This paper aimed to vindicate that Aristotle’s method of reaching the definition of something in Z 12 of Metaphysics is incomplete and suggest the way in which we can reach its true definition. This paper claimed that the definition reached by genus and differentia (say, “a human is a featherless, two-footed animal.”) is not true but merely a taxonomic definition¾“what a definition is like” (1038a35). The combination of essential differentiae of something does not express what it is intrinsically but what (...) other things are not, although the definition is the account of the essence. The combination of the differentiae ‘featherless’ and ‘two-footed’ are not what makes us humans in a positive sense. These differentiae simply set us apart from all other animals. Moreover, his method is arbitrary. The combination of essential differentiae is subject to change insofar as we can swap out one differentia for another. However, the essence of something cannot be changeable. In order to make “a definition like” be “a true definition,” this paper suggests another interpretation of the ultimate differentia. As he presents it, the ultimate differentia is the one that cannot be further divided. However, this paper interprets the ultimate differentia of something as its activity (ἐνέργειά) and its end (τέλος). Hence, it is necessary to combine Aristotle’s method of differentiation with the teleological ultimate differentia of something if we want to reach its true definition. Aristotle at various times refers to human as a rational animal, at other times as a featherless two-footed animal throughout his corpus. This paper suggests that one is taxonomic, an example of what definition is like, and the other one represents the achievement that can be made when we know the true end of a thing¾that is, true definition, if a human is for thinking with our logos. Keywords: definition, essence, taxonomy, differentia, the ultimate differentia, activity, end. (shrink)

It is usual to read nomina, with which three interpretations are possible. The stronger arrogates to himself the titles of moderation and justice. So in the excellent Rumanian translation of 1871 by Gavrilu J. Munteanu: ‘Cându are sâ decida pumnulu, celu mai tare si atribue titlu de moderatu şi de onestu.’.

In this paper, the author reflects on why students so frequently have the false intuition that statements like (i) “If someone is a criminal then he comes from a single parent family,” imply their converse, namely (ii) “If someone comes from a single parent family then he is a criminal.” The author argues that this intuition is not baseless. In everyday speech, conditional statements very often refer to finite populations, meaning that while (i) does not imply (ii), (i) stands in (...) an evidential relationship to (ii). That is, given a finite population, (i) implies that if someone comes from a single family home, it is more probable that he is a criminal. While teaching first order logic, however, conditional statements are treated as referring to infinite samples, which renders the evidential relationship insignificant. The author concludes by addressing why these differing interpretations of conditional statements should be taken into account when teaching logic. (shrink)

I discuss the historical roots of the landscape problem and propose criteria for its successful resolution. This provides a perspective to evaluate the possibility to solve it in several of the speculative cosmological scenarios under study including eternal inflation, cosmological natural selection and cyclic cosmologies.Invited contribution for a special issue of Foundations of Physics titled Forty Years Of String Theory: Reflecting On the Foundations.

Murray N. Rothbard argued that there are many philosophic and non-philosophic arguments that provide a satisfactory basis for individual liberty. Rarely, however, did he discuss the claims of Christianity to be a suitable foundation for individual freedom. By looking at the Christian libertarians of the Old Right, between 1950 and 1971, the article contends that religious values were the most important reason for libertarians pursuing a society composed of free individuals during that period. By examining the journals Faith and Freedom, (...) Christian Economics, and the Freeman, and the positive views of Rev. Carl McIntire, the author explains the philosophy of Christian libertarianism. It is the belief that individual freedom is only the highest political end; the necessary means for God’s Creation to develop unhindered their conscience and the full ‘sacredness of their personality.’ Christian libertarians maintain that individuals cannot be coerced by government to lead a virtuous life. They must instead be persuaded, by a true understanding of the life of Jesus especially, to choose to follow the moral life sanctioned by the Bible. The desire to follow the Golden Rule voluntarily, Christian libertarians explain, is the God-given template that allows a society of individuals to live in freedom. It was this Christian ethic, Christian libertarians insist, couched in terms of the Natural Law, that inspired the founding fathers to establish a system of government where the individual is free to enjoy their ‘life, liberty, and the pursuit of happiness.’ The article concludes by discussing Frank S. Meyer’s ‘fusionist’ attempt to find a uniting theme for traditionalists and libertarians, and suggests that it was the Christian libertarian philosophy in all but name. It also suggests that if America has any valid claim to be ‘Exceptional,’ then it is based on the nation’s traditional defence of individual freedom as a God-given grant. (shrink)

In the original publication of an article the name “Idhe” occurs incorrectly including in the very beginning, in the title of the review. Now the correct name has been published in this correction.

This essay defends the role of law-like explanation in the social sciences by showing that the "argument from complexity" fails to demonstrate a difference in kind between the subject matter of natural and social science. There are problems internal to the argument itself - stemming from reliance on an overly idealized view of natural scientific practice - and reason to think that, based upon an analogy with a more sophisticated understanding of natural science, which makes use of "redescriptions" in the (...) face of obstacles like complexity, we have reason to be optimistic about the prospects for a nomological social science. (shrink)

Never before has there been a greater need for deeper listening and more open communication to cope with the complex problems facing our organizations, businesses and societies. Renowned scientist David Bohm believed there was a better way for humanity to discover meaning and to achieve harmony. He identified creative dialogue, a sharing of assumptions and understanding, as a means by which the individual, and society as a whole, can learn more about themselves and others, and achieve a renewed sense of (...) purpose. (shrink)

This article explores the connection between critical reading and Jurgen Habermas’s theory of communicative action. It proposes that Habermas’s criteria used for evaluating validity claims in communicative action can be applied in reading texts critically. Analyses of different types of texts are presented to show how critical reading is done in a Habermasian way. This article ends with a discussion of the application of Habermas’s theory in addressing educational issues.

This study investigated contributions of pre-service teachers’ endogenous and exogenous instrumentalities, their intrinsic and extrinsic motivations, and their use of self-regulation strategies to explain the extent to which they used strategies to purposefully integrate their knowledge across courses. With a total of 254 pre-service teachers’ survey-responses, results of a hierarchical multiple regression analysis indicated that their endogenous instrumentality of their current coursework, their use of metacognitive strategies and their use of deeper cognitive learning strategies contributed to explaining their use of (...) extensive knowledge integration strategies for completing coursework. Our results suggest that to develop pre-service teachers’ teaching expertise, they may need to have a strong understanding that the current course conte... (shrink)

continent. 2.1 (2012): 2–5 To begin with, as we understand from a remote place like Seoul, there have been two different conceptions of materiality in the Western experimental ?lm history: materiality of cinema and of ?lm. The former has been represented by the practitioners of the so-called the “Expanded Cinema” and the latter by the tradition of the “Hand-made” ?lm. Whereas for the Expanded Cinema, the materiality or the “medium-speci?city” includes not only the ?lm material but also the entire condition (...) and environment in which the cinematic experience is situated (i.e.: screen, projector, audience and theatre); for the Hand-made ?lm, it is the whole ?lmic process prior to the screening in front of the audience (i.e.: hand-processing and optical-printing). The two practices share in the materialist turn that opens up the radical possibilities of aesthetic (and even political) interventions into a process previously considered seamless and transparent. What can be called to attention through the materialist turn includes the aesthetic-institutional process in the projection-spectator relation and the (non-) representational process in ?lm-making. Moreover, these interventions bring their own temporalities back to those processes, and this returning emancipates the temporalities from their subordination to the cinema-as-commodity. Hangjun Lee is a ?lm-based artist whose practice is concerned with Hand-made Film and Experimental Cinema. Given these interests, Lee questions the linkage between materiality and temporality. This was his preoccupation around 2006, the time at which he started to collaborate with Chulki Hong, the noise improviser. The improvisational nature of their audio-visual performances opened means of detouring from the conventional editing techniques. Their collaboration also afforded critical investigations into the performativity of the practices in both the darkroom and the screening room, as well as in the private recording/practicing studio, and public performance spaces for the improvising musician. In fact, it was a kind of common interest shared by both us from the outset. In our collaboration, we avoid sacri?cing/concealing/minimizing one form of performativity (the performative nature and temporality of compositional process) for the sake of the other (i.e. those in improvisational and executional process). In the ?eld of experimental music and sound, this kind of approach has been comprehensively called “cracking” or “hacking”. The concepts are ?nely formulated in the coinage of “Cracked Everyday Electronics” (by Voice Crack) or more generally “Handmade Electronic Music” (by Nicolas Collins). 1 And this was a pure but perhaps necessary coincidence. the original title of the work of our collaboration and, retrospectively, of the set of our working principles at the same time, “The Cracked Share” was named by Lee after Georges Bataille’s masterwork, The Accursed Share , with the substitution of the adjective with “Cracked” as a synonym for ‘reticulated’ in the photographic image. We think the ascetic and subtractive aesthetic turn of the contemporary non-idiomatic improvised (and even somewhat non-improvised) music 2 pushed us further towards more radical dissociation with the empty temporality of commodi?ed audio-visual experience. It can be called the aesthetics of “without,” and exemplars include Yoshihide Otomo’s Turntable Without Records , Sachiko M’s Sampler without Samples . There are also other radical experiments even with the (non-)improvised music without noise and sounds that neatly meet the rules and idioms of the existing/established experimental music. For us, this thread among the experimental music currents weighs in its emphasis on subtractive and dissociational power unique to improvisational action. Surely, the tradition of the Cracked and Handmade improvised music teaches us the crucial lesson that “[m]edia and mediation are never transparent” and that “[m]ediation actively transforms data from one form to another and is never passive.” 3 We couldn’t agree to this statement more. However, without the removal and withdrawal power of improvisation that poses and keeps both subjects (performer and audience) and objects (projector and instrument) in “inferiority,” 4 generalized cracking and hacking practices—or simply “glitch”—in music and visuals would be either sublimated into the mystical and ritualistic forms of “Film Alchemy” and “Noise Music” (to which both of us still strongly feel a belonging but also, more or less, ambivalent sentiments), or else assimilated into the logic of the commodi?ed audio-visual communication. Today in music, this principle of improvisational performativity should be formulated as the dis-organization of sound against the associational de?nition of (electronic) music and it needs to be translated into audio-visual experiences. In other words, cracking practices of free improvisation need not be limited in artistic creativity, in a darkroom, in a studio, or on the stage; the principle of the dis-organization of sound should be the principle of dis-organization (or cracked organization) of audio-visual performance space itself. NOTES 1) Norbert Möslang, “How Does a Bicycle Light Sound?: Cracked Everyday Electronics,” Leonardo Music Journal 14 (2004): 83; Nicolas Collins, Handmade Electronic Music: The Art of Hardware Hacking (New York: Rutledge, 2006). 2) We refer this not to the historical style or genre but rather the idea and practice that ?free improvisation? stands for. On the distinction between idiomatic and non-idiomatic improvisation, see Derek Bailey, Improvisation: Its Nature and Practice in Music (Cambridge, MA: Da Capo, 1993). On radically politico-histrorical interpretations of free improvisation and noise music from various present viewpoints, see Noise and Capitalism , (eds.) Mattin & Anthony Iles (Arteleku Audiolab, 2009). 3) Caleb Kelly, Cracked Media: The Sound of Malfunction (Cambridge: MIT Press, 2009), p. 29. 4) I borrow the term from my long-time collaborator, Choi Joonyong. See Ryu Hankil, Hong Chulki & Choi Joonyong, Inferior Sounds (Balloon and Needle, CD, 2011). (shrink)

This article argues humanities scholarship is often dismissive of the quantitative, and that there is scope for worthwhile interdisciplinary research into the way everyday life is given tone and texture by experiences and cultures of number. Following the work of Mary Poovey (2008) and Steven Connor (2016), it challenges the view, particularly influential in the humanities, that number and associated ideas to do with data, objectivity, mathematics, and the rational, are parasitic upon life. In contrast to this view, this article (...) suggests that even if the idea of ‘the human’ is defined in opposition to number, the relation between the two is more usefully understood as an interweaving of differential tensions, rather than two poles separated by an uncrossable distance. Examples from literary fiction and two smartphone apps are analysed with the intent of initiating a dialogue between different cultural objects that share a concern with number and human experience. (shrink)

In the last couple of decades, the Korean church experienced a loss of credibility as well as a decrease in membership. The premise of this contribution is that the mega-church phenomenon in Korea contributed to this state of affairs. Many Korean churches, influenced by dramatic sociopolitical and economic changes, developed a distorted understanding of its nature and mission. Korean churches began to compete against each other to grow bigger. An institutional ecclesiology and ecclesiocentric understanding of mission formed the basis of (...) this endeavour. To counter this tendency, some churches turned to missional ecclesiology to facilitate the reformation of the Korean church. According to empirical data, Korean society rates mega-churches negatively while they evaluate missional churches positively. This provided further impetus for the current emerging missional movement in Korea. (shrink)

This research examines how one’s construal level of a crisis differs by crisis type, and how the interplay of crisis type and apology appeal type impacts the effectiveness of apology messages in a corporate crisis context. Findings indicate that one’s mental construal toward a crisis varies by crisis type, with a self-threatening crisis leading to a lower level of construal than a society-threatening one. Findings further suggest that in a society-threatening crisis condition, an informational apology was more effective than an (...) emotional one. However, in a self-threatening crisis condition, there was no significant difference between two different message types. These findings offer valuable guidelines for developing effective crisis response strategy. (shrink)

In this article, the author attempts to explain, the occurrence of Husserl and Heidegger's phenomenological interpretation of phenomenology there is a fundamental similarity. I have taken the approach is to analyze the phenomenology of Husserl and Heidegger's interpretation of the occurrence of the phenomenon of learning among the "place" concept. The author describes the place as a transcendental phenomenology of Husserl's main themes occur, and occur as the body phenomenology of Heidegger's interpretation of the main issues between the two fundamentally (...) identical. As between the two identical, Husserl's transcendental subjectivity as the transcendental place of the load are, in Heidegger's place as a body load there who have basically similar. Furthermore, Husserl and Heidegger on the concept of the world the concept of the transcendental field, as well as Husserl's "consciousness of the world and the occurrence of the construct" and Heidegger's "understanding and interpretation", a fundamentally similar. In this paper, I will attempt to show that there is a fundamental similarity between Husserl's genetic phenomenology and Heidegger's hermeneutic phenomenology. I will do this by analyzing the concept of "genesis" in Husserl's genetic phenomenology and also in Heidegger's hermeneutic phenomenology. I will show that there is a fundamental similarity between the transcendental genesis as the main topic of Husserl's genetic phenomenology and the ontological genesis as the main topic of Heidegger's hermeneutic phenomenology. Due to the similarity between them, there is a fundamental similarity between Husserl's transcendental subjectivity as the bearer of the transcendental genesis and Heidegger's Dasein as the bearer of the ontological genesis. Moreover, there is a fundamental similarity Husserl's concept of the world and Heidegger's concept of the a priori field, between "world consciousness and genetic constitution" in Husserl and "understanding and interpretation "in Heidegger. (shrink)