The article examines the reorientations of the appreciation of ugliness within different national contexts in a comparative and relational frame, juxtaposing the Australian, American, British and Italian milieus. It also explores the ways in which the transformation of the urban fabric and the effect of suburbanization were perceived in the aforementioned national contexts. Special attention is paid to the production and dissemination of how the city’s uglification was conceptualized between the 1950s and 1970s. Pivotal for the issues that this article (...) addresses are Ian Nairn’s Outrage: On the Disfigurement of Town and Countryside, Robin Boyd’s The Australian Ugliness, Donald Gazzard’s Australian Outrage: The Decay of a Visual Environment, and the way the phenomenon of urban expansion is treated in these books in comparison with other books from the four national contexts under study, such as Ludovico Quaroni’s La torre di Babele and Reyner Banham’s The New Brutalism: Ethic or Aesthetic?. Particular emphasis is placed on Boyd’s articles in The Architectural Review between 1951 and 1970. At the core of the article is the analysis of the debates around ugliness between the 1950s and 1970s within the British, Italian, American and Australian contexts. (shrink)

This article addresses the role of auditory-related verbs in the work of Jean-Luc Nancy and Pierre Schaeffer in order to shed light on a broader tendency in French thought. Through a comparative reading of the ways in which Nancy, in Listening, and Schaeffer, in Treatise on Musical Objects, mobilize verbs such as écouter and entendre, I connect the issue of language to debates about descriptive and prescriptive approaches towards listening. Drawing on the Dictionary of Untranslatables, I argue that Nancy's and (...) Schaeffer's engagements with listening can be mapped onto historical modes of framing politics and ethics, which are also characterized by descriptive and prescriptive approaches. By showing how theories of listening connect to political and ethical debates, this study discusses the ideological instrumentalization of listening as opposed to more descriptive and exploratory forms of engagement in the auditory and the faculty of the ear. (shrink)

This paper assesses Jurgen Habermas' reconstruction of Kant's cosmopolitan project suggesting ways in which this reconstruction creates new problems that were not part of Kant's endeavour as well as indicating critical appreciation of the idea of the project.

In this paper I present some reasons for seeing Duchamp's ready-mades as part of the history of sculpture and relate them to his engagement with both nudes and chess motifs.

This collection provides a major reassessment of the question of nihilism in modernity. It has a multi-focal approach, looking at the return of angelic and demonic principles in current cultural production and thinking. It also makes a claim for another interpretation of modernity.

Husserl and the Logic of Experience includes both detailed work on particular aspects of logical theory (such as an inquiry into the status of the principle of excluded middle) and also detailed investigations into the nature of the logic of temporal conceptions. Demonstrating the cultural import of Husserl's work while also showing its continuing significance for logical theory, this collection is a milestone in the study of transcendental phenomenology.

British Journal for the History of Philosophy, Volume 19, Issue 3, Page 549-560, May 2011.

The theme of the ‘deconstruction of Christianity’, which was selected for this special issue of Derrida Today, is one that arises not from the work of Derrida himself in the first instance but instead from that of Jean-L Nancy. Not only is this so but Derrida's ([2000] 2005) own view of the notion of the ‘deconstruction of Christianity’ seems, on the evidence available, to be at least open to quite a bit of interpretation given the ambiguous nature of some of (...) his comments on the question. Given this is so it might not be thought at all obvious why this theme should be selected for a special issue of Derrida Today and in this introduction I want to address both this possible disquiet and also provide some background to the arrival of concern with this topic. (shrink)

A comprehensive and practical study tool, introducing Kant's thought and key works and exploring his continuing influence.

Paper published on author's website available at http://www.garybanham.net/PAPERS_files/Art%20and%20Symbol%20in%20Nietzsche%27s%20Aesthetics.pdf.

Paper published on author's website available at http://www.garybanham.net/PAPERS_files/Artificial%20Life%20and%20the%20Inhuman%20Condition.pdf.

The general conception of Kantian cosmology in Universal Natural History is one that folds into the “pre-Critical” period in the basic sense that the status of the types of principles invoked within the work is not subjected by Kant to critical assessment. This is far from meaning that the enquiry of Universal Natural History is simply abandoned by Kant. Rather, the stakes of the inquiry into cosmology become transformed and this transformation has much to do with the results of the (...) Critique of Pure Reason, not least the arguments of the Transcendental Dialectic. In this piece I will first review some of the most salient lines of argument in Universal Natural History prior to undertaking to investigate a reason for re-thinking cosmology in Kantian terms both within the Critique of Pure Reason and in the wake of it. This latter enquiry will hinge both on an understanding of the nature of Kant’s use of the notion of the “regulative idea” and also upon an investigation of his uses of cosmic images within the Critical period. (shrink)

British Journal for the History of Philosophy, Volume 20, Issue 2, Page 415-417, March 2012.

The interpretation of Kant's Critical philosophy as a version of traditional idealism has a long history. In spite of Kant's and his commentators’ various attempts to distinguish between traditional and transcendental idealism, his philosophy continues to be construed as committed (whether explicitly or implicitly and whether consistently or inconsistently) to various features usually associated with the traditional idealist project. As a result, most often, the accusation is that his Critical philosophy makes too strong metaphysical and epistemological claims.

This article addresses Jacques Derrida's consideration of Judaism relating it to a need to understand international institutions and the notion of the universal in a new way. It also discusses Lyotard's and Hegel's accounts of Judaism.

This paper presents an argument for seeing Marcel Duchamp and Robert Mapplethorpe as opposite ends of a tradition of negotiation of art with its conditions of production. The piece takes seriously Kant's suggestions concerning the fine arts and contests views of art that see the Kantian tradition as formally fixed.

Par quelles voies les acquis cognitifs de l’expérience sont-ils mobilisés par ego dans la suite de ses actions, et sont-ils transmis à autrui ? Contrairement à la phénoménologie sociale d’Alfred Schütz dans le cadre de laquelle ces questions sont renvoyées à des processus de généralisation et de stabilisation pensés sous le prisme de la typification sociale, la théorie des fictions élaborée par Jean-Marie Schaeffer appréhende la modélisation de l’expérience vécue à partir des spécificités d’une forme proprement ludique d’expérience. Les blocages (...) décrits par Schütz lorsqu’il envisage les situations exemplaires de l’étranger ou du soldat revenant du front y trouvent un nouvel éclairage. (shrink)

1. Dilthey et Husserl -- 2. Schütz et Mead -- 3. Après le tournant sémiotique.

The discussion of Kant's Practical Philosophy has been marred by viewing it as purely formalist and centered only on the categorical imperative. This important new study sets out a much more vivid account of the nature and range of Kant's concerns demonstrating his commitment to the notion of rational religion and including extensive discussion of his treatment of evil. Culminating with accounts of property, the nature of right and virtue, this work presents Kant as a vital revolutionary thinker.

This review article responds to a biography of Fichte and a collection of essays on German Idealism stressing the plurality of types of idealism that were presented at the close of the 18th and the beginning of the 19th century.

This article has two objectives: first, to bring to the fore Kant's neglected distinction between ‘critique’ and ‘doctrine’ and, second, to relate this distinction to Kant's notion of a philosophy of right. Kant's culminating contribution to practical philosophy, the Metaphysics of Morals, contains a doctrine of right and this ‘doctrine’ has received relatively little attention thus far in English-language writing on Kant. One of the reasons for this relative neglect is, I believe, due to the prevalent attention provided to Kant's (...) practical critique at the expense of his practical doctrine. I aim to provide an account of Kant's critique of right in order to enable an understanding of Kant's doctrine of right to be provided with some initial orientation. I will be suggesting that this critique of right is presented in Toward Perpetual Peace: A Philosophical Sketch. (shrink)

Full-text of this article is not available in this e-prints service. This article was originally published following peer-review in British Journal for the History of Philosophy, published by and copyright Routledge.

Full-text of this article is not available in this e-prints service. This article was originally published following peer-review in British Journal for the History of Philosophy, published by and copyright Routledge.

(2013). Kant's Observations and Remarks: A Critical Guide. British Journal for the History of Philosophy: Vol. 21, No. 2, pp. 409-412. doi: 10.1080/09608788.2013.771252.

This paper addresses the question about the understanding of the history of continental philosophy by tracing a tradition in which this philosophy figures itself in relation to futurity. This is considered in relation to the distinct ways in which futurity is a question for Kant, Hegel and Nietzsche.