Commemorative artefacts purportedly speak – they communicate messages to their audience, even if no words are uttered. Sometimes, such artefacts purportedly communicate demeaning or pejorative messages about some members of society. The characteristics of such speech are, however, under-examined. I present an account of the paradigmatic characteristics of the speech of commemorative artefacts (or, “commemorative artefactual speech”), as a distinct form of political speech. According to my account, commemorative artefactual speech paradigmatically involves the use of an artefact by an authorised (...) member of a group to declare the importance of remembering a subject, in virtue of some feature of the subject. Then, I outline a variety of ways that commemorative artefactual speech can go awry. Such speech can be unauthorised, involve unfair exclusion or incorrect identification, be aesthetically inadequate, invoke clandestine explanations, and be directed at inappropriate subjects. I conclude with a discussion of the implications of my account for resisting problematic commemorative artefactual speech. (shrink)

Artefacts are often regarded as being mere things that possess only instrumental value. In contrast, living entities (or some subset of them) are often regarded as possessing some form of intrinsic (or non-instrumental) value. Moreover, in some cases they are thought to possess such value precisely because they are natural (i.e., non-artefactual). However, living artefacts are certainly possible, and they may soon be actual. It is therefore necessary to consider whether such entities should be regarded as mere things (like most (...) non-living artefacts) or as possessing intrinsic value (like many, if not all) living entities. That is, it is necessary to determine whether artefactualness is a value-relevant property with respect to the intrinsic value of living things. (shrink)

This paper serves as introduction to a significantly longer paper in progress. It argues that, within the ethics community, the wider philosophical establishment and society in general, people have been far too lax about what to accept as morally “right” behaviour – far too quick to let themselves and, all too often, each other off the hook. By drawing comparisons to artefactual behaviour and the objections people raise to calling that behaviour the morally acceptable behaviour of authentic moral agents, this (...) paper lays out a framework by which human ethics and meta-ethics can more fruitfully be approached. An earlier paper of ours argued that, for an action to be morally right, one must have a convergence of the right motivations, the right means, and the right consequences. The underlying insight is that deontological, virtue-ethics-based, and consequentialist accounts all have their necessary role to play, but each tends to get too focused on itself and its merits to the loss of the bigger picture; while utilitarian accounts, as perhaps the most prominent division within consequentialism, face the further problem of failing to allow for those occasions where the needs of the few, or the one, outweigh the needs of the many, as Ursula K. LeGuin so devastatingly addressed. Although the requirement to align motivations, means, and consequences may seem impossibly onerous, it need not be, provided one is prepared to allow that moral behaviour is far more difficult to achieve, either for artefacts or human beings, than it might seem at first glance. Mistakes will be made. Perhaps it matters more to take responsibility for those mistakes than to assure oneself, despite reasonable argument to the contrary, that one has avoided them. It is time to hold artefactual and natural agent alike to a higher standard. (shrink)

Because of the gross difficulties in measuring the societal impact of academic research, qualitative approaches have been developed in the last decade mostly based on forms of interaction between university and other societal stakeholders. In this paper, we suggest a framework for qualitative analysis based on the distinction between three dimensions of societal impact: epistemological, artefactual and interactive-institutional. The epistemological dimension addresses what new research results and understanding of relevant phenomena have contributed to solving of technological and societal problems. The (...) artefactual dimension comprises analysis of the artefacts, methods, tools and services through the use of which societal impact is realized. Finally, in the interactional–institutional dimension the forms and forums of collaboration between university and other societal actors are explored. The model is elaborated by analyzing the work of three university research groups in different disciplines. The framework may be used in articulating formative and dialogical peer evaluation of research to foster learning and social improvement as well as in evaluation of research proposals and research programs. (shrink)

Synthetic biology makes use of genetic and other materials derived from modern biological life forms to design and construct novel synthetic organisms. Artificial organisms are not constructed from parts of existing biological organisms, but from non-biological materials. Artificial and synthetic organisms are artefactual organisms. Here we are concerned with the non-instrumental value of such organisms. More specifically, we are concerned with the extent to which artefactual organisms have natural value, inherent worth and intrinsic value. Our conclusions are largely supportive of (...) the value of artefactual organisms. However, they do not constitute a comprehensive ethical evaluation of them. (shrink)

The recent discussion on scientific representation has focused on models and their relationship to the real world. It has been assumed that models give us knowledge because they represent their supposed real target systems. However, here agreement among philosophers of science has tended to end as they have presented widely different views on how representation should be understood. I will argue that the traditional representational approach is too limiting as regards the epistemic value of modelling given the focus on the (...) relationship between a single model and its supposed target system, and the neglect of the actual representational means with which scientists construct models. I therefore suggest an alternative account of models as epistemic tools. This amounts to regarding them as concrete artefacts that are built by specific representational means and are constrained by their design in such a way that they facilitate the study of certain scientific questions, and learning from them by means of construction and manipulation. (shrink)

This chapter provides an explanation of precedent as a kind of artefact, in keeping with broader accounts of law that do so, specifically the author’s account of law as a genre of institutionalized abstract artefact. The chapter develops its explanation by responding to an argument by Dan Priel against seeing the common law as an artefact when understood to be a form of custom. The chapter shows that customs can themselves be artefacts but also that the precedential elements of common (...) law are not necessarily quite as customary as sometimes considered, showing that the common law built from precedents fits within a distributed design model of artefacts and that stare decisis has a wider systemic function of upholding certain rule of law principles. It ends with some considerations about the institutional nature of precedents, specifically that judicial decisions are most often both applications and developments of legal norms, but also determinations of legal validity. (shrink)

Independent philosopher Lee (recently of the U. of Manchester) attends to the deeper implications of ecologically insensitive technology beyond its polluting effects. Contrasting modern with premodern worldviews provides the context for exploring how new sciences like biotechnology require an expanded environmental ethos encompassing both the biotic and the abiotic. The author considers misconceived the notions of nature as either a work of art or a mere social construct per some postmodern thinking. Annotation copyrighted by Book News, Inc., Portland, OR.

Natural language provides a mechanism for cultural evolution by ensuring the persistent heredity of variations in both cultural information and information about its own construction. In the process, it not only facilitates but also limits our thinking to the ways its vocabulary and structures make possible. But the human capacity for metarepresentation frees cultural information from the restrictions of any one medium or language, and has also propelled the evolution of artefactual languages, which provide evolutionary mechanisms for specialist areas of (...) culture. And cooperation between diverse cultural specialists can stimulate further, innovative competition between the cultural information that they share. (shrink)

La actitud del diseño es una estrategia interpretativa propuesta por Dennett, que consiste en tratar al sistema, cuyo “comportamiento” se quiere predecir, bajo el supuesto de que sus partes cumplen funciones que obedecen a un diseño satisfactorio. Sin embargo, estudios recientes sobre atribución funcional en artefactos técnicos consideran que la actitud del diseño supone una estrategia inadecuada para entender qué hace un artefacto técnico. En particular, dos críticas han ganado visibilidad. Por una parte, Vermaas et al. (2013) señalan una inconsistencia (...) en la propuesta dennettiana de la actitud del diseño: las intenciones del diseñador a veces desempeñan un papel en la interpretación de los artefactos y a veces no lo hacen, sin tener finalmente una intuición clara sobre su rol. Por otra parte, Vaesen y Van Amerongen (2008) sostienen que la actitud del diseño admite dos interpretaciones, una descriptiva y una normativa, y que ambas son implausibles. No obstante, en este trabajo argumentamos que estas críticas son rebatibles y que el problema reside en que ambas acusaciones, i.e. inconsistencia e implausibilidad, suponen una interpretación incorrecta de la posición de Dennett. The design attitude is an interpretive strategy proposed by Dennett, which consists of treating the system, whose “behavior” is to be predicted, under the assumption that its parts fulfill functions that accomplish a satisfactory design. Recent studies on technical artifacts' functional attribution claim that the design attitude is an inadequate strategy to elicit what a technical artifact does. In particular, two criticisms have gained visibility. On the one hand, Vermas et al (2013) remark an inconsistency in Dennett’s design stance. The very designer's intentions sometimes play a role in the interpretation of artifacts and sometimes they don´t, without finally having a clear intuition about their role. On the other hand, Vaesen and Van Amerongen (2008) argue that the design stance admits two interpretations, a descriptive and a normative one and that both are implausible. However, we argue that these criticisms miss the point given that both accusations, i.e. of inconsistency and of implausibility, result from a wrong interpretation of Dennett's position. (shrink)

Este trabajo versa sobre la aplicación a los artefactos técnicos del enfoque filosófico propuesto por Daniel Dennett para elucidar el ámbito de las cosas artificiales. En particular, sugiere dos cosas. Por una parte, que esta aplicación no nos permite entender acabadamente la dimensión normativa que cubre la esfera práctica de nuestra producción y uso de artefactos técnicos. Por otra, que ella promueve un criterio sumamente liberal de la atribución de funciones a los artefactos técnicos que desfigura la idea misma de (...) función técnica. Este trabajo tiene tres partes. En la primera se caracteriza la hermenéutica artefactual promovida por la propuesta dennettiana. Se analizan, especialmente, las tres actitudes dennettianas, a saber, la actitud física, la actitud del diseño y la actitud intencional. Además, se considera el punto de vista de la ingeniería inversa. En la segunda parte se discute la analogía entre textos y artefactos y se reconstruye la estrategia incrustada en esta analogía. En la última parte se presenta un balance crítico de la propuesta filosófica de Dennett en su aplicación al ámbito de los artefactos técnicos. (shrink)

This work aims to identify and quantify the biases behind the anomalous behavior of people when they deal with the Three Doors dilemma, which is a really simple but counterintuitive game. Carrying out an artefactual field experiment and proposing eight different treatments to isolate the anomalies, we provide new interesting experimental evidence on the reasons why subjects fail to take the optimal decision. According to the experimental results, we are able to quantify the size and the impact of three main (...) biases that explain the anomalous behavior of participants: Bayesian updating, illusion of control and status quo bias. (shrink)

This article covers the traditional problems of the philosophy of law: the controversies between realism and normativism, on the one hand, and positivism and non-positivism, on the other. The author, adopting the ontological perspective of the artefactual theory of law, attempts to attain two research aims. First, he argues that artefactual theory of law paves the way towards a moderate position overcoming realism-normativism duality. Second, he advocates the thesis that the supposedly ontological difference between positivist and non-positivist views might be (...) dispelled and described as merely conceptual. Therefore, the opposite points of view could be considered as metaphysically equivalent ways of grasping the same social reality. According to the crucial premise of the argument law is a meliorative thick concept. The essay was inspired by an analogy between the philosophy of law and the philosophy of science first discussed by Lon L. Fuller. (shrink)

In debates on the ethics of artificial gametes, concepts of naturalness have been used in a number of different ways. Some have argued that the unnaturalness of artificial gametes means that it is unacceptable to use them in fertility treatments. Others have suggested that artificial gametes are no less natural than many other tissues or processes in common medical use. We suggest that establishing the naturalness or unnaturalness of artificial gametes is unlikely to provide easy answers as to the acceptability (...) of using them in fertility medicine. However, we also suggest that we should be cautious about repudiating any relationship between nature and moral evaluation. The property of being natural or man-made may not per se tell us anything about an entity’s moral status, but it has an important impact on the moral relationship between the creator and the created organism. (shrink)

Analysis and reconstruction of the concepts of artifact and performative agency, under an ontological perspective, in order to understand the phenomena of interactivity and mutual constitution between agents and artifacts. The focus of the investigation is the agency and effectiveness of technological and artistic artifacts as they make up the world in which they can have effects and shape the agents that produce and use them. The intentionality and the agency of the intentional agents will be understood as founded on (...) the condition established by the artifacts that, although they are their creation, simultaneously impose restrictions and enhance their action and conscience. Performative action based on artifacts and artifices, in the sense of actions by which the agent is constituted as an intentional agent, establishes new modes of cooperative interaction and provides other forms of existence. (shrink)

The key to a perspicuous overview of axiology is the realization that all values arise from life. This chapter provides a brief overview of von Wright's categories, or ‘varieties’, of goodness. Medical goodness is the most elemental variety of natural value and disvalue. Any language‐using creature that has the skills to make and to use tools, instruments, and other artefacts is going to need the concepts of artefactual goodness and its subcategory of instrumental goodness. Morality is essentially a social phenomenon (...) – it is an aspect of the form of life of a community. In evolved societies, it overlaps with and fades into law, into social mores or small morals, and into individual critical morality. Virtue, or moral goodness, as well as the moral virtues, which are moral character traits, are attributes of social beings who are, and who identify themselves as being, members of a community, people, or nation. (shrink)

The artefactual environment is not just the passive, inert background against which the drama of human and non-human animal life plays out; but rather, the built environment plays an active role in the structure of agency. This is an insight that Lambros Malafouris has articulated in his framework of Material Engagement Theory. I will discuss the enactive-embodied and dynamic approaches to cognition and action, emphasizing the ways that this approach leads to taking MET seriously by force of its own theoretical (...) commitments. That is, material engagement is a natural development of these models of mind, specified to the particularities of the human historical situation. I will then discuss Theiner and Drain’s critique of HMA, in which they argue that we should replace material agency with materially-scaffolded agency. Scaffolded agency, however, is too weak of a conception of how material culture shapes agency, and is a notion continues to privilege the sense of agency as a mark of what genuinely constitutes agency proper. Drawing on Steward I propose a definition of material agency that emphasizes the idea that agency is a process, and I suggest that material agency is better captured by the phenomenological experience of flow. This phenomenological understanding of material agency both responds to Theiner & Drain’s critique, and emphasizes the importance of investigating material culture phenomenologically. (shrink)

Conceptual engineering is to be explained by appeal to the externalist distinction between concepts and conceptions. If concepts are determined by non-conceptual relations to objective properties rather than by associated conceptions (whether individual or communal), then topic preservation through semantic change will be possible. The requisite level of objectivity is guaranteed by the possibility of collective error and does not depend on a stronger level of objectivity, such as mind-independence or independence from linguistic or social practice more generally. This means (...) that the requisite level of objectivity is exhibited not only by natural kinds, but also by a wide range of philosophical kinds, social kinds and artefactual kinds. The alternative externalist accounts of conceptual engineering offered by Herman Cappelen and Derek Ball fall back into a kind of descriptivism which is antithetical to externalism and fails to recognise this basic level of objectivity. (shrink)

This book considers the question: to what extent does it make sense to qualify technical artefacts as moral entities? The authors’ contributions trace recent proposals and topics including instrumental and non-instrumental values of artefacts, agency and artefactual agency, values in and around technologies, and the moral significance of technology. The editors’ introduction explains that as ‘agents’ rather than simply passive instruments, technical artefacts may actively influence their users, changing the way they perceive the world, the way they act in the (...) world and the way they interact with each other. This volume features the work of various experts from around the world, representing a variety of positions on the topic. Contributions explore the contested discourse on agency in humans and artefacts, defend the Value Neutrality Thesis by arguing that technological artefacts do not contain, have or exhibit values, or argue that moral agency involves both human and non-human elements. The book also investigates technological fields that are subject to negative moral valuations due to the harmful effects of some of their products. It includes an analysis of some difficulties arising in Artificial Intelligence and an exploration of values in Chemistry and in Engineering. The Moral Status of Technical Artefacts is an advanced exploration of the various dimensions of the relations between technology and morality. (shrink)

In this paper, I discuss the aetiological account of biological interests, developed by Varner, in the context of artefactual organisms envisioned by current research in synthetic biology. In “Sections 2–5”, I present Varner's theory and criticise it for being incapable of ascribing non-derivative interests to artefactual organisms due to their lack of a history of natural selection. In “Sections 6–7”, I develop a new alternative to Varner's account, building on the organisational theory of biological teleology and function. I argue that (...) the organisational account of biological interest is superior to Varner's aetiological account because it can accommodate both artefactual and naturally evolved organisms, provides a non-arbitrary and practical way of determining biological interests, supports the claim that organisms have interests in a sense in which artefacts do not, and avoids the possibility of there being a conflict between what an organismic part is supposed to do and what is in the interest of the organism. (shrink)

Authors create fictional characters; that is a “creationist locution”. Artefactualism takes such statements very seriously and holds that fictional characters are abstract artefacts, i.e., entities that are both created and abstract. Anti-creationists, by contrast, deny that we need to postulate such doubtful entities to explain creationist locutions. In this paper, I present this debate in the form of a paradox, which organises the many existing theories of creationist locutions in a single logical space. This new way of framing the (...) problem displays the crucial role of so-called “linking principles”. In general, it seems that fictionality entails nonexistence, while creation entails existence. This is why “fictional creatures” are puzzling. I further argue that to create means to invent and to realise, and finally, that fictional characters are invented but not created, contra artefactualism. I thus advocate for a new kind of anti-creationism about fictional characters. (shrink)

Our concern is in explaining how and why models give us useful knowledge. We argue that if we are to understand how models function in the actual scientific practice the representational approach to models proves either misleading or too minimal. We propose turning from the representational approach to the artefactual, which implies also a new unit of analysis: the activity of modelling. Modelling, we suggest, could be approached as a specific practice in which concrete artefacts, i.e., models, are constructed with (...) the help of specific representational means and used in various ways, for example, for the purposes of scientific reasoning, theory construction and design of experiments and other artefacts. Furthermore, in this activity of modelling the model construction is intertwined with the construction of new phenomena, theoretical principles and new scientific concepts. We will illustrate these claims by studying the construction of the ideal heat engine by Sadi Carnot. (shrink)

In this book, Kate Distin proposes a theory of cultural evolution and shows how it can help us to understand the origin and development of human culture. Distin introduces the concept that humans share information not only in natural languages, which are spoken or signed, but also in artefactual languages like writing and musical notation, which use media that are made by humans. Languages enable humans to receive and transmit variations in cultural information and resources. In this way, they provide (...) the mechanism for cultural evolution. The human capacity for metarepresentation - thinking about how we think - accelerates cultural evolution, because it frees cultural information from the conceptual limitations of each individual language. Distin shows how the concept of cultural evolution outlined in this book can help us to understand the complexity and diversity of human culture, relating her theory to a range of subjects including economics, linguistics, and developmental biology. (shrink)

In 1908, Henri Poincar? claimed that: ...the mathematical facts worthy of being studied are those which, by their analogy with other facts, are capable of leading us to the knowledge of a mathematical law, just as experimental facts lead us to the knowledge of a physical law. They are those which reveal to us unsuspected kinship between other facts, long known, but wrongly believed to be strangers to one another. Towards the end of the twentieth century, with many more mathematical (...) facts since discovered, several mathematicians proposed overarching schemes to organise the facts they considered most significant. In this paper, I shall briefly discuss three of these schemes (those of Arnold, Atiyah, and Baez and Dolan), before drawing some philosophical consequences from their attempts. Rather than the kind of claim made by Frege that with the entry of imaginary numbers we reach the ?natural end of the domain of numbers?, we are dealing here with a more open-ended sense of conceptual growth. I shall illustrate this theme by discussing the elaboration of algebraic structures designed to measure symmetry. What emerges is that at any one time mathematicians are operating with a notion very similar to that discussed in the philosophy of science under the heading of ?natural kinds?. We find ?quasi-causal? talk of properties being ?responsible? for a phenomenon, projectability, the transfer of robust mechanisms between domains, and reference to entities not yet fully determined. Debates in philosophy of science prompt further questioning as to the ?naturalness? of these mathematical kinds, whether one should expect them to be dependent on varying human interests, whether there is a distinction between artefactual and real kinds, and whether there is convergence of kinds. I believe that these questions present a wonderful opportunity for a philosophy of mathematics to treat ?real? mathematics, while making powerful points of contact with philosophy of science, and philosophy in general. (shrink)

This chapter challenges the entailment from physicalism to microphysicalism — the view that all facts metaphysically supervene on the microphysical facts. It observes that physicalists can avoid microphysicalism by rejecting physical microscopism. Humean supervenience is a strong version of microphysicalism, and it is false if a non-Humean view of laws is true. But such a view is consistent with physicalism. A weaker form of microphysicalism adds microphysical non-Humean laws to get a broader microphysicalist supervenience base for all facts. On this (...) view, all the laws are metaphysically determined by microphysical laws and microphysical initial conditions. In response, the chapter argues that the existence of emergent Broad-laws, i.e. macroscopic laws that are not metaphysically dependent on microphysical laws and microphysical initial conditions, is consistent with physicalism. It also argues that physicalists can consistently deny that facts about persisting objects, including organic and artefactual objects, metaphysically supervene on microphysical facts. -/- . (shrink)

Any artefact – a hammer, a telescope, an artificial hip – may malfunction. Conceptually speaking, artefacts have an inherent normative aspect. I argue that the normativity of artefacts should be understood as part of reality, and not just “in our concepts.” I first set out Deflationary Views of artefacts, according to which there are no artefactual properties, just artefactual concepts. According to my contrasting view – the Constitution View – there are artefactual properties that things in the world really have. (...) For example, there is a property of being a telephone per se; we apply our concept telephone to things that have that property. Things that have the property of being a telephone are constituted by, but not identical to, aggregates of particles. To be an artefact, an object must have an intended function, among other things. Telephones – in virtue of being the kind of objects that they are – are always subject to malfunction. And malfunctions, when they occur, are just as much part of the world as telephones are. The example of artefacts shows that what is in the world – what really exists – need not be “mind-independent” nor independent of our concepts. (shrink)

What is the value of fictions, metaphors, figures and scenarios in adjudication? This book develops three models to help answer that question: inquiry, artefacts and imagination. -/- Legal language, it is argued, contains artefacts – forms that signal their own artifice and call upon us to do things with them. To imagine, in turn, is to enter a distinctive epistemic frame where we temporarily suspend certain epistemic norms and commitments and participate actively along a spectrum of affective, sensory and kinesic (...) involvement. -/- The book argues that artefacts and related processes of imagination are valuable insofar as they enable inquiry in adjudication, ie the social (interactive and collective) process of making insight into what values, vulnerabilities and interests might be at stake in a case and in similar cases in the future. -/- Artefacts of Legal Inquiry is structured in two parts, with the first offering an account of the three models of inquiry, artefacts and imagination, and the second examining four case studies (fictions, metaphors, figures and scenarios). -/- Drawing on a broad range of theoretical traditions – including philosophy of imagination and emotion, the theory and history of rhetoric, and the cognitive humanities – this book offers an interdisciplinary defence of the importance of artefactual language and imagination in adjudication. (shrink)

I will analyse three fundamental ways of governing ignorance though abduction, which are essential from an eco-cognitive and eco-logical point of view, in which the central role in human cognition of natural and artefactual environment is taken into account. First of all, according to the so-called GW-schema, proposed by Gabbay and Woods, abduction presents an ignorance-preserving or (ignorance-mitigating) character: given the fact that the abduced hypotheses aim at becoming truths, the basic ignorance is neither solved nor left untouched. Second, I (...) will contend that abduction is not always ignorance preserving but also knowledge enhancing. Indeed, according to the eco-cognitive model of abduction, I myself have recently proposed, we can easily see that, occasionally, knowledge can be immediately increased (and ignorance ‘killed’) through abduction: in this perspective, abduction does not have to be rigidly conceptualized as an inference to the best explanation in the received sense, which is as an inference that, to grant truth, also takes advantage of an empirical evaluation phase or an inductive phase, as Peirce classified it. Finally, it is important to stress that abductive cognition is at the roots of two fundamental cognitive processes. On one side, abductive cognition constructs (and/or takes advantage of the exploitation of) embodiments, external representations, enactions, artefacts and props, which involve ignorant entities suitably transformed in cognitive representations and/or devices. On the other side, abductive cognition dominates those ‘special’ cognitive creative processes that lead to what I call the disseminated ‘computational domestication of ignorant entities’: I will illustrate the example of the recent unconventional computational domestication of ignorant entities, which creates novel cognitive embodiments (morphological computation). (shrink)

This paper discusses the metaphysical status of artefacts and their forms in the ancient commentators on Aristotle’s Metaphysics. Specifically, it examines the Peripatetic tradition and Alexander of Aphrodisias to then turn to the commentaries of the late Neoplatonist Asclepius of Tralles, and the Byzantine commentator Michael of Ephesus. It argues that Alexander is the pioneer of the interpretation of artefactual forms as qualities and artefacts as accidental beings. The fortune of this solution goes through Asclepius and Michael to influence Thomas (...) Aquinas. (shrink)

The Dictator Game, one of the best-known designs in experimental social science, has been extensively criticized, and declared by some to be defunct, on the grounds that its results are the product of a research artefact. Critics of the DG argue that the behaviour observed in the game is not the outcome of genuine pro-social preferences but must, instead, be interpreted as a response to the cues given by the experimental design, where these cues signal that the game is about (...) ‘sharing’. Despite this criticism, the DG continues to be extensively used, and some have defended its validity as an instrument capable of measuring the role of social pressure and social norms against economic motivations. This article examines the assumptions implicit in the claim that the DG results are artefactual and spells out the conditions under which the game can be used to test hypotheses about pro-social... (shrink)

This paper is a tentative step towards a historical cognitive science, in the domain of memory and personal identity. I treat theoretical models of memory in history as specimens of the way cultural norms and artifacts can permeate ('proto')scientific views of inner processes. I apply this analysis to the topic of psychological control over one's own body, brain, and mind. Some metaphors and models for memory and mental representation signal the projection inside of external aids. Overtly at least, medieval and (...) Renaissance theorists agreed that such models had to allow for, or even guarantee, some conception of cognitive order and discipline. Individual memory traces had to be independent, not mixed up or interfering with others. The long tradition of improving or bypassing 'natural memory' by deliberately internalizing artefactual models was part of an arduous process of self-fashioning. Moral panic about confusion and mixture features centrally in the imposition of cognitive discipline in local memory traditions. (shrink)

Statistical inference is often justified by long-run properties of the sampling distributions, such as the repeated sampling rationale. These are frequentist justifications of statistical inference. I argue, in line with existing philosophical literature, but against a widespread image in empirical science, that these justifications are flawed. Then I propose a novel interpretation of probability in statistics, the artefactual interpretation. I believe that this interpretation is able to bridge the gap between statistical probability calculations and rational decisions on the basis of (...) observed data. The artefactual interpretation is able to justify statistical inference without making any assumptions about probability in the material world. (shrink)

There exists broad agreement that participatory, intersubjective engagements in infancy and early childhood, particularly triadic engagements, pave the way for the folk psychological capacities that emerge in middle childhood. There is little agreement, however, about the extent to which early participatory engagements are cognitively prerequisite to the later capacities; and there remain serious questions about exactly how narrative and other language practices can be shown to bridge the gap between early engagements and later abilities, without presupposing the very abilities that (...) they are supposed to account for. A key issue here is the normativity inherent in requesting, proferring and inferring reasons. I point out that normativity is not a property only of linguistic interactions. Normativity and conventionality are also materially instantiated in the artefactual objects that are most frequently implicated in early triadic engagements. The conventional, canonical functions of artefacts may, however, be overlaid in symbolic play by significations rooted in children's experience of blended actual and virtual worlds. Artefactual objects are amplifiers, as well as objects of consciousness. Interwoven with the symbolic forms of language, they co-constitute a specifically human biocultural niche, within and in virtue of which developing human beings become competent folk psychologists. (shrink)

The aim of this paper is to propose an exploratory artefactual theory of fictional objects based on Evnine’s amorphism, with the goal of reconciling the inconsistent intuitions surrounding these entities. While not presenting a fully developed and comprehensive theory, I aim to explore the possibilities of amorphism and to offer a preliminary investigation into the nature of fictional objects and the challenges posed by our basic intuitions regarding their non-existence, creation, and property attribution. I formulate a two-level criterion of identity-based (...) on creative acts and utilize the notion of internal predication to account for how fictional objects possess the properties attributed to them in relevant stories. Additionally, I propose considering a subset of essential properties to fix the identity of ficta across stories. Lastly, I address the challenge of negative existential statements by equating non-existence with unreality, asserting that fictional objects are constituted by the properties attributed to them but do not fully exemplify them. (shrink)

The technological virtual demands philosophical scrutiny. Existing methodologies, like pragmatism and social constructivism, often limit the examination of technology to the social, neglecting questions of embodiment. Said approaches tend to overlook the intricate existential connection between the embodied individual and digital technology artefacts. This article argues that Merleau-Ponty’s phenomenology may be mobilised to describe, understand and reconceptualise the category of the virtual and the dynamic relation between the digital technology artefact and its user. The result is a clearer description and (...) deeper understanding of the richly intertwined reversible relationship between the embodied individual and the artefactual – two poles or points from which virtual space as emergent perceptual characteristic arises. Questions of the body and the artefactual are therefore not tangential to the question of virtual space; rather, the re-deployment and development of key concepts from Merleau-Ponty’s work shows that such considerations are crucial for the ongoing development of a phenomenological account of the phenomenon of digital technology. We thus see that digital technology artefacts constantly, and in an encompassing manner, challenge perceptual faith, necessitating increased imaginative signification to make sense of a world via these technologies. In this manner, the process of sense-making as regards the self, world and others is modified. (shrink)

One of the main reasons for providing formal semantics for languages is that the mathematical precision afforded by such semantics allows us to study and manipulate the formalization much more easily than if we were to study the relevant natural languages directly. Michael Tye and R. M. Sainsbury have argued that traditional set-theoretic semantics for vague languages are all but useless, however, since this mathematical precision eliminates the very phenomenon (vagueness) that we are trying to capture. Here we meet this (...) objection by viewing formalization as a process of building models, not providing descriptions. When we are constructing models, as opposed to accurate descriptions, we often include in the model extra ‘machinery’ of some sort in order to facilitate our manipulation of the model. In other words, while some parts of a model accurately represent actual aspects of the phenomenon being modelled, other parts might be merely artefacts of the particular model. With this distinction in place, the criticisms of Sainsbury and Tye are easily dealt with—the precision of the semantics is artefactual and does not represent any real precision in vague discourse. Although this solution to this problem is independent of any particular semantics a detailed account of how we would distinguish between representor and artefact within Dorothy Edgington's degree-theoretic semantics is presented. (shrink)

Emphatic claims of a “microbiome revolution” aside, the study of the gut microbiota and its role in organismal development and evolution is a central feature of so-called postgenomics; namely, a conceptual and/or practical turn in contemporary life sciences, which departs from genetic determinism and reductionism to explore holism, emergentism and complexity in biological knowledge-production. This paper analyses the making of postgenomic knowledge about developmental symbiosis in Drosophila melanogaster by a specific group of microbiome scientists. Drawing from both practical philosophy of (...) science and Science and Technology Studies, the paper documents epistemological questions of artefactuality and representativeness of model organisms as they emerge in the day-to-day labour producing and being produced by the “microbiome revolution." Specifically, the paper builds on all the written and editorial exchanges involved in the troubled publication of a research paper studying the symbiotic role of the microbiota in the flies’ development. These written materials permit us to delimit the network of justifications, evidence, standards of knowledge-production, trust in the tools and research designs that make up the conditions of possibility of a postgenomic fact. More than reframing the organism as a radically novel multiplicity of reactive genomes, we conclude, doing postgenomic research on the microbiota and symbiosis means producing a story that deviates from the scripts embedded into the sociotechnical experimental systems of post-Human Genome Project life sciences. (shrink)

One of the basic insights of the book is that there is a notion of non-relational linguistic representation which can fruitfully be employed in a systematic approach to literary fiction. This notion allows us to develop an improved understanding of the ontological nature of fictional entities. A related insight is that the customary distinction between extra-fictional and intra-fictional contexts has only a secondary theoretical importance. This distinction plays a central role in nearly all contemporary theories of literary fiction. There is (...) a tendency among researchers to take it as obvious that the contrast between these two types of contexts is crucial for understanding the boundary that divides fiction from non-fiction. Seen from the perspective of non-relational representation, the key question is rather how representational networks come into being and how consumers of literary texts can, and do, engage with these networks. As a whole, the book provides, for the first time, a comprehensive artefactualist account of the nature of fictional entities. (shrink)

Exploramos la discusión que propone Jacques Derrida acerca de las delimitaciones entre lo humano y lo no humano, para controvertir la excepcionalidad antropocéntrica y la figura del sujeto que le corresponde, esta última definida por la posibilidad de auto posicionarse en contraste con lo no humano y lo animal. Se muestra que en la filosofía derridiana la animalidad y la escritura despliegan figuras de la alteridad radical que problematizan los límites que definen lo humano y las características que se señalan (...) como lo propio y esencial del “hombre”, ya que, al estar regida por lo indecidible, la escritura es una mediación que contamina con su reiteracción y exterioridad. Esto es posible gracias a que la dinámica de la escritura en tanto que traza remite más allá de lo humano y de lo viviente, hacia lo técnico y artefactual. Lo que permite entrar en el debate de los posthumanismos, para confrontar dos posiciones que niegan a la filosofía derridiana lograr una crítica radical al humanismo y a las figuras de la subjetividad que implica. (shrink)

On the face of it, the expression "nature restoration" may seem an oxymoron, for one may ask whether it makes any sense to suppose that human beings could restore that which is not human. Several writers recently have argued that, strictly speaking, this is nonsense and, furthermore, that the conceptual confusion involved may lead to ethically problematic consequences. In this essay I begin by discussing the problematic perceived in the notion of nature restoration. I proceed to consider Japanese gardens and (...) earthworks, insofar as both types of art forms foreground the relationship of artefactuality to nature. I conclude that the counterintuitive way in which these arts engage us with nature may help us understand the manner in which nature restoration is plausible. (shrink)

In a recent BioEssays paper [W. F. Martin, BioEssays 2017, 39, 1700115], William Martin sharply criticizes evolutionary interpretations that involve lateral gene transfer into eukaryotic genomes. Most published examples of LGTs in eukaryotes, he suggests, are in fact contaminants, ancestral genes that have been lost from other extant lineages, or the result of artefactual phylogenetic inferences. Martin argues that, except for transfers that occurred from endosymbiotic organelles, eukaryote LGT is insignificant. Here, in reviewing this field, we seek to correct some (...) of the misconceptions presented therein with regard to the evidence for LGT in eukaryotes. A recent paper dismisses claims of lateral gene transfer into eukaryotic genomes. We counter the arguments made in that paper and discuss the extensive evidence for LGT in eukaryotes. (shrink)

The advent of the so-called Web 2.0 and the Semantic Web, for all their seemingly apparent (Floridi, 2009) differences, was instrumental in a renewed interest in questions that used to be addressed solely by the philosophy of language. Amongst these, the problem of meaning is paramount to many a Webservice. The fact that philosophical problematiques of such a magnitude as this one are brought up both in the design process and effective use of technical devices, forces us to realize that (...) some topics are already moving from the traditional realm of theoretical questions to an area packed with innumerable “artefacts of meaning” - tagging systems among many (we will focus on these for the time being). This shift, that we’ve chosen to dub “artefactualization” elsewhere (Monnin, 2009a), bespeaks the now common coupling between philosophical questions and technological realities. In other words, a process that exhibits continuity as well as radical change and deeply subverts established views about the relationships symbolic forms and artefacts entertain with one another. (shrink)

Argumento, seguindo a perspectiva de Amie Thomasson acerca da metafísica da ficção, que os objetos ficcionais são artefatos abstratos. No entanto, o artefactualismo encontra dificuldades em fazer sentido das propriedades que podemos atribuir corretamente a um objeto ficcional: como é possível que um personagem ficcional, como L. B. Jefferies do filme Janela Indiscreta, seja um fotógrafo e um artefato abstrato ao mesmo tempo? Tal personagem pode fazer algo como investigar um crime? A fim de solucionar essa tensão conceitual, introduzo o (...) vocabulário desenvolvido por Andrea Bonomi que trata dos proferimentos ficcionais, metaficcionais e paraficcionais. Então, em oposição às perspectivas que usam a noção de faz-de-contas para analisar o discurso ficcional, apresento a teoria dos adjetivos modificacionais de Hans Kamp e Barbara Partee e argumento que os usos que fazemos do adjetivo ‘ficcional’ são intersectivos no que diz respeito à metafísica dos objetos ficcionais, enquanto são privativos no que diz respeito às propriedades que lhes são atribuídas de acordo com a história. Consequentemente, apesar dos objetos ficcionais não exemplificarem as propriedades que lhes são atribuídas em uma história, uma vez que artefatos abstratos não têm localização espacial e não podem estabelecer interações causais com outros objetos, essas são as propriedades que temos permissões e somos obrigados a lhes atribuir. Assim, apresento uma perspectiva unificada sobre como as nossas práticas de ficção são inteligíveis e estão de acordo com a perspectiva artefactual. (shrink)