benjamin’s advocacy of a substantial social change whose fundamental (...) step was challenging the patriarchy.1 The ideas that each of the two authors put forth are often cited for reproaching the worldview associated with the other. Supportive scholars credit Benjamin with working psychoanalysis into a feminist perspective that questions traditional gender roles and the social order based on them, an order to which Lasch seemed committed.2 On the other hand, critics of the psychoanalytic turn to which Benjamin was central echo Lasch when arguing that the resulting relational theory marginalizes personal responsibility and belittles the significance of individual conscience.3. (shrink)

In this paper I argue that a period of time during which nothing changes in the world is impossible. I do this by exposing the conceptual dependence of time on change. My argument rests on a view of necessary conditions for the meaningfulness of expressions in language. I end up concluding that the meaningfulness of temporal expressions assumes change.

Like some ‘second wave’ feminists, Rousseau believes that modern sexual practices are not a manifestation of a newfound autonomy—rather, they reflect its systemic deprivation. Drawing on his critique of libertine culture in eighteenth century Paris, I show how even consensual sex may lead to a chronic deficit of recognition, coupled with psychological misery. To avoid such discontents, sexual freedom must include a satisfying sexual recognition. I articulate the conditions for such recognition as cultivated in Emile’s erotic education. Informed by amour-propre, (...) Emile would seek a sexual partner who could recognize him as superior, yet, because Emile is also endowed with pity, he would understand such superiority in terms of uniqueness, independence and authentic expression, rather than as winning the transient favors of public taste. I propose that Rousseau’s recognitive account of sexual desire is applicable to current-day philosophical and public debates. (shrink)

En el presente estudio analizaremos la expresión del conflicto en el lenguaje, donde la lucha palabra-letra impregna la teoría agónica del lenguaje y marca la trascendencia sobre la relación historia-intrahistoria. Asimismo, presentaremos la dimensión creadora del lenguaje, relevante desde el Unamuno contemplativo, y el papel desempeñado por el diálo go a la hora de expresar los dos poíos del conflicto, agónico y contem plativo.

This chapter presents the formalist account of the moral status of an artwork as an aesthetically significant and autonomous form, with due emphasis on the Anglo-American art-for-art’s-sake aesthetic, as it developed between 1870 and 1960. The author shows that the formalist art-is-above-morals approach is a substantive moral stance in itself. Formalist aesthetics is usually presented in the literature as evincing a purist indifference to ethics, construing moral properties as external to art, in opposition to the internal pure properties of art’s (...) composition. The chapter demonstrates that this is a misrepresentation of the complex formalist prescriptive idea of the relations between art and ethics. Through its autonomy and imperviousness to external co-opting—which is accomplished by due focus on aesthetic form—art on the formalist account is held to be a paradigm of the liberalist principles of individual freedom and self-fulfillment, thus an inherent means to the good. (shrink)

Design is an omnipresent, aesthetic-functional phenomenon, one that is culturally loaded and broadly influential. Since ancient times, design has played a crucial role in shaping both our intimate daily experiences and broader societal structures. It influences behavior, preferences, cultural norms and movements, political or personal identities, and economic systems. Today, design is not only a thriving field of practice but also an evolving area of academic inquiry, one that is becoming a self-standing discipline. It is, of course, important to define (...) ‘design’ . But, in developing our understanding of it, we also need to analyze its relationships to associated fields, such as ontology, cognition and perception, ethics, politics, social conduct, fine or popular art, everyday aesthetics, and science and technology. The special issue Design and its Relations takes up this mission. We aim to reveal and study the interactions between design as an aesthetic-functional field and various auxiliary concepts, ideas, phenomena, and disciplines. The essays in the special issue thus address a range of design affiliations. These include both (a) relatively abstract affiliations—such as aesthetics, perception and appreciation, beauty, ethics, science, rationalism, and the idea of abstractness itself—and (b) more direct topics, including design’s relations to photographic systems and even cultural views of parenthood given through the evolution of crib shapes (which is a typical substantiation of design’s impact on humanity’s foundations). (shrink)