Hallucination: the perception of an impossible image. That which can never appear suddenly does so anyways - a private world that appears only to the eye of the one imagining it... until now. Ted Serios, psychic photographer, claimed he could project images directly from his mind onto photographic film. Under the sign of the psychic photograph, “Hallucinating Ted Serios” is a theorization of the dominant forms of uncertainty that persist in postmodern evaluations of representation, interpretation and identity. The central thesis (...) of this paper is that the imaginary and the real have collapsed into the spectral hallucination of one another, rendering impossible the rhetorical separation of hallucination from image. With the collapse of the boundary between the fictive and the real, the world of representation becomes intelligible only as an imaginary phenomenon; with the collapse between the object and the observer, interpretation is rendered deceptively magical; and, with the collapse between the self and its anonymous double, identity itself is relegated to a state of impossibility. Consequently, under the persisting signs of the imaginary, the magical and the impossible, “Hallucinating Ted Serios” asserts that in our contemporary world there no longer exists the possibility of failed performativity – psychic, imaginary or otherwise. (shrink)

Ted T. Aoki, the most prominent curriculum scholar of his generation in Canada, has influenced numerous scholars around the world. Curriculum in a New Key brings together his work, over a 30-year span, gathered here under the themes of reconceptualizing curriculum; language, culture, and curriculum; and narrative. Aoki's oeuvre is utterly unique--a complex interdisciplinary configuration of phenomenology, post-structuralism, and multiculturalism that is both theoretically and pedagogically sophisticated and speaks directly to teachers, practicing and prospective. Curriculum in a New Key: The (...) Collected Works of Ted T. Aoki is an invaluable resource for graduate students, professors, and researchers in curriculum studies, and for students, faculty, and scholars of education generally. (shrink)

In this challenging book, Ted Benton takes recent debates about the moral status of animals as a basis for reviewing the discourse of “human rights.” Liberal-individualist views of human rights and advocates of animal rights tend to think of individuals, whether human or animals, in isolation from their social position. This makes them vulnerable to criticisms from the left which emphasize the importance of social relationships to individual well-being. Benton’s argument supports the important assumption, underpinning the cause for human rights, (...) that humans and other species of animal have much in common, both in the conditions for their well-being and their vulnerability to harm. Both liberal rights theory and its socialist critique fail adequately to theorize these aspects of human vulnerability. Nevertheless, it is argued that, enriched by feminist and ecological insights, a socialist view of rights has much to offer. Lucid and wide-ranging in its argument, Natural Relations enables the outline of an ecological socialist view of rights and justice to begin to take shape. (shrink)

Public policy debates such as we find in the Untied Nations, the Singapore Bioethics Advisory Committee, and the US President’s Council on Bioethics reflect behind-the-scenes theological debates. Although religious spokespersons agree nearly universally that human reproductive cloning should be banned; moral ambivalence rises when confronting human embryonic stem cell research. Rather than focus on beneficence (medical benefits), religious bioethicists focus on nonmalificence (embryo protection). The Vatican claim that stem cell research should be banned because it destroys embryos appears at first (...) to rely upon ensoulment at conception; but a closer analysis shows that the Vatican position relies upon genetic uniqueness. Appeal to genetic uniqueness is inadequate for Christian anthropology; what needs to be added is a relational and proleptic understanding of human dignity. (shrink)

Briefly summarized here are some reasons why the DNA/genetic model of life appears to be inadequate (for more details see previous OJPP paper). Given its foundational role with regards to our understanding of life and its challenges, this is significant. The traditional dualistic reincarnation model is introduced. That model is then considered, along with the DNA model, as potential explanations for our natural religious instincts. Next, the two models are considered as possible bases for the phenomenon of kin orientation or (...) bias. Together the case is made that a soul-based reincarnation model offers some explanatory advantages therein over the genetic-based (material-only) model. Finally, and of potential practical and philosophical significance, the corresponding imports for life and meaning are considered. (shrink)

Introduction There are (at least) two questions which readily arise in the minds of sociology students when they begin courses in the philosophy of social ...

Maurice Merleau-Ponty (1908-1961) has been hailed by many as the greatest French thinker of the twentieth century. As one of the founding members of the existentialist movement in the 1940s, he played a key role in introducing the work of Husserl and Heidegger into French thought and collaborated with Jean-Paul Sartre in the founding of Les Temps Modernes. His later work laid the foundation for the development of French thought in the direction of post-structuralism and post-modernism.

Merleau-Ponty: Critical (...) Assessments of Leading Philosophers gathers together the best critical writing on Merleau-Ponty’s work from the last half century. The collection includes early reviews of his work and the reactions of his contemporaries both during and after his life. Also covered are examinations of his relationship with Husserl, Sartre and the phenomenological tradition, investigations of key themes from his work on ontology, expression and politics, and the ongoing application of his thinking to such contemporary areas of interest as feminist theory, psychology and child development, environmental philosophy and cognitive science.

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Reason and Explanation develops a new explanationist account of epistemic justification. Poston argues that the explanatory virtues provide a plausible account of necessary and sufficient conditions for justification. The justification of a subject's belief consists in the explanatory virtue of her entire beliefs compared with other sets of beliefs she could have. Poston's argument for coherentism involves a defense of the epistemic value of background beliefs, the development of a novel framework view of reasons, and the articulation of a mentalism (...) evidentialist account of coherentism. Poston argues against foundationalist views that ground justification in sense experience apart from supporting background beliefs. He extends the argument against foundationalism by examining a coherentist view of a priori knowledge. Finally, he articulates a compatiblist position regarding Bayesianism and inference to the best explanation. (shrink)

Do you know who you are? If the question seems unclear, it might owe to the notion of ‘knowing-wh’ (knowing-who, knowing-what, knowing-when, etc.). Such knowledge contrasts with ‘knowing-that’, the more familiar topic of epistemologists. But these days, knowing-wh is receiving more attention than ever, and here we will survey three current debates on the nature of knowing-wh. These debates concern, respectively, (1) whether all knowing-wh is reducible to knowing-that (‘generalized intellectualism’), (2) whether all knowing-wh is relativized to a contrast proposition (...) (‘contrastivism about knowing-wh’), and (3) whether the context-sensitivity of knowing-wh is a semantic or purely pragmatic phenomenon (‘contextualism vs. invariantism about knowing-wh’). (shrink)

Artistic Creation and Ethical Criticism investigates an idea that underpins the ethical criticism of art but is rarely acknowledged and poorly understood - namely, that the ethical criticism of art involves judgments not only of the attitudes a work endorses or solicits, but of what artists do to create the work. The book pioneers an innovative production-oriented approach to the study of the ethical criticism of art, one that will provide a refined philosophical account of this important topic as well (...) as conceptual tools that can guide future philosophizing and criticism. (shrink)

What is it for you to be conscious? There is no consensus in philosophy or science: it has remained a mystery. Ted Honderich develops a brand new theory of consciousness, according to which perceptual consciousness is external to the perceiver. It exists in a subjective physical world dependent on both you and the objective physical world.

This book develops a new theory of determinism that offers fresh insights into questions of how intentions and other mental events relate to neural events, how both come about, and how both result in actions. Honderich tests his theory against neuroscience, quantum theory, and possible philosophical refutations, and discusses the consequences of determinism and near-determinism for life-hopes, knowledge, and personal feelings.

We are often uncertain how to behave morally in complex situations. In this controversial study, Ted Lockhart contends that moral philosophy has failed to address how we make such moral decisions. Adapting decision theory to the task of decision-making under moral uncertainly, he proposes that we should not always act how we feel we ought to act, and that sometimes we should act against what we feel to be morally right. Lockhart also discusses abortion extensively and proposes new ways to (...) deal with the ethical and moral issues which surround it. (shrink)

North by Northwest -- Metaphor and the cultivation of intimacy -- Notes on metaphor -- What's special about photography? -- Sports and art -- Clay for contemplation -- There are no ties at first base -- A driving examination -- Objects of appreciation -- And what if they don't laugh? -- Liking what's good: why should we? -- Language games -- Ethics class -- Kings and salesmen -- One way to think about popular art -- Caring -- The idea of (...) absolute gin -- Playing by the rules -- Freedom from rules. (shrink)

Introduction It is exciting to live in revolutionary times. I had the privilege of rinding myself on the firing line of one revolution, the dramatic renewal ...

Public theology is conceived in the church, reflected on critically in the academy and addressed to the world for the sake of the world. The development of a theology of nature is included in the public theologian’s list of tasks of nature that is scripturally based and heavily informed by the natural sciences. Astrotheology is one product. Astrotheology engages astrobiology and other space sciences, firstly, by critically exposing the extraterrestrial intelligence myth at the heart of science and secondly, by partnering (...) in thinking through public policy proposals with astroethicists.Contribution: The HTS collection on ‘Theology and Nature’ sparks theological discussion both within and beyond the church. By developing the fields of astrotheology and astroethics, this article contributes to a ‘Theology of Nature’ as an exercise in Public Theology. (shrink)

This chapter offers a critical survey of philosophical debate about the nature and definition of screenplays, their relationship to finished motion pictures, and the screenwriter’s claim to authorship. Screenwriting may be studied as a kind of art practice in its own right and as an integral part of most sorts of filmmaking. This chapter focuses on the latter and outlines some of the ways in which screenwriting and screenplays connect to a number of philosophical questions about motion pictures—in particular, authorship, (...) ontology, and evaluation in both artistic and ethical terms [1].[1] For a sustained discussion of screenwriting as an art practice in its own right and screenplays as literary artworks, see Ted Nannicelli, A Philosophy of the Screenplay. (shrink)

Abe and his friend Sol are out for a walk together in a part of town they haven't been in before. Passing a Christian church, they notice a curious sign in front that says "$1,000 to anyone who will convert." "I wonder what that's about," says Abe. "I think I'll go in and have a look. I'll be back in a minute; just wait for me." Sol sits on the sidewalk bench and waits patiently for nearly half an hour. Finally, (...) Abe reappears. "Well," asks Sol, "what are they up to? Who are they trying to convert? Why do they care? Did you get the $1,000?" Indignantly Abe replies, "Money. That's all you people care about." Ted Cohen thinks that's not a bad joke. But he also doesn't think it's an easy joke. For a listener or reader to laugh at Abe's conversion, a complicated set of conditions must be met. First, a listener has to recognize that Abe and Sol are Jewish names. Second, that listener has to be familiar with the widespread idea that Jews are more interested in money than anything else. And finally, the listener needs to know this information in advance of the joke, and without anyone telling him or her. Jokes, in short, are complicated transactions in which communities are forged, intimacy is offered, and otherwise offensive stereotypes and cliches lose their sting—at least sometimes. _Jokes_ is a book of jokes and a book about them. Cohen loves a good laugh, but as a philosopher, he is also interested in how jokes work, why they work, and when they don't. The delight at the end of a joke is the result of a complex set of conditions and processes, and Cohen takes us through these conditions in a philosophical exploration of humor. He considers questions of audience, selection of joke topics, the ethnic character of jokes, and their morality, all with plenty of examples that will make you either chuckle or wince. _Jokes:_ more humorous than other philosophy books, more philosophical than other humor books. "Befitting its subject, this study of jokes is... light, funny, and thought-provoking.... [T]he method fits the material, allowing the author to pepper the book with a diversity of jokes without flattening their humor as a steamroller theory might. Such a book is only as good as its jokes, and most of his are good.... [E]ntertainment and ideas in one gossamer package."—_Kirkus Reviews_ "One of the many triumphs of Ted Cohen's Jokes-apart from the not incidental fact that the jokes are so good that he doesn't bother to compete with them-is that it never tries to sound more profound than the jokes it tells.... [H]e makes you feel he is doing an unusual kind of philosophy. As though he has managed to turn J. L. Austin into one of the Marx Brothers.... Reading Jokes makes you feel that being genial is the most profound thing we ever do-which is something jokes also make us feel-and that doing philosophy is as natural as being amused."—Adam Phillips, _London Review of Books_ "[A] lucid and jargon-free study of the remarkable fact that we divert each other with stories meant to make us laugh.... An illuminating study, replete with killer jokes."—Kevin McCardle, _The Herald_ "Cohen is an ardent joke-maker, keen to offer us a glimpse of how jokes are crafted and to have us dwell rather longer on their effects."—Barry C. Smith, _Times Literary Supplement_ "Because Ted Cohen loves jokes, we come to appreciate them more, and perhaps think further about the quality of good humor and the appropriateness of laughter in our lives."—Steve Carlson, _Christian Science Monitor_. (shrink)

An event is something in space and time, just some of it, and so it is rightly said to be something that occurs or happens. For at least these reasons it is not a number or a proposition, or any abstract object. There are finer conceptions of an event, of course, one being a thing having a general property for a time, another being exactly an individual property of a thing -- say my computer monitor's weight (19 kg) as against (...) yours (also 19 kg). None of these finer conceptions can put in doubt that events are individuals in a stretch of time and space. (shrink)

In 2003 my book After the Terror in its German translation was condemned as anti semitic by a professor of education at Frankfurt University, Micha Brumlik, also the director of an institute for the study of the Holocaust. The next day the famous German philosopher Jurgen Habermas wrote in the same liberal newspaper, The Frankfurter Rundschau , that the book was not anti semitic. However, he wrote so condescendingly as to distance himself from something charged with anti semitism -- and (...) also as to make it incomprehensible why he himself had secured its translation by the distinguished publishing house, Suhrkamp. (shrink)

Leading British, American and European philosophers contribute to this collection of essays, first published in 1976, in political philosophy. They are essays which have to do in different ways with better societies than the ones we have, and with ways of getting them. They exemplify what can fairly be called real political philosophy. Its past makers have been Plato, Hobbes, Locke, Rousseau, Hegel, Mill and Marx, and it consists in advocacy of certain social ends and of certain means, rather than (...) uncommitted inquiry or comment. The advocacy is of a kind, of course, which depends on analysis and argument. The book will be of interest not only to those who are primarily concerned with philosophy, but students of politics as well. (shrink)

Punishment is a persvasive feature of social life. Individuals who break laws in our societies may be imprisoned or, in some contexts, put to death. But why should individuals be punished? Are there good reasons for punishment? Or does the practice of punishment merely gratify feelings of revenge? If we regard punishment as a deterrent, are we committed to victimizing the innocent in order to deter? In this classic and recently enlarged book, Ted Honderich offers a wide-ranging analysis of the (...) nature of punishment and scrutinizes the arguments for and against it. Already established as the principal introductory text to the philosophy of punishment, the republication of this book in paperback will be welcomed by students and scholars in moral and political philosophy, jurisprudence and criminology. (shrink)