The first systematic treatment of Karl Popper’s contribution to the philosophy of the social sciences.

Karl Popper: Political Philosophy Among philosophers, Karl Popper (1902-1994) is best known for his contributions to the philosophy of science and epistemology. Most of his published work addressed philosophical problems in the natural sciences, especially physics; and Popper himself acknowledged that his primary interest was nature and not politics. However, his political thought has arguably […].

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 61.2 (2000) 343-346 [Access article in PDF] The Paradox Topos Lisa Gorton As William Egginton points out, 1 when Dante and Beatrice step outside the cosmos, they step into another set of concentric spheres. 2 These surround our (supposedly) geocentric cosmos, and yet they center upon God. The image affronts our logic of space. If these concentric spheres encompass us, how (...) can they center upon something somewhere else? The notion seems to turn space inside-out. But Dante's spatial paradox is not in truth a paradox of space. Instead, it is a spiritual paradox, set in terms of space. When Dante and Beatrice step outside the cosmos, they step outside space into an old philosophical topos, a spatial image of God. For that reason, Dante's image is not really akin to the spatial paradoxes of modern astrophysics, although Egginton's comparison of the two does provoke some fascinating comments upon medieval concepts of space. Egginton assesses Dante's paradox in light of medieval debates about space, place, and God. However, he overlooks the most important source for Dante's paradox--the symbolic geometry of Neoplatonic philosophy. 3Neoplatonic philosophers use spatial forms to imagine spiritual relationships. They develop a symbolic geometry, a spatial language of thought, which borrows nothing from physical space but its shapes: the center, the circle, and concentric spheres. Neoplatonists use this symbolic geometry because it offers a spatial way to imagine the relationship between a cause and its effect, without importing time differences into that relationship. In this way they seek to avoid the problems of time and causality, which the creation-myth in Timaeus introduced into Plato's philosophy: how and when could a timeless being make time? 4 [End Page 343]Plotinus, the first Neoplatonist, uses symbolic geometry to design an "Intellectual Cosmos," which he treats as quite distinct from our physical cosmos. 5 He imagines the source of life as a center: The Highest cannot be divided and allotted... thus a centre is an independent unity; everything within the circle has its own term in the centre, and to the centre the radii each bring their own. (Enneads, V. 1. 11). The "Highest" exists as the center of this "Intellectual Cosmos." Plotinus treats a center's geometric qualities as metaphysical attributes. Like an undimensioned central point, the "Highest" does not exist in space or time, and yet space and time radiate from it as a circumference radiates from its center.The bare symbolic space of Plotinus's "Intellectual Cosmos" has emotional connotations. Plotinus holds that "the center of a circle is distinctively a point of rest" (Enneads II. 2. 1). Lesser beings must turn sequentially through all the angles their center holds altogether at once: There is, we may put it, something that is centre; about it, a circle of light shed from it; round centre and first circle alike, another circle, light from light; outside that again, not another circle of light but one which, lacking light of its own, must borrow. (Enneads, IV. 3. 17) In Plotinus's "Intellectual Cosmos" life emanates from the center in concentric spheres. 6Dante and Beatrice step into such an "Intellectual Cosmos" when they step outside the physical world. They step into a spatial image that stands outside time and space, at the spiritual center of the poem, when they step into spheres that center upon a light too bright to look upon. Dante wonders where that center could be, and Beatrice responds to his silent question: "The nature of the universe, which holds the center still and moves all else around it, begins here as if from its turning point" (XXVII, 106-9). Egginton comments, "Dante's description of this absolute center as the origin of all movement and force in the universe" is "an 'eerie' likeness of what he [the modern astrophysicist, Robert Osserman] terms the retro-verse." More relevantly, it also refers to the "Intellectual Cosmos" of Neoplatonic philosophy, where the "Highest" is a center of rest, the starting point of light, movement, and life. [End Page 344]Plotinus... (shrink)

This chapter contains sections titled: Introduction The Physicists and the Bomb Thermonuclear Weapons and the Cold War Atoms for Peace Deterrence, Détente, 9/11 and Dirty Bombs Nuclear Waste Climate Crisis Conclusion References and Further Reading.

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

Ultimately, the book offers a Peircean alternative to the educational theories implied in the pragmatism of John Dewey and of Richard Rorty.

The difference between our interpretations can be put most succinctly by saying that whereas his is based on the works preceding Science and the Modern World, principally The Concept of Nature and An Enquiry Concerning the Principles of Natural Knowledge ; mine finds the key in the works which succeed it, principally Process and Reality. Indeed it seems to me that the use of some such help from other works of Whitehead is inevitable. After a number of determined sallies, I (...) have been forced to conclude that SMW is in itself unintelligible. If we are to make any coherent sense of it we must, I believe, construe its cryptic utterances in the light of a more systematic exposition of Whitehead's basic categories. And the difficulty in this procedure lies in the fact that there are two expositions available for this purpose--that of the earlier and that of the later works--which differ in certain crucial respects. (shrink)

Bringing continental sensibilities and skill to his project, David Janssens has abandoned the line of defense heretofore used by North American intellectuals to shield Leo Strauss from criticism: Janssens wastes no time trying to prove Strauss was a liberal democrat, frankly admits his atheism, and emphasizes the continuity and European origins of his thought. Nevertheless committed to defending Strauss even at his most vulnerable points, Janssens is compelled to anchor his new defensive position on a misreading of what he calls (...) "an inconspicuous footnote" in Philosophie und Gesetz (1935). (shrink)

This Is A New Release Of The Original 1907 Edition.

Probably the most useful survey of modern aesthetics published in recent years.

One of the concerns in the modern democratic state is what place there should be, if any, for the recognition of cultures and cultural identities. Should a democratic state concern itself with the preservation of culture? Should it recognize or promote a national culture – a German culture in Germany, for example, – or should it recognise or promote some kind of national cultural pluralism or multiculturalism? Should a culture or one’s cultural identity have special protections or rights in the (...) state? In this paper, work towards answers to some of these questions. I begin with a brief statement of what I call the ‘modern’ liberal democratic view, and present how it generally understands the place of cultural identity and culture. I then consider a response to it – a view that has been called ‘communitarian.’ Following this, I present an alternative to both views that situates itself within ‘postmodern’ liberal democratic tradition and, again, see how it understands the place of cultural identity and culture. I argue that this latter view, and indeed all three views, neglect some key issues on the nature of identity and, by extension, culture. It is only by being attentive to these key issues that we can arrive at a plausible and practicable statement of the place of cultural identity and of culture in the modern democratic state. (shrink)

1. General philosophy. - 2. Ethics and politics. - 3. Plato and Christianity.

Adolf Grünbaum, following J.J.C. Smart, has argued that the A‐Theory of time is untenable due to its inability to answer the question, uniquely attending the A‐theory, as to why it is now 2000. I argue, however, that Grünbaum's explication of the question's meaning makes the question a triviality. But there may be lurking here a somewhat different question, which is meaningful on a A‐Theory of time, the answer to which may have surprising implications concerning the past infinitude of time.

Richard Taft’s discussion focuses on the undoubted fact that a shift occurs in Hegel’s attitude to art. This shift served to put increasing distance between him and the approaches of Schelling and Hölderlin to the issue. Hegel became the defender of the supremacy of philosophy against any Romantic effort to assert art’s superiority, also against the traditional theological subordination of philosophy to religion. It is clear, and Taft is helpful here, that the younger Hegel was not insistent on the primacy (...) of philosophy in this sense. Taft helps us focus on important facets in Hegel’s shift: the cooling of Hegel’s youthful ardor with respect to the Hellenic ideal, the chastening of excessively utopian ideals, the shift in the function of art from the ancient world to modernity, and the importance of the systematic ideal in Hegel’s philosophical development. (shrink)

Woodin has shown that if there is a measurable Woodin cardinal then there is, in an appropriate sense, a sharp for the Chang model. We produce, in a weaker sense, a sharp for the Chang model using only the existence of a cardinal \ having an extender of length \.