The ArgumentThe vine lousePhylloxera vastatrixbecame a “pest” as it was transferred from North America and from France to Germany during the 1870s. Embodying the “invading alien,” it assumed a cultural position that increasingly gained importance in Imperial Germany. In this process, the minute insect, living invisibly underground, was made visible and became constitutive of the scientific-technological object, “pest,” pertaining to a scientific discipline, modern economic entomology. The “pest” phylloxera emerged by being made visible in a way that (...) enabled control measures against it. Thus, visibility functioned as a prerequisite for control measures. I differentiate between social visibility and physical visibility, as well as between social control and physical control of the “introduced pest.” The object phylloxera emerged at the intersection of techniques of social control such as surveillance, techniques of physical control such as disinfection, and representational practices of the sciences such as mathematics and graphics. The space of its visibility was not the vineyard as property of a vintner but the vineyard as national territory, where German (viti-) culture was defended against foreign infiltration and destruction. Many vintners had alternate visions of the grapevine disease, they resented the invasion and destruction of their vineyards by government officers, and thus they did not participate in the social and epistemic constitution of the “pest.” By 1914, the “introduced pest” had not yet become an effective “machinery.” However, the “pest” as an object of scientific knowledge emerged together with economic entomology. The field became organized as a discipline in Germany in 1913, forty years after the phylloxera had first aroused the minds of some worried Wilhelmians, and, together with its nationalistic images, the field of “pest” control became organized towards a redefinition of German society and its perceived dangers. (shrink)

This article sheds new light on late-19th-century debates about the organization of knowledge through its emphasis on German orientalism and comparative linguistics. Centering on Friedrich Carl Andreas’ (1846–1930) controversial reconstruction of the Avestan language and its sacred literary corpus, I highlight a shift from the history of texts to an engagement with ‘living’ language in the decades around 1900. Andreas is shown to have inherited aspects of two schools, which collectively defined the landscape of 19th-century philological research – one traditional (...) and the other comparative. The long-standing struggle between these schools demonstrates that ‘the humanities’ were no monolithic foil to the rise of natural sciences during the second half of the 19th century. Instead, I argue that alternative conceptual frameworks were cultivated within German philology – concepts that were taken up in broader disciplinary debates, though they were not narrowly the products of them. (shrink)

The article takes a novel look at the extensive debates about the “Jewish Question” in early Imperial Germany by analysing how Jews and Protestants communicated with each other. These debates were shaped by two hitherto neglected facts: by the character of pamphlets as an anarchic media and by the bourgeois background of their Jewish and Protestant authors. The “Jewish Question” played a considerable role in the public communication of the German educated middle-class, urging mostly Jews and Protestants to (...) raise their voice. Their different motivations to do so are discussed and the overall make-up of this body of literature is delineated. The specific media structure of the debates and especially the problematic power of pamphlet literature seemed to jeopardize the established ways of bourgeois communication. Thus, the very structure of the “Jewish Question” itself appeared to epitomize the contradictory positions of Jews in the public sphere and in middle-class culture. By briefly characterizing the Jewish responses to the challenges in these debates, the article concludes that in this structure a communicative gap between bourgeois Jews and Protestants became visible. At the same time, this serves as a concrete example to refute a dominance-free, Habermasian concept of the public sphere and to highlight the importance of the ability to universalize one's position in the public communication of 19th-century Germany. (shrink)

The ArgumentThe text analyzes the related semantics of bacteriology and politics in imperial Germany. The rapid success of bacteriology in the 1880s and 1890s was due not least to the fact that scientific concepts of bacteria as “the smallest but most dangerous enemies of mankind” resonated with contemporary ideas about political enemies. Bacteriological hygiene was expected to provide answers to social and political problems. At the same time metaphors borrowed from bacteriological terminology were incorporated into the political language (...) of the time. While the “high command of our doctors” fought diseases, some contemporaries were identified with members of the evil species of “bacillus communis odii.”Both imperialistic politics and bacteriological science relied on images of inferior and invisible but potent enemies. Both were able to increase their prestige via a mutual interchange of their vocabularies. (shrink)

In late nineteenth- and early twentieth-century Germany, the integration of product-evaluating certificates and reports ( Gutachten) into advertisements triggered repeated condemnations of “advertisement- Gutachten” ( Reklamegutachten), and scientists and science administrators introduced various restrictions to prevent the appearance of such documents. At the same time, the provision of Gutachten to private individuals and firms seemed crucial to the success of many private and public laboratories. Some chemical and other professionals, moreover, argued that the authoring and use of Reklamegutachten could (...) represent a “scientific” and, therefore, ethical practice. By examining the contested history of the advertisement- Gutachten, this article reveals how a previously tolerated knowledge service lost its legitimacy in a particular place and period of time, and highlights the challenges of eliminating this practice or restoring its legitimacy afterward. The article also explores how professional scientists’ approaches to maintaining a reputation for integrity in the face of commercial and competitive pressures related to the better-known efforts of professionals in other fields, particularly the medical. I emphasize that, in determining whether a Gutachten qualified as scientific, the nature and transparency of the underlying research process was only one of the criteria that were considered, and often not the most significant yardstick. At the same time, however, ideas about the personal and professional/institutional integrity of providers of Gutachten were inextricably connected with assessments of the honesty and objectivity of their research. (shrink)

The European Legacy, Volume 17, Issue 4, Page 552-553, July 2012.

The author wishes to thank Jane Hryshko, Bard College's Readers' Services Librarian, for her tireless efforts to acquire the books and articles reviewed here through inter-library loan.

Disciplining doctors : medical courts of honour and professional conduct -- Medical confidentiality : the debate on private versus public interests -- Patient information and consent : self-determination versus paternalism -- Duties and habitus of a doctor : the literature on medical ethics.

In this paper, I discuss the development and use of images employed by the Dresden Royal Museum for Zoology, Anthropology and Ethnography to resolve debates about how to use visual representation as a means of making ethnographic knowledge. Through experimentation with techniques of visual representation, the founding director, A.B. Meyer (1840–1911), proposed a historical, non-essentialist approach to understanding racial and cultural difference. Director Meyer's approach was inspired by the new knowledge he had gained through field research in Asia-Pacific as well (...) as new forms of imaging that made highly detailed representations of objects possible. Through a combination of various techniques, he developed new visual methods that emphasized intimate familiarity with variations within any one ethnic group, from skull shape to material ornamentation, as integral to the new disciplines of physical and cultural anthropology. It is well known that photographs were a favoured form of visual documentation among the anthropological and ethnographic sciences at thefin de siècle. However, in the scholarly journals of the Dresden museum, photographs, drawings, tables and etchings were frequently displayed alongside one another. Meyer sought to train the reader's eye through organized arrangements that represented objects from multiple angles and at various levels of magnification. Focusing on chimpanzees, skulls and kettledrums from Asia-Pacific, I track the development of new modes of making and reading images, from zoology and physical anthropology to ethnography, to demonstrate how the museum visually historicized humankind. (shrink)

It is widely accepted that overcoming the social-ecological crises we face requires major changes to the food system. However, opinions diverge on the question whether those ‘great efforts’ towards sustainability require systemic changes or merely systematic ones. Drawing upon Brand and Wissen’s concept of “imperial modes of living”, we ask whether the lively debates about sustainability and ‘ethical’ consumption among producers and consumers in Germany are far reaching enough to sufficiently reduce the imperial weight on the environment (...) and other human and nonhuman animals. By combining discourse analysis of agri-food businesses’ sustainability reports with narrative consumer interviews, we examine understandings of sustainability in discourses concerning responsible food provision and shed light on how those discourses are inscribed in consumers’ everyday food practices. We adopt Ehgartner’s discursive frames of ‘consumer sovereignty’, ‘economic rationality’, and ‘stewardship’ to illustrate our findings, and add a fourth one of ‘legitimacy’. Constituting the conditions under which food-related themes become sustainability issues, these frames help businesses to individualise the responsibility to enact changes, tie efforts towards sustainability to financial profits, subject people and nature to the combination of care and control, and convey legitimacy through scientific authority. We discuss how these frames, mirrored in some consumer narratives, work to sideline deeper engagement with ecological sustainability and social justice, and how they brush aside the desires of some ostensibly ‘sovereign’ consumers to overcome imperial modes of food provision through much more far reaching, systemic changes. Finally, we reflect on possible paths towards a de-imperialised food system. (shrink)

The idea of an inevitable conflict between science and religion leading to relentless hostility between the two emerged in the nineteenth century and has become a powerful narrative of modernity. Most historians of science trace the origins of the so-called ‘conflict thesis’ to the English-speaking world, more precisely to scientist-historian John William Draper and literary scholar Andrew Dickson White. Their books on the history of scientific-religious conflict turned into bestsellers. Yet, if we look beyond the Anglo-American world, the conflict thesis (...) appears in new historical settings. This paper argues that the science vs. religion narrative flourished already in Germany before Draper and White announced the warfare between science and religion in England and the USA. Focusing on Germany, we aim to show that the conflict thesis emerged in a polycentric process shaped by various political, cultural, and social struggles. It became a rhetorical weapon for liberal scientists in Germany to oppose Ultramontanism and, at the same time, to discredit their rivals as unscientific, fanatic, or even as ‘henchmen’ of the Pope. Our paper makes a case for a decentred approach to the history of the conflict thesis, which brings to the fore specific political and cultural tensions shaping this narrative in the nineteenth century. (shrink)

During the first half of the twentieth century, the Shepherd Dog came to be strongly identified with Imperial and Nazi Germany, as well as with many other masters in the colonial world. Through its transnational diffusion after World War I, the breed became a pervasive symbol of imperial aggression and racist exploitation. The 1930s Japanese empire subtly Japanized the dogs who became an icon of the Imperial Army. How could a cultural construct so closely associated with (...) Germany come to represent many different colonial regimes? Using Imperial Japan as a case study, this paper argues that this symbolic pliability is a derivative of the high functionality, wide adaptation, and conspicuous nature of the Shepherd Dog as protector, deterrent, and enforcer of social control. As a visible intermediary in hierarchal relationships between different human groups, the Shepherd Dog became a powerful metaphor of Nazi and colonial memories throughout much of the world. (shrink)

This work is a historical study of the philosophical writings emerging from Imperial Russia's theological "academies" – Orthodoxy’s higher educational institutions that ran parallel to the secular universities – from their inception to the aftermath of the Bolshevik Revolution. Unlike with nineteenth century Russian revolutionary thought, there are few secondary studies of the philosophical works stemming from the academies. These philosophical works focused on ontology and, as such, stand in sharp contrast to the shift toward epistemology in that century (...) as happened in Germany. Another feature of the "academy" philosophies was the continual and explicit attempt to set themselves apart from the pervasive "subjectivism" of Western philosophical systems, although a largely unacknowledged influence persisted. At no time did the academy philosophers look to rational inquiry for more than an assist in understanding their theology. Instead they appealed to tradition and to an alleged direct insight into religious truths at the expense of logic and rational argument. The ultimate result was the pecular historical insularity of their community and concomitantly a subservience to the political state, traits that persist to this day. (shrink)

This book presents a comprehensive study of the influence of Immanuel Kant’s Critical Philosophy in the Russian Empire, spanning the period from the late 19th century to the Bolshevik Revolution. It systematically details the reception bestowed on Kant’s ideas during his lifetime and up to and through the era of the First World War. The book traces the tensions arising in the early 19th century between the imported German scholars, who were often bristling with the latest philosophical developments in their (...) homeland, and the more conservative Russian professors and administrators. The book goes on to examine the frequently neglected criticism of Kant in the theological institutions throughout the Russian Empire as well as the last remaining, though virtually unknown, embers of Kantianism during the reign of Nicholas I. With the political activities of many young radicals during the subsequent decades having been amply studied, this book focuses on their largely ignored attempts to grapple with Kant’s transcendental idealism. It also presents a complete account of the resurgence of interest in Kant in the last two decades of that century, and the growing attempts to graft a transcendental idealism onto popular social and political movements. The book draws attention to the young and budding Russian neo-Kantian movement that mirrored developments in Germany before being overtaken by political events. (shrink)

This article considers a long-neglected episode in the disciplinary evolution of the border sciences in Germany: the so-called animism versus spiritism debate. While historians have long acknowledged the significance of this dispute, which introduced a range of new hypotheses and nomenclature to the field, there has been little detailed analysis of it. Looking closely at the arguments of the main combatants, this article attempts to highlight not just the complex multi-frontal conflicts that took place during the late 19th century (...) between academic psychologists, spiritists and psychical researchers over the parameters and proper objects of the nascent field of psychology, but also the epistemological and methodological battles between spiritists and psychical researchers over the nature of both psychology and the unconscious. It is concluded that researchers such as Hartmann and Aksakow in their pursuit of a new scientific psychology based on the phenomena of the unconscious were just as representative of contemporary psychology as were Wundt and his colleagues. (shrink)

Germany was famously a latecomer to colonialism, but it was a hybrid empire, centrally involved in all forms of imperial activity. Germans dominated the early Holy Roman Empire; Germany after 1870 was a Reich, or empire, not a state in the conventional sense; and Germany had a colonial empire between 1884 and 1918. Prussia played the role of continental imperialist in its geopolitics vis-à-vis Poland and the other states to its east. Finally, in its Weltpolitik – (...) its global policies centered on the navy – Germany was an informal global imperialist. Although these diverse scales and practices of empire usually occupied distinct regions in the imaginations of contemporaries, there was one representational space in which the nation-state was woven together with empire in all its different registers: the Berlin trade exhibition of 1896. Because this exhibition started as a local event focused on German industry, it has not attracted much attention among historians of colonial and world fairs. Over the course of its planning, however, the 1896 exhibition emerged as an encompassing display of the multifarious German empire in all its geopolitical aspects. The exhibition attracted the attention of contemporaries as diverse as Georg Simmel and Kaiser Wilhelm. In contrast to Simmel and later theorists, I argue that it represented the empire and the nation-state, and not simply the fragmenting and commodifying force of capitalism. In contrast to Timothy Mitchell, I argue that the exhibit did not communicate a generic imperial modernity, but made visible the unique multi-scaled political formation that was the German empire-state. (shrink)

In the field of philosophy, the common view of philosophy as an essentially Western discipline persists even today, while non-Western philosophy tends to be undervalued and not investigated seriously. In the field of Japanese studies, in turn, research on Japanese philosophy tends to be reduced to a matter of projecting existing stereotypes of alleged Japanese cultural uniqueness through the reading of texts. In Nothingness in the Heart of Empire: The Moral and Political Philosophy of the Kyoto School in Imperial (...) Japan, Harumi Osaki resists both these tendencies. She closely interprets the wartime discourses of the Kyoto School, a group of modern Japanese philosophers who drew upon East Asian traditions as well as Western philosophy. Her book lucidly delves into the non-Western forms of rationality articulated in such discourses, and reveals the problems inherent in them as the result of these philosophers' engagements in Japan's wartime situation, without cloaking these problems under the pretense of "Japanese cultural uniqueness." In addition, in a manner reminiscent of the controversy surrounding Martin Heidegger's involvement with Nazi Germany, the book elucidates the political implications of the morality upheld by the Kyoto School and its underlying metaphysics. As such, this book urges dialogue beyond the divide between Western and non-Western philosophies, and beyond the separation between "lofty" philosophy and "common" politics. (shrink)

This dissertation examines philosophical and literary configurations of "violence" in discourses of human freedom and imperial subjugation in Germany and Japan. The concept of "violence" marks the ethical limit of normative claims. Without a definition in itself, "violence" serves the critical function of disclosing norms orienting social and political life. Each of the authors studied in this dissertation turned toward a conception of human freedom founded in the confrontation of social norms disclosed by rhetorical violence. Chapter one examines (...) the rhetoric of Immanuel Kant's Zum ewigen Frieden in the historical context of its writing. Kant engages in a performative argument for publicity in his critique of Prussian imperialism and the censorship of revolutionary views. Through rhetorical gestures such as the title of his essay as an invocation of death and the clausula salvatoria as a hedge against his critics, Kant encodes the political upheavals of the historical exterior in the rhetorical movement of his essay. He argues for peace by performing violence in language. Whereas Kant's essay has been conventionally read apart from its historical context, Heinrich von Kleist's Die Herrmannsschlacht has been interpreted strictly in terms of the historical moment of its writing. Chapter two argues instead for a rhetorical reading of Kleist's play in which language emerges as both the central theme of the text and an agent of anti-imperial violence. Kleist concretizes metaphors of the body such that they perform the politics of absolute opposition. Freedom for Kleist means opposition to the other. Chapter three turns to an alternative conception of human freedom grounded in opposition. In his Phanomenologie des Geistes, Hegel produces a performative narrative of the development of subjectivity in relations of violence. As an "unhappy consciousness," the subject no longer opposes an external other but itself as an internal "enemy." The freedom that it attains is constituted in self-subjection. Chapter four examines the appropriation of Kant and Hegel by the Japanese wartime philosophers Miki Kiyoshi and Tanabe Hajime. Both defend the project of Japanese imperialism by arguing for a form of freedom in which the subject negates its attachment to the imperial state. This negation inverts into a performance of subjectivity as the movement of self-subjection. (shrink)