In the following paper I will argue that there are interesting connections between the founder of analytical psychology, Carl Gustav Jung, and the school of existentialism. Analytical psychology and existentialism share almost the same Zeitgeist (becoming influential between the 1930’s and 1960’s) and are both interested in the concept of individuality. I would like to follow the liaison between Jung and existentialism regarding authenticity and death. First of all, the concept of authenticity deserves extensive treatment. Heidegger’s Das Man and Sartre’s (...) mauvaise foi have an interesting companion in Jung’s notion of the persona, the psychological concept of the mask. Second of all, existentialist authenticity can be compared to the Jungian integration of the shadow. Moreover, the concept of death (Heidegger’s Sein-zum-Tode) can be compared with Jung’s understanding of death from The Red Book. (shrink)

This article discusses the influence that Schopenhauer’s thought had on Mihai Eminescu’s work with reference to the idea of “pessimism.” It also considers Schopenhauer’s influence on Romanian philosophy and literature at the end of the nineteenth century. We shall examine Eminescu’s alleged “Schopenhauerian pessimism,” considering firstly “pessimism” as a part of Eminescu’s “myth.” Secondly, we shall cover the critical reception of Eminescu’s “Schopenhauerian pessimism,” discussing the existing literary and philosophical scholarship. Finding that there are issues for debate regarding Schopenhauer’s alleged (...) influence upon Eminescu, we argue that Eminescu’s “Schopenhauerian pessimism” may be a “legend.” The article examines the connection between Eminescu and one of Schopenhauer’s most influential followers, Eduard von Hartmann. (shrink)

Ștefan Bolea ABSTRACT: In the present paper I analyze the theme of death in Gothic Metal songs such as Forever Failure by Paradise Lost, Everything Dies by Type O Negative, The Hanged Man by Moonspell or Gone with The Sin by HIM. The subthemes I am mostly interested in are the...

This book analyzes the identity crisis found in nineteenth-century post-Romantic literature. By mirroring several Antihumanist theories through the Jungian theory of the shadow, the author argues that this literature anticipates our contemporary “internal conflict.”.

Sartre’s description of violence from his often-neglected Notebooks for an Ethics can be analyzed from a psychological point of view in relationship with other negative passions like hatred, fury, pain and sufferance. Literary characters such as Seneca’s Medea or Anouilh’s Antigone seem to embody this fundamental characteristic of violence: the alliance with an ontological striving for destruction. In this paper we provide an interpretation of the Sartrean portrait of the violent man, analyzing its connections with his existential doctrine from Being (...) and Nothingness, and its affinity with modern nihilism (Nietzsche and Cioran) and Gnostic dualism (Catharism and Manicheanism). (shrink)