The perception of behavior as a moral or conventional concern can be influenced by contextual variables, including status and power differences. We propose that social processes and in particular social role enactment through the exercise of power will psychologically motivate moralization. Punishing or rewarding others creates a moral dilemma that can be resolved by externalizing causation to incontrovertible moral rules. Legitimate power related to structure and position can carry moral weight but may not influence the power holder’s perceptions of rules (...) and general norms of behavior. Social identity theory suggests moralization could be promoted by a concern for shared, defining values. However, the tendency to moralize another’s behavior can be injurious to shared identity. We explored white-collar employees’ perceptions of several categories of noxious or deviant workplace behaviors and regressed these perceptions on the tendency to use legitimate, referent, or reward and punish power; social identity; and the interaction of social identity and power, in particular legitimate power. Only the tendency to influence others through punishment or reward predicted moralization. Alternative causal explanations for the findings were addressed through the absence of any relationships between punishment and reward power and perceptions of deviant behaviors as wrong, upsetting, or requiring punishment. We discuss these results in the context of self and social processes, the social construction of morals and power, and the impact of managers’ behavior on group or organizational ethics. (shrink)

This is a biography of the works of Richard Price, 1723-1791, one of the leading radical intellectuals of the late-18th century. By profession a dissenting minister, he was also a mathematician, a political pamphleteer, particularly on the American and French Revolutions, and a moral philosopher.

Replacing animal procedures with methods such as cells and tissues in vitro, volunteer studies, physicochemical techniques and computer modelling, is driven by legislative, scientific and moral imperatives. Non‐animal approaches are now considered as advanced methods that can overcome many of the limitations of animal experiments. In testing medicines and chemicals, in vitro assays have spared hundreds of thousands of animals. In contrast, academic animal use continues to rise and the concept of replacement seems less well accepted in university research. Even (...) so, some animal procedures have been replaced in neurological, reproductive and dentistry research and progress is being made in fields such as respiratory illnesses, pain and sepsis. Systematic reviews of the transferability of animal data to the clinical setting may encourage a fresh look for novel non‐animal methods and, as mainstream funding becomes available, more advances in replacement are expected. BioEssays 29:918–926, 2007. © 2007 Wiley Periodicals, Inc. (shrink)

This volume brings together critical review papers, many specially commissioned, on key themes and questions in the work of the political scientist, philosopher and religious thinker Eric Voegelin (1901-1985). Areas covered include: (1) Political science: 'Political Religions': manifestations in Nazi Germany and in contemporary European and North American nationalism; (2) International relations: the 'Cold War' in critical perspective; (3) Philosophy: Plato and Aristotle in the reading of Eric Voegelin: contemporary assessments; (4) Sociology: Correspondence of Voegelin and Alfred Schütz; (5) New (...) Testament studies and Christology: questions and developments for Voegelin's interpretations; (6) Old Testament studies: questions and developments from Voegelin's Israel and Revelation; (7) Historical sociology: Revelation and order in axial-age societies; (8) Philosophy of history: Voegelin and Toynbee in contrast; (9) Literary studies: Voegelin in contrast with contemporary literary theory; critical readings of Milton, Greek tragedy. (shrink)

Dr. G. S. Kirk has suggested that the last line of this fragment represents the bridegroom as being ‘fantastically ithyphallic’. This seems quite likely; but it would be more so if a parallel for the unusual use of the expression ‘a great man’ that it involves could be adduced.

The second play of the trilogy begins with the appearance before Agamemnon's tomb of the long-absent Orestes, who prays to Hermes for aid in his revenge and then dedicates upon the tomb a lock of hair cut from his own head. He is interrupted by the entrance of Electra together with the captive women who form the Chorus; in consequence of an evil dream, Clytemnestra has sent them to pour a libation to the spirit of her murdered husband. After discussion (...) with the Chorus, Electra resolves to accompany that libation not with words of appeasement, but with a prayer for her father's help in taking revenge upon his murderers. Going to the tomb to pour the libation, she notices upon it the lock put there by Orestes . She notices that the hair is like her own, and at once suspects that it may be her brother's. ‘How can he have dared to come here?’ the Chorus ask her ; and she replies that he must have sent the lock from his place of exile. The thought that Orestes' return is impossible plunges both the Chorus and Electra into deep sorrow, and in tears Electra broods over the lock . It can belong only to Orestes; she wishes it could speak, so that either she could know it not to be his, or else it could at least take part with her in mourning. At this point, if we cantrusttheone manuscript, Electra breaks off her reflections with a prayer . ‘But we call upon the gods,’ she says, ‘well do they know by what storms, like sailors, we are buffeted; but if we are fated to find safety, from a small seed may grow a mighty trunk.’ Next, if we are to trust what is transmitted, Electra catches sight of a new indication of her brother's presence. ‘Yes, and here are tracks,’ she says , ‘a second indication, the tracks of feet matching each other and resembling mine. Yes, for here are two outlines of feet, his own and those of some companion. The heels and the outlines of the tendons agree in their proportions with my prints. I am in torment, and my wits are confounded.’. (shrink)

All commentators so far as I know have believed that lines 100–1 are simply a vague paraphrase for Jebb's translation may be taken to represent the usual view: ‘… is he threading the straits of the sea, or hath he found an abode on either continent?’ But this sense is not only poetially inept, but linguistically impossible.

So many scholars nowadays believe that the final scenes of the Seven against Thebes as we have them have been considerably distorted and interpolated that some may not be aware that such an opinion was first expressed little more than ioo years ago. The first scholar to do so was A. Scholl, who afterwards recanted.

The role of corporate counsel in the corporate governance process has been long overlooked. This paper uses recent comments by Breeden as the springboard for a discussion of the issues surrounding significant roles for lawyers in corporations. It considers these both from a practical and a theoretical perspective and identifies why it is problematic merely to assume hiring lawyers will ensure good compliance both in terms of legal and ethical obligations.

No project lay nearer to the heart of Eduard Fraenkel during his last years than that of promoting a reprint of the famous book Die dramatische Technik des Sophokles, by Tycho von Wilamowitz-Moellendorff, which was first published as volume xxii of Philologische Untersuchungen in 1917. Tycho Wilamowitz, the son of Ulrich von Wilamowitz-Moellendorff and the grandson of Theodor Mommsen, was killed fighting against the Russians near Ivangorod on the night of 14/15 October 1914. After his death the manuscript was prepared (...) for publication by his friend Ernst Kapp, who has explained in the foreword of the book the nature of his services. (shrink)

Antigone and Ismene know that the situation of their father's grave must remain a secret to all except Theseus; but Antigone cannot help suggesting to her sister that they make their way back in the hope of setting eyes upon the burial place of Oedipus. How, Ismene asks her, can this be right in the sight of heaven? θμις δ πς τάδ'στί; μν | οχ ρις.