Quando Hegel leciona em Berlim, para onde se muda em 1818, já é uma celebridade na Alemanha: há anos foi publicada a Fenomenologia do Espírito (1806), que lhe concedeu grande destaque, e também já foram legadas ao público suas principais obras. Suas aulas frequentemente lotam e o público é composto por nomes como Rosenkrantz, Bruno Bauer, Feuerbach e Hotho, que em 1835 nos brindaria com as anotações compiladas dos seus Cursos de Estética. Em 1825, Hegel começa a trabalhar numa (...) nova edição da sua Enciclopédia das Ciências Filosóficas; ele a pensa como uma obra de apoio para a realização de seus cursos, e por isso trabalha nela com rapidez e precisão. (shrink)

The text of the book of Nahum poses many challenges to exegetes and readers of the text. Nahum 3 in particular, challenges modern readers with its violent imagery and the derogatory language towards women. The article attempts to propose cultural sensitive readings of two different ‘cultures’, namely, reading Nahum in its historical context and from a perspective of feminist interpretation. Most serious exegetes agree that the reading of texts, in this case, a prophetic text, should first and foremost be interpreted (...) in its historical and social context. It is also true that readers or hearers of the text react to and give meaning to the text. Our cultural embeddedness plays a major part in the process of ‘meaning-giving’ to the texts we interpret. The argument put forward in this article is that interpreters should be accountable for the meaning they ascribe to and promote of a particular text. (shrink)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and (...) made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Keine ausführliche Beschreibung für "Abhandlungen und Vorträge allgemeinen Inhalts" verfügbar.

Robert F. Berkhofer, Jr. provides a basic, broad, and dynamic introduction to a new manner of reading history in light of current theoretical innovations and multiculturalist theories. In order to prepare the reader for this novel historicality, the author guides the reader through an enormous terrain of texts in modernism, poststructuralism, deconstruction, feminism, poetics, and multiculturalism. Just from this standpoint, one may regard Berkhofer's work as a major contribution to the history of contemporary thought. His text, however, exceeds writing another (...) history of ideas precisely by his attempts to transform the way historians regard their texts. Although not specifically delineated, the book consists of two parts: The first half explores some of the implications of postmodernism for the writing, reading, and teaching of history. It shows how historians are able to learn from current deconstructive strategies without being bound to this kind of textualizing. The second half discloses various ways of "applying" a positive understanding of postmodernism to the urgent operation of reading concrete historical texts. (shrink)

Name der Zeitschrift: Wittgenstein-Studien Jahrgang: 5 Heft: 1 Seiten: 227-258.

À partir d’un corpus d’enregistrements de répliques de la pièce de Tennessee Williams A Streetcar Named Desire, cet article traite de la phonologie des énoncés exclamatifs. Il établit que les spécificités phonologiques essentielles des exclamations sont de nature suprasegmentale et se trouvent être observées au niveau intonatif. Après avoir identifié certaines caractéristiques récurrentes des contours mélodiques observés dans les énoncés exclamatifs et montré que celles-ci sont conditionnées par la motivation sémantique et l’iconicité de l’intonation, nous nous intéressons aux liens indirects (...) qui existent entre l’intonation des exclamations et l’expression du degré. Nous fondant sur une réflexion sur la fonction démarcative de l’intonation et la valeur illocutoire des énoncés exclamatifs, nous suggérons également que l’étude de l’intonation des exclamations est susceptible d’éclairer la notion d’acte d’énonciation en contexte d’interaction orale. (shrink)

Wundt untersucht in diesem Buch die Philosophie der einzelnen Nationen als Beitrag zum Weltkrieg. Nachdruck des Originals von 1915.