The present paper describes the story of the development of a graphic novel—a story about superheroes—written by adolescent cancer patients on the Youth Project at the Istituto Nazionale Tumori in Milan. Nineteen patients from fifteen to twenty-five years old participated in a four month creative writing laboratory managed by a professional teacher. The output from the writing laboratory was a written text that was used as the script for a graphic novel drawn by professional cartoonists and working together with the (...) patients. Through their story, adolescent patients succeeded in voicing their dreams and fears. It was the adolescent patients themselves who explained how they had each tried to bring out the superhero inside them. This project describes the amazing powers of adolescents with cancer and opens a precious window on their inner world, enabling us to gain a better understanding of what they are really thinking and feeling through their own words. (shrink)

“[I]t is the belief men betray, and not that which they parade which has to be studied.” This short Peircean sentence has been the subject of important yet underrated attention in the reception of Peirce’s philosophy, passing through the art historians Edgar Wind and Erwin Panofsky and arriving finally at Bourdieu. This paper explores the affinities between Peirce’s and Panofksy’s thinking, as well as their historical connections and their common sources, taking its cue from an analysis of the similar arguments (...) the two authors offer to justify the analogy between Gothic architecture and Scholasticism. The fulcrum for the comparison between Peirce and Panofsky is located in the writings of Edgar Wind: a leading figure, this article proposes, in the history of European pragmatism. (shrink)

According to Perdurantism, persons are identical to maximal aggregates of appropriately interrelated temporal parts. Within the Perdurantist framework, an epistemic concern arises, targeting the perduring persons’ belief that they are persons, suggesting that, ultimately, they are not in a position to know that they are persons as opposed to temporal parts. Despite the consideration it has received over the years, this concern has not yet been converted into a full-fledged objection. This paper aims to address this gap by exploring the (...) possibility of formulating a coherent Epistemic Objection against Perdurantism. We shall examine several epistemological principles around which such an objection might be built, arguing that none of them, in the end, allows a plausible formulation of the objection. As a result, we shall conclude that the burden of proving that in a Perdurantist setting persons are not in a position to know that they are persons rests with the objectors. (shrink)

The present book is the first to undertake a systematic study of Peirce’s conception of historical knowledge and of its value for philosophy. It does so by both reconstructing in detail Peirce’s arguments and giving a detailed account of the many ways in which history becomes an object of explicit reflection in his writings. The book’s leading idea may be stated as follows: Peirce manages to put together an exceptionally compelling argument about history’s bearing on philosophy not so much because (...) he derives it from a well-articulated and polished conception of the relation between the two disciplines; but on the contrary, because he holds on to this relation while intuiting that it can easily turn into a conflict. This potential conflict acts therefore as a spur to put forth an unusually profound and multi-faceted analysis of what it means for philosophy to rely on historical arguments. Peirce looks at history as a way to render philosophical investigations more detailed, more concrete and more sensitive to the infinite and unforeseeable nuances that characterize human experience. In this way, he provides us with an exceptionally valuable contribution to a question that has remained gravely under-theorized in contemporary debates. (shrink)

Dans le cadre général de la réception des Principles of Psychology dans les pays germanophones, on examine l’influence de cet ouvrage sur la philosophie de la culture d’Ernst Cassirer. Le concept de flux de conscience a notamment aidé Cassirer à résoudre ce que l’on peut appeler le problème de l’articulation : comment décrire la transition entre le flux continu de sensations et la création de formes culturelles capables de durer dans le temps? Pour répondre à cette question il faut faire (...) face à un problème auquel James n’avait pas donné de réponse définitive, celui de la relation entre les composantes dynamiques ou transitoires du flux de la conscience et ses composantes statiques : concepts, symboles, images. (shrink)

It is well known that Charles S. Peirce's first attempt to construct a theory of metaphysical categories, already displaying the triadic pattern that would later become the keystone of his philosophy, directed itself towards the three English personal pronouns: I, IT, THOU.2 As many scholars have already noted, these three spheres of the phenomenal world identified by the young Peirce prelude to the 1867 "New List" (Quality, Relation and Representation) as well as to the later categories of Firstness, Secondness and (...) Thirdness.But apart from their documentary significance as the seed of Peircean metaphysics, the writings on I, IT and THOU also have a philosophical interest in their own right, one which deserves to.. (shrink)

Volume 28, Issue 5, September 2020, Page 966-986.

The article focuses on the link between memory, folk narratives, and critical thinking. I suggest in particular that there are instances in which the transmission of a folkloric story, such as a legend or a tale, can intersect with a person’s life experiences and facilitate the articulation of critical perspectives on society that might otherwise go unexpressed. The opportunity for discussing this idea is offered by the work of early twentieth-century Chicago sociologist Jane Addams. In her book The Long Road (...) of Woman’s Memory (1916) Addams dealt with the modern revival of an ancient legend and investigated its interplay with the recollections, grievances, and aspirations of working-class women. (shrink)

Whenever disagreement arises, dialogue is often presented as a natural remedy to conciliate opposing subjects. Absence of dialogue resulting in conflict appears thus as being somehow unnatural, a behavioural trait artificially induced by a variety of cultural forces, religion in particular. In this paper I would like to argue that the opposite case might be truer. Dialogue is in fact a most unnatural and unlikely event and, for this reason, to consider it as the natural foundation for a shared universal (...) ethics is a potentially dangerous oversight. Dialogue is heavily dependent on consciousness and language, which are not discreet natural entities, but rather complex culturally-influenced constructs. We shall then explore the problem of the constructions of meaningful dialogues in the light of considerations on the formation of consciousness, taking into account the way in which metaphysical beliefs delimit and shape our epistemological possibilities and our understanding of self and alterity. (shrink)

Tullio Viola – One of the most relevant aspects of your intellectual career is your reflection on the link between historical and normative arguments with regard to values. This reflection goes back at least to your 1997 book The Genesis of Values, and may be seen to culminate in the methodological chapter of your 2011 book on The Sacredness of the Person, in which you talk about the need for an “affirmative genealogy” of values. As you have made clear (...) many times (most recently in the article... (shrink)

"I do not think I ever reflect in words: I employ visual diagrams [...]" Diese Selbstbeschreibung von Charles S. Peirce bildet den Ausgangspunkt für eine neue Sicht auf das Denken des amerikanischen Naturwissenschaftlers, Philosophen und Begründers des Pragmatismus und der Semiotik. Peirce war ein obsessiver Zeichner. Neben einer graphischen Logik entwickelte er eine zeichnerische Praxis, die untrennbar mit seinem Denken verwoben war, in ihrer philosophischen Relevanz aber bislang übersehen wurde. Der Band versammelt konkrete Fallstudien zu zahlreichen hier erstmals publizierten Zeichnungen (...) von Peirce. Auf der Basis dieses Materials fragt er nach der allgemeinen Bedeutung dessen, was es heißt, in Bildern zu denken. Mit Beiträgen von John Michael Krois, Helmut Pape, Sun-Joo Shin, Frederik Stjernfelt u.a. (shrink)