In 1798, Friedrich Schlegel published a review of _Wilhelm Meister's Apprenticeship_, extolling Johann Wolfgang Goethe's book as a masterpiece. At the same time, he commenced work on _Lucinde_, which caused a moral scandal and was criticized widely. Here, I retrace several threads of Schlegel's novel that testify to the fact that his assessment of Goethe's work may not have been so unequivocally favorable as it might seem at first sight. When looking at _Wilhelm Meister_ through _Lucinde_'s eyes, we can (...) see that Schlegel challenges the Goethean philosophy of man, and his novel remains the only consistent record of this criticism. (shrink)

Tradução de Über Wilhelm Meisters Lehrjahre (1796).

This paper explores Bakhtin’s reception of Goethe’s Wilhelm Meisters Lehrjahre with a view to assess how Bakhtin’s interest in this early chronotopical masterpiece can be understood in the wider context of his utopian thinking and his political eschatologies. Bakhtin reads Goethe’s novel as a critique of totalitarian forms of Socialist Realism as well as Dostoyevsky’s bourgeois realism. Like his contemporary Ernst Bloch, Bakhtin praises the complexity and richness of Goethe’s concept of realism. In the wake of Hermann Cohen, Georg (...) Simmel and Friedrich Gundolf to whom Bakhtin alludes and whom he quotes, Goethe is regarded as a modern literary and anthropological role model, the epitome of Bildung. For Bakhtin, Goethe’s and Rabelais’ writings about the carnivalesque constitute complementary forms of reflection of and agents for social and cultural transformation in modernity. (shrink)

O artigo apresenta o ciclo Meister e as recepções de Os anos de aprendizado de Wilhelm Meister, principalmente no que concernem ao protagonista. A ideia pedagógica foi identificada como central por Schiller, Körner e W. Humboldt, que delinearam as principais posições da crítica sobre Wilhelm Meister e sua realização individual, interpretanndo-a como completada. Os românticos da segunda recepção, F. Schlegel e Novalis, seguiram o mesmo entendimento. Não houve consenso, porém, sobre o que foi aprendido e (...) a relação entre aprendizado e maestria. Marcante, sobretudo, é que os entraves sociais para a atividade individual tenham permanecido fora da perspectiva dos autores. (shrink)

Neben Leben und Werk des Konfuzius stehen seine Lehren im Zentrum der auch heute noch aufschlussreichen Betrachtung Richard Wilhelms aus dem Jahre 1925. Durch zahlreiche Ausspruche des 'Meisters' wird der Leser an 'Die Einheitslehre' und 'Die Organisation der menschlichen Gesellschaft' herangefuhrt. Dabei werden 'Das Buch der Wandlungen', 'Die Richtigstellung der Namen' und 'Die Sitte' intensiv besprochen. Abschliessend untersucht Wilhelm Konfuzius' rationalistische Haltung gegenuber der Esoterik. Der umfangreiche Anmerkungsapparat erleichtert den Zugang zu den uberlieferten Quellen.

El artículo ofrece un estudio del Wilhelm Meister de Goethe, en especial, de Los años de aprendizaje, en cuanto paradigma del género que el romanticismo definió como “novela de formación” (Bildungsroman). También se toma en consideración la versión inicial de la novela, titulada La misión teatral. El tema fundamental es el de la formación por el teatro; éste es mucho más que un simple ideal artístico, por cuanto implica la identificación de teatro y vida, lo que determina el (...) trabajo de la formación en función de la libertad. (shrink)

In the lied, music interprets poetry. Interpretation is not arbitrary. At the same time, there is no such thing as a single correct interpretation of something else – at any rate not of something as complex as a poem by Goethe. Mignon’s song of longing “Nur wer die Sehnsucht kennt, / weiß, was ich leide” can be taken to manifest subjectivity utterly barren within itself. Yet the ability to express that state of mind transcends it; it implies imagination of something (...) else. Thus the freedom achieved in the act of articulation points towards a different sphere of being – “nach jener Seite”. In 1826, Schubert rendered both complementary perspectives musically, the latter in his duet D 877/1, the former in his solo setting D 877/4. Yet that contrast – openness versus closure – conveys only the barest outline. In art, detail is forever crucial to interpretation. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Apresentação à tradução de Sobre Os anos de aprendizado de Wilhelm Meister, de Christian Gottfried Körner, por Reginaldo Rodrigues Raposo.

In lieu of an abstract, here is a brief excerpt of the content:MEISTER ECKHART AND THE NEOPLATONIC HERITAGE: THE THINKER'S WAY TO GOD RICHARD Wooos, O.P. Loyola University of Ohioago Ohicago, Illinois IN BOTH HIS LIFE rand preaching, Meister Eokrhart's " way" was pre-eminently.a spirituality of the mind. The srpeoulat:ive inqui.rires.and p:roibings thaJt animate his iSChD'l-·arly woliks 1also f!:>iervrude his sermons ·and treatisies, while a pastoral, homiletic inrberrtion iieciproca:1ly permeates the scholarly.worrks, particularly in regard to.the Meister'1s fascination (...) with rthe Woil1d. Heinrich Deni:fle, 1who disonviered and first commented upon Eckhart's Laitin writings in the 1880s, concluded that the Meister faclmd the clarity of conception and precision of expression characteristic of the great scholastic figmes who preoeded him, partiou1ady Albert the Grea:t 1and 'lihomas Aquinrus.1 B:ut more reoent Eckhart scholars have increasingly •argued that Denifle's oonoern to :ve£ute uncritically inflated characteriz,ations of Eckhart's philosophloa:l genius, notrubly that of Wilhelm Preger,.led him to undel'V'alue and indeed misrepvesen:t •the Meister's ireal goal a;nd bme achievement. Indeed, tto the modern critical eye, aided :by a oontury 1 "Eckhart ein unklarer Denker war, der sich der Consequenzen seiner Lehrer resp. seiner ausdruckweise nicht bewusst war. Gerade bei den schwierigen Lehrpunkten, wo Klarheit und Scharfe der Begriffe und des Ausdrucks mehr als je geboten ist, tritt dies zu Tage. Gerade in den entscheidenden Momenten verlasst ihn die Klarheit.... Eckhart besass aber nicht die geistige Begabung iiber die Scholastik hinauszugeben und doch innerhalb der Granzen der Wahrheit zu bleiben." "Meister Eckharts lateinische Schriften, und die Grundanschauung seiner Lehre," in A.rahiv fii,r Literatur unCl Kirchengeschichte Cles Mittelalters, ed. H. Denifie and Franz Ehrle (Graz: Akademische Druck u. Verlagsanstalt, 1956), vol. 2, pp. 482, 521. 609 610 RICHARD WOODS, O.P. of ]urbher di:s:cioverieis 1rund study, " the scholastic Eckhart is an original.and spooulaxbivie til:rintker, 1and not only a spirit's itineriary fa~om.aJJJd ha:ck to its eternail. Sourioe-4hie Ohristian NoopLatonic schema th.at Eckhart im.heri'bed room St. Albert tb!e Greait rund, 1behind him, Hugh and Richa;rid of St. Victo:r, Thomas Ga1lus, John Sarraoenus, John Soottus Eriugena, Diornysiius the Areop1aigibe, P!l.'odus, and, penultimrutely, Pilotinus!himself. For thls gre:art theoa Meister Eckhart: Die deutschen und lateinischen Werke: Herausgegeben im Auftrage der Deutschen Forschungsgemeinschaft, 11 Vols. to date (Stuttgart and Berlin: Verlag W. Kohlhammer, 1958-). German sermons will be identified hereafter by their number in the Deutsche Werke and, for English translation, by the corresponding page number in the Walshe edition. 9 " Eine Koiner Handscrift mit lateinischen Eckhart-Exzerpten," Archivum Fratrum Praedicatorum 31 (1961) : 204-12. In volume three of his edition, Walshe includes a translation of a fragment of one of Eckhart's sermons discovered by Prof. Kurt Ruh in 1967 and published in the Zeitschrift fii,r deutohes Aitertum 111 (1982) : 219-25. See ed. cit., pp. 131-35. ECKHART AND NEOPLATONISM 618 ~ogical tradition, liecently examined in some detail iby John Macquarrie alllld Andrew Louth, stretches hack evoo £artlier to tbie Oappadocian Fraithe'I"s, Origien, Philo, :and at the source, Pilato.in Smee the 1app1e1amance of Eoklhamt'1s more aoadiemic Laltin wiorrks, op;inion has heen divided as 1 00 their importance :velative ibo the more familiar German sermons iand tT1eatises for understarndmg the Meister~s authentic tooching. Some recent commenibato 'l.1s 1 sti1l 1:Jend to favor the lattier aJ.moot enti'11ely, even wihile acknOW11edging t:hie impo'11tooce of the forn11er; some favor the Latin.11 Critical opinion :seems 'bo have turned in the direction of remphrusizing the importalllice of both.the Latin and the German :works in 01der 1bo unders:tand the whole Eckhartthe teacher and the p:veacheT.12 But to understand to what extent Ed.mart ias,a tlheologian, philosopher, arrd mystic was indebted to Obrisltian Nooplatmrism it is raliso n:ecess1acy to see him in the oonteJct of his,w;orks, his method, and his scholarly and apostolic career. The Scholar and His Temper While Echltart had ra ik!een phi1osorphica1 temperament, he did not 1rus,a rule compose racrudemic 1weatises. Ratiher, he scatltJeTed... (shrink)

Schutz’s references to literature and arts in his theoretical works are manifold. But literature and theory are both a certain kind of a finite province of meaning, that means they are not easily accessible from the paramount reality of everyday life. Now there is another kind of referring to literature: metaphorizing it. Using it, as may be said with Lakoff and Johnson, to understand and to experience one kind of thing in terms of another. Literally metapherein means “to carry over”. (...) Metaphorizing in this view is then a specific kind of border-crossing between different provinces of meaning. That poses two questions: 1. What means finiteness of those provinces of meaning, what kind of border crossings are possible? What is the ground for metaphorizing meaning? 2. Could this concept used for founding a theory of the constitution of the societal and of society, that overcomes the dichotomy of structure/agency? These questions will be answered with one example in view: Schutz’ report to Kaufmann of his first visit of Husserl describing his experience as feeling like Wilhelm Meister at the Society of the Tower. In a first step this metaphor is presented together with some crumbs of metaphor theory. In a second step these crumbs will be connected to Husserl’s concept of experience. After developing a short overview over Schutz’ “finite provinces of meaning,” the relation of experience, metaphors to the intersubjectivity of these provinces in their dependence from writing and printing is discussed. (shrink)

Introduction -- From paideia to humanism -- Pietism and the problem of human craft (Menschen-Kunst) -- The harmonious harp-playing of humanity: J. G. Herder -- Ethical formation and the invention of the religion of art -- The rise of the Bildungsroman and the commodification of literature -- Authorship and its resignation in Goethe's Wilhelm Meister -- "The Bildung of self-consciousness itself towards science": Hegel.

J.W. Goethe concluded in 1795 his novel Wilhelm Meister’s Apprenticeship. Twelve years later, Hegel would publish his Phenomenology of Spirit. His “science of the experience of consciousness” and this new kind of novel appeared in historical conditions leading both literature and philosophy to pay attention to culture and to cultivation of identity by the hero himself. Goethe and Hegel converge in two masterpieces, close to each other in many aspects. This paper aims to present Hegel’s Phenomenology as an (...) example of a stylized apprenticeship novel. Lukács would point out in Goethe’s novel “the problem of the relation between poet and bourgeois world”, in which a romantic Werther had collapsed, for there is a pedagogical significance for socialists in this narrative. Although in our age philosophies of history are suspicious, such “coming-of-age novels” still survive as an appropriate gender in the writings of, e. g., Günter Grass and J. M. Coetzee. (shrink)

ZusammenfassungDie fragmentierte und scheinbar kontingente Struktur von Goethes Roman Wilhelm Meisters Wanderjahre folgt, so soll hier gezeigt werden, nicht zuletzt auch einem besonderen Zeitregime. Der Roman erprobt vor allem in seiner um Wilhelm und Lenardo gruppierten Handlung Formen des analeptischen Erzählens, das die Ereignisse nicht chronologisch-linear, sondern in wiederholten Rückgriffen und Zeitschleifen entwickelt. Dieses Erzählen von und in Vorgeschichten folgt einem Schema, das Goethe in den homerischen Epen vorgeprägt sieht, das aber auch mit Zeitreflexionen aus seinen geologischen Studien (...) korrespondiert.The fragmented and apparently contingent structure of Goethe’s novel Wilhelm Meisters Wanderjahre introduces, as will be shown here, a specific time regime. The novel unfolds the stories of its main characters Wilhelm and Lenardo in an analeptical fashion developing its events not in their chronological order, but in time loops and regressions. This narrative of and in ›Vorgeschichten‹ harks back to Goethe’s reading of Homeric epic and also corresponds to temporal reflections voiced in his geological studies. (shrink)

Preliminary Material /Hans Adler and Rainer Godel -- Formen des Nichtwissens im Zeitalter des Fragens /Hans Adler and Rainer Godel -- Das gewisse Etwas der Aufklärung /Hans Adler -- Zur Prekarität der Aufklärung. Vernunftkritik und das Paradigma der Anthropologie (Taine, Horkheimer / Adorno, Foucault, Lyotard) /Heinz Thoma -- Von den berechenbaren Grenzen des Nichtwissens zur Zeit der Aufklärung /Eberhard Knobloch -- L'effi cace de la raison /Bertrand Binoche -- Aufgeklärtes Nicht-Wissen /Rainer Enskat -- 'Fabelhaft' und 'wunderbar' in Aufklärungsdiskursen. Zur Genese (...) des modernen Mythosbegriffs /Stefan Matuschek -- Un-Möglichkeit der Ausnahme: Die Wunderkritik der Aufklärung /Daniel Weidner -- La sagacité de l'esprit. La conjecture au XVIIIe siècle /Denis Thouard -- Séjourner dans la contradiction. L'idée de «nouvelles Lumières» et les contradictions de l'universalism /Etienne Balibar -- Doing Without Knowing in Kant and Diderot: Experiments in Enlightenment /Claudia Brodsky -- Ways of Being Ignorant: A Field Guide /Arnd Bohm -- Wissenwollen trotz Nichtwissenkönnens. Von den Erkenntnisgrenzen der psychologischen und pädagogischen Wissenschaften des späten 18. Jahrhunderts /Gunhild Berg -- "Ein Abgrund innerer dunkeln Kräfte". Nichtwissen in den Bildungsdiskursen der Aufklärung /Stefan Metzger -- "There is nothing so intrinsically rational as religion is." Zum Versuch einer vernünftigen Entschlüsselung des Nicht-mehr-Wissbaren in der Frühaufklärung /Insa Kringler -- Ein falsches Bild. Oder: Was passiert, wenn Katharsis Form wird? Zu Lessings Emilia Galotti /Ralf Simon -- Die Schattenseiten der Seele: Zu Johann Georg Sulzers Theorie der dunklen Vorstellungen /Élisabeth Décultot -- Arten der Unwissenheit im anthropologischen Diskurs der Aufklärung /Angela Holzer -- Die Zone der Unbestimmtheit - Melancholiediskurs zwischen Wissen und Nichtwissen /Cornelia Bogen -- Die Produktion des Nicht-Wissens vom Selbst: Autobiographie bei Goethe und Hegel /Fritz Breithaupt -- "Charakter" - Die Konkurrenz einer metaphorischen und einer begriffl ichen Erkenntnisform des Nicht-/Wissens vom Menschen /Monika Sproll -- Unzuverlässige Leser - unzuverlässige Erzähler; oder: Literarische Wege aus dem Nicht-Wissen /Rainer Godel -- Labyrinthe der Aufklärung. Goethes Roman Wilhelm Meisters Lehrjahre /Harald Tausch -- Nichtwissen in Johann Gottfried Herders Geschichtsphilosophie /Luca Crescenzi -- Ins Narrenschiff mit Sokrates! Formen des Abderitismus bei Christoph Martin Wieland /Geneviève Espagne -- Zur Interdependenz von Wissen und Nichtwissen. Anthropologie als Aufklärungskritik bei Christoph Martin Wieland /Antonio Roselli -- Nichtwissen und Glaube. Zur Erkenntnistheorie und Ethik Friedrich Heinrich Jacobis /Mark-Georg Dehrmann -- Darstellung und Gegendarstellung von Aufklärung. Handlung, Erzählung und Schein in Schillers Geisterseher /Dirk Oschmann -- Wissen und Nicht-Wissen von anderen Menschen. Das Problem der Gemütererkenntnis von Gracián bis Schiller /Daniel Fulda -- Historische Vaterschaftsprozesse: Nichtwissen, verborgenes und verkehrtes Wissen bei Goethe, Hogarth und Kleist /Alexander Košenina -- Translating Knowledge and Prescribing Taste: English Enlightenment Critics /Sabine Volk-Birke -- Autorenverzeichnis /Hans Adler and Rainer Godel -- Namenregister /Hans Adler and Rainer Godel. (shrink)

Este artigo é uma pesquisa bibliográfica centrada na análise de cinco textos do marxista húngaro György Lukács cujo objetivo era compreender melhor como esse autor caracteriza o complexo da educação em sua teoria. As obras selecionadas para o estudo foram o capítulo A reprodução do livro Para uma ontologia do ser social 2, além de quatro ensaios dispersos em outras obras: O Poema pedagógico de Makarenko, Os anos de aprendizado de Wilhelm Meister, Lenin e os problemas de transição (...) e Gottfried Keller. Expõe-se que Lukács não compreende a educação em sentido estrito como limitada à sociedade capitalista, mas como universal, por se caracterizar como uma práxis intencional que pode ocorrer em diversos âmbitos da sociedade. Tal resultado aponta para uma interpretação da educação em Lukács menos limitada à crítica de função reprodutora e, portanto, abrindo maiores possibilidades de conexão entre a teoria lukacsiana e a luta revolucionária. (shrink)

Johann Gottlieb Fichte (1762–1814) was never Kant's student. But when he, as a private teacher without any university degree, anonymously published his first book, the Kritik aller Offenbarung (Critique of all revelation, 1791), even some of the most prominent German philosophers took it to be Kant's long‐expected philosophy of religion. Three years later he became the successor of one of the most influential Kantian philosophers, Karl Leonhard Reinhold, at the famous University of Jena. There he taught and published his theory (...) of the “Science of Knowledge,” which the famous poet and critic Friedrich Wilhelm Schlegel hailed as among the “greatest influences of the age,” together with the French Revolution and Goethe's Wilhelm Meister. It became the origin of post‐Kantian philosophy, later called “German Idealism.” Fichte himself supported the French Revolution and soon got into trouble with conservative student “orders” and with the church authorities (because of his Sunday lectures). In 1798, an article by a friend in his Philosophisches Journal was accused of atheism. Fichte defended it and withdrew from the university in Jena, after troubles with Goethe – the “minister of education” in Weimar – and Herder. (shrink)

The thesis presented here focuses on the concept of totality in the work of the contemporary cultural critic Fredric Jameson (1934–). By totality, we mean how the human heart enables the human body, but without the body, the heart has no part concerning the whole; they are mutually dependent. This work shall argue that totality is the allegorical figuration framing Jameson’s political critiques of modernity in The Political Unconscious (1981) and Postmodernism (1991). The postmodern world today as an absent totality (...) represents the contradiction in Jameson: We live in a complex world despite its unrepresentability. Whilst studies of early Jameson have interpreted his works through postmodernity and cognitive mapping, their unsubstantiation of Jameson’s later totality has resulted in not being able to explicate Jameson’s view of the a-historicity of postmodernity. Part One shall examine Jameson’s readings of Immanuel Kant and Georg Hegel, demonstrating that Hegel’s critique of Kant concerning the boundary of knowledge includes its overcoming and that Hegelian totality is not closed, permitting Jameson to represent the world as an open totality. Part Two shall argue that Jameson’s reading of the works of Karl Marx and the Marxist tradition of Georg Lukács, Theodor Adorno and Walter Benjamin reinforces totality in their writing styles, which allows Jameson to glimpse totality through writing. Part Three shall argue that totality in Jameson’s interpretation of Johann Wolfgang von Goethe’s novel Wilhelm Meisters Lehrjahre (1796) is at work and that Friedrich Schlegel’s novel Lucinde (1799) elucidates a counterpoint to totality which can be used to understand non-dialectical thinkers which Jameson examines such as Martin Heidegger, Jacques Derrida and Gilles Deleuze. Part Four shall argue that Jameson’s reading of these thinkers is justified in critiquing their productive misreadings of totality as closed, informing their political quietism, thereby re-politicising totality as an allegory. (shrink)

Taking as its starting-point an aphorism in The gay science, this paper examines Nietzsche's distinction between the ‘total character of the world’ and the ‘astral order in which we live’. It relates this distinction, not only to Nietzsche's earlier claim in The Birth of Tragedy that ‘it is only as an aesthetic phenomenon that existence and the world are eternally justified’, but also, via Goethe's Wilhelm Meister, to Jung's concept of archetypal structures. Finally, it examines the case of (...) one of Jung's patients, a young labourer suffering from schizophrenia; Jung's interest in Hölderlin; and his discussion of the Stoic concept of heimarmene. (shrink)

This article reads Carlyle as a reader of Goethe to recover why he proclaimed Goethe as the `benignant spiritual revolutionist' of modernity and `first of the moderns'. As Goethe's first major English translator, Thomas Carlyle was also arguably the first to grasp the nature and purpose of Goethe's project to interpret modernity as a revolutionary epoch involving changes in consciousness, culture and material development. For Carlyle, Goethe's Faust presents modern consciousness and culture from the side of elegy - as the (...) search by an old man for eternal youth and an infinite world without constraints involving tragic loss. Wilhelm Meisters Lehrjahre, by contrast, presents the same processes from the side of romantic quest, that is, from the perspective of a youth growing into adulthood, as looking into the future with infinite hope. Finally in Wilhelm Meisters Wanderjahre, Carlyle discerns that the radical form of this novel as a discontinuous narrative that embodies movement, change and incompletion enables Goethe to represent the social conditions of moderns as a spiritual challenge and historic achievement. Carlyle's critical perspicacity is evident not least in his choice of Goethe's works to translate as much as his own essays on Goethe's place in modern European letters. In his close reading of Goethe, Carlyle captures the symbolic form of modernity as incorporating three levels of revolutionary transformation of individual consciousness, of culture and of modernity as mythic condition consisting of tragic development, creative destruction and perpetual movement and change. Moderns then are challenged to become authors of their own texts and lives. Carlyle contrasts Goethe's achievement against other primary candidates for the title of modern spiritual revolutionist in ironically Goethean terms: Napoleon (Prometheus), Byron (Faust and Young Werther) and Voltaire (Mephistopheles). Thereafter, the older Carlyle puts aside his critical readings of Goethe to become his own Goethean authority on the modern condition, most notably in his most famous books, Sartor Resartus, The French Revolution, Chartism, On Heroes, and Past and Present. By reading Carlyle as a reader of Goethe we can begin to discern that Carlyle was not only an historian, biographer and political commentator of his own place and times but a critical theorist seeking to interpret the modern epoch, with and beyond Goethe. (shrink)

Ende des Sommers 1818, während seines Aufenthalts in München, trifft Victor Cousin Schelling und läßt sich Fichtes Leben in Jena für seine Fragments philosophiques schildern. Der Philosoph wird als »le plus sincère, le plus vertueux, mais aussi le plus obstiné des hommes« charakterisiert. Er stellt ihn dann Goethe gegenüber, damals Geheimrat des Großherzogs Karl-August von Sachsen-Weimar: »Jamais deux hommes ne se convinrent moins que le grand poète et le grand philosophe«, sagt Cousin. Und die Gründe für diese Urteile sind mannigfaltig. (...) Wenn einerseits Fichte in Jena als Verfasser des Beitrags zur Berichtigung der Urtheile des Publikums über die französische Revolution auch erkannt worden war und - obwohl er jede auffälligen Äußerungen zu vermeiden suchte - er auch kein Geheimnis aus seinen demokratischen Überzeugungen machte, hatte sich andererseits Goethe sowohl in seinen Werken als auch in seiner politischen Tätigkeit immer gegen jede gewalttätige Revolution erklärt, die danach strebte, die angestammte Obrigkeit zu vernichten. Diese seine Haltung entspringt unmittelbar Goethes Idee, daß die Natur - und mit ihr die Geschichte - im Grunde eher der Ort ununterbrochener und langsamer Metamorphosen als unvorhersehbarer Brüche sei. Hier wirkt das gleiche Motiv, daß sich Wilhelm Meister von einem angehenden Schauspieler durch Einfluß einer geheimen Gesellschaft auch seelisch zu einem Arzt wandeln läßt, und es ist im Grunde auch das Gleiche, wenn Goethe in der Geologie den Neptunismus Werners dem Vulkanismus vorzieht. Der Vielseitigkeit der Interessen eines Goethe, der gleichsam Dichter und Naturforscher, Minister und Weltmann war, steht die Gestalt eines Fichtes gegenüber, der sein ganzes Leben der monolithischen Konstruktion der philosophischen Wissenschaftslehre gewidmet hat. Aber auch philosophisch trennt sie ein Abgrund zutiefst. (shrink)

This paper examines and situates theoretically from a Marxist political economic perspective the capitalist model of academic publishing using Marx’s concepts of ‘primitive accumulation’ and ‘alienation.’ Primitive accumulation, understood as a continuing historical process necessary for capital accumulation, offers a theoretical framework to make sense of contemporary erosions of the knowledge commons that result from various enclosing strategies employed by capitalist academic journal publishers. As a theoretical complement, the article further suggests that some of the elements of alienation Marx articulated (...) in respect of capitalist-controlled production processes capture the estrangement experienced by the actual producers of academic publications. After offering a short assessment of the open-access movement as a remedial response to the enclosing and alienating effects inherent in the capitalist-controlled academic publishing industry, the article briefly outlines a suggested alternative model for academic publishing that, building on open-access projects, could radically subvert capitalist control. (shrink)

1. Grundgestalt, Bewegung, Stufung.--[Beilage]: Musik-Beispiele.