Although Quentin Meillassoux’s philosophy desires to be postmetaphysical and posttheological, I argue in this paper that it remains structurally theological. Specifically, I argue that Meillassoux’s speculative thesis on the contingency of nature and its laws repeats at a formal level the medieval theological distinction between God’s absolute power and God’s ordained power. The first part of this paper discusses how this distinction allowed medieval theologians such as Thomas Aquinas and Duns Scotus to understand and have faith in (...) the stable contingency of the present order of things in light of divine omnipotence. The second part of this paper discusses how Meillassoux repeats this distinction, intentionally or not, between God’s absolute power and God’s ordained power in his attempt to think the absolute contingency of the laws of nature as an effect of hyper-Chaos. Although, unlike the medieval God, Meillassoux’s hyper-Chaos remains fundamentally without reason and devoid of any moral valence, I argue in the third section of this paper that Meillassoux sneaks in an existential faith in the present and future order of things with his appeal to hope in a speculative resurrection of the dead, a move that brings him further in line with the substance of the distinction between God’s absolute power and God’s ordained power. (shrink)

Background Changes in policies and practices related to repeat cesareans and home birth in the U.S. have been influenced by different interpretations of the risk of poor outcomes. Methods This article examines two cases—vaginal birth after cesarean (VBAC) and home birth to illustrate how an emphasis on relative over absolute risk has been used to characterize outcomes associated with these practices. The case studies will rely on reviews of the research literature and examination of data on birth trends and (...) outcomes. Results Childbirth involves some unique challenges in assessing health risks, specifically the issues of: (1) timing of risks (lowering health risk in a current birth can increase it in subsequent births); (2) the potential weighing of risks to the mother’s versus the infant’s health; (3) the fact that birth is a condition of health and many of the feared outcomes (for example, symptomatic uterine rupture) involve very low absolute risk of occurrence; and (4) a malpractice environment that seizes upon those rare poor outcomes in highly publicized lawsuits that receive widespread attention in the clinical community. In the cases of VBAC and home birth, the result has been considerable emphasis on relative risks, typically an adjusted odds ratio, with little consideration of absolute risks. Conclusion Assessments of the safety of interventions in childbirth should involve careful consideration and communication of the multiple dimensions of risk, particularly a balancing of relative and absolute risks of poor health outcomes. (shrink)

This work intends to demonstrate the existence of limits that hinder the absolute authority of the sovereign in Hobbes’s political theory. Particularly, I will try to identify the concept of honor as the paradigm of this limitation. The field of the manifestations of worth — it will be argued — operates within a logic that runs parallel to that of the State. Moreover, it engenders authorities with high degree of autonomy. To be sure, the sovereign power can intervene (...) in this field by means of persuasion and coercion, but it will never be able to erase the resistances and limitations imposed by signs of honor. (shrink)

Investigating an actual case that occurred in a New York state hospital where an Orthodox Jewish patient’s legal proxy demands that the clinicians and hospital administrators should provide aggressive treatment with all available technological resources for the seemingly brain-dead patient with a medically futile condition. The authors argue that a health care policy or regulation should be developed to limit patient’s access to technology in critical care. Otherwise, we will be allowing society to issue a carte blanche to religious autonomy (...) by technology abuse. It is argued that religious autonomy should be restricted when its demand exhibits apparent logical absurdity and/or goes against the common survival of the entire population. (shrink)

This study analyzes the at-will employment doctrine using a tool that encompasses the complementarity of results-based utilitarian ethics, rule-based duty ethics, and virtue-based character ethics. The paper begins with a discussion of the importance of the problem followed by its evolution and current status. After describing the method of analysis, the central section evaluates the employment at-will doctrine, and is informed by Lord Acton's dictum, "power tends to corrupt, and absolute power corrupts absolutely." The conclusion explores the (...) implications of the findings. (shrink)

Although contemporary powers metaphysics largely understands itself as a metaphysical realist undertaking, recently powers have come to the surface also within an idealist context. This paper aims to characterize and motivate an absolute idealist conception of powers. I compare realist and idealist powers metaphysics in their respective responses to Humean scepticism concerning powers, thereby motivating the claim that the very idea of a power is actually best understood as an idealist idea. I continue to characterize the absolute (...) idealist’s understanding of power, for which it is necessary to see that the content of her power notion is inseparable from the way in which she arrives at that notion. I close with a brief reflection on the absolute idealist’s understanding of the power of thought, which is where idealist and realist powers metaphysics diverge most radically. (shrink)

Different ways of thinking about presence can have significant consequences for one's thinking about temporal experience. Temporal presence can be conceived of as either absolute or relative. Relative presence is analogous to spatial presence, whereas absolute presence is not. For each of these concepts of presence, there is a theory of time which holds that this is how presence really is. For the A-theory, temporal presence is absolute; it is a special moment in time, a time defined (...) by events in what has been called the A-series. For the B-theory, temporal presence is relative ; it is itself defined relative to moments in time, a time defined by events in the B-series. Many A-theorists go further to claim that the present is the only real moment in time; the past and future are unreal. One can have different sets of problems depending on whether one thinks in terms of absolute presence or relative presence. For example, there is the concept of the 'specious' present – a duration many theorists claim that we perceptually experience. It is argued in this paper that the specious present has problems given absolute presence, which it does not have given relative presence. Many of the problems are avoided by having an extended present. However, A-theory, the standard theory of time which advocates absolute presence, cannot have an extended present. Further, the best solution for absolute presence which is extended, durational presentism, involves denying the standard theories in the philosophy of time. (shrink)

How much power does the author have, and what limits it? I examine how these questions are approached by Italo Calvino in his last novel, If on a Winter’s Night a Traveller (1979). My paper takes a look at one of the aspects of the theme of authorship in this book: namely, the questions of the power the author has by virtue of being an author, on the one hand, and the limitations of this authorial function, on the (...) other hand. I start by showing how Calvino portrays the writer’s struggle of trying to surpass authorial limitations, focusing on three distinct sources of his writer’s block (1) the realization that nothing that the author produces will be original or innovative; (2) the realization that writing is a process of killing infinite narrative possibilities; (3) the desire to get rid of the individual characteristics of the author. For Calvino, the questions about the nature of authorship and the author’s powers and limitations were as much theoretical (a response to literary theories that tried to annihilate the author) as personal (in the years 1973-79 Calvino experienced a profound creative crisis). Next, I depict the author’s powers that his position grants him by arguing that Calvino offers a positive solution to the struggle of trying to escape the seemingly inescapable authorial limitations: a solution that consists in embracing the authorial subjectivity by transforming it into a literary theme and a process of exploring the human nature, and through which the author eventually manages to assert his creative power and makes positive use of his position. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Absolute and Ordained Power of God and King in the Sixteenth and Seventeenth Centuries: Philosophy, Science, Politics, and LawFrancis OakleyThe quintessentially scholastic distinction between God’s power understood as absolute and ordained (potentia dei absoluta et ordinata) has been described “as a ‘yes and no’ answer to the question whether God is able to do or arrange things other than he did in creating the (...) orders of nature and grace.” 1 The importance of that distinction the historical scholarship of the past forty years has served increasingly to indicate. 2 The idea that it expressed had emerged already in the twelfth century, and in the standard form familiar to us from later years we now know it to have surfaced among the theologians of Paris in the opening years of the thirteenth. We also know that long before the end of the thirteenth century it had come to be understood in the two distinct ways that were to persist on through the late medieval and early modern centuries and to be acknowledged in the neo-scholastic manuals of the late nineteenth century.According to the first of these understandings, embedded in the classical formulations given to the distinction by Albertus Magnus, Thomas Aquinas, William of Ockham, and many other later thinkers, the term potentia absoluta was used simply to denote God’s power in itself, taken in abstracto and without reference to the orders of nature and grace he has actually willed de potentia ordinata to establish. There was no question, that is, of the absolute power’s [End Page 669] being understood as a presently-active power by means of which God intervenes in the world to act apart from or set aside the order established by the ordained power. It refers instead to God’s ability to do many things he does not choose to do. Or put in the temporal terms that William Courtenay favors, it refers to “the total possibilities initially open to God, some of which were realized by creating the established order,” the “unrealized possibilities” being “now only hypothetically possible.” 3Side by side with this “classical” usage, however, there had emerged already in the thirteenth century what has been called a “juristic” or “opera-tionalized” understanding of the potentia dei absoluta as a presently-active power of potential interposition in the established order. Thus Duns Scotus, who gave a most influential expression to this alternative understanding, drawing an analogy not only with kings but with any free agent within whose power the law falls, distinguished between the ordained power by which God acts de jure in accordance with the rightful law he has established and the absolute power whereby de facto he can act apart from or against the law. In such a formulation the absolute power clearly exceeds the ordained. Rather than referring simply to the realm of logical possibility prior to God’s ordination of things, that absolute power is now construed as a presently-active and extraordinary power capable of acting apart from the order established de potentia ordinata and prevailing in the ordinary course of things. This “juristic” understanding of the distinction was clearly affiliated closely with the cognate distinction that medieval canonists invoked as early as the thirteenth century in an attempt to elucidate what the pope, in the absoluteness of his plenitudo potestatis, or absolute power, could do that was not open for him to do when acting in accordance with his merely ordained or “ordinary” power.Philosophy and ScienceIn an earlier and complementary article, I traced the career of the power distinction, as well as the persistence of the two distinct ways of understanding it, across the fifteenth century and on into the thinking of sixteenth- and seventeenth-century theologians, Lutheran and Reformed as well as Catholic. 4 It remains now to go on to demonstrate that the currency of the distinction in these later centuries was no more confined to strictly theological circles or settings than it had been during the Middle Ages. The Coimbran commentators and Suárez certainly deployed it for more generally philosophical purposes, 5 [End Page 670] and in the seventeenth century they were by no means... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Absolute and Ordained Power of God in Sixteenth- and Seventeenth-Century TheologyFrancis Oakley[W]e must cautiously abandon [that more specious opinion of the Platonist and Stoick]... in this, that it... blasphemously invades the cardinal Prerogative of Divinity, Omnipotence, by denying him a reserved power, of infringing, or altering any one of those Laws which [He] Himself ordained, and enacted, and chaining up his armes in the adamantine (...) fetters of Destiny.Walter Charleton, The Darknes of Atheism Dispelled by the Light of Nature : A Physico-Theologicall Treatise (London, 1652)Of the various attributes characteristically ascribed to God in the Christian tradition—goodness, wisdom, omniscience, omnipotence, and the like—it is omnipotence which of recent years has most persistently been the object of focused attention among philosophers and historians alike. That that should be the case with philosophers working in the Anglo-American analytic tradition is not altogether surprising. While it is doubtless a development few would have predicted half a century ago, the years since then have seen something of a recrudescence of interest in a legislative or divine-command ethic. 1 Had that [End Page 437] not itself conspired to make omnipotence an obvious focus of philosophic attention, the deepening contemporaneous preoccupation with modal logic or the logic of possibility would surely have succeeded in so doing. Understood classically as affirming of God the ability to do all things and connoting a virtual capacity for action (as opposed to a power exercised in actuality), omnipotence has proven to be something of a troublesome notion, inviting unrestrained speculation about hypothetical divine action and generating a veritable cat’s cradle of philosophical conundrums concerning the relationship of God’s power to his will, wisdom, goodness, and justice.Medieval theologians and philosophers alike were forced to grapple with these taxing problems, 2 and philosophers of our own era have found them no less directly pertinent to their own logical and ethical concerns. 3 In 1955 Mackie inaugurated what was destined to become an ongoing discussion of omnipotence in the philosophical journals, 4 and such philosophers as Kenny and Keane, Cowan and Wolfe, Dummett, Plantinga, Swinburne, and Geach have been drawn into the fray. Since then, as a result, the pages of Mind, Philosophy, Philosophical Review, and even The Listener have been punctuated by their efforts to grapple with those venerable questions concerning the divine power that had exercised St. Peter Damiani in the mid-eleventh century, brought Abelard to grief a half-century later, and subsequently led Peter Lombard to devote to them a crucial and influential section of his Sentences—whether God of his omnipotence could undo the past, whether he could have made things other than he had, or created a world better than he did, and so on. 5 [End Page 438]While no medievalist can be expected to be anything but gratified by this unexpected testimony to the enduring significance and power of medieval scholastic concerns, those of us interested especially in the intellectual developments of the later-medieval centuries have particular reason to be energized by it. The years since Mackie launched this contemporary philosophical debate have also seen an intensification of interest on the part of historians in the ways in which, during these particular centuries, medieval thinkers themselves came to terms with the implications of the divine omnipotence and dealt with the theological and philosophical puzzles characteristically generated by that notion. Unlike the philosophers, whose concerns have been somewhat more broad-ranging, the historians have focused in particular on a quintessentially scholastic distinction that was developed, it has been said, “as a ‘yes and no’ answer to the question whether God is able to do or arrange things other than he did in creating the orders of nature and grace.” 6 The distinction in question is that between God’s power understood as absolute and as ordained (potentia dei absoluta et ordinata), which the theologians and philosophers of the period deployed as part of their great effort of accommodation between Greek philosophical and biblical notions of the divine, and the historical significance of which the scholarship of the past forty years has served increasingly to vindicate. 7 But while that distinction has been... (shrink)

The absoluteness of Christianity is a predicate of the God of the eschatological kingdom proclaimed by Jesus, a kingdom embracing the power of a universal future which also includes the entire sweep of the history of religions.

In this paper, we aim to demonstrate that Kiyozawa Manshi’s 1895 Draft for a Skeleton of a Philosophy of Other-Power and two of Nishida Kitarō’s early writings—namely the 1911 An Inquiry into the Good and the 1917 Intuition and Reflection in Self-Consciousness—instantiate the mystical form of absolute dialetheism. Absolute dialetheism is the thesis that the absolute exists and can only be known as a true contradiction. Its mystical form holds that because every conceptual cognition of the (...) absolute leads to contradiction, the absolute transcends all conceptual knowing. By exploring their theoretical and practical differences, we show how Kiyozawa and Nishida represent two varieties of the mystical form of absolute dialetheism. Theoretically, this difference in variety is apparent in the way in which they attempt to prove the existence of the absolute. Kiyozawa employs the Cartesian version of the ontological argument to derive the existence of the absolute from the concept of a maximally perfect being. By contrast, Nishida relies on an experience that is purified of all reflection and in which the collapse of the subject-object distinction implies the omnipresence of the absolute—something we illustrate using the example of music. Practically, while Kiyozawa regards the contradictory absolute as grounding and motivating the transition from philosophy to religion, Nishida points the way to a philosophical practice in which we live into the pure experience of contradiction. We argue that both approaches to the mystical form of absolute dialetheism fail for reasons internal to them. Whereas Kiyozawa cannot employ the Cartesian version of the ontological argument while simultaneously rejecting the principle of non-contradiction, Nishida has trouble accounting for the possibility of difference, without which there can be neither reflection nor philosophical thought. Most of all we aim to demonstrate the productive nature of these failures, for they form the agenda and the problems that would motivate the absolute thinking so characteristic of key members of the Kyoto School. (shrink)

Raimond Gaita affirms absolute goodness as the only thing with the power to keep fully among us the worst kind of evildoer. At issue in this goodness is a wonder that he ties to joy. Yet Gaita does not, perhaps cannot, imagine this power with respect to the evildoer concretely enough for it to move us in the way his account requires. An aspect of his writings that resists the emphasis on a joyous wonder may assist our (...) thinking about the relation to the evildoer. (shrink)

Early modern theorists linked the idea of sovereign power to a conception of absolute power developed during the medieval period. Ockham had reframed the already extant distinction between God's absolute and ordained powers in order to argue that God was free of moral constraint in ordaining natural law for human beings. Thus, the natural law could command the opposite of what God had ordained if He wished to make it so. Bodin extended Ockham's argument to earthly (...) sovereigns, who do not (he argued) have to obey civil law. However, Bodin undermined his absolutism by maintaining that civil law has to be consistent with natural and divine law. Hobbes more consistently argued that while mortal sovereigns are accountable to God, the power of sovereigns to command is not subject to moral constraints. Underlying Ockham's view of God's sovereignty, and Bodin's and Hobbes's view of earthly sovereigns, is a notion of the will's unconstrained power. But this notion is self-referentially incoherent. This incoherence, in turn, infects the very notion of sovereignty. (shrink)

In more general terms, many mediaeval authors—and not only theologians—used the distinction between God's ordered and absolute power to emphasize how, on the one hand, in an 'orderly' way, the realm of nature reflects God's freedom of choice, leading to the existence of a radically contingent order of creation; but also how, on the other hand, in terms of divine absoluteness and in the economy of salvation, God is never bound in his action, which is truly inscrutable and (...) lies above morality.1 The extensive scholarship on this distinction clearly demonstrates how such a question represented a real 'problem' for mediaeval thinkers rather than just a simple theory.2 I am limited to... (shrink)

Philosophical debate about the problem of evil derives, in part, from differing definitions of almighty power or omnipotence. Modern atheists such as John McTaggart, J. L. Mackie, Earl Condee, and Danny Goldstick maintain that an omnipotent God must be able to accomplish anything, even if it entails a contradiction. On this account, the Christian God cannot be omnipotent and benevolent, for a benevolent, omnipotent God would have forced free agents to desist from evil and this prevented the introduction of (...) suffering into the world. It does not matter if the idea of creating free agents that were forced to be good entails a contradiction. On this account, a God who is truly omnipotent can perform contradictory feats.In this paper, I argue that the atheistic tradition is mistaken. In the first place, even an absolutely omnipotent God could, as an act of benevolence, create a world in which there is suffering. In the second place, I argue that the concept of absolute omnipotence is fatally flawed. An absolutely omnipotent God would lack, in a decisive sense, power. He would be weak rather than strong. So the atheist's argument fails when it is evaluated in light of a more rational account of omnipotence and when it is carefully considered on its own terms. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:348 BOOK REVIEWS to God's commandments is "the way and condition of salvation" (VS # 12). Now obedience to the commandments entails, in addition to a good motivation or a willingness to strive, the conformity of an action's object to the specifying content of the commandment. What is the significance of a commandment to honor one's father and mother, if it does not specify actions? The commandments of God (...) specify what kinds of action are, or are not, in conformity with the true good of man. In his analysis of the moral act, the Pope holds that the object of the act is "the primary and decisive element for moral judgment" (VS # 79). Actions which by the nature of their object are unable to be ordered to man's true end can never be "good" actions. Further, he notes that acts, even individual acts, are determinative of the goodness or badness of the person. These points are summarized nicely in the following passage: Activity is morally good when it attests to and expresses the voluntary ordering of the person to his ultimate end and the conformity of a concrete action with the human good as it is acknowledged in its truth by reason. If the object of the concrete action is not in harmony with the true good of the person, the choice of that action makes our will and ourselves morally evil, thus putting us in conflict with our ultimate end, the supreme good, God himself (VS # 72). I believe that Keenan's study commendably highlights the freedom of the will in the order of exercise, and its power to exercise dominion over the intellect in the order of specification. Keenan also insightfully emphasizes the central role of the love of God as the root of our striving to live well. Yet any willing can only be consequent to some knowing. Further, the willingness to strive and be determined, if it is good, is a willingness to be determined, or specified, by the true good known by reason and faith. This willingness, which is a crucial element in moral goodness, must be completed by actions in conformity with the true good. Human goodness is in freely, and lovingly, living out the truth of human nature and its end. The Catholic University of America Washington, D.C. JOHN A. D. CUDDEBACK Moral Absolutes: Tradition, Revision, and Truth. By JOHN FINNIS. Washington, D.C.: The Catholic University of America Press, 1991. Pp. 113. $24.95 (cloth), $9.95 (paper). Not long after his conversion to Roman Catholicism, Alasdair MacIntyre told a group of Catholic bishops: " As a matter of autobio- BOOK REVIEWS 349 graphical fact, I came to the conclusion that there were exceptionless and binding [moral] norms prior to and quite independently of any faith in Divine Revelation." Within the Church Macintyre entered, however, there existed, and exists, widespread doubt and confusion about "moral absolutes" or " exceptionless moral norms." Certain eminent Catholic moral theologians today dissent from Pope John Paul's teaching that " there exist acts which per se and in themselves, independently of circumstances, are always seriously wrong by reason of their object." In the face of this dissent, John Finnis has produced a powerful philosophical and theological defense of the papal teaching. Moral Absolutes presents the 1988 Michael J. McGivney Lectures which Finnis delivered at the John Paul II Institute for Studies on Marriage and the Family. The hook consists of four chapters: "Foundations," "Clarifications," "Christian Witness," and "Challenge and Response." Like Macintyre, Finnis maintains that the authority of scripture and tradition supplement reason's grasp of certain specific types of act as intrinsically wicked and, therefore, never to he performed. Although his goal is to vindicate the proposition that there are moral absolutes, rather than to say which, or even how many, moral norms qualify as " exceptionless " (and therefore as, in the relevant sense of the term, " absolute "), his examples include norms against abortion (and, more generally, the direct killing of innocent human beings), adultery, fornication, contraception, homosexual sex, blasphemy, and disclaimer of the faith. As Finnis observes, the Church's tradition of proclaiming these norms and their absoluteness is "massively solid." Against certain neoscholastic... (shrink)

Kant’s concept of autonomy promises to solve the problem of the actuality of freedom. The latter has actuality as a practical capacity insofar as the will is objectively determined through the form of law. In later writings, however, Kant situates the actuality of freedom in the “absolute spontaneity” of choice, and connects the reality of autonomy itself to the condition of a “radical” act of free choice. The reason for this resides in the fact that his first solution is (...) marked by a certain defect: it does not contain a sufficient concept of the actuality of a practical capacity. This essay elaborates a revised account of Kant’s concept of freedom in light of this insight. The argument is that we need to distinguish force and faculty in order to understand the actuality of a capacity. Only on this basis can we introduce the idea of imagination as a pre-reflexive force of practical reason and the idea of reflective judgment as a power of practical judgment in order to realize how free choice is capable of generating a maxim that has the form of a law spontaneously and of its own accord. In this way, we see that the actuality of freedom necessarily includes the spontaneity of choice, and that human freedom manifests a certain paradoxicality: the university of the will is bound to a subjective ground of determination, to a pre-reflexive act of "radical" choice. (shrink)

continent. 1.1 : 3-13. / 0/ – Introduction I want to propose, as a trajectory into the philosophically weird, an absurd theoretical claim and pursue it, or perhaps more accurately, construct it as I point to it, collecting the ground work behind me like the Perpetual Train from China Mieville's Iron Council which puts down track as it moves reclaiming it along the way. The strange trajectory is the following: Kant's critical philosophy and much of continental philosophy which has followed, (...) has been a defense against horror and madness. Kant's prohibition on speculative metaphysics such as dogmatic metaphysics and transcendental realism, on thinking beyond the imposition of transcendental and moral constraints, has been challenged by numerous figures proceeding him. One of the more interesting critiques of Kant comes from the mad black Deleuzianism of Nick Land stating, “Kant’s critical philosophy is the most elaborate fit of panic in the history of the Earth.” And while Alain Badiou would certainly be opposed to the libidinal investments of Land's Deleuzo-Guattarian thought, he is likewise critical of Kant's normative thought-bureaucracies: Kant is the one author for whom I cannot feel any kinship. Everything in him exasperates me, above all his legalism—always asking Quid Juris? Or ‘Haven’t you crossed the limit?’—combined, as in today’s United States, with a religiosity that is all the more dismal in that it is both omnipresent and vague. The critical machinery he set up has enduringly poisoned philosophy, while giving great succour to the academy, which loves nothing more than to rap the knuckles of the overambitious [….] That is how I understand the truth of Monique David-Menard’s reflections on the properly psychotic origins of Kantianism. I am persuaded that the whole of the critical enterprise is set up to to shield against the tempting symptom represented by the seer Swedenborg, or against ‘diseases of the head’, as Kant puts it. An entire nexus of the limits of reason and philosophy are set up here, namely that the critical philosophy not only defends thought from madness, philosophy from madness, and philosophy from itself, but that philosophy following the advent of the critical enterprise philosophy becomes auto-vampiric; feeding on itself to support the academy. Following Francois Laruelle's non-philosophical indictment of philosophy, we could go one step further and say that philosophy operates on the material of what is philosophizable and not the material of the external world. [1] Beyond this, the Kantian scheme of nestling human thinking between our limited empirical powers and transcendental guarantees of categorical coherence, forms of thinking which stretch beyond either appear illegitimate, thereby liquefying both pre-critical metaphysics and the ravings of the mad in the same critical acid. In rejecting the Kantian apparatus we are left with two entities – an unsure relation of thought to reality where thought is susceptible to internal and external breakdown and a reality with an uncertain sense of stability. These two strands will be pursued, against the sane-seal of post-Kantian philosophy by engaging the work of weird fiction authors H.P. Lovecraft and Thomas Ligotti. The absolute inhumanism of the formers universe will be used to describe a Shoggothic Materialism while the dream worlds of the latter will articulate the mad speculation of a Ventriloquil Idealism. But first we must address the relation of philosophy to madness as well as philosophy to weird fiction. /1/ – Philosophy and Madness There is nothing that the madness of men invents which is not either nature made manifest or nature restored. Michel Foucault. Madness and Civilization. The moment I doubt whether an event that I recall actually took place, I bring the suspicion of madness upon myself: unless I am uncertain as to whether it was not a mere dream. Arthur Schopenhauer. The World as Will and Idea, Vol. 3. Madness is commonly thought of as moving through several well known cultural-historical shifts from madness as a demonic or otherwise theological force, to rationalization, to medicalization psychiatric and otherwise. Foucault's Madness and Civilization is well known for orientating madness as a form of exclusionary social control which operated by demarcating madness from reason. Yet Foucault points to the possibility of madness as the necessity of nature at least prior to the crushing weight of the church. Kant’s philosophy as a response to madness is grounded by his humanizing of madness itself. As Adrian Johnston points out in the early pages of Time Driven pre-Kantian madness meant humans were seized by demonic or angelic forces whereas Kantian madness became one of being too human. Madness becomes internalized, the external demonic forces become flaws of the individual mind. Foucault argues that, while madness is de-demonized it is also dehumanized during the Renaissance, as madmen become creatures neither diabolic nor totally human reduced to the zero degree of humanity. It is immediately clear why for Kant, speculative metaphysics must be curbed – with the problem of internal madness and without the external safeguards of transcendental conditions, there is nothing to formally separate the speculative capacities for metaphysical diagnosis from the mad ramblings of the insane mind – both equally fall outside the realm of practicality and quotidian experience. David-Menard's work is particularly useful in diagnosing the relation of thought and madness in Kant's texts. David-Menard argues that in Kant's relatively unknown “An Essay on the Maladies of the Mind” as well as his later discussion of the Seer of Swedenborg, that Kant formulates madness primarily in terms of sensory upheaval or other hallucinatory theaters. She writes: “madness is an organization of thought. It is made possible by the ambiguity of the normal relation between the imaginary and the perceived, whether this pertains to the order of sensation or to the relations between our ideas” Kant's fascination with the Seer forces Kant between the pincers of “aesthetic reconciliation” – namely melancholic withdrawal – and “a philosophical invention” – namely the critical project. Deleuze and Guattari's schizoanalysis is a combination and reversal of Kant's split, where an aesthetic over engagement with the world entails prolific conceptual invention. Their embrace of madness, however, is of course itself conceptual despite all their rhizomatic maneuvers. Though they move with the energy of madness, Deleuze and Guattari save the capacity of thought from the fangs of insanity by imbuing materiality itself with the capacity for thought. Or, as Ray Brassier puts it, “Deleuze insists, it is necessary to absolutize the immanence of this world in such a way as to dissolve the transcendent disjunction between things as we know them and as they are in themselves”. That is, whereas Kant relied on the faculty of judgment to divide representation from objectivity Deleuze attempts to flatten the whole economy beneath the juggernaut of ontological univocity. Speculation, as a particularly useful form of madness, might fall close to Deleuze and Guattari’s shaping of philosophy into a concept producing machine but is different in that it is potentially self destructive – less reliant on the stability of its own concepts and more adherent to exposing a particular horrifying swath of reality. Speculative madness is always a potential disaster in that it acknowledges little more than its own speculative power with the hope that the gibbering of at least a handful of hysterical brains will be useful. Pre-critical metaphysics amounts to madness, though this may be because the world itself is mad while new attempts at speculative metaphysics, at post-Kantian pre-critical metaphysics, are well aware of our own madness. Without the sobriety of the principle of sufficient reason we have a world of neon madness: “we would have to conceive what our life would be if all the movements of the earth, all the noises of the earth, all the smells, the tastes, all the light – of the earth and elsewhere, came to us in a moment, in an instant – like an atrocious screaming tumult of things”. Speculative thought may be participatory in the screaming tumult of the world or, worse yet, may produce its spectral double. Against theology or reason or simply commonsense, the speculative becomes heretical. Speculation, as the cognitive extension of the horrorific sublime should be met with melancholic detachment. Whereas Kant's theoretical invention, or productivity of thought, is self -sabotaging, since the advent of the critical project is a productivity of thought which then delimits the engine of thought at large either in dogmatic gestures or non-systematizable empirical wondrousness. The former is celebrated by the fiction of Thomas Ligotti whereas the latter is espoused by the tales of H.P. Lovecraft. /2/ – Weird Fiction and Philosophy. Supernatural horror, in all its eerie constructions, enables a reader to taste treats inconsistent with his personal welfare. Thomas Ligotti Songs of a Dead Dreamer. I choose weird stories because they suit my inclination best—one of my strongest and most persistent wishes being to achieve,momentarily, the illusion of some strange suspension or violation of the galling limitations of time, space, and natural law which forever imprison us and frustrate our curiosity about the infinite cosmic spaces beyond the radius of our sight and analysis H.P. Lovecraft. “Notes on Writing Weird Fiction” Lovecraft states that his creation of a story is to suspend natural law yet, at the same time, he indexes the tenuousness of such laws, suggesting the vast possibilities of the cosmic. The tension that Lovecraft sets up between his own fictions and the universe or nature is reproduced within his fictions in the common theme of the unreliable narrator; unreliable precisely because they are either mad or what they have witnessed questions the bounds of material reality. In “The Call of Cthulhu” Lovecraft writes: The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age. Despite Lovecraft's invocations of illusion, he is not claiming that his fantastic creations such as the Old Ones are supernatural but, following Joshi, are only ever supernormal. One can immediately see that instead of nullifying realism Lovecraft in fact opens up the real to an unbearable degree. In various letters and non-fictional statements Lovecraft espoused strictly materialist tenets, ones which he borrowed from Hugh Elliot namely the uniformity of law, the denial of teleology and the denial of non-material existence. Lovecraft seeks to explore the possibilities of such a universe by piling horror upon horror until the fragile brain which attempts to grasp it fractures. This may be why philosophy has largely ignored weird fiction – while Deleuze and Guattari mark the turn towards weird fiction and Lovecraft in particular, with the precursors to speculative realism as well as contemporary related thinkers have begun to view Lovecraft as making philosophical contributions. Lovecraft's own relation to philosophy is largely critical while celebrating Nietzsche and Schopenhauer. This relationship of Lovecraft to philosophy and philosophy to Lovecraft is coupled with Lovecraft's habit of mercilessly destroying the philosopher and the figure of the academic more generally in his work, a destruction which is both an epistemological destruction and an ontological destruction. Thomas Ligotti's weird fiction which he has designated as a kind of “confrontational escapism” might be best described in the following quote from one of his shortstories, “The human phenomenon is but the sum of densely coiled layers of illusion each of which winds itself on the supreme insanity. That there are persons of any kind when all there can be is mindless mirrors laughing and screaming as they parade about in an endless dream”. Whereas Lovecraft's weirdness draws predominantly from the abyssal depths of the uncharted universe, Ligotti's existential horror focuses on the awful proliferation of meaningless surfaces that is, the banal and every day function of representation. In an interview, Ligotti states: We don't even know what the world is like except through our sense organs, which are provably inadequate. It's no less the case with our brains. Our whole lives are motored along by forces we cannot know and perceptions that are faulty. We sometimes hear people say that they're not feeling themselves. Well, who or what do they feel like then? This is not to say that Ligotti sees nothing beneath the surface but that there is only darkness or blackness behind it, whether that surface is on the cosmological level or the personal. By addressing the implicit and explicit philosophical issues in Ligotti's work we will see that his nightmarish take on reality is a form of malevolent idealism, an idealism which is grounded in a real, albeit dark and obscure materiality. If Ligotti's horrors ultimately circle around mad perceptions which degrade the subject, it takes aim at the vast majority of the focus of continental philosophy. While Lovecraft's acidic materialism clearly assaults any romantic concept of being from the outside, Ligotti attacks consciousness from the inside: Just a little doubt slipped into the mind, a little trickle of suspicion in the bloodstream, and all those eyes of ours, one by one, open up to the world and see its horror [...] Not even the solar brilliance of a summer day will harbor you from horror. For horror eats the light and digests it into darkness. Clearly, the weird fiction of Lovecraft and Ligotti amount to a anti-anthrocentric onslaught against the ramparts of correlationist continental philosophy. /3/ – Shoggothic Materialism or the Formless Formless protoplasm able to mock and reflect all forms and organs and processes—viscous agglutinations of bubbling cells—rubbery fifteen-foot spheroids infinitely plastic and ductile—slaves of suggestion, builders of cities—more and more sullen, more and more intelligent, more and more amphibious, more and more imitative—Great God! What madness made even those blasphemous Old Ones willing to use and to carve such things? H.P. Lovecraft. “At the Mountains of Madness” On the other hand, affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit. Georges Bataille. “Formless”. The Shoggoths feature most prominently in H.P. Lovecraft's shortstory “At the Mountains of Madness” where they are described in the following manner: It was a terrible, indescribable thing vaster than any subway train – a shapeless congeries of protoplasmic bubbles, faintly self -luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter. The term is a litmus test for materialism itself as the Shoggoth is an amorphous creature. The Shoggoths were living digging machines bio engineered by the Elder Things, and their protoplasmic bodies being formed into various tools by their hypnotic powers. The Shoggoths eventually became self aware and rose up against their masters in an ultimately failed rebellion. After the Elder Ones retreated into the oceans leaving the Shoggoths to roam the frozen wastes of the Antarctic. The onto-genesis of the Shoggoths and their gross materiality, index the horrifyingly deep time of the earth a concept near and dear to Lovecraft's formulation of horror as well as the fear of intelligences far beyond, and far before, the ascent of humankind on earth and elsewhere. The sickly amorphous nature of the Shoggoths invade materialism at large, where while materiality is unmistakably real ie not discursive, psychological, or otherwise overly subjectivist, it questions the relation of materialism to life. As Eugene Thacker writes: The Shoggoths or Elder Things do not even share the same reality with the human beings who encounter them—and yet this encounter takes place, though in a strange no-place that is neither quite that of the phenomenal world of the human subject or the noumenal world of an external reality. Amorphous yet definitively material beings are a constant in Lovecraft's tales. In his tale “The Dream-Quest of Unknown Kadatth” Lovecraft describes Azathoth as, “that shocking final peril which gibbers unmentionably outside the ordered universe,” that, “last amorphous blight of nethermost confusion which blashphemes and bubbles at the centre of all infinity,” who, “gnaws hungrily in inconceivable, unlighted chambers beyond time”. Azathoth's name may have multiple origins but the most striking is the alchemy term azoth which is both a cohesive agent and a acidic creation pointing back to the generative and the decayed. The indistinction of generation and degradation materially mirrors the blur between the natural and the unnatural as well as life and non-life. Lovecraft speaks of the tension between the natural and the unnatural is his short story “The Unnameable.” He writes, “if the psychic emanations of human creatures be grotesque distortions, what coherent representation could express or portray so gibbous and infamous a nebulousity as the spectre of a malign, chaotic perversion, itself a morbid blasphemy against Nature?”. Lovecraft explores exactly the tension outlined at the beginning of this chapter, between life and thought. At the end of his short tale Lovecraft compounds the problem as the unnameable is described as “a gelatin—a slime—yet it had shapes, a thousand shapes of horror beyond all memory”. Deleuze suggests that becoming-animal is operative throughout Lovecraft's work, where narrators feel themselves reeling at their becoming non-human or of being the anomalous or of becoming atomized. Following Eugene Thacker however, it may be far more accurate to say that Lovecraft's tales exhibit not a becoming-animal but a becoming-creature. Where the monstrous breaks the purportedly fixed laws of nature, the creature is far more ontologically ambiguous. The nameless thing is an altogether different horizon for thought. The creature is either less than animal or more than animal – its becoming is too strange for animal categories and indexes the slow march of thought towards the bizarre. This strangeness is, as aways, some indefinite swirling in the category of immanence and becoming. Bataille begins “The Labyrinth” with the assertion that being, to continue to be, is becoming. More becoming means more being hence the assertion that Bataille's barking dog is more than the sponge. This would mean that the Shoggotth is altogether too much being, too much material in the materialism. Bataille suggests that there is an immanence between the eater and the eaten, across the species and never within them. That is, despite the chaotic storm of immanence there must remain some capacity to distinguish the gradients of becoming without reliance upon, or at least total dependence upon, the powers of intellection to parse the universe into recognizable bits, properly digestible factoids. That is, if we undo Deleuze's aforementioned valorization of sense which, for his variation of materialism, performed the work of the transcendental, but refuse to reinstate Kant's transcendental disjunction between thing and appearance, then it must be a quality of becoming-as-being itself which can account for the discernible nature of things by sense. In an interview with Peter Gratton, Jane Bennett formulates the problem thusly: What is this strange systematicity proper to a world of Becoming? What, for example, initiates this congealing that will undo itself? Is it possible to identify phases within this formativity, plateaus of differentiation? If so, do the phases/plateaus follow a temporal sequence? Or, does the process of formation inside Becoming require us to theorize a non-chronological kind of time? I think that your student’s question: “How can we account for something like iterable structures in an assemblage theory?” is exactly the right question. Philosophy has erred too far on the side of the subject in the subject-object relation and has furthermore, lost the very weirdness of the non-human. Beyond this, the madness of thought need not override. /4/ - Ventriloquial Idealism or the Externality of Thought My aim is the opposite of Lovecraft's. He had an appreciation for natural scenery on earth and wanted to reach beyond the visible in the universe. I have no appreciation for natural scenery and want the objective universe to be a reflection of a character. Thomas Ligotti. “Devotees of Decay and Desolation.” Unless life is a dream, nothing makes sense. For as a reality, it is a rank failure [….] Horror is more real than we are. Thomas Ligotti. “Professor Nobody's Little Lectures on Supernatural Horror”. Thomas Ligotti's tales are rife with mannequins, puppets, and other brainless entities which of replace the valorized subject of philosophy – that of the free thinking human being. His tales such as “The Dream of the Manikin” aim to destroy the rootedness of consciousness. James Trafford has connected the anti-egoism of Ligotti to Thomas Metzinger – where the self is at best an illusion and we plead desperately for someone else to acknowledge that we are real. Trafford has stated it thus, “Life is played out as an inescapable puppet show, an endless dream in which the puppets are generally unaware that they are trapped within a mesmeric dance of whose mechanisms they know nothing and over which they have no control”. An absolute materialism, for Ligotti, implies an alienation of the idea which leads to a ventriloquil idealism. As Ligotti notes in an interview, “the fiasco and nightmare of existence, the particular fiasco and nightmare of human existence, the sense that people are puppets of powers they cannot comprehend, etc.” And then further elaborates that,“[a]ssuming that anything has to exist, my perfect world would be one in which everyone has experienced the annulment of his or her ego. That is, our consciousness of ourselves as unique individuals would entirely disappear”. The externality of the idea leads to the unfortunate consequence of consciousness eating at itself through horror which, for Ligotti, is more real than reality and goes beyond horror-as-affect. Beyond this, taking together with the unreality of life and the ventriloquizing of subjectivity, Ligotti's thought becomes an idealism in which thought itself is alien and ultimately horrifying. The role of human thought and the relation of non-relation of horror to thought is not completely clear in Ligotti's The Conspiracy Against the Human Race. Ligotti argues in his The Conspiracy Against the Human Race,that the advent of thought is a mistake of nature and that horror is being in the sense that horror results from knowing too much. Yet, at the same time, Ligotti seems to suggest that thought separates us from nature whereas, for Lovecraft, thought is far less privileged – mind is just another manifestation of the vital principal, it is just another materialization of energy. In his brilliant “Prospects for Post-Copernican Dogmatism” Iain Grant rallies against the negative definition of dogmatism and the transcendental, and suggests that negatively defining both over-focuses on conditions of access and subjectivism at the expense of the real or nature. With Schelling, who is Grant's champion against the subjectivist bastions of both Fichte and Kant, Ligotti's idealism could be taken as a transcendental realism following from an ontological realism. Yet the transcendental status of Ligotti's thought move towards a treatment of the transcendental which may threaten to leave beyond its realist ground. Ligotti states: Belief in the supernatural is only superstition. That said, a sense of the supernatural, as Conrad evidenced in Heart of Darkness, must be admitted if one's inclination is to go to the limits of horror. It is the sense of what should not be- the sense of being ravaged by the impossible. Phenomenally speaking, the super-natural may be regarded as the metaphysical counterpart of insanity, a transcendental correlative of a mind that has been driven mad. Again, Ligotti equates madness with thought, qualifying both as supernatural while remaining less emphatic about the metaphysical dimensions of horror. The question becomes one of how exactly the hallucinatory realm of the ideal relates to the black churning matter of Lovecraft's chaos of elementary particles. In his tale “I Have a Special Plan for This World” Ligotti formulates thus: A: There is no grand scheme of things. B: If there were a grand scheme of things, the fact – the fact – that we are not equipped to perceive it, either by natural or supernatural means, is a nightmarish obscenity. C: The very notion of a grand scheme of things is a nightmarish obscenity. Here Ligotti is not discounting metaphysics but implying that if it does exist the fact that we are phenomenologically ill-equipped to perceive that it is nightmarish. For Ligotti, nightmare and horror occur within the circuit of consciousness whereas for Lovecraft the relation between reality and mind is less productive on the side of mind. It is easier to ascertain how the Kantian philosophy is a defense against the diseases of the head as Kant armors his critical enterprise from too much of the world and too much of the mind. The weird fiction of both Lovecraft and Ligotti demonstrates that there is too much of both feeding into one another in a way that corrodes the Kantian schema throughly, breaking it down into a dead but still ontologically potentiated nigredo. The haunting, terrifying fact of Ligotti's idealism is that the transcendental motion which brought thought to matter, while throughly material and naturalized, brings with it the horror that thought cannot be undone without ending the material that bears it either locally or completely. Thought comes from an elsewhere and an elsewhen being-in-thought. The unthinkable outside thought is as maddening as the unthought engine of thought itself within thought which doesn't exist except for the mind, the rotting décor of the brain. /5/ - Hyperstitional Transcendental Paranoia or Self -Expelled Thought Weird fiction has been given some direct treatment in philosophy in the mad black Deleuzianism of Nick Land. Nick Land along with others in the 1990s created the Cyber Culture Research Unit as well as the research group Hyperstition. The now defunct hyperstitional website, an outgrowth of the Cyber Culture Research Unit, defined hyperstition in the following fourfold: 1-Element of effective culture that makes itself real. 2-Fictional quantity functional as a time-traveling device. 3-Coincidence intensifier. 4-Call to the Old Ones. The distinctively Lovecraftian character of hyperstition is hard to miss as is its Deleuzo-Guattarian roots. In the opening pages of A Thousand Plateaus Deleuze and Guattari write, “We have been criticized for over-quoting literary authors. But when one writes, the only question is which other machine the literary machine can be plugged into”. The indisinction of literature and philosophy mirrors the mess of being and knowing as post-correlationist philosophy, where philosophy tries to make itself real where literature, especially the weird, aims itself at the brain-circuit of horror. The texts of both Lovecraft and Ligotti work through horror as epistemological plasticity meeting with proximity as well as the deep time of Lovecraft and the glacially slow time of paranoia in Ligotti. Against Deleuze, and following Brassier, we cannot allow the time of consciousness, the Bergsonian time of the duree, to override natural time, but instead acknowledge that it is an unfortunate fact of existence as a thinking being. Horror-time, the time of consciousness, with all its punctuated moments and drawn out terrors, cannot compare to the deep time of non-existence both in the unreachable past and the unknown future. The crystalline cogs of Kant's account of experience as the leading light for the possibility of metaphysics must be throughly obliterated. His gloss of experience in Prolegomena to any Future Metaphysics could not be more sterile: Experience consists of intuitions, which belong to the sensibility, and of judgments, which are entirely a work of the understanding. But the judgments which the understanding makes entirely out of sensuous intuitions are far from being judgments of experience. For in the one case the judgment connects only the perceptions as they are given in sensuous intuition [....] Experience consists in the synthetic connection of appearances in consciousness, so far as this connection is necessary. Here it is difficult to dismiss the queasiness that Kant's legalism induces upon sight for both Badiou and David-Menard. Kant's thought becomes, as Foucault says when reflecting on Sade's text in relation to nature, “the savage abolition of itself”. For Badiou, Kant's philosophy simply closes off too much of the outside, freezing the world of thought in an all too limited formalism. Critical philosophy is simply the systematized quarantine on future thinking, on thinking which would threaten the formalism which artificially grants thought its own coherency in the face of madness. Even the becoming-mad of Deleuze, while escaping the rumbling ground, makes grounds for itself, mad grounds but grounds which are thinkable in their affect. The field of effects allows for Deleuze's aesthetic and radical empiricism, in which effects and/or occasions make up the material of the world to be thought as a chaosmosis of simulacra. Given a critique of an empiricism of aesthetics, of the image, it may be difficult to justify an attack on Kantian formalism with the madness of literature, which does not aim to make itself real but which we may attempt to make real. That is, how do Lovecraft's and Ligotti's materials, as materials for philosophy to work on, differ from either the operative formalisms of Kant or the implicitly formalized images of Deleuzian empiricism? It is simply that such texts do not aim to make themselves real, and make claims to the real which are more alien to us than familiar, which is why their horror is immediately more trustworthy. This is the madness which Blanchot discusses in The Infinite Conversation through Cervantes and his knight – the madness of book-life, of the perverse unity of literature and life a discussion which culminates in the discussion of one of the weird's masters, that of Kafka. The text is the knowing of madness, since madness, in its moment of becoming-more-mad, cannot be frozen in place but by the solidifications of externalizing production. This is why Foucault ends his famous study with works of art. Furthermore extilligence, the ability to export the products of our maligned brains, is the companion of the attempts to export, or discover the possibility of intelligences outside of our heads, in order for philosophy to survive the solar catastrophe. To borrow again from Deleuze, writing is inseparable from becoming. The mistake is to believe that madness is reabsorbed by extilligence, by great works, or that it could be exorcised by the expelling of thought into the inorganic or differently organic. Going out of our heads does not guarantee we will no longer mean we cannot still go out of our minds. This is simply because of the outside, of matter, or force, or energy, or thing-in-itself, or Schopenhauerian Will. In Lovecraft’s “The Music of Erich Zahn” an “impoverished student of metaphysics” becomes intrigued by strange viol music coming from above his room. After meeting the musician the student discovers that each night he plays frantic music at a window in order to keep some horridness at bay, some “impenetrable darkness with chaos and pandemonium”. The aesthetic defenses provided by the well trained brain can bear the hex of matter for so long, the specter of unalterability within it which too many minds obliterate, collapsing everything before the thought of thought as thinkable or at least noetically mutable on our own terms. Transcendental paranoia is the concurrent nightmare and promise of Paul Humphrey's work, of being literally out of our minds. It is the gothic counterpart of thinking non-conceptually but also of thinking never belonging to any instance of purportedly solid being. As Bataille stated, “At the boundary of that which escapes cohesion, he who reflects within cohesion realizes there is no longer any room for him” Thought is immaterial only to the degree that it is inhuman, it is a power that tries, always with failure, to ascertain its own genesis. Philosophy, if it can truly return to the great outdoors, if it can leave behind the dead loop of the human skull, must recognize not only the non-priority of human thought, but that thought never belongs to the brain that thinks it, thought comes from somewhere else. To return to the train image from the beginning “a locomotive rolling on the surface of the earth is the image of continuous metamorphosis” this is the problem of thought, and of thinking thought, of being no longer able to isolate thought, with only a thought-formed structure. [1] One of the central tenets of Francois Laruelle's non-philosophy is that philosophy has traditionally operated on material already presupposed as thinkable instead of trying to think the real in itself. Philosophy, according to Laruelle, remains fixated on transcendental synthesis which shatters immanence into an empirical datum and an a prori factum which are then fused by a third thing such as the ego. For a critical account of Laruelle's non-philosophy see Ray Brassier's Nihil Unbound. (shrink)

Peter Kivy has said that the power of purely instrumental music remains an unexplained wonder. With this larger question in mind, I will consider: the issues in musical aesthetics that led to what Kivy termed his enhanced formalism, his conception of expressive properties in music and how a distinction between having and understanding an emotion can help clarify this issues here, and, most importantly for Kivy’s larger mystery, the way that counterpoint, in an often unrecognized way, can present mimetic (...) content of a kind that can explain the sense of musical profundity that it often awakens. It may turn out that absolute music’s profundity can be explained by the resonances this kind of layered and complex music has with the living, the ordering, the making sense, of a life. (shrink)

Contemporary theorists of constituent power recognize a tension in which the omnipotent novelty of constituent power is necessarily policed by constituted power. Beginning with Arendt’s claim that the categories of constitutional stability and political novelty should be thought together rather than treated as oppositional, this article presents an interpretation of her work that seeks to address this ‘paradox of constitutionalism’. While commentators have come to assert that Arendt repudiates ‘absolutes’ in favour of an account of ‘relative beginnings’, (...) this article demonstrates that Arendt’s argument involves a critical redescription of the absolute, rather than a repudiation. This is significant, for it illuminates the manner in which her account of founding seeks to dismantle the commonplace temporalizations we attribute to our political vocabulary. This is employed to argue that particular stylings of absolutes naturalize the appearance of the new only as temporal ruptures, allowing us to get a handl... (shrink)

Hobbes claims that the sovereign's absolute authority is consistent with the subjects' retaining liberties to resist certain commands. In this essay, I explore what it means for subject to authorize a sovereign with a right to command. I show how retained rights are compatible with sovereignty. Though any given subject does not authorize the sovereign to do anything, I argue that the sovereign power is absolute. The sovereign has the most power anyone could command.

In lieu of an abstract, here is a brief excerpt of the content:Racine, Oedipus, and Absolute Fantasies*Mitchell Greenberg (bio)Tout mythe se rapporte à l’origine. Toute question d’origine ne saurait ouvrir que sur un mythe [Every myth points back to an origin. Any questioning of origins necessarily opens onto myth].—Jean-Paul Valabrega, Phantasme, mythe, corps et sensAinsi l’itinéraire de la psychanalyse freudienne est-il celui d’une recherche qui... se fait attentive à ce qui du corps réside dans les mots, s’inscrit dans les (...) traces, reste gravé en mémoire au point de n’apparaître que comme réminiscence [Thus the itinerary of Freudian psychoanalysis would be a quest for... what of the body resides in words, is inscribed in traces, or remains engraved in memory to such an extent that it only can reappear as reminiscence].—Pierre Fédida, “L’anatomie dans la psychanalyse”Something happened in the seventeenth century. Somethings in this particularly conflicted period radically altered the ways in which human subjectivity was created and internalized to produce what in our late twentieth century we have come to call modernity. Despite the different and often contradictory inflections we like to give it, it now seems fairly certain that there was a “crisis of the seventeenth century,” a crisis that was traumatic and that was marked, most significantly for our purposes at least, by an altering of subjective sensibility.In an ever-crescendoing leitmotiv from Machiavelli to Montaigne, from Richelieu to Louis XIV, from Olivares to James I, we hear echoing across Europe the same strident clamor. An anxious, pervasive suspicion that the order of things was out of kilter, that in fact the world was sinking into disorder, seems to dominate European thought in the first half of the century. 1 The fear of chaos, especially in societies whose past has been grounded in rigid hierarchical structures, is obviously exacerbated in periods of great [End Page 40] social change. Nevertheless, if we are to believe those political theorists influenced by the work of Freud, this fear, although enflamed by real experience of social unrest, reaches well beyond the actuality of a particular historical event and finds its terrifying power in the most archaic strata of the human psyche. “All civilization,” writes Eugène Enriquez,is a struggle against chaos. Not against chaos as it might or might not have actually existed in prehistoric times, but against the phantasm of a primordial chaos, of a primeval disorder, of an immixture, of the undifferentiated, against an ordinary violence.... Chaos is the constantly retreating horizon in front of which all social organization and institutions are constructed. It returns us to our ancestral fear. We embrace any and all protection against it.[101]The stately image of Classical France, therefore, an image to which we have become accustomed by almost two hundred years of academic history and which finds its most paradigmatic icon in the tragic production of Racine, tends to obscure a reality of almost constant social and religious trauma. For the purposes of my discussion, I would like to return to Racine, who is perhaps the most prominent representative of the aesthetic and ethical tradition of classicism, which, perfected in France in the mid-1600s, will go on to colonize European ethics and aesthetics into the eighteenth century. Despite the radical changes wrought by political, industrial, philosophical, and psychoanalytical revolutions, classicism, through its corollary myth of the unitary ego, continues to haunt our own inabilities to live unneurotically the various drives, contradictions, identifications, and projections that continually tell us that we are not one but many.A central paradox exists at the heart of any discussion of Racinian dramaturgy. While the tragic dilemma of Racine’s theater is profoundly anchored in the passionate, forbidden sexuality of its characters, passions that are inextricably tied to the desiring body, this body is absent, banished from the lexical construction of the Racinian text. How are we to understand the conundrum of a theater that, more than any other, presents incestuous sexual desire and its frustration as the enchafed crucible of tragedy, when the crucible itself has been exiled from the field of representation? In its plots and peripeteia, Racine’s theater ingeniously reconfigures how his protagonists... (shrink)

In this essay, the author contends that Schelling’s first publication, the Philosophical Letters on Dogmatism and Criticism, provides crucial insights into the wide spread philosophical interest in poetic art today. For Schelling, philosophical inquiry finds that its native resource, reason, requires the disclosive power of the poetic genera of tragic drama in order to remedy a crisis which inheres in its very nature and operations.

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 153 These objections to one side, one must compliment Anglin on the thoroughness with which he pursues his points. He almost always provides several arguments for the same point. So we get eight arguments for libertarianism, five for how natural evil comports with the existence of a benevolent, all-powerful God, and so on. These arguments carefully avoid the repetitiveness one might expect and rather skillfully succeed in (...) revealing a mind concerned with mapping out all the knolls and hollows on the intellectual terrain of the particular issue under consideration. Almost inevitably, any one hook's discussions of such disparate topics will vary in both quality and depth. Some parts of this hook (for example, the chapters on the existence of God and the problem of evil) should he generally accessible to the interested beginner in the philosophy of religion. Chapters 5 and 6 on the goodness of God and the problem of evil are especially well done. Anglin honestly and squarely faces the standard objections and manages to produce as complete and compelling a defense as one is likely to find anywhere in the literature. His use of the Principle of Double Effect to exonerate God from blame for creating creatures who may freely do evil was effective and innovative. Other parts of Free Will and The Christian Faith (say, the chapter defending God's foreknowledge featuring the rather paradoxical concept of "backwards causation " in which future free choices cause past foreknowledge) seem to require and presuppose a more thorough immersion in the recent scholarly literature. Some readers may find the author's use of logical notation to explicate his arguments distracting or alienating, though he takes great pains to explain the symbols he employs in the prose he uses. In addition, he is quite helpful to the reader at the start of each chapter in providing concise previews of the arguments to come. On the whole, this is a hook with occasional flashes of insight and innovation, hut with tangles and tensions in the arguments in other parts. JOSEPH M. INCANDELA Saint Mary's College Notre Dame, Indiana Quest for the Absolute: The Philosophical Vision of Joseph Marechal. By ANTHONY MATTEO. De Kalb, Illinois: Northern Illinois Press, 1992. Pp. xi + 173. $30.00 (cloth). The Belgian Jesuit Joseph Marechal (1373-1944) is little known in North American philosophical circles. Indeed he is simply little known outside the somewhat small circle of scholars interested in the history 154 BOOK REVIEWS of twentieth century Roman Catholic theology. There Marechal's work, in particular his five volume Le Point de Depart de la Metaphysique (PDM) has a special place of honor. One need but think of Karl Rahner and Bernard Lonergan among his intellectual heirs to recognize the impact of the thinker and of the volumes. The service of Anthony Matteo's Quest for the Absolute (QA) is to provide a clear and concise study of Marechal's thought. It makes a valuable companion to Joseph Donceel's A Marechal Reader (1970). To my knowledge, the only other full-length discussion in English is Otto Muck's The Transcendental Method (1968), a book which is nearly unreadable in its Eng· lish translation if not in its German original. Marechal was a committed and convinced Thomist, but discussing him under the rubric " transcendental method " brings home a critical conjunction between his Thomism and certain strategies more characteristic of Immanuel Kant and his followers. Instead of seeing Kant simply as undermining the objectivity of metaphysics and of natural theology, he came to believe it possible to take the Kantian "turn to the subject" and to show that it had possibilities not dreamed of by Kant himself. One early indication of Marechal's revisionary approach appeared in his notes for a 1914-1915 course on epistemology: "Kant deceives himself in recognizing, in the operations of spirit, only the pure synthesis of an empirical given. The human spirit is at once an empirical faculty and a faculty of the Absolute. This second aspect was only imperfectly grasped by the author of the Critique of Pure Reason." Thus Marechal was already on his way to answering his opening question for volume I of PDM... (shrink)

Are there illusions of duration? Certainly, many experiences of an event’s duration differ from its measure in clock duration, the measure of that event in seconds, minutes, hours, and so forth. However, I argue that an illusory duration requires more than difference from a real duration; it requires difference from a duration that is relevant to experience. It is plausible to hold that there are many kinds of real duration and reason to question the relevance of all of them. In (...) particular, the interpretation of experienced duration as illusory is typically because it is compared to clock time; the experience of duration goes wrong by being different from a clock measurement of duration. -/- However, I argue that clock duration is not obviously relevant to evaluating the experience of duration. One might hold that it is plausible to evaluate experience by clock duration because clocks more closely match reality than experiences do; on the scale of experience, clock time is no different to real duration. It is not that experienced duration is an illusion because it is merely different from clock duration; it is an illusion because it is different from real duration and we know this because of its difference from clock duration. It is like illusions of size: some object seems to be a size it is not, and we know this by comparing it to an object we can otherwise accurately measure by meters. -/- However, unlike size illusions, it is not clear what the ‘real duration’ is against which we should evaluate apparent duration. What is meant by ‘real duration’ involves either (a) an appeal to the duration of substantial absolute time or (b) some kind of duration in things, e.g., duration which is the measure of change in some kind of process. (a) is an irrelevant duration; few positions hold that we experience absolute time. As for (b), if real duration is a measure of change, then, for experienced duration to match clock duration, they must both agree on the relevant change. If there is a difference in what is treated as the real duration, then neither experience nor clocks can be treated as evaluable in terms of the other. -/- Finally, we may have an illusory duration because there are cases of variation between experiences of the same duration. Yet, even here, we may be misled; we may not be directly comparing experiences. We compare the experienced durations through first measuring each in terms of clock duration. If there is a variability in the relationship between clock standard and some relevant standard for experience, then one expects anything accurately meeting one standard to differ from anything accurately meeting the other. The error is holding there is a stable relationship between the standards. This error is not a matter of our experience of duration, and so is not an illusion of duration. (shrink)

Are there illusions of duration? Certainly, many experiences of an event’s duration differ from its measure in clock duration, the measure of that event in seconds, minutes, hours, and so forth. However, I argue that an illusory duration requires more than difference from a real duration; it requires difference from a duration that is relevant to experience. It is plausible to hold that there are many kinds of real duration and reason to question the relevance of all of them. In (...) particular, the interpretation of experienced duration as illusory is typical because it is compared to clock time; the experience of duration goes wrong by being different from a clock measurement of duration. However, I argue that clock duration is not obviously relevant to evaluating the experience of duration.In response, one might hold that it is plausible to evaluate experience by clock duration because clocks more closely match reality than experiences do; on the scale of experience, clock time is no different to real duration. It is not that experienced duration is an illusion because it is merely different from clock duration; it is an illusion because it is different from real duration and we know this because of its difference from clock duration. It is like illusions of size: some object seems to be a size it is not and we know this by comparing it to an object we can otherwise accurately measure by meters.However, unlike size illusions, it is not clear what the ‘real duration’ is against which we should evaluate apparent duration. What is meant by ‘real duration’ involves either an appeal to the duration of substantial absolute time or some kind of duration in things, for example, duration which is the measure of change in some kind of process. is an irrelevant duration; few positions hold that we experience absolute time. As for, if real duration is a measure of change, then, for experienced duration to match clock duration, they must both agree on the relevant change. If there is a difference in what is treated as the real duration, then neither experience nor clocks can be treated as evaluable in terms of the other.Finally, we may have an illusory duration because there are cases of variation between experiences of the same duration. Yet, even here, we may be misled; we may not be directly comparing experiences. We compare the experienced durations through first measuring each in terms of clock duration. If there is a variability in the relationship between clock standard and some relevant standard for experience, then one expects anything accurately meeting one standard to differ from anything accurately meeting the other. The error is holding there is a stable relationship between the standards. This error is not a matter of our experience of duration, and so is not an illusion of duration. (shrink)

This paper is an intervention in the debate inaugurated by Peter Harrison in 2002 when he called into question the validity of what has come to be called ‘the voluntarism and early-modern science thesis’. Though it subsequently drew support from such historians of science as J. E. McGuire, Margaret Osler, and Betty-Joe Teeter Dobbs, the origins of the thesis are usually traced back to articles published in 1934 and 1961 respectively by the philosopher Michael Foster and the historian of ideas (...) Francis Oakley. Central to Harrison’s critique of the thesis are claims he made about the meaning of the scholastic distinction between the potentia dei absoluta et ordinata and the role it played in the thinking of early-modern theologians and natural philosophers. This paper calls directly into question the accuracy of Harrison’s claims on that very matter. (shrink)

The following paper argues that J.G. Fichte, despite his apparent philosophical neglect of art and aesthetics, does develop a strong, original, and coherent account of art, which not only allows the theorization of modern, non-representative art forms, but indeed anticipates Nietzsche and Heidegger in conceiving of truth in terms of art rather than scientific rationality. While the basis of Fichte’s philosophy of art is presented in the essay “On Spirit and Letter in Philosophy,” it is not developed systematically either in (...) this text or anywhere else in his writings, but must be reconstructed through a broad consideration of all his works, including, above all, his political and economic writings. For Fichte, the art-work does not exist as an object possessing “aesthetic value” and which can, in turn, be possessed, consumed, and enjoyed through the subjective act of aesthetic experience. Rather, it involves a mode of praxis which, grounded in a radical and original power of imagination, creatively discloses possibilities for future forms of existence, experience, and political community that cannot be theoretically anticipated. While Fichte cannot himself theorize specific forms of art, since the art that concerns him belongs to the future, we can, however, retrospectively try to understand non-representational painting and non-mimetic dance as concrete realizations of Fichte’s art-work of the future. In this way, Fichte’s philosophy of art ultimately suggests an alternative to Heidegger’s understanding of the work of art as a projective institution of truth. Fichte suggests that the human body, rather than human language, is the fundamental medium of art. (shrink)

In the Critique of the Power of Judgment, Kant diagnoses an antinomy of taste: either determinate concepts exhaust judgments of taste or they do not. That is to say, judgments of taste are either objective and public or subjective and private. On the objectivity thesis, aesthetic value is predicable of objects. But determining the concepts that would make a judgment of taste objective is a vexing matter. Who can say which concepts these would be? To what authority does one (...) appeal? On the subjectivity thesis, aesthetic value is not predicable of objects. But this threatens judgments of taste with a sort of relativism. Can we not firmly assert the aesthetic value of any object? Have we no authority to make criticisms of taste? Following John McDowell’s “Aesthetic Value, Objectivity and the Fabric of the World”, I will hold that aesthetic value is neither objective nor subjective, but rather intersubjective. But, contra McDowell, I will argue that the validity that intersubjective aesthetic value bestows on judgments of taste must assume an indeterminate absolute conception of reality, of the world as it is in itself. Only such a conceptual resource can in turn make intelligible the notion of a shared or common sense according to which a judgment of taste can be universally valid, that is, valid for all subjects. Finally, I will consider an objection to common sense in matters of taste. (shrink)

According to Kant’s Critique of the Power of Judgement, in the end all estimation of magnitude is sensible, or ‘aesthetic’, and the absolutely great in aesthetic estimation is called ‘the mathematical sublime’. This article identifies the relevant sensible element with an inner sensation of a temporal tension: in aesthetic comprehension, the imagination encounters an inevitable tension between the successive reproduction of a magnitude’s individual parts and the simultaneous unification of these parts. The sensation of this tension varies in degree (...) and facilitates aesthetic estimation in general. But in the special case where it comes to involve a sense of exceeding our imagination’s limit, we judge a magnitude to be mathematically sublime. Pace Kant, I argue that this limit is private and contingent rather than transcendental, such that the judgement of the mathematical sublime is neither universal a priori nor necessary. (shrink)

Moral relativism is deeply troubling for those who believe that, without a set of moral absolutes, democratic societies will devolve into tyranny or totalitarianism. Engaging directly with this claim, Carlo Invernizzi Accetti traces the roots of contemporary anti-relativist fears to the antimodern rhetoric of the Catholic Church, and then rescues a form of philosophical relativism for modern, pluralist societies, arguing that this standpoint provides the firmest foundation for an allegiance to democracy. In its dual analysis of the relationship between religion (...) and politics and the implications of philosophical relativism for democratic theory, this book makes a far-ranging contribution to contemporary debates over the revival of religion in politics and the conceptual grounds for a commitment to democracy. It conducts the first comprehensive genealogy of anti-relativist discourse and reclaims for English-speaking readers the overlooked work of political theorists such as Hans Kelsen and Norberto Bobbio, who had articulated the bond between philosophical relativism and democracy. By engaging with attempts to replace the religious foundation of democratic values with a neo-Kantian conception of reason, this book also offers a powerful case for relativism as the strongest basis for a civic ethos that integrates different perspectives into democratic politics. (shrink)