The Gongsun Longzi is often considered the only extant work of the Classical Chinese “School of Names”, an early intellectual tradition mainly concerned with logic and the philosophy of language. The Gongsun Longzi is a heterogeneous collection of five chapters that include short treatises and largely fictive dialogues between an anonymous persuader and his opponent, which typically revolve around a paradoxical claim. Its value as a testimony to Early Chinese philosophy, however, is somewhat controversial due to the intricate textual history (...) of the text and our limited knowledge about its intellectual backgrounds. This volume gathers contributions by leading specialists in the fields of Classical Chinese philosophy, philology, logic, and linguistics. Besides an overview of the scholarly literature on the topic and a detailed account of the reception of the text throughout time, it presents fresh insights into philological and philosophical problems raised by the Gongsun Longzi and other closely-related texts equally attributed to the “School of Names”. (shrink)

Citizen participation today needs to be understood as both an empowerment practice to create urban futures as well as the perpetuation of entrepreneurial and neoliberal modes of planning. The exponential progress of technologies and the digitalisation of everyday life have led to a surge of innovation. Since hybridity has become a key factor, citizen participation now involves citizens and governments meeting online and offline in a multi-stakeholder setting to plan the city in parallel layers, often according to controversial or even (...) contradictory logic (Horelli et al., 2015). As digital citizen participation opens up new tools and means to mobilise people and shape urban futures, this chapter analyses these new aspects through the categories of top-down/bottom-up participation as well as formal/informal practices. Using four case studies comparatively, our aim with this chapter is to find a new theoretical basis and contextualisation for digital citizen participation. The case studies are situated across Europe and North America: we study participatory budgeting in Helsinki, digitalising citizen participation in Lubbock, Texas, the National Map of Security Threats in Poland, and digital placemaking by a grassroots movement in an urban planning participation process in Zürich, Switzerland. The findings of the article show that (1) digital citizen participation fosters novel multi-actor networks negotiating governance of the urban space, (2) studies of citizen participation need to acknowledge the multi-layered hybridity and (3) new modes of governance enable novel senses of informality in participation. (shrink)

The author replies to ronald suter's "russell's 'refutation' of meinong in 'on denoting'," "philosophy and phenomenological research," june, 1967. suter's interpretation of one of russell's arguments is criticized on exegetical grounds, and his defense of another argument is rebutted on logical grounds. meinong's thesis is presented as the thesis that all statements of a certain form are true. it is argued that all of russell's arguments are attempts to pose counter-examples to this single view. meinong is defended against (...) russell's counter-examples. (shrink)

Courts are divided as to whether abortion informed consent mandates violate the First Amendment. This article argues that given the doctor's and patient's unique expertise, the patient's strong interests in autonomous decision making, and the fact that these laws regulate speech, rather than conduct, heighted or strict scrutiny should apply to such mandates.

: Common wisdom in genetic counseling, which is supported by Biesecker, holds that counselors should strive not to influence their clients' decision making. Such a presumption of nondirectiveness is challenged in this commentary.

Mou Zongsan, one of the main representatives of New Confucianism in twentieth-century China, has presented, under the designation of a moral metaphysics, an ambitious philosophical reconstruction of Confucianism drawing both on Kantian critique and Buddhist scholasticism. I have argued elsewhere that this "philosophized" Confucianism can be understood as a reformulation of the daotong, the traditional view that the correct transmission of the Confucian Way proceeds from a master to his disciples. Unlike what Mou's prominent academic standing, at least in his (...) later years, might suggest, the core of Confucianism in his view is thus transmitted not in public discourse but in an intimate communication... (shrink)

A major figure in New Confucianism,1 Mou Zongsan 牟宗三 is often considered one of the most important thinkers of twentieth-century China. His philosophical work he labeled "moral metaphysics," a caption inspired by Kant's term "moral theology," marking, at one and the same time, both an homage to and a disapproval of the German philosopher's work. In Mou's view, Kant, unable to come up with a convincing solution to the problem of integrating practical and theoretical philosophy, fails to provide a viable (...) notion of the "Highest Good".2 Mou's own proposal to emend this alleged deficiency rests on two main pillars: the concept of intellectual intuition and the figure of a "perfect teaching"... (shrink)

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This paper attempts to delineate the relation of early Chinese views on vision and visuality to nascent reflections on painting arising in the Early Medieval period. Ever since that time, pictorial creativity has been associated with Buddhist ideas of spiritual perfection. Likewise, the Early Medieval concern for the visualization of spiritual journeys to exceptional humans (and superhumans) through imaginary landscapes seems to be of Buddhist origin. The first part of this paper gives a short sketch of the intellectual landscape in (...) which theorizing on painting since the 5th century CE first arose. The main body of the study, consisting of parts two through five, close readings of pre-Buddhist texts on vision and imagination. From these exploratory investigations it emerges that the very terms that are key in early reflections on painting such as ‘spirit’ (shen神), ‘perspicacity’ (ming明), but also ‘imagination’ (xiang想) and ‘symbol’ (xiang象) are closely related to a specific conception of seeing and visuality which is manifest in these texts. A final part sketches the possible relevance of these observations in early and pre-imperial sources for the interpretation of Chinese theories on painting. It emerges that while the rising interest in imagination since the Eastern Jin period is indeed an innovation inspired by Buddhism, the extraordinary role of the notion of ‘spirit’ in reflections about painting is closely related to earlier autochthonous traditions. The appeal to specifically Buddhist notions such as thesamādhiof free play in texts on pictorial production and contemplation appears to be of a secondary character. It seems to be mediated by the inclusion of the very word ‘spirit’ (shen) into Chinese renderings of technical Buddhist terms related to meditation, which resulted in the implicit association of this specialist vocabulary with inherited conceptions of spirit as a luminous force animating, inspiring and enlightening things, in both quite a literal and in a rather metaphorical sense. (shrink)

Cet article étudie l’hypothèse selon laquelle l’Hymne homérique à Déméter aurait été composé par une femme comme un divertissement présenté au cours des Thesmophories d’Éleusis. L’argumen­tation repose sur le thème fondamentalement féminin de l’Hymne, de même que sur les positions en présence, sur la question de l’audience adéquate et du contexte de la récitation pour de tels soucis féminins. Ces préoccupations s’avèrent identiques à celles des poétesses lyriques comme Sappho, Corinne, Nossis et Érinna. La composition par une femme pour un (...) auditoire féminin explique le traitement humiliant infligé à Zeus dans l’Hymne. D’autres particularités y trouvent aussi leur explication : par exemple, les traits inhabituels de la diction de l’Hymne, ou la question de savoir pourquoi il n’existe aucune référence à cette version du mythe avant la période post-classique. En dépit de leur caractère hypothétique, ces arguments devraient nous permettre d’abandonner la prétendue évidence de l’auteur masculin d’une composition aussi féminine. (shrink)

Mit Blick auf Móu Zōngsāns erkenntnistheoretische Schriften untersucht Rafael Suters die Frage, ob es diesem gelungen ist, die kritische Philosophie Kants mit der konfuzianischen so zu vermitteln, dass sich von einer kritischen Transformation konfuzianischen Denkens sprechen läßt, oder ob er im Versuch, dies zu tun, nicht letztlich in einen kritikfernen Intuitionismus zurückgefallen ist, gegen den der Kritizismus Kants doch gerade gerichtet war. Aus der Konstellation, die diese Untersuchung mit den beiden vorhergehenden bildet, wird deutlich, dass dies eine Frage von beträchtlicher (...) moralphilosophischer und auch politischer Relevanz ist. (shrink)

The third of three commentaries on “A Defense of Genetic Discrimination,” from the July‐August 2013 issue.

The present chapter sketches the adoption of logic in late nineteenth and early twentieth century China. Addressing both conceptual and institutional aspects of this process, it contextualizes the raising interest in the discipline among Qing scholars and Republican intellectuals. Arranged largely chronologically, it delineates the successive periods in the reception of major works of and intellectual trends in the field. It introduces the most influential scholars promoting a public discourse on logic in the final years of the empire, but also (...) the ever more professional agents who participated in the ensuing establishment of a modern institutional framework for studies in logic like universities, departments of logic, academic societies, journals etc. While at the beginning, these people were mostly no trained logicians, progress in the establishment of academic logic in the 1930s provided the conditions for the formation of the first Chinese specialists in the field who were often internationally trained and soon to engage in cutting-edge research. In some contrast, academic discourse on logic well into the 1930s was dominated by exaggerated social and political expectations, not least due to the successive influence on intellectuals of inductionist scientism in the first decades of the twentieth century, of an inflated pragmatist notion of logic in the 1920s, and of an overly simplistic “antiformalist” notion of logic propagated by (vulgar-)Marxist historical dialecticians in the 1930s. The arrival of scientific logic also went in tandem with a renewed interest in studies in the traditional Buddhist “science of reasons” (yinming, hetuvidyā, “Buddhist logic”) and spurred the search for contributions to the field of logic in the record of inherited Chinese literature, a development which soon led to the common acceptance of the existence of genuinely Chinese traditions of logic. It is eventually a peculiarity of the Chinese reception of logic that since around 1920, less than two decades after the first modern translations of textbooks on traditional syllogistics, the visit of Bertrand Russell – one of the fathers of mathematical logic – fueled the spread of this new approach to logic which has eventually changed its face for good. Designed as a historical survey, this chapter is a general account on the major contributions to the field by Chinese scholars of the time and has to forego detailed discussions. (shrink)

In dieser Studie wird das Frühwerk des bedeutenden chinesischen Philosophen Mou Zongsan erstmals umfassend analysiert und aufgearbeitet: Nach einer Einführung in die Entstehungskontexte werden verschiedene Aspekte seiner Arbeiten zur Logik und ihrem Verhältnis zu Wahrnehmung und Erkenntnis vorgestellt. Der symptomatische Charakter von Mous Texten macht das Buch zu einer lohnenden Lektüre.