The central problem posed in these essays, collected from over a decade, is how in the wake of Western ontologies to conceive the coming, the birth that characterises being. The first part of this book, 'Existence' asks how, today, one can give sense or meaning to existence as such, arguing that existence itself, as it comes nude into the world, must now be our 'sense'. In examining what this birth to presence might be, we should not ask what presence 'is'; (...) rather, we should conceive presence as presence to someone, including to presence itself. The second section, 'Poetry', asks: What if art exposes this? In writing, in the voice, in painting? And what if art is exposed to it? How does it inscribe the coming of existence as such? The author's trajectory in this book crosses those of Hegel, Schlegel, Baudelaire, Nietzsche, Freud and Heidegger, in their comments on art and politics, existence and corporeality, everyday life and its modes of existence, and ecstasy. An analysis that dares this crossing involves all the varied accounts of existence, political and philosophical, as well as all the realms of poetry. (shrink)

Using methods of abstract logic and the theory of valuation, we prove that there is no paraconsistent negation obeying the law of double negation and such that $\neg(a\wedge\neg a)$ is a theorem which can be algebraized by a technique similar to the Tarski-Lindenbaum technique.

Presentation of the Excellence Award at the Fonds Ricœur’s Summer Workshop 2019.

The proposed text first appeared under the title Prélude. Quand la vérité nous donne rendez-vous as an introduction to Jean Greisch's volume, Rendez-vous avec la vérité. However, the vortex of metaphors that 'tell' the 'truth' remains hardly reducible to a single 'theory' of 'Truth'. Over the centuries, what-is-‘true' has been said in many different ways, starting with the unsolvable opposition between the truth-fidelity of the Jewish tradition and the truth-disclosure/manifestation of classical Greek thought; passing through the truth-regulating, namely the (...) truth-institution of Roman Latin culture, which 'contractualises' what is true; reaching up to the truths of the medieval Anglo-Saxon world (truth-correspondence, truth-coherence, truth-semantics, truth-consent, truth-interpretation). However, that the truth is not objectified does not mean that it is not an existential issue. On the contrary, this seems to be the lesson one can draw from the encounter between Pilate and Jesus: "I am the Truth." Nevertheless, it is possible to observe that some of the best pages from the history of philosophy are not those wondering about what the truth is, but rather those pages allowing their own authors and readers to be questioned by the - sometimes sudden - encounter with the disproportion of Truth. Therefore, not theorising but encountering the truth will be a fundamental question of philosophical research. (shrink)

La collection « Les grands classiques de l’érotologie moderne » des éditions EPEL a l’ambition d’offrir une visibilité française à des ouvrages pionniers dans le domaine des gay and lesbian studies et de la queer theory. Dans cette optique est éditée la traduction de l’ouvrage de Maud Gleason paru en 1995 sous le titre Making Men. Sophists and Self-presentation in Ancient Rome. Afin de prendre en compte les avancées récentes de la recherche, l’éditeur a pris soin d’insérer une postface de (...) Flo... (shrink)

Lelarge de Lignac occupe une place singulière dans l’abondante littérature anti-matérialiste du xviii e siècle. Combattre efficacement le matérialisme impose de réconcilier métaphysique et expérience. L’analyse du « sens intime de notre existence » offre une base phénoménale pour une nouvelle élaboration des principaux concepts de la métaphysique (substance, cause, contingence et nécessité, etc.). Un tel sens intime reste cependant aveugle au phénomène du corps. Lignac lui adjoint donc un sentiment de coexistence, susceptible de faire droit au phénomène particulier du (...) corps vécu. La stratégie anti-matérialiste met au cœur de son dispositif cette singularité phénoménologique d’un corps propre et en quelque sorte immatériel, objet d’une expérience irréductible à celle des corps physiques. (shrink)

Dans les premières lignes du compte-rendu substantiel qu’il fournit de l’ouvrage de Mikel Dufrenne paru en 1963 sous le titre Le Poétique, Paul Ricœur écrit : Le dernier livre de Mikel Dufrenne n’est pas seulement le fruit mûr d’une œuvre qui pousse comme une plante – les images végétales conviennent à merveille à une philosophie qui se veut fidèle aux voix de la Nature! –, il est aussi l’un des signes de la mue de la philosophie française : celle-ci, de (...) multiples façons, se rebelle comme l... (shrink)

Science and technology, as rational approaches to problem solving, are driving forces in the promotion of democracy at home and abroad. Science based decision-making is increasingly global as countries share technology, research results, and engage in joint studies on common problems. The widening rift between global wealth and poverty diminishes for many the opportunity for exposure to science, technology and social science based decision-making on issues that directly affect them. This paper outlines a model for democratizing science by utilizing the (...) interactive tools of the social sciences in a process that enables information-marginalized people to engage with the language, methods and results of social science for purposes of community empowerment and voice in science policy. The paper offers examples of approaches to implementation, citing various forms of research partnerships with communities, and discusses challenges including ethical considerations, the conflict between “local” and science-based knowledges and power differentials in practice. (shrink)

This paper discusses the development of the Logic and Religion project and the various events organized within this framework, particularly the 3rd and 4th editions, with this volume including papers presented at both.

This chapter contains section titled: “The Look”.

Jean-Louis Fournel, abordant la période des guerres d’Italie, tente de montrer comment ces nouvelles guerres modifient l’intensité et le rythme de la guerre guerroyée : la conscience d’une violence et d’une rapidité inédites fait planer une menace de mort sur les États eux-mêmes et la question de la guerre est dès lors placée au cœur de la pensée politique. Trois manifestations de ces « nouvelles » guerres marquent particulièrement les contemporains et autorisent l’analyste à évoquer ici une « brutalisation (...) » ou un ensauvagement des conflits, bien avant la Première Guerre mondiale qui a fondé récemment le développement d’une telle problématique : les sacs de ville, la mise en coupe réglée des territoires conquis avec le développement d’une véritable guerre contre les civils et, enfin, l’augmentation exponentielle du nombre de morts durant les batailles (du fait entre autres des modifications dans l’armement et du nombre de soldats constituant les nouvelles armées « nationales »). S’ensuivent des tentatives d’une nouvelle « humanisation », très relative des conflits armés fondée sur un nouvel examen du jus in bello (par opposition à une quasi disparition de la question du jus ad bellum). Il est notable à cet égard que le lexique de la « barbarie » est très peu utilisé chez les chroniqueurs et historiens des guerres d’Italie alors même qu’il a une forte présence chez les historiens et témoins des guerres de Religion en France. On peut se poser la question de savoir s’il ne faudrait pas voir là une certaine « rechristianisation » du discours sur la guerre. De la sorte, cette « rechristianisation » d’une partie de la réflexion sur la violence de guerre, au croisement du déclin de l’idéologie chevaleresque, des réflexions philosophiques, théologiques ou juridiques nées des massacres commis par les conquistadores dans le « nouveau monde » (Cortez avait fait ses premières armes sur les champs de bataille italiens) et des réactions face aux atrocités de la guerre civile, permettrait peut-être tout à la fois d’inscrire la barbarie dans le présent des conflits, de permettre un nouveau discours pacifiste, de confier paradoxalement au souverain comme instance laïque, au-dessus des choix religieux personnels, le rôle d’arbitre et de régulateur des guerres (cf. les politiques), et, enfin, de relancer la question du jus in bello (le jus ad bellum n’étant plus vraiment opératoire, pas plus que le rôle d’arbitre du pape qui s’effondrera bientôt définitivement dans l’Europe née du traité de Westphalie). (shrink)

This essay takes, as its starting point, Andreas Malm’s effort, in How to Blow Up a Pipeline: Learning to Fight in a World on Fire, to legitimize and normalize property destruction in the context of the climate movement. The sabotage of energy infrastructures, I counter, cannot make sense, for it poses a threat to coherence, removing without replacing the material and discursive conditions that grant the climate movement its meaning and purpose within late capitalism and late liberalism. Recent protests entailing (...) the defacement of paintings share with ecocriticism an investment in an essentially liberal, pedagogical and moral covenant, one that urges witnesses to undergo an individual process of reflection in order to acquire or affirm values and priorities friendlier to the environment. Sabotage, by contrast, violates this covenant; blowing up a pipeline may be said to have met its goals by reducing and slowing the supply of oil, regardless of what the public learned from sabotage’s mediatization. Drawing on psychoanalytic accounts of aesthetic education, I argue that sabotage introduces absurdity into a category—action—that the climate movement otherwise insists is self-identical. Sabotage does this by subtracting the world wherein putatively future-bound actions, including having and raising a child, mean what they do. I test out this claim in a reading of Nell Zink’s novel The Wallcreeper and Benedikt Erlingsson’s film Woman at War (Kona fer í stríð), two absurdist comedies that formally amplify the semiotic crisis induced by sabotage and, in so doing, enable us to confront the necessary dislocation of politics from sense. (shrink)

Nothing, one day, seemed more imperative to me than the project of composing a book whose fiction would be constructed not as the representation of some preexistent entity, real or imaginary, but rather on the basis of certain specific mechanisms of generation and selection. The principle of selection may be called overdetermination. It requires that every element in the text have at least two justifications. In this perspective, each element is invested with a coefficient of overdetermination. If there is a (...) choice to be made between two overdetermined elements, the one with the highest coefficient of overdetermination will always be chosen. This principle, as we might expect, was not elected at random: it corresponds to any text construed as nonlinear. Take, for example, the simplest element, with a coefficient of two. A double relation connects it with the text: the one due to its place in the written line , and the one linking it with some other element in the text . By operating at a maximum level of multiple determinations, the text is elaborated by means of a maximum number of transversal relations, in a field diametrically opposed to the realm of the linear. Jean Ricardou is equally well known for his fiction, including L'Observatoire de Cannes , La Prise de Constantinople , Les Lieux-dits , and Les Révolutions Minuscules , and his criticism, including Problèmes du Nouveau Roman , Pour une Theorie du Nouveau Roman , and Le Nouveau Roman , LE PARADIGME d' Albert Ayme , and a collection of essays, Nouveaux Problèmes du Roman. His "Composition Discomposed" appeared in the Autumn 1976 issue of Critical Inquiry. Erica Freiberg regularly translates Jean Ricardou's works. She holds degrees in French and Italian, philosophy and modern literature from the University of Paris and the University of Geneva. (shrink)

Adoration is the second volume of the Deconstruction of Christianity, following Dis-Enclosure. The first volume attempted to demonstrate why it is necessary to open reason up not to a religious dimension but to one transcending reason as we have been accustomed to understanding it; the term "adoration" attempts to name the gesture of this dis-enclosed reason. -/- Adoration causes us to receive ignorance as truth: not a feigned ignorance, perhaps not even a "nonknowledge," nothing that would attempt to justify the (...) negative again, but the simple, naked truth that there is nothing in the place of God, because there is no place for God. The outside of the world opens us in the midst of the world, and there is no first or final place. Each one of us is at once the first and the last. Each one, each name. And our ignorance is made worse by the fact that we do not know whether we ought to name this common and singular property of all names. We must remain in this suspense, hesitating between and stammering in various possible languages, ultimately learning to speak anew. -/- In this book, Jean-Luc Nancy goes beyond his earlier historical and philosophical thought and tries to think-or at least crack open a little to thinking-a stance or bearing that might be suitable to the retreat of God that results from the self-deconstruction of Christianity. Adoration may be a manner, a style of spirit for our time, a time when the "spiritual" seems to have become so absent, so dry, so adulterated. -/- The book is a major contribution to the important strand of attempts to think a "post-secular" situation of religion. (shrink)

Jean Baudrillard is widely recognized as one of the most important and provocative writers of our age. Variously termed “France’s leading philosopher of postmodernism” and “a sharp-shooting Lone Ranger of the post-Marxist left,” he might also be called our leading philosopher of seduction or of mass culture. Following his acclaimed _America_ and _Cool Memories_, this book is the third in a series of personal records in hyperreality. Idiosyncratic, outrageous, and brilliantly original, Baudrillard here casts his net widely and combines (...) autobiographical memories with further reflections on America, the crisis of cultural production, new ideas in fiction/theory, and the “verbal fornication” of the postmodern. In this wide-ranging discussion of events and ideas, Baudrillard moves between poetry and waterfalls, strikes and stealth bombers, Freud and La Cicciolina, shadows and simulacra, deconstruction and the zodiac, Reagan’s smile and Kennedy’s death, the “curse” on South America and the future of the West, the last tango of French intellectual life and the exemplary disappearing act of Italian politics. Writing at the site where the philosophic and the poetic merge, he once again offers us commentary in the form of the riveting insight, the short distillation of reality that establishes its truth with the force of recognition. _Cool Memories II_, Baudrillard’s latest commentary on the technopresent and future, an installment of his reflections on the reality of contemporary western culture, will entice all readers concerned with postmodernism and the current state of theory. (shrink)

La philosophie antique et, spécialement, les différentes versions du néoplatonisme ont fourni à la spéculation trinitaire de nombreux instruments théoriques. Parmi eux, le concept d’existence occupe une place éminente, notamment dans le De Trinitate de Richard de Saint-Victor. Après avoir pris acte des difficultés liées à l’emploi du concept de personne, Richard utilise avec une lucidité inégalée les ressources théoriques qu’offre la structure singulière du terme « ex-sistentia », et le mobilise pour penser l’être du Christ, comme ce qui, tout (...) à la fois, provient du Père et subsiste en tant que personne autonome. En Dieu, l’existence s’avère seule en mesure de penser la singularité des personnes sans compromettre leur égalité et l’unité de son essence. C’est donc grâce à la théologie trinitaire que l’existence accède tout d’abord à son propre destin en métaphysique. (shrink)

Partindo de um contexto desafiador, marcado pela pós-verdade e por investidas conscientes de revisionismo histórico e negação da ciência, o presente artigo analisa três abordagens que constatam a instrumentalização política do discurso histórico ao longo do tempo e fazem proposições com vistas à superação dos impasses interpostos ao ensino e à aprendizagem da História. Junto com os autores, o texto procura contribuir para o entendimento histórico, sociológico e cultural dos dilemas que o ensino de História enfrenta contemporaneamente.

El problema de la desintegración del aura, tratado inicialmente por Walter Benjamin en el último período de su filosofía y retomado por Theodor W. Adorno, ocupa un lugar central en el pensamiento de ambos autores. Pero mientras que Benjamin parece ver en la decadencia del aura ciertos aspectos liberadores, Adorno elige preservar la categoría de aura como esencial a la experiencia artística, cuestión que se encuentra conectada con el desplazamiento que, según se propondrá, opera la reflexión de Adorno de la (...) cualidad aurática al terreno específico de la música y, con ello, al ámbito de la producción, entendiendo esta cualidad como propia de la objetividad de la obra. Apoyándose en un repaso detallado del tratamiento de la categoría de aura en Benjamin y Adorno y siguiendo el traslado del problema al ámbito musical que propone Adorno, este artículo busca adentrarse en el fenómeno de la decadencia del aura en el dominio de la música a partir del análisis de una serie de obras escogidas de los compositores George Crumb, György Kurtág y Helmut Lachenmann. (shrink)

How to conceive the place of the brain in the specification of the animal environment relation? Reality is a continuum between external physical energies and brain energy. The global array concept linked to the physical world and its physical energies could be transposed to the brain as a physical object and a dynamical system.

This paper presents a challenge to enactivist approaches to cognition (e.g. Ward, D., Silverman, D. & Villalobos, M. 2017) that is based on the theoretical commitments behind forms of looking time studies that have been extensively used to probe into the cognitive abilities of infants and nonhuman animals. I briefly summarize the Violation of Expectation (VoE) paradigm (Ginnobili & Olmos 2021) to illustrate why such methods might pose a problem for enactivists and their conception of cognition as a largely representation-free (...) dynamic coupling between organism and environment. I argue that despite the lack of clarity regarding how the notion of expectation should be applied to the minds of neonates and nonhuman animals, there is an inherently representational aspect to expectation, given that it embodies satisfaction conditions. The challenge is, then: given that many forms of enactivism seem to reject the notion of representationas it is used in the VoE literature, how can enactivists make sense of data and results obtained using such research methods? (shrink)

The complexity and the variability of parameters occurring in ecological dynamical systems imply a large number of equations.Different methods, more or less successful, have been described to reduce this number of equations. For instance, in the paper of Auger and Roussarie (1993), the authors describe how to obtain a reduction by considering different time-scales. They consider a system which can be sub-divided into sub-systems such that the strengths of the intra-sub-systems interactions are much larger than those of the inter-sub-systems interactions. (...) Using the Central Manifold Theorem, they obtain on the slow-manifold, a perturbation of the external dynamics by the internal dynamics. (shrink)