Maurice Blanchot, the eminent literary and cultural critic, has had a vast influence on contemporary French writers—among them Jean Paul Sartre and Jacques Derrida. From the 1930s through the present day, his writings have been shaping the international literary consciousness. The Space of Literature , first published in France in 1955, is central to the development of Blanchot's thought. In it he reflects on literature and the unique demand it makes upon our attention. Thus he explores the process of (...) reading as well as the nature of artistic creativity, all the while considering the relation of the literary work to time, to history, and to death. This book consists not so much in the application of a critical method or the demonstration of a theory of literature as in a patiently deliberate meditation upon the literary experience, informed most notably by studies of Mallarme;, Kafka, Rilke, and Hölderlin. Blanchot's discussions of those writers are among the finest in any language. (shrink)

Popper's short essay about the rationality principle has been the target of many criticisms which have raised serious doubts about its consistency. How could the well-known promoter of falsificationism suggest that we not reject a principle that he himself describes as false? Nonetheless, the essay can be read in a way that makes it appear much more consistent. Better sense can be made of Popper's own examples (the flustered driver, the pedestrian, etc.), by taking seriously his view that the rationality (...) principle might be "approximately true" and falsified only in very rare cases, while also giving proper attention to his four rather elliptical arguments. (shrink)

This book presents three of Blondel's important turn of the century articles. These are The Idealist Illusion, The Elementary Principle of a Logic of the Moral Life and in two parts, The Starting Point of Philosophy. These essays uncover a certain pragmatism in Blondel's thought while Fiachra Long's introduction argues that Blondel veered away from idealism and towards a logic of the concrete life which allied him closely if unwittingly with the Scottish common sense school of Thomas Reid.

This is a basic work for students specializing in philosophy & for any scholar studying the works of Sartre.

The paper proposes a distinction between ethical problems internal to the practice of a discipline and ethical problems external to it. It argues that ethical problems encountered in architecture are typically of the former kind, in contrast, for example, to bioethical problems. From this point of view, it discusses the state of other arts and surveys various 19th and 20th century positions concerning ethics in architecture. It illustrates that, where architecture is concerned, ethics is closely related to aesthetics and frequently (...) tied to a philosophy of history, a point which is explained with the help of the above-mentioned distinction. (shrink)

This Book Incorporates Prof. Friedman S Lectures And Discussions That Were A Part Of The Inter-Cultural Dialogue At Many Levels. His Major Contribution Is In Developing An Approach That Is Within The Framework Of The Human Image.