In this work, Paul Bartha proposes a normative theory of analogical arguments and raises questions and proposes answers regarding the criteria for evaluating analogical arguments, the philosophical justification for analogical reasoning, and the place of scientific analogies in the context of theoretical confirmation.

The first study of this ancient text in over 70 years, Rituals of the Way explores how the Xunzi influenced Confucianism and other Chinese philosophies through its emphasis on "the Way.".

In Decision Space: Multidimensional Utility Analysis, first published in 2001, Paul Weirich increases the power and versatility of utility analysis and in the process advances decision theory. Combining traditional and novel methods of option evaluation into one systematic method of analysis, multidimensional utility analysis is a valuable tool. It provides formulations of important decision principles, such as the principle to maximize expected utility; enriches decision theory in solving recalcitrant decision problems; and provides in particular for the cases in which (...) an expert must make a decision for a group of people. The multiple dimensions of this analysis create a decision space broad enough to accommodate all factors affecting an option's utility. The book will be of interest to advanced students and professionals working in the subject of decision theory, as well as to economists and other social scientists. (shrink)

Like nature itself, modern economic life is driven by relentless competition and unbridled selfishness. Or is it? Drawing on converging evidence from neuroscience, social science, biology, law, and philosophy, Moral Markets makes the case that modern market exchange works only because most people, most of the time, act virtuously. Competition and greed are certainly part of economics, but Moral Markets shows how the rules of market exchange have evolved to promote moral behavior and how exchange itself may make us more (...) virtuous. Examining the biological basis of economic morality, tracing the connections between morality and markets, and exploring the profound implications of both, Moral Markets provides a surprising and fundamentally new view of economics--one that also reconnects the field to Adam Smith's position that morality has a biological basis. Moral Markets, the result of an extensive collaboration between leading social and natural scientists, includes contributions by neuroeconomist Paul Zak; economists Robert H. Frank, Herbert Gintis, Vernon Smith, and Bart Wilson; law professors Oliver Goodenough, Erin O'Hara, and Lynn Stout; philosophers William Casebeer and Robert Solomon; primatologists Sarah Brosnan and Frans de Waal; biologists Carl Bergstrom, Ben Kerr, and Peter Richerson; anthropologists Robert Boyd and Michael Lachmann; political scientists Elinor Ostrom and David Schwab; management professor Rakesh Khurana; computational science and informatics doctoral candidate Erik Kimbrough; and business writer Charles Handy. (shrink)

An agent often does not have precise probabilities or utilities to guide resolution of a decision problem. I advance a principle of rationality for making decisions in such cases. To begin, I represent the doxastic and conative state of an agent with a set of pairs of a probability assignment and a utility assignment. Then I support a decision principle that allows any act that maximizes expected utility according to some pair of assignments in the set. Assuming that computation of (...) an option's expected utility uses comprehensive possible outcomes that include the option's risk, no consideration supports a stricter requirement. (shrink)

Surrogates introduces an important new philosophic topic: the pervasive ways that things stand for one another in nature and human experience. Going beyond semiotic theory, Paul Weiss interprets surrogacy in terms of metaphysical, epistemological, ethical, and religious dimensions of life, integrating the concept into a systematic way of regarding reality. Just as philosophy brings a systematic set of questions to the issue of surrogate reality, Weiss’s investigation of the topic raises new questions for philosophy itself, manifesting his great concern (...) for philosophy’s freedom and creativity. The author concludes each chapter with a provocative set of questions and answers that engage imagined critics in a dialogue. Together with his previous book, Emphatics, Surrogates constitutes a richly textured phenomenology of human experience with important ramifications for contemporary pragmatism. The wit and intelligence of this volume are a delight for any reader. (shrink)

This article interprets emotional change as a transition in a complex dynamical sys- tem. We argue that the appropriate kind of dynamical system is one that extends recent work on how neural networks can perform parallel constraint satisfaction. Parallel processes that integrate both cognitive and affective constraints can give rise to states that we call emotional gestalts, and transitions can be understood as emotional ges- talt shifts. We describe computational models that simulate such phenomena in ways that show how dynamical (...) and gestalt metaphors can be given a concrete realization. (shrink)

Paul Horwich; V*—Chomsky versus Quine on the Analytic-Synthetic Distinction, Proceedings of the Aristotelian Society, Volume 92, Issue 1, 1 June 1992, Pages 95–.

Hobbes’s account of sovereign power can be seen as an impetus to Arendt’s passion for authentic political life. From the Human Condition, we will see how the distinction between labor, work, and action can be read as a response to Hobbes’s accounts of both human nature and the necessity for harsh restrictions on citizens in society. In particular, the need for compelled silence, for Hobbes, appears as a dialectical counterpoint to the role of speech in the space of appearances for (...) Arendt. Hobbes also has a hand in drawing Arendt to her final interest in Kant’s Critique of Judgment. Here, Arendt addresses the problem of imperialism in Hobbes’s account of global power. She sees a way beyond imperialism through the cosmopolitan bond we share around the aesthetic domain. Aesthetic cosmopolitanism is a unique way into Arendt’s fight against tyranny. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Overtones:A CollagePaul Youngquist (bio)Mom leans against the keyboard of the old upright piano in the den. She puckers her lips and gently fingers the valves. A couple of times a month, she frees her trumpet from the purple velveteen lining its case—out of love or frustration I can never tell. She stares hard at the bell, pointed somewhere near my feet. She inhales deeply, pressing the silver mouthpiece to (...) her crumpled lips. A silent moment passes—torn by a noise pitched past the sun, a shrieking flare sound. Another follows and another, bright glissandos blinking out somewhere below middle C. They shatter everything I know about her. Everything I thought I knew. What sound was that, what cry? What aspiration to be free? After those initial stabs, she falls into familiar melodies: "Bugler's Holiday" by Leroy Anderson, maybe, or "When the Saints Go Marching In." I'm unsettled for the rest of the day.Trumpeter Don Cherry's sound unsettled me too. I was much older when I first encountered it on Ornette Coleman's The Shape of Jazz to Come. It took me back to Mom's cries. I heard her sound in his: bright, high, and transient: less pitch than smudge, transmitting unknowable overtones. On "Lonely Woman," for instance. Cherry states the plaintive melody in hazy unison with Coleman, blurs the third note, wavers and plays his peculiar temper, untimely and free to move beyond the platitudes of harmony until, after Coleman's baffled cry, he parts company to play a sixth above (if such language matters, and it doesn't), descending in half steps to resolve (not happily) on a minor third, Cherry now pitched below. Their unison breaks apart to reconverge, and the brief bridge feels like a heaving between sobs. This isn't music. It's too raw for the repartee of bebop or the sociability of swing. But everybody can feel it, which explains the scandal of Coleman and company's extended appearance in late 1959 at the Five Spot in New York's East Village. Writing in the New York Times Magazine years later, Joseph Hooper likened it to the furor erupting after Stravinsky's Paris premier of "The Rite of Spring" in 1913. In an interview with Terry Gross, Cherry remembers everyone who was musically anyone being there—from Leonard Bernstein to Thelonious Monk—to witness the sacrilege. The implacable trickster Charles Mingus appeared one [End Page 133] night with Phineas Newborn, a keyboard virtuoso famous for his perfect pitch. Newborn sat and stared at his cufflinks. He never played a note. After the set, Mingus barreled onto the stage and, with his long arms and big hands, crashed all the keys. "That's where it is," he bellowed. "It's all there." Everywhere and nowhere. Cherry and Ornette decentered intonation. They distempered tradition's scales. Afflicted with perfect pitch, Newborn couldn't follow their cries and whispers. They flew free from the comforting staff. Still you feel them, hear their immeasurable sound.Don Cherry: "I've always been on the outside, and that's a good quality for the music to have, like the wind in your face."Cherry's mother Daisy gave him his first horn when he was fourteen. It breathed life into him, offering a way to express sounds his body harbored. Born in Oklahoma City in 1936 to "Negro-Choctaw Indian parents" (his words—his mother's mother was half native), Cherry heard gospel, blues, and Indian songs from the start. The family's move to the Watts neighborhood of Los Angeles in 1940 only multiplied the sounds of diverse ethnicities mixed with the rumble of jazz from the Cherry Blossom, his father's club, where Don and his sister sometimes danced for dimes. His horn funneled all this sound—all the music he'd ever make—through a peculiarly powerful feeling: "that feeling to me, through as much music as I've learned, I still remember just that feeling when I first got that horn." What feeling exactly? "Infant happiness" (in-fant, not speaking). The feeling of life before language: "infant happiness, infant happiness, beautiful! That's what music is really... (shrink)

This books offers a naturalistic and critical theory of signs, minds, and meaning-in-the-world.

Hegel makes claims about the relation of philosophy to religion that might raise concerns for those who want to locate his philosophy generally within the modern enlightenment tradition. For example, at the outset of his Lectures on Aesthetics he claims that philosophy “has no other object but God and so is essentially rational theology”.1 What might seem to placate worries here is that Hegel of course differentiates between the forms of religious and philosophical cognition in which such a content is (...) presented: while religion grasps this content in the form of imagistic or figurative representations [Vorstellungen], philosophy grasps it within conceptual thought, an attitude which might seem to align him with that found within the German enlightenment, for example, that found in Lessing and Kant. However, it seems undeniable that, in comparison to Kant, for example, Hegel employs forms of expression for the presentation of his own philosophical thought that are redolent with the type of imagistic and figurative locutions supposedly at home in religion. Moreover, the actual imagery employed seems to refer to the type of trinitarian version of Christianity that can seem antithetical to those forms of Christian thought that lent themselves to the sort of “demythologization” characteristic of the enlightenment attitude to religious doctrine. Such factors as these make it easy to portray Hegel’s philosophy as a type of irrationalist mysticism,2 or at least as a disguised theology with a content from revealed religion, and thus aligning him more to the spirit of the Counter-Enlightenment than the Enlightenment. (shrink)

Vorrangig als der "strengste Methodenfanatiker und Logizist" der Marburger Schule des Neukantianismus bekannt, trat Natorp jedoch genau an diesem Punkt mit der selbständigen Form seines späten Philosophierens hervor: der Überschreitung der Methode in der Idee einer allgemeinen Logik. Unter allgemeiner Logik versteht er die streng einheitliche logische Grundlegung der Gegenstandssetzung, ja aller irgendwie logisch erfaßlichen Setzung. Damit war ein Zugang geschaffen zu der von Natorp angestrebten Erkenntnis des Geistigen in seiner Ureinheit, aus der erst die Besonderungen hervorgehen.

L'actualité des Chiens de garde, nous aurions préféré ne pas en éprouver la robuste fraîcheur. Nous aurions aimé qu'un même côté de la barricade cessât de réunir penseurs de métier et bâtisseurs de ruines. Nous aurions voulu que la dissidence fût devenue à ce point contagieuse que l'invocation de Nizan au sursaut et à la résistance en parût presque inutile. Car nous continuons à vouloir un autre monde. L'entreprise nous dépasse? Notre insuffisance épuise notre persévérance? Souvenons-nous alors de ce passage (...) par lequel Sartre a résumé l'appel aux armes de son vieux camarade : "Il peut dire aux uns : vous mourez de modestie, osez désirer, soyez insatiables, ne rougissez pas de vouloir la lune : il nous la faut. Et aux autres : dirigez votre rage sur ceux qui l'ont provoquée, n'essayez pas d'échapper à votre mal, cherchez ses causes et cassez-les." Serge Hamili Extrait de la préface. (shrink)

Paul Herrick covers the fundamentals of logic with clear and thorough explanations and numerous everyday examples, whilst providing opportunities to move beyond the basics. The second edition contains new chapters on informal logic and critical thinking.

"Die eigentliche Optik Paul Richard Blums sollte man akkurat als holistisch bezeichnen. Es handelt sich um ein verborgenes Streben nach Ganzheitlichkeit, das diesem Buch eine methodologische Einheit gibt. ... Ein Mensch zu sein nach dem Zeitalter der Renaissance und Moderne ... bedeutet die Aufgabe, sich in einer strukturellen und inhaltlichen Offenheit zu situieren, die die verschiedenen Antworten auf die Frage: Was heißt es, ein Mensch zu sein? in der paradoxen Einheit eines neuen Humanismus zusammenbringt. ... Genau wie die Philosophie (...) des 20. Jahrhunderts ... das Fragen selbst ins Zentrum des Denkens stellte, so versucht Blum, Peter Wust folgend, das Prinzip insecuritas als Herzstück seiner Philosophie zu definieren." Balázs Mezei (Budapest). (shrink)

Are such evils necessary? If they are, what necessitates them? If they are not, why do they occur? Could there be a universe in which there was no evil of any kind? If so, why is evil in ours? Must any universe whatsoever contain something evil? Does a universe therefore presuppose the existence of a superior being?