Among anti-war activists there has been much discontent with respect to the conduct of the defense. Many had expected a far-reaching indictment of the government for its criminal behavior in Vietnam. Those who had been hoping for a "confrontation with illegal and immoral authority" are naturally disappointed, since no such confrontation took place. In fact, the defendants themselves did make strong statements about the illegality and barbarism of the American war in Vietnam. With the exception of Michael Ferber, a resister (...) himself, the defendants took their stand, without qualifications, on the "Call to Resist Illegitimate Authority", which announced the intention of the signers to support resistance to the Vietnam war, and which insisted that actions taken in support of resistance "are as legal as is the war resistance of the young men themselves." However, this aspect of the trial was barely reported in the press. Within the framework defined by the government, adopted by the Court, and accepted by the press, the issue of the legality of the war was not pertinent, nor was the question of the right, or even the duty, of resistance to American aggression. (shrink)

A partir de la reprise par Nietzsche des analyses de Paul Bourget dans les Essais de psychologie contemporaine, l'auteur analyse la notion de décadence telle qu'elle s'applique, selon Nietzsche, dans l'art conçu d'un point de vue psychologique et physiologique. De l'œuvre de Wagner, envisagée physiologiquement dans Le cas Wagner, l'analyse de Nietzsche glisse vers la personne du Maître. L'analyse de cette notion capitale reliée à certaines problématiques centrales de l'œuvre permet de préciser la pensée du dernier Nietzsche. Starting from (...) Nietzsche's rehandling Paul Bourget's analyses in the Essais de psychologie contemporaine, the author analyzes the concept of decadence as applied, according to Nietzsche, to art conceived from a psychological and physiological point of view. From Wagner's work, studied physiologically in The Wagner Case, Nietzsche's analysis slides towards the character and personality of the Master. The analysis of this major notion, linked as it is to some very essential problematics inherent to the work, enables one to study much more precisely the thought of the late Nietzsche. (shrink)

In this astonishingly rich volume, experts in ethics, epistemology, philosophy of mind, political theory, aesthetics, history, critical theory, and hermeneutics bring to light the best philosophical scholarship on what is arguably Nietzsche's most rewarding but most challenging text. Including essays that were commissioned specifically for the volume as well as essays revised and edited by their authors, this collection showcases definitive works that have shaped Nietzsche studies alongside new works of interest to students and experts alike. A lengthy introduction, annotated (...) bibliography, and index make this an extremely useful guide for the classroom and advanced research. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Fear of Formalism: Kant, Twain, and Cultural Studies in American LiteratureElizabeth Maddock Dillon (bio)I begin with what we might call a bipolar disturbance in literary criticism. Caught between the materialism of cultural studies and the formalism of philosophy, literary criticism is construed, on the one hand, as useless—struck dumb by its lack of purpose in the face of real politics and real bodies—and, on the other hand, as singularly (...) efficacious, the only tool through which to reveal the essentially discursive character of all forms of culture, including bodies and politics. While this rhetorical model of criticism is regularly posited as politically bankrupt, as having no purchase on the facticity of the world, the model of materialist cultural criticism is just as regularly unmasked as, at base, rhetorically constructed and thus guilty of concealing its own formalist dimensions. 1 This “disturbance,” as I’ve described it, tends to be acted out as a debilitating dialectic: caught between formalism and materialism, literary criticism is left without any ground to stand on. Yet this peculiar bipolarity within literary criticism is intimately linked to the strange status of literature itself. Language becomes recognizably literary at the moment it assumes a rhetorical or formal dimension rather than serving as the invisible conduit of mimetic representation. 2 Whence, evidently, the allure of formalism for literary criticism: form would seem to be exactly what demarcates the literary from the nonliterary, what defines the exclusive territory of literature. Yet formalism, as has been widely and persuasively argued, tends to turn literature into precisely the kind of artifact that means little in relation to the world and tends to obscure the worldly relations that inform the text and its production. Indeed, in the field of Cultural Studies—a field whose defining gesture is political engagement—“formalist” is a term whose meaning often comes to approximate “apolitical.” “Formalist,” fashioned as opprobium, speaks chidingly of hermeticism or more acerbically of the insidious erasures enacted by universalism.In contemporary criticism, formalism has thus come to occupy an important antipodal position which encompasses far more than the New Critical practices of the 1940s and ‘50s. In emphasizing the formal, intrinsic qualities of the literary work, New [End Page 46] Critics closeted the text away from the world and from the possibility of social action: their agenda has thus been construed as politically quietist and inherently conservative. 3 Yet the term “formalism,” used as a charge of conservatism, has been applied more broadly to poststructuralist criticism as well. Paul Lauter, for instance, uses the term “formalist” to describe deconstruction as an avatar of New Criticism: both emphasize textual relations to the exclusion of extratextual considerations. Poststructuralism, Lauter and others have argued, continues an aestheticization of literature which turns literary criticism over to an elitist and ultimately irrelevant “priesthood.” ‘“Formalist,’” writes Lauter, “suggests that the whole enterprise of literary theorizing subsists behind dense academic walls, where de Man speaks only to Heidegger, and Heidegger speaks only to God” [138]. While Lauter bases his analogy between poststructuralism and New Criticism on the charge of hermeticism as well as a lack of historical engagement, the notion of “form” as it appears in poststructuralism is nonetheless significantly different than the “form” that animated New Critical endeavors. Where New Critical “form” concerns specifically literary structures—irony, metaphor, tension, unity—the poststructural referent for these rhetorical terms is often the “form” of language or subjectivity itself. Accordingly, the meaning of “form” (and, indeed, “formalism”) undergoes a marked shift from specific rhetorical articulations to larger theoretical claims about language and identity.This second, broader articulation of form has been critiqued less for hermeticism or quietism than for its implied universalism—that is, for fashioning subjects and discursive forces in uniform shapes without regard for political and historical specificity. Stuart Hall, for example, whilst defining the practice of Cultural Studies, warns against theories of the subject (in this case psychoanalysis) that tend toward universalism: “The manner in which this ‘subject’ of culture is conceptualized is of a trans-historical and ‘universal’ character: it addresses the subject-in-general, not an historically-determinate social subject, or socially determinate particular language” [Hall 70]. On this reading, formalist theories of poststructuralism... (shrink)

Originating as a proponent of U.S. exceptionalism during the Cold War, American Studies has now reinvented itself, vigorously critiquing various kinds of critical hegemony and launching innovative interdisciplinary endeavors. _The Futures of American Studies_ considers the field today and provides important deliberations on what it might yet become. Essays by both prominent and emerging scholars provide theoretically engaging analyses of the postnational impulse of current scholarship, the field's historical relationship to social movements, the status of theory, the state of higher (...) education in the United States, and the impact of ethnic and gender studies on area studies. They also investigate the influence of poststructuralism, postcolonial studies, sexuality studies, and cultural studies on U.S. nationalist—and antinationalist—discourses. No single overriding paradigm dominates the anthology. Instead, the articles enter into a lively and challenging dialogue with one another. A major assessment of the state of the field, _The Futures of American Studies_ is necessary reading for American Studies scholars. _Contributors._ Lindon Barrett, Nancy Bentley, Gillian Brown, Russ Castronovo, Eric Cheyfitz, Michael Denning, Winfried Fluck, Carl Gutierrez-Jones, Dana Heller, Amy Kaplan, Paul Lauter, Günter H. Lenz, George Lipsitz, Lisa Lowe, Walter Benn Michaels, José Estaban Muñoz, Dana D. Nelson, Ricardo L. Ortiz, Janice Radway, John Carlos Rowe, William V. Spanos. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Conflict and Contest in Nietzsche’s Philosophy ed. by Herman Siemens and James PearsonVanessa LemmHerman Siemens and James Pearson, eds., Conflict and Contest in Nietzsche’s Philosophy London: Bloomsbury, 2019. 302 pp. ISBN: 978-1-3500-6695-3 (cloth); 978-1-3501-6383-6 (paper). £23.30.Conflict and Contest in Nietzsche’s Philosophy is a collection inspired by the 2014 Friedrich Nietzsche Society conference on “Nietzsche, Love, and War.” However, the content of the book is broader than the conference, (...) encompassing the themes of conflict and contest in Nietzsche’s philosophy as a whole. The volume is divided into four main parts: part 1: “Nietzsche’s Ontology of Conflict”; part 2: “Conflict and Culture: Nietzsche’s Agon and the Greeks”; part 3: “Ethos and Conflict: Nietzsche’s Warriors and Warrior-Philosophers”; and part 4: “Conflict and Contestation in Language, Rhetoric and Style.” Surprisingly, the volume does not include a section dedicated to conflict and politics. This question is dealt with to some extent in individual chapters across the four parts of the book.The volume is composed of fourteen chapters largely drawn from the conference presentations, with additional chapters solicited from Nicolas Lema on agon and politics in Nietzsche’s early writings; Frank Chouraqui on hyperbole and conflict in the slave revolt in morality; Ritchie Robertson and Enrico Müller on Nietzsche and Burkhardt; and Guillaume Métayer on philosophy and terrorism and the notion of “Attentat” in Nietzsche. As such, the volume achieves a balance of views on these topics from both established and doctoral and postdoctoral scholars in Nietzsche studies, as well as from both Anglo-Saxon and Continental traditions in philosophy.The volume is ambitious and claims to fill what it identifies as a series of gaps and shortcomings in current Nietzsche scholarship. According to the editors, most commentators “have failed to recognize the integral role of conflict in Nietzsche’s philosophy not only as a theme, but as a dynamic and structural principle that cuts across the different domains of his thought and acts as a moving center of gravity throughout his philosophical development” (1). Conflict and Contest takes its starting point from the works [End Page 218] of Wolfgang Müller-Lauter and Paul van Tongeren, who both understand “conflict and struggle as the hermeneutic key” to understanding Nietzsche’s philosophy (8). The volume makes a welcome addition to Nietzsche scholarship, complementing the monographs of Yunus Tuncel’s Agon in Nietzsche (2013), Christa Davis Acampora’s Contesting Nietzsche (2013), and of course those recently published by the editors: Herman W. Siemens, Agonal Perspectives on Nietzsche’s Philosophy of Critical Transvaluation (2021), and James S. Pearson, Nietzsche on Conflict, Struggle and War (2022).The edited volume opens with a programmatic defense of the centrality of conflict and contest in Nietzsche’s work, beginning with his early writing on Greek agonistic culture, his middle period comprising an “extended apology of war” in HH and “a conflict-based theory of character” in D, a “stronger connection between knowledge and the conflict of drives” in GS and BGE, all the way to the development of his will to power thesis, which underpins, according to the editors, Nietzsche’s “radically immanent ontology of conflict” (5). The editors’ introduction offers an overview that includes a conceptual analysis of the terms “conflict,” “struggle,” and “will to power” (2–5), as well as an outline of the various domains of conflict across Nietzsche’s oeuvre (5–7): physical, biological, political, psychological, philosophical, and cultural.The editors make an important point right at the beginning of the book, namely, that Nietzsche has a highly differentiated understanding of conflict and struggle, reflected in the irreducible multiplicity of terms found in his philosophy, such as Agon, Auseinandersetzung, Concurrenz, Dissonanz, Gegensaetzlichkeit, Kampf, Konflikt, Krieg, Streit, Wettkampf, Wettspiel, Wettstreit, Widerspruch, Widerstreit, Zwiespalt, Zwietracht, and Zwist (1). Finding an adequate way of capturing this plurality of meanings in the original (German) text when translating into English is no doubt a challenge. In parts 3 and 4, for example, the term Kampf is translated variously as war, struggle, and contest, making it difficult for the reader to trace the various meanings back to the original... (shrink)

This is the first translation into English of a milestone in Nietzsche interpretation. Wolfgang Mller-Lauter examines Nietzsche's doctrines of the will to power and the overman in light of Nietzsche's philosophy of real contradictions.

Employing a perspectival technique inspired by Nietzsche himself, Bertram constructs a densely layered portrait of the thinker that shows him riven by deep and ultimately irresolvable cultural, historical, and psychological conflicts.

Band I der zweibändigen Nietzsche-Interpretationen enthält sowohl bisher unveröffentlichte wie auch ergänzte und stark erweiterte Abhandlungen zu dieser zentralen Thematik in Nietzsches Philosophie. In ihnen werden die wichtigsten Schritte der vom Verfasser vertretenen und viel diskutierten Interpretation des "Willens zur Macht" sichtbar. Die Prozesse "der" Willen zur Macht konstituieren den "absoluten Fluß" des Werdens; im Ja-sagen zu dessen ewiger Wiederkunft vollendet sich auch Nietzsches "Philosophie der Macht". Die Deutung des Werdens als "Wille zur Macht" ist entscheidend von der Nachlaß-Kompilation der (...) Schwester Nietzsches beeinflußt worden. Der letzte Beitrag des Bandes geht der Geschichte dieser Wirkung und den mit ihr verbundenen Mißverständnissen nach. (shrink)

Starting from the analysis of the critic which Nietzsche addresses to Wagner in his last texts, the author investigates the Nietzschean conception of décadence. Examining its artistic, religious, and philosophical aspects, he intends to show its close relationship to physiology.

Feminist analyses of the roles gender has played in art lead to an alternative theory that emphasizes art's complex interactions with culture(s) rather than the autonomy within culture claimed for it by formalism. Focusing on the visual arts, I extrapolate the new theory from feminist research and compare it with formalist precepts. Sharing Arthur Danto's concern that art has been disenfranchised in the twentieth century by its preoccupation with theory, I claim that feminist thought re-enfranchises art by revisioning its relationship (...) to its contexts. (shrink)

Philosophical discussions are the main focus of the Nietzsche-Studien. However, the reception of Nietzsche in other disciplines such as classical studies, literary studies or theology are also considered. The Nietzsche-Studien, therefore, serve not just the ideas of any one school or direction, but rather introduce various different approaches to interpreting Nietzsche. The yearbook publishes papers, essays, lectures, short articles, and reviews of selected publications about Nietzsche. Each volume is completed by a name index, an index of Nietzsche quotes and an (...) index of the reviewed or cited Nietzsche literature. (shrink)

Philosophical discussions are the main focus of the Nietzsche-Studien. However, the reception of Nietzsche in other disciplines such as classical studies, literary studies or theology are also considered. The Nietzsche-Studien, therefore, serve not just the ideas of any one school or direction, but rather introduce various different approaches to interpreting Nietzsche. The yearbook publishes papers, essays, lectures, short articles, and reviews of selected publications about Nietzsche. Each volume is completed by a name index, an index of Nietzsche quotes and an (...) index of the reviewed or cited Nietzsche literature. (shrink)

Keine ausführliche Beschreibung für "Dostoevskijs Ideendialektik" verfügbar.