Rudolf Louis untersucht in diesem Buch den Widerspruch in der Musik. Er zeigt, wie Komponisten mit Widersprüchen umgehen und wie diese teilweise zu großen Kunstwerken führen können. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this (...) work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Excerpt from Der Widerspruch in der Musik: Bausteine zu Einer Ästhetik der Tonkunst auf Realdialektischer Grundlage Ob ich nun die zum Asthetiker unleugbar nöthige Am phibiennatur, welche sich eben so wohlig fühlt auf dem geheimnisvollen Meeresgrunde der künstlerischen Intuition, wie auf dem trockenen Erdboden philosophischer Abstraktion, in höherem Grade besitze als meine Vorgänger auf musikästheti schem Gebiete, das kann nur der Mißerfolg meines Büch leins lehren. Sollte es recht viel Widerspruch und wenig oder gar keine Anerkennung finden, so dürfte ich (...) hoffen, mich auf richtigem Wege zu befinden. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

Rudolf Arnheim has been known, since the publication of his groundbreaking _Art and Visual Perception_ in 1974, as an authority on the psychological interpretation of the visual arts. Two anniversary volumes celebrate the landmark anniversaries of his works in 2009. In _The Power of the Center_, Arnheim uses a wealth of examples to consider the factors that determine the overall organization of visual form in works of painting, sculpture, and architecture. _The Dynamics of Architectural Form_ explores the unexpected perceptual (...) consequences of architecture with Arnheim's customary clarity and precision. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy, Psychiatry, & Psychology 11.1 (2004) 71-80 [Access article in PDF] Some Reflections on the (Analytic) Philosophical Approach to Delusion Louis A. Sass There are more things in heaven and earth, Horatio, Than are dreamt of in your philosophy." —Hamlet, Act I, Scene 5 The peculiar, often problematic phenome na of psychopathology have been attract ing the attention of analytic philosophers in recent years. The topic of delusion (...) has been a particular draw, with a number of analytic philosophers attempting to use their conceptual tools, usually combined with ideas from cognitive neuroscience, to criticize the traditional understanding and to clarify the nature of this central psychiatric topic. It is useful to have this kind of interdisciplinary dialogue. Indeed, there is good reason to hope that concepts honed in the philosophy of mind and other philosophical subfields will help to sort out our understanding of a phenomenon (or set of phenomena) for which contemporary psychiatric definitions and conceptualizations are clearly inadequate and, in some respects, downright misleading (see Parnas and Sass 2001; Spitzer 1990).1Here, however, I would like to call attention to some weaknesses that, it seems to me, are rather common (I do not say universal) in many analytic philosophical approaches to psychopathology. In my opinion, there is a tendency to formulate issues and arguments in overly polarized, even dichotomous terms, and then to rely too uncritically on these essentialistic formulations in exploring the domain of inquiry. Although this polarizing tendency sometimes has the salutary effect of clarifying conceptual domains, it can, when taken too far, actually hamper our understanding of phenomena that are often fraught with ambiguities and complexities that defy many standard conceptualizations.The relationship between philosophy and psychopathology is obviously a two-way street—we are familiar, for example, with disorders that challenge deep philosophical assumptions about self and mind (e.g., blindsight, split-brain phenomena, perhaps also Dissociative Identity Disorder, and the first rank symptoms of schizophrenia). I am suggesting that, in their work on delusions, philosophers may need to put more emphasis on moving from the natural phenomena [End Page 71] of psychopathology and to the domain of philosophical analysis.I believe that a greater sensitivity to the modes of knowing associated with the phenomenological tradition, and to the forms of conceptual self-critique fostered by Ludwig Wittgenstein, are crucial ingredients for any adequate approach to delusion as well as many other topics in psychopathology. In my opinion, the work of many analytic philosophers interested in psychopathology would be enriched if they spent more time trying to discover and imagine what it might be like to experience certain kinds of abnormal psychiatric conditions, and also speculating about what implications such experiential modalities might have for action and verbal expression. I believe they would also be wise to spend more time questioning, and attempting to transcend, the philosophically derived conceptual distinctions and dichotomies that appear to organize their conceptual universes. Phenomenological imagination and Wittgensteinian critique can show how to move outside the conceptual capsule and into the rich and strange realms of actual experience, both normal and abnormal.So far I have offered only slogans. Let me use the articles by Tim Bayne and Elisabeth Pacherie (2004) and Robert Klee (2004) to flesh out the criticisms I have offered. There is much that is intelligent and much that is worthwhile in both their articles. (For example, I was largely convinced by the criticisms of John Campbell and of Donald Davidson that are central to the articles by Bayne and Pacherie and by Klee, respectively.) Here, however, I will focus only on issues that illustrate the above-mentioned tendencies—tendencies that, in my view, tend to infect even the best writings on the (analytic) philosophy of psychiatry. I will also make some remarks about the works of Campbell and Davidson, the two philosophers criticized in the articles by Bayne and Pacherie and by Klee. Because the article by Eugenie Georgaca (2004) is in a different tradition, I will say only a few words about it at the end. Bayne and Pacherie on the Preservation-Of-meaning... (shrink)

Le médecin Louis Odier pratiqua à Genève entre 1773 et 1817. Préoccupé par des questions professionnelles, déontologiques et éthiques, il livre dans ces textes une réflexion qui fait écho aux premiers ouvrages d'éthique publiés à la même époque. Sa pensée, enracinée dans la réalité concrète de sa pratique, impressionne par le cadre théorique qu'elle offre en réponse à des questions déontologiques et éthiques encore fondamentales pour la médecine d'aujourd'hui.

In the Appendix to the Transcendental Dialectic, Kant formulates teleological principles, or rather ideas, and explicates them referring to concrete examples of natural science such as chemistry, astronomy, biology, empirical psychology, and physical geography. Despite the increasing interest in the systematic relevance of the Appendix to the Transcendental Dialectic and its importance for Kant’s conception of natural science, the numerous historical sources for the regulative use of reason have not yet been investigated. One that is very central is Maupertuis’ principle (...) of least action. In 1781, Kant transformed teleology into heuristics and methodology, but in doing so, he partially develops a teleology which was disqualified by Maupertuis because its starting point lies in the construction of animals or plants, the structure of the earth, and the immensity of the celestial bodies. Based on Maupertuis’ principle of action, it can be shown that the Appendix forms a systematic interface between Universal Natural History and Theory of the Heavens and Critique of Judgement which allows the reconstruction of Kant’s regulative use of reason and its specific status in the context of natural science and his critical appraisal of Maupertuis. (shrink)

Rudolf Arnheim has been known, since the publication of his groundbreaking _Art and Visual Perception_ in 1974, as an authority on the psychological interpretation of the visual arts. Two anniversary volumes celebrate the landmark anniversaries of his works in 2009. In _The Power of the Center_, Arnheim uses a wealth of examples to consider the actors that determine the overall organization of visual form in works of painting, sculpture, and architecture. _The Dynamics of Architectural Form_ explores the unexpected perceptual (...) consequences of architecture with Arnheim's customary clarity and precision. (shrink)

The dominant contemporary political theory is egalitarianism, yet egalitarians seldom give a clear justification of their position. In this paper I examine such questions as, What is egalitarianism all about? What is so attractive about equality? And what is the proper criterion? What do egalitarians want to equalize and why? My primary hypothesis is that current egalitarian theories either illicitly attempt to derive substantive conclusions from formal notions or, if they are substantive, are beset with weighty objections. A corollary is (...) the hypothesis that the idea of equality is an empty, rhetorical notion, one that, with one possible exception, does no useful philosophical work. (shrink)

What is the law of the law? What produces our craven subservience to linguistic norms, and our shocking indifference to the phenomenon of universal suffering? In a path-breaking new work of philosophy, Louis Wolcher seeks to answer these questions from the standpoint of Zen Buddhism. Bringing an Eastern sensibility into contact with three of the most important themes in Western philosophy, Beyond Transcendence in Law and Philosophy meticulously investigates three of the twentieth century's most important philosophers: Martin Heidegger - (...) on being, Emmanuel Levinas - on ethics, and Ludwig Wittgenstein - on language. In the context of the larger Western obsession with transcending the ordinary, Louis Wolcher argues that the yearning for transcendence is born of the illusion that there is a fundamental difference between the ordinary and the profound. Employing Zen koans and stories to advance a 'deflationary' view of language and knowledge, he goes on to argue that the norms of transcendence to which we cling are not eternal truths but artefacts of desperate minds adrift on a sea of impermanence. What used to seem so majestically True, Right and Just thus shows itself to be utterly mundane: as merely true, right and just. What is left, however, is not nihilism - for clinging to a view of 'nothingness' is just as deluded as clinging to a view of 'somethingness' - but rather a new beginning of compassionate concern for the suffering of others. Beyond Transcendence in Law and Philosophy is a strikingly original synthesis of Eastern and Western thought. It will enlighten philosophers and legal theorists, as well as those who are interested in or open to the insights of Zen Buddhism. (shrink)

1. Teilband. Vorwort, Einleitung, Text Band I, Abkürzungen und Stellenkommentar -- 2. Teilband. Text Band II, Stellenkommentar, Literaturverzeichnis und Namenregister.