We argue that relationalism entails an unacceptable claim about the content of visual experience: that ordinary ‘red’ objects look like they look like they look like they’re red, etc.

Objectivism and projectivism are standardly taken to be incompatible theories of color. Here we argue that this incompatibility is only apparent: objectivism and projectivism, properly articulated so as to deal with basic objections, are in fundamental agreement about the ontology of color and the phenomenology of color perception.

Perceptual experience is often said to be transparent; that is, when we have a perceptual experience we seem to be aware of properties of the objects around us, and never seem to be aware of properties of the experience itself. This is a introspective fact. It is also often said that we can infer a metaphysical fact from this introspective fact, e.g. a fact about the nature of perceptual experience. A transparency theory fills in the details for these two facts, (...) and bridges the gap between them. We have three aims: to scrutinize Michael Tye’s transparency theory :137–151, 2002; Consciousness revisited: materialism without phenomenal concepts, MIT Press, Cambridge, 2009; Philos Stud 170:39–57, 2014a), introduce a new transparency theory, and advance a meta-theoretical hypothesis about the interest, and import, of transparency theories. (shrink)

Prosopography is the collection of all known information about individuals within a given period. With the advent of computer technology it is now possible to gather and store such information in increasingly sophisticated and searchable databases, which can bring a new dimension to traditional historical research. The book surveys the transition in prosopographical research from more traditional methods to the new technology, and discusses the central role of the British Academy, as well as that of French, German and Austrian academic (...) institutions, in developing prosopographical research on the Later Roman Empire, Byzantium and now Anglo-Saxon and other periods. The book demonstrates mutual benefits and complementarity in such studies between the use of new technology and the highest standards of traditional scholarship, and in doing so it sets forth new perspectives and methodologies for future work. (shrink)

Historically, philosophers, artists, and spiritual leaders have extolled the benefits of solitude; currently, advice on how to achieve solitude is the subject of many popular books and articles. Seldom, however, has solitude been studied by psychologists, who have focused instead on the negative experiences associated with being alone, particularly loneliness. Solitude, in contrast to loneliness, is often a positive state—one that may be sought rather than avoided. In this article, we examine some of the benefits that have been attributed to (...) solitude—namely, freedom, creativity, intimacy, and spirituality. In subsequent sections, we consider the environmental settings and personality characteristics conducive to solitude, how time spent alone is experienced differently across the life span, and the potential dangers related to the attractiveness of solitude. We conclude with a brief discussion of the theoretical and practical implications of solitude. (shrink)

Several prominent philosophers have held that physical properties are dispositions. The aim of this paper is to establish the following conjunction: if the thesis that physical properties are dispositions is unsupplemented by controversial assumptions about dispositions, it entails a contradiction; and if it is so supplemented the resulting theory has the consequence that either many worlds which seem to be possible worlds are not possible worlds or some properties which seem to be identical are not identical. In this way it (...) is shown that a dispositional account of physical properties is implausible. (shrink)

When we watch movies, or are tricked by a trompe-l'oeil painting, we seem to be visually representing possible worlds; often non-actual possible worlds. This suggests that we really can visually represent possible worlds. The suggested claim is refined and developed here into a theory of visual experience that holds that all visual experiences, both veridical and non-veridical, represent possible worlds, many of which are non-actual.

Spiritual experiences are characterized by a sense of vitality, connectedness, and meaning. Although often experienced within a religious context, spirituality is not dependent on a religious belief system or other ideology. The psychological mechanisms that help mediate spiritual experiences are analyzed, and the relation of spirituality to anxiety and depression is examined. Spirituality, it is often claimed, is a way of knowing as well as a way of feeling; that claim is rejected. However, spirituality is related to creativity and hence (...) to science and the acquisition of knowledge. 2012 APA, all rights reserved). (shrink)

To identify the set of reflectances that constitute redness, the authors must first determine which surfaces are red. They do this by relying on widespread agreement among us. However, arguments based on the possible ways in which humans would perceive colors show that mere widespread agreement among us is not a satisfactory way to determine which surfaces are red.

It has frequently been remarked by critics of Petronius that the entry of the monumental mason, Habinnas, in the Cena Trimalchionis is modelled on that of Alcibiades in Plato's Symposium. Yet surprisingly enough the parallel has not found its way into the commentaries, nor has it ever been analysed in detail. In fact it can stand as an interesting illustration of the use of literary allusion in the Satyricon.

Eusebius' Life of Constantine is the most important single record of Constantine, the emperor who turned the Roman Empire from prosecuting the Church to supporting it, with huge and lasting consequences for Europe and Christianity. The only English version previously available is based on a seventeenth-century Greek edition, but two new critical editions produced this century make a new English version necessary. The authors of this edition present the results of the recent scholarly debate, as well as their own researches (...) so as to clarify the significance of Eusebius' work and introduce the student to the text and its interpretation, thus opening up the contentious issues. At face value much of what Eusebius wrote is false. This book shows how, once his partisan interpretations and rhetoric are properly understood, both Eusebius' text and the documents it contains give vital historical insights. (shrink)

That Ammianus Marcellinus was a pagan is agreed on all sides. He was no Eunapius to vilify and slander the Christians, and no Macrobius to pretend that they did not exist; nevertheless, while not hostile to the new religion, he still adhered to the old. It is, however, customary to quote as an illustration of his attitude to Christianity the numerous passages where he refers to things Christian in a curiously roundabout fashion, as if unfamiliar with the words he was (...) using. Instances such as ‘Christiani ritus presbyter ’, ‘coetus in unum quaesitus eiusdem legis cultorum ’, ‘inductus est diaconus’, would seem at first sight to justify the conclusion of P. de Jonge that ‘Ammianus speaks of Christianity as an alien religion which is not professed by him’. (shrink)

Among other recent attempts to correct what he takes to be Cameronian misconceptions, Barry Baldwin has reopened the question of a difficult passage in the panegyric to Anastasius the quaestor prefaced to Corippus' In laudem Iustini. His discussion perfectly correctly emphasizes the fragility of our knowledge of Corippus' life and background, but unfortunately it introduces certain misconceptions itself which make a rejoinder inescapable, especially since new arguments may be adduced.

Chapters 3 and 4 of Book 80 of Dio Cassius, dealing with the founding of the new Sassanid dynasty in Persia, have to be reconstructed from Xiphilinus on the one hand and the Excerpta Valesiana on the other. Zonaras 12. 15 in turn excerpts Xiphilinus; but Zonaras 12. 15, p. 572. 7–10 B. is not to be found in either of the excerptors of Dio. The words are as follows.

It is easy to envision marked progress in biological and physiological approaches to emotion, due to technological advances in imaging and other recording techniques. The future of social-constructionism appears more hazy: Progress will likely depend as much on new ideas as on new empirical discoveries. The most fruitful breeding ground for new ideas is where disciplines meet. Hence, the contributors to this special section represent diverse disciplines: biology, computer science, and the arts, as well as areas more traditionally associated with (...) the social construction of emotion, for example, interpersonal relations, cultural influence, and individual development. (shrink)

When an object looks red to an observer, the visual experience of the observer has two important features. The experience visually represents the object as having a property—being red. And the experience has a phenomenological character; that is, there is something that it is like to have an experience of seeing an object as red. Let qualia be the properties that give our sensory and perceptual experiences their phenomenological character. This essay takes up two related problem for a nonreductive account (...) of qualia. Some have argued that on such an account there is no room in a physicalist ontology for qualia. Section 1 shows how qualia might fit into a physicalist ontology. The second problem begins with the observation that there is a gap in scientific accounts of color experience; there is no explanation of why the features of the brain that determine our color experiences give those experiences their phenomenological character. Building on the results of Sect. 1, Sect. 2 develops an account of color perception that bridges this gap and shows how qualia give color perception its phenomenological character. To get a grip on the issues involved the paper begins by considering some aspects of a physicalist account of color. (shrink)