Kurt Godel was the most outstanding logician of the twentieth century, famous for his work on the completeness of logic, the incompleteness of number theory, and the consistency of the axiom of choice and the continuum hypothesis. He is also noted for his work on constructivity, the decision problem, and the foundations of computation theory, as well as for the strong individuality of his writings on the philosophy of mathematics. Less well-known is his discovery of unusual cosmological models for (...) Einstein's equations, permitting "time-travel" into the past. This second volume of a comprehensive edition of Godel's works collects together all his publications from 1938 to 1974. Together with Volume I (Publications 1929-1936), it makes available for the first time in a single source all of his previously published work. Continuing the format established in the earlier volume, the present text includes introductory notes that provide extensive explanatory and historical commentary on each of the papers, a facing English translation of the one German original, and a complete bibliography. Succeeding volumes are to contain unpublished manuscripts, lectures, correspondence, and extracts from the notebooks. Collected Works is designed to be accessible and useful to as wide an audience as possible without sacrificing scientific or historical accuracy. The only complete edition available in English, it will be an essential part of the working library of professionals and students in logic, mathematics, philosophy, history of science, and computer science. These volumes will also interest scientists and all others who wish to be acquainted with one of the great minds of the twentieth century. (shrink)

Marking the centenary of Walter Benjamin's immensely influential essay, "Toward the Critique of Violence," this critical edition presents readers with an altogether new, fully annotated translation of a work that is widely recognized as a classic of modern political theory. The volume includes twenty-one notes and fragments by Benjamin along with passages from all of the contemporaneous texts to which his essay refers. Readers thus encounter for the first time in English provocative arguments about law and violence advanced by Hermann (...) Cohen, Kurt Hiller, Erich Unger, and Emil Lederer. A new translation of selections from Georges Sorel's Reflections on Violence further illuminates Benjamin's critical program. The volume also includes, for the first time in any language, a bibliography Benjamin drafted for the expansion of the essay and the development of a corresponding philosophy of law. An extensive introduction and afterword provide additional context. With its challenging argument concerning violence, law, and justice-which addresses such topical matters as police violence, the death penalty, and the ambiguous force of religion-Benjamin's work is as important today as it was upon its publication in Weimar Germany a century ago. (shrink)

Der Band vereinigt die Vorträge der internationalen Vorlesungsreihe “Tierrechte” an der Universität Heidelberg im Sommersemester 2006. Herausgegeben von der Interdisziplinären Arbeitsgemeinschaft Tierethik (IAT) mit ihren gegenwärtigen und früheren Mitgliedern Katharina Blesch, Alexandra Breunig, Stefan Buss, Guillaume Dondainas, Rainer Ebert, Florian Fruth, Nils Kessler, Matthias Müller, Uta Panten, Anette Reimelt, Bernd Schälling, Jürgen Schneele, Adriana Sixt-Sailer, Manja Unger und Alexander Zehmisch, setzt er die mit der Vorlesungsreihe begonnenen Bemühungen um eine unvoreingenommene Vermittlung der tierethischen Forschung fort. Der Band will es (...) Lesern und Leserinnen ermöglichen, von verschiedenen Seiten Einblick in den modernen Tierrechtsdiskurs zu erhalten. Beiträge lieferten: Silke Bitz, Gieri Bolliger, Carl Cohen, Raymond Corbey, Eugen Drewermann, Mylan Engel Jr., Antoine F. Goetschel, Helmut F. Kaplan, Eisenhart von Loeper, Jörg Luy, Renate Rastätter, Tom Regan, Kurt Remele, Hanna Rheinz, Peter S. Wenz, Markus Wild, Hanno Würbel. (shrink)

Evidence of the intimate linkage of the shaman's song and divinatory procedures may be viewed in the ancient epics. These narrative poems contain structural and thematic elements recognizable from the shaman's song—in particular his or her voyage to the Otherworld and the guidance of oracular powers. In this paper, The Epic of Gilgamesh, Euripedes' Ion, and The Ozidi Saga (a living epic from West Africa) are examined as recuperations of the orally composed and transmitted song of the shaman. I argue (...) that the epics—the origins of which predate their composition in literary form—bear witness to these most ancient and mysterious forms of linguistic expression. As depictions of Otherwordly journeys, they can be viewed through a metaphysic outside of time, rendering divination not only possible but inevitable, and necessitating a language of abstraction, allusion, and ambiguity. Today's experimental poetries may not all partake of a conscious recuperation of shamanic themes and forms, but they share an imaginary (yet not imagined) repositioning of reality, an open questioning of consensus forms of awareness, and an aesthetic shaping of what Jean Gebser calls “Integral Consciousness” (15), the simultaneous integration-disintegration of archaic, mythic, magic, and mental paradigms in an intensification of awareness which sees time as diaphanous, and Mind as a doorway between possibilities. (shrink)

Das denkende ich.--Die Werkzeuge des Denkens.--Die Forschungswege zur Natur und zum Geist.--Gemeinsame Ziele der Natur- und Geisteswissenschaften.

In der philosophischen Tradition nehmen geschichtsphilosophische Gesichtspunkte wie die Wahrnehmung von Geschichte, der Begriff von Wissen und Vernunft, das sich daraus ergebende Folgeproblem von Einheit und Vielheit und die Rolle und Funktion des Subjektes eine grundlegende Bedeutung ein. In der Postmoderne erfahren diese Aspekte in ihrem philosophischen Stellenwert eine deutliche Profilveränderung. Diese Veränderung, die auf ein ,,entdifferenzierendes Denken" innerhalb der Postmoderne zurückzuführen ist, wird kritisch überprüft.

Im Ausgang von Ernst Cassirers methodischen Überlegungen zur Geschichtsschreibung werden dichterische, ästhetische und künstlerische Intentionen der geschichtlichen Darstellung bei David Hume, Wilhelm von Humboldt, Heinrich von Treitschke, Benedetto Croce und Hayden White hinsichtlich ihrer Möglichkeiten und Gefahren nachgezeichnet. Die Abhandlung schließt mit kritischen Stellungnahmen von Thomas Nipperdey und Joachim Fest zur gegenwärtigen Geschichtsschreibung. Zur Diskussion steht, ob die Aufnahme ästhetischer Kriterien in die Geschichtsschreibung den Anspruch einlösen kann, Wahrheit in der Geschichte darzustellen, ob diese Kriterien nicht eher zu einer Abschwächung (...) und Verdunkelung dieses Anspruchs beitragen, und ob nicht vielmehr davon auszugehen ist, daß sich ästhetische und wissenschaftliche Kategorien geschichtlicher Darstellung gegenseitig ausschließen. (shrink)