The world’s press may have lost interest in the ongoing enquiry into the deep‐rooted corruption in Italian business. But what exactly was going on, and what can be done to improve matters? The writers of this authoritative study are Faculty members of the prestigious Italian Business School, SDA Bocconi, Via F. Bocconi 8, 8‐20136 Milano, where Umberto Lago lectures in Strategy and Roberto Castoldi in Accounting. They both lecture on the Business Policy course at Bocconi University.

Esperimento mentale: siete Immanuel Kant, vi trovate in Australia, e ve ne state andando a passeggio. A un tratto scorgete una strana bestiola in riva al lago. Ha gli occhi di una talpa, ma sarà grande dieci volte tanto. Ha il becco di un’anatra, ma non ha le ali; e non ha piume bensì una fitta pelliccia che la fa assomigliare semmai a una lontra. La coda poi sembra quella di un castoro; e le zampe hanno dita palmate, ma (...) con artigli. Insomma, è proprio uno strano animale (ammesso che sia un animale e non una creatura degli inferi o lo scherzo di un taxidermista) nel quale certamente non vi siete mai imbattuti e di cui sicuramente non aver mai sentito parlare. Domanda: che cosa dunque state vedendo? Siete incappati in un ornitorinco. Ma attenzione: l’esperimento richiede che vi immedesimiate in Kant, e ai tempi di Kant l’ornitorinco non era ancora stato scoperto. Per meglio dire: non era ancora stato scoperto e classificato dai naturalisti europei, che ci avrebbero impiegato quasi un altro secolo prima di trovargli un posto nell’ordine sui generis dei mammiferi ovipari. Il vecchio Immanuel non ne sapeva nulla, non ne aveva il concetto; quindi voi non potete rispondere che state vedendo un ornitorinco. State vedendo quella cosa lì e basta. Il problema è cosa significhi dire che state vedendo quella cosa dato che non avete la più pallida idea di che cosa stiate vedendo. (shrink)

Umberto Eco -- Stephen Jay Gould -- Jean-Claude Carrière -- Jean Delumeau.

La crisi dello strutturalismo e i confini della semiotica in un volume importante della produzione di Eco. Un libro che trova la sua continuazione ideale in 'Lector in fabula'.

España, inicios del siglo XX. José Ortega, armado de razón, busca un ideal que guíe su vida, oriente su acción pública e ilumine lo que le rodea. En su demanda se enfrentará con Don Quijote, Unamuno o Baroja; descifrará el neokantismo, la fenomenología, el psicoanálisis; investigará la leyenda milenarista, la prehistoria del criticismo, la anatomía del alma; descubrirá la mujer, la política, el compromiso; predicará el socialismo, la construcción de Europa, la recreación de España y recorrerá Castilla, Marburgo o Asturias (...) para asentarse en El Escorial, donde ya estaba. Los edificios conceptuales se asientan sobre vidas concretas; bajo toda construcción universal transpira una biografía particular. El joven José Ortega propone un recorrido atento por el pensamiento de juventud de Ortega y Gasset, reconstruyendo sus peripecias intelectuales hasta encontrar la razón vital de la razón vital. (shrink)

An erudite and witty collection of Umberto Eco's essays on mass culture from the 1960s through the 1980s, including major pieces which have not been translated into English before. The discussion is framed by opposing characterizations of current intellectuals as apocalyptic and opposed to all mass culture, or as integrated intellectuals, so much a part of mass culture as to be unaware of serving it. Organized in four main parts, "Mass Culture: Apocalypse Postponed," "Mass Media and the Limits of (...) Communication," "The Rise and Fall of Counter-Cultures," and "In Search of Italian Genius," Eco looks at a variety of topics and cultural productions, including the world of Charlie Brown, distinctions between highbrow and lowbrow, the future of literacy, Chinese comic strips, whether countercultures exist, Fellini's Ginger and Fred, and the Italian genius industry. (shrink)

Il volume si presenta come un manuale di riferimento sul pensiero di Umberto Galimberti, una miscellanea di studi cui ha contribuito un alto numero di studiosi di diverse discipline. Questo libro indaga il lungo arco del lavoro galimbertiano: dal pensiero simbolico, dalla fenomenologia alla psichiatria, fino ad approdare alla riflessione sull'età della tecnica e alla consulenza filosofica.

Los estudios de géneros discursivos han prestado poca atención a las tesis o seminarios producidos para la obtención del grado de licenciatura. En este artículo se describe, desde el enfoque del genre analysis (Swales, 1990), la organización retórica del marco referencial de un conjunto de 30 tesis de pregrado elaboradas por estudiantes de la carrera de Trabajo Social de la UCSC. Se identifican cuatro movidas retóricas: teórico, conceptual, empírico y normativo. Se observa que cada una tiene propósitos diferentes sobre cuestiones (...) teóricas, prácticas y legales relacionadas con el problema social que aborda cada tesis. Se advierte la presencia de algunos pasos retóricos recursivo y, al mismo tiempo, un fuerte compromiso de la investigación con la resolución de un problema social real. Studies of discourse genre have paid little attention to graduation theses produced by undergraduate students. This article describes, from a genre analysis approach (Swales, 1990), the rhetorical organization of the reference framework of a set of 30 undergraduate theses prepared by social work students at the UCSC. The study identifies four rhetorical moves: theoretical, conceptual, empirical, and normative. It is observed that each move has different purposes on theoretical, practical, and legal issues related to the social problem addressed by each thesis. The presence of recursive rhetorical steps is apparent, along with a strong commitment to solving real social problems through research. (shrink)

"Donde hay mucho sentimiento, hay mucho dolor", escribió Leonardo da Vinci en referencia al binomio Eros y Thanatos, que cuatro siglos después reformuló Unamuno al afirmar que lo que perpetúan los amantes sobre la tierra es la carne de dolor, es el dolor, la muerte".

"... fascinating throughout.... the book is recreative in the highest sense." —Arthur C. Danto, The New Republic "A gem for Holmes fans and armchair detectives with a penchant for logical reflection, and Peirce scholars." —Library Journal.

Essays discuss poetry, communication, television, form, aesthetics, bad taste, and art.

What is beauty? What is art? What is taste and fashion? Is beauty something to be observed coolly and rationally or is it something dangerously involving? So begins Umberto Eco's intriguing journey into the aesthetics of beauty, in which he explores the ever-changing concept of the beautiful from the ancient Greeks to today. While closely examining the development of the visual arts and drawing on works of literature from each era, Eco broadens his enquiries to consider a range of (...) concepts, including the idea of love, the unattainable woman, natural inspiration versus numeric formulas, and the continuing importance of ugliness, cruelty, and even the demonic. Professor Eco takes us from classical antiquity to the present day, dispelling many preconceptions along the way and concluding that the relevance of his research is urgent because we live in an age of great reverence for beauty, "an orgy of tolerance, the total syncretism and the absolute and unstoppable polytheism of Beauty." In this, his first illustrated book, Professor Eco offers a layered approach that includes a running narrative, abundant examples of painting and sculpture, and excerpts from writers and philosophers of each age, plus comparative tables. A true road map to the idea of beauty for any reader who wishes to journey into this wonderful realm with Eco's nimble mind as guide. (shrink)

Martin Heidegger: El Ser y el Tiempo -- Max Horkheimer-Theodor W. Adorno: Dialéctica de la Ilustración. Fragmentos filosóficos -- Michel Foucault: Las palabras y las cosas. Una arqueología de las ciencias humanas -- Giorgio Agamben: Homo Sacer I. El poder soberano y la nuda vida -- Nancy Fraser: Fortunas del Feminismo. Del capitalismo gestionado por el Estado a la crisis neoliberal.

Las mujeres han jugado un papel muy importante desde la Antigüedad -con Hipatia como paradigma- en el ámbito de los descubrimientos científicos y el conocimiento en general. Sin embargo, la recepción por parte de la sociedad sobre sus valiosas aportaciones y el reconocimiento a su esfuerzo, salvo excepciones como la de Marie Curie, se han visto siempre limitados y su memoria disuelta con el correr de los años.