Solomon Maimon argues that while Kantianism does venture quite a way toward the establishment of an immanent critical project that more satisfyingly addresses real experience, it does not fulfill the aims of its own project. In order to negotiate Maimon’s claim, I utilize the primary metaphorics of the First Critique: homesickness. The Kantian longing for home is an insatiable yearning, a striving for the end of something that cannot end, namely, the end of the search for home (Zuhause). According (...) to Maimon, although home is unattainable, there is a different sense of home: home is the path itself, a sort of nomadism, a roving life of the path that never leads home. The Kant of the first Critique did not fully realize that the project could not reach an actual final resting place; in fact, this realization, that home is a transcendental ideal, might be the very motivation for the third Critique. Thus, in order not merely to justify the possibility of synthetic a priori knowledge, but also to allow the application of such knowledge to reach the facts themselves, actuality as such, the “well-groundedness” of the critical project requires some re-direction from Maimon. To do this, Maimon renders Kantian transcendental conditions truly genetic. (shrink)

Migration is a global phenomenon growing in scope, and it can be associated with negative emotions such as sense of impending loss, fear of the unknown, and anxiety about those left at home. The objective of this exploratory study was to examine psychological distress and homesickness among Sudanese migrants in the United Arab Emirates. Participants were 1444 Sudanese migrants. The Second Version of the Dundee Relocation Inventory was used to assess homesickness, and the 28-item General Health Questionnaire was (...) used to measure psychological distress, depressive and anxiety symptoms, somatic symptoms, and social dysfunction. The results showed that older age and longer duration of residence in the UAE were associated with lower levels of homesickness, psychological distress, and depressive and anxiety symptoms. Further, homesickness was associated with higher psychological distress, somatic symptoms, and depressive and anxiety symptoms. Women and unemployed migrants had higher psychological distress, somatic symptoms, and depressive and anxiety symptoms compared with men and those employed, respectively. Being unmarried was associated with higher levels of depressive symptoms and homesickness, while those married or divorced/widowed showed lower levels of depressive symptoms and homesickness. It was concluded that there is a need to tackle unemployment among migrants in the UAE and address family reunion issues. (shrink)

As the contemporary nation state order continues to produce genocide and destruction, and thereby refugees, and as the national and international landscape continues to see the existence of refugees as a political problem, Jean Améry’s 1966 essay “How Much Home Does a Person Need?” takes on a curious urgency. I say ‘curious’ because his own conclusions about the essay’s aims and accomplishments appear uncertain and oftentimes unclear. My aim in what follows, then, is twofold. First, I intend to make clear (...) the rich, suggestive, but perhaps underdeveloped phenomenological assumptions involved in this essay. Second, I want to show — but, unfortunately, only show —how these assumptions and Améry’s analysis points to a problem at the heart of contemporary conceptions of statehood, one which demands significantly more discussion. (shrink)

Although it has disappeared as a clinical diagnosis, a Disability Studies perspective on Civil War nostalgia offers an opportunity to recover the process by which understanding around a medical event occurs. By incorporating and examining the interplay between and among participants in the conversation surrounding nostalgia as they operate within various site specific temporal and social contexts, this method of analysis offers an opportunity to arrive at an understanding not only of the factors that contribute to different perspectives on an (...) illness, but also into how some voices become ascendant in constructing medical understanding and why others become subordinate, dismissed, or disappear. (shrink)

Part one. Homesickness, borderlines, and contraband -- The architectonics of subjectivity -- The poetics of subjectivity -- The shattered mirror of modernity -- Part two. The exilic constellation -- Introduction -- The dead end of omniscience : reading Bakhtin with Bergson -- In the beginning was the body : reading Bakhtin with Merleau-Ponty -- From dialogics to trialogics : reading Bakhtin with Lévinas -- Coda : a home away from home.

Characterizing Hegel’s complex assessment of modernity has always depended on which texts one looks at, and how one understands the “modernity problem.” It is obvious enough that Hegel’s pre-Jena and early Jena writings do indeed partly reflect what Nietzsche called a kind of German “homesickness,” a distaste with Enlightenment “positivity,” and an appeal to the models of the Greek polis and the early Christian communities as ways of understanding, by contrast, the limitations of modern philosophic, religious and political life. (...) In these texts, the Enlightenment victory over religion is portrayed as Pyrrhic, as the idealization of a calculating, fragmenting model of rationality, all in a way that merely transferred an oppressive, alien law-giver from without to within. This Enlightenment is a “hubbub of vanity without a firm core,” a purely “negative” reaction to custom and religion that tries to “turn this nothingness into a system.” On such a familiar view, Hegel represents, together with Schiller, Schelling and others, a “romantic reaction” to modernity continuous with Rouseau’s Second Discourse, united in various attempts to reject the abstract, materialist, “dehumanizing” nature of modern institutions, without a regression into premodern forms of thought. (shrink)

ABSTRACT This article analyzes the politics of nostalgia’s history as a fatal disease between the seventeenth and nineteenth centuries, especially as it was applied to slaves in late eighteenth-century Cuba. I trace nostalgia’s medical history beginning with its inauguration in Swiss medicine in 1688, and then describe the contours of its transformation into a military disease primarily affecting white soldiers in France and the United States. Finally, I translate and analyze key elements of Francisco Barrera y Domingo’s work on nostalgia (...) as experienced by slaves in sugar mills in Havana. I show that Barrera uses his analysis of nostalgia and its treatment to describe the slaves’ harrowing conditions and homesickness. Nevertheless, in denying slaves the ability to return home and in failing to propose the abolition of the slave system in the wake of the Haitian Revolution, I argue, Barrera in fact deploys the diagnosis of nostalgia in order to medicalize and pathologize the slaves’ reactions and resistance to their captivity. Thus, despite his sympathy to the slaves, I conclude that for Barrera, nostalgia functions as a tool to better manage the slaves as laborers and as property. (shrink)

Cho-Gye Kim's poetry, spanning from 1931 to 1945, captures the quintessential experience of colonial subjugation, marked by a profound sense of pessimism and oppression. Yet, despite the thematic continuity of despair, a significant transformation in emotional expression is evident in his works before and after his immigration. This transition—from a loss of spirit, through escapism, to a renewed engagement with reality and eventual revival of spirit—illustrates a profound spiritual journey. Kim's poetry evolved from expressing the melancholy of homesickness, identity (...) confusion, and the anxiety of belonging to an unwavering determination to 'strive for survival amidst adversity.' His post-immigration works, devoid of earlier decadence and despair, reflect a silent resistance against Japanese colonial oppression and an unwavering faith in the triumph of justice. This paper delves into the philosophical and religious dimensions embedded in Kim's poetry, highlighting how his works serve as a medium for social criticism and ideological evolution. Analyzing the historical events, societal phenomena, and character portrayals within his poems unveils the shifting ideological perspectives and social consciousness across different epochs. Initially, Kim's poetry voiced discontent with feudal injustices and empathy for the afflicted masses, gradually shifting focus towards existential themes such as human nature, freedom, and dignity. The study seeks to uncover the intersections and collisions between philosophy, religion, and history through Kim's poetic oeuvre, emphasizing how his artistic expressions contribute to understanding historical and cultural transformations. In doing so, it provides insights into the philosophical and theological undercurrents of his era and illustrates how poetry can encapsulate complex spiritual and moral questions, offering reflections relevant to the philosophical and religious discourse. (shrink)

The article examines Heidi’s suffering in the multimedial career of Johanna Spyri’s 1880 novel ›Heidis Lehr- und Wanderjahre‹. In the adaptations, Heidi’s suffering is continually recontextualized according to societal and genre specific conditions. In Spyri’s novel, the focus lies on a pathologized homesickness which is elevated through Christian interpretation, presenting it as a necessity on the path to salvation. The religious motivation fades throughout the adaptations, so that in the (post-)war era, the idyllic mountain world is used to foster (...) community and sharpen Switzerland’s political profile. In perhaps the most famous adaptation Heidi undergoes a childish regression as ›cute Heidi‹ in the anime, while in 21st century adaptations, she emancipates herself, ultimately appearing as ›Mad Heidi‹ in a dystopian setting to save Switzerland from a cheese dictatorship: Heidi no longer suffers; she’s mad. (shrink)

The aim of this article is to investigate how life in Norwegian nursing homes may affect experiences of dignity among persons with dementia. The study had a qualitative design and used a phenomenological and hermeneutic approach. Participant observation in two nursing home units was combined with qualitative interviews with five residents living in these units. The study took place between March and December 2010. The residents feel that their freedom is restricted, and they describe feelings of homesickness. They also (...) experience that they are not being seen and heard as individual autonomous persons. This lack of freedom, experiences of homesickness and feelings of not being confirmed and respected as individual autonomous persons may be a threat to their personal dignity. In order to protect and enforce the dignity of persons with dementia living in nursing home, we should confirm them as whole and as individual persons, and we should try to make the nursing homes less institutional and more home like. (shrink)

The paper studies the contribution of Joaquim de Carvalho, a teacher at the University of Coimbra in the first half of last century, to the phenomenological movement in Portugal. Its importance is not restricted to the introduction he had prepared for the Portuguese translation of The Philosophy of rigor as science. He used the lessons of Edmund Husserl to build a critique of Hegelian and positivist conceptions in his work History of Philosophy. It also draws on phenomenology to treat problems (...) such as homesickness. All these aspects of the project as publisher of phenomenology in Portugal, especially in education. (shrink)

The Routledge Handbook of Nostalgia serves as a guide to the complex and often contradictory concept of nostalgia, as well as the field of "nostalgia studies" more broadly. Nostalgia is an area of intense interest across several disciplines as well as within society and culture more generally. This handbook brings together an international, interdisciplinary team of researchers to survey the current landscape and identify common trends, achievements and gaps in existing literature. Comprising forty-five chapters, the volume covers the following topics: (...) Disciplinary perspectives of nostalgias including philosophy, history, literature, and psychology. Conceptual aspects of nostalgia including homesickness, temporality, affectivity, and memory. Historical and political dimensions such as afro-nostalgia, populism, feminism, and queer nostalgia. Spatial and material aspects of nostalgia including ruins, regionalism, and objects. Media related nostalgia such as analogue and digital nostalgia, reboots, revivals, gaming, and graphic novels. Essential reading for students and researchers working in nostalgia studies, this book will also be beneficial to related disciplines such as philosophy, anthropology, geography, history and literature; cultural, media, heritage, museum and film studies courses; and more generally for readers interested in how the past is represented and used in the present. (shrink)

Der Verfasser versucht zu zeigen, daß nicht der Eigenwert der Heimat die Ursache des Heimwehs ist, sondern daß vielmehr erst das Weh über deren Verlust die Heimat zu einem kostbaren Gut macht. Daher erklärt sich, daß eine Rückkehr in die Heimat eher mit Enttäuschungen als mit einer Linderung des Wehs verbunden ist. Während das Heimweh vorwiegend räumlich bestimmt ist, bezieht sich die Nostalgie wesentlich auf die Einmaligkeit vergangener Erlebnisse sowie auf die Vergänglichkeit der Zeit. Sowohl beim Heimweh als auch bei (...) der Nostalgie kann dann weiter zwischen einer untröstlichen Sehnsucht und einem trauernden Verzicht unterschieden werden. Erinnerung ist immer auch Trauerarbeit, und pathologische Formen des Heimwehs und der Nostalgie zeichnen sich deshalb gleichermaßen durch ihre Unfähigkeit zum Erinnern sowie auch zur trauernden Versöhnung mit einem Verlust aus. Der Heimwehkranke beraubt sich jeden Bandes an einen wirklichen Ort, und dem unglücklichen Nostalgiker muß die Berufung auf die “gute alte Zeit” die verlorene Gegenwart und Zukunft ersetzen. Nur wer Abschied genommen hat, kommt in den Genuß einer Erinnerung, in der sich das Verlangen nach etwas Verlorenem wie in einem Traum erfüllt. The author wants to show that homesickness is not brought about by the intrinsic appeal of one s home-groimd. Rather wistfiilness for bereavement makes home a precious good. From this it becomes understandable why returning home arouses more often disappointment than it relieves one s sick feelings. Whereas homesickness has mainly a spatial connotation, nostalgia actually concerns the uniqueness of past experience as well as time's transience. In both cases a further distinction has to be made between broken-hearted aching and mourning renunciation. Remembrance always is a work of mourning too, and therefore pathological forms of homesickness and nostalgia are equally characterized by their inaptitude to remember as well as to live mournfully with a loss. The homesick deprives himself from any bond to a real place. For the disconsolate nostalgic the invocation of “the good old days” has to substitute the lost present and future. Only the one who bade farewell, delights in remembrance. As in a dream the longing for something lost comes there to fruition. (shrink)

Risalat-al-Tayr is the symbolic story of the fall of the soul/intellect from the heavenly world, its being captivated in the mundane world, and its effort for liberation and eternal unification with intellectus agens. There are many symbols in the story including bird, hunter, trap, homesickness, journey, captivity, mountain etc. In this treatise, Avicenna proposes a supernaturalistic theory of the meaning of life, according to which the life will be meaningful only if a person discovers an essential goal in her (...) life and tries to reach it. It is necessary for the goal to be actually valuable and for the person to be actually successful in achieving that goal. The only choice for such a goal is God. For Avicenna, the meaning of life is tied to immortality of the soul, existence of God, the epistemic ability of intellect, and the possibility of human evolution to the extent that she will be eternally unified with intellectus agens. (shrink)

As the institutionalization of the avant-garde took place, postmodern theory both reacted to and helped create the forces that eroded reason and even taste, labelled them quaint in the name of a postmodern theory, at the same time that mass commodity form was inscribing exchange value on all work of the imagination. In fact, the reality is that the system, the society of domination has enclosed discourse in such a way that, coupled to new social media and electronic platforms, all (...) radical, all working class or under class voices are pre vetted or erased, and only the most craven corporate financialized kitsch is validated. The collusion of galleries, collectors and curators, following the model of studio film and network TV, has equated popularity with quality. The problem then is to recuperate something of the lost radical conscience of art and culture. There is now an amnesia about the prehistory of society, of our own psyches, and of the imagination. The colonizing of consciousness has rendered the imagination of the west atrophied and almost inert. All art is a recreation of our own psychic formation (mimesis) as well as being shaped by its 'otherness', by a purposelessness. All stories are crime stories, all stories are about exile, and all stories are about homesickness. And all art contains a narrative. For only by having no purpose can the artwork posit the direction to which society must look to create an 'other' or elsewhere. To retain something of that utopian promise that is foundational in culture. The world is being dis-enchanted. The Utopian promise is not kept. (shrink)

ABSTRACTThis paper argues that the contemporary international refugee regime is grounded in a paradigm of ‘homesickness’, which puts the refugee in an inferior position of the supplicant, whose subjectivity is framed by the regime of fixed belonging. In order to address this situation, we need to challenge the ontological primacy of homesickness and embrace ‘homelessness’, which offers the possibility of rethinking the positions of both refugees and non-refugees in ethical terms. While the responsibility of the non-refugees lies in (...) cultivating an ethos of hospitality, the refugee can take hold of her subjectivity through the practice of care of the self. This paper first examines Nietzsche’s thought on homelessness and compares it with Foucault’s reading of the role of anakhōrēsis in the Hellenistic practice of care of the self. It then suggests how, by building on the project of universal hospitality, we can interpret the figure of the refugee through the prism of an ethic of freedom, anchored in a posit... (shrink)

The intuitions of Raimundus Lullus religious metaphysics are in this article explicated according to the opportunities of the convergence between the medieval and the new time philosophy. Such approach to the creativity of the thinker is possible, because his conception is one sides associated with the mystical symbolic theologism, that is typical for the medieval tradition, over sides develops Lullus the new understanding of the infinity of the world, inherent in the newtime philosophy. This opposition conditions some of the features (...) of Lullus spiritual quest. This quest connected the respect to the past, that causes the homesickness to the lost ideals, together with the progressivity – the presentation of the future. This presentiment is by Lullus expressed as the desire to change the external world. The aim of this change is the approximation of the rational theological base – the model for the real life. Lullus experiences the combination and the unrealized synthesis of this intentions as the tragedy. The acute and intensive conflict of this intentions triggers the practical atheism, when the stimulation of the external distraction of the evil leads causes the appearance and the activation of the new evil. This disaster of life is determined with some aspects of Lullus metaphysics, in that the infinity of God is realized as the infinity of the world. The infinity of the world is by Lullus given as the rational hierarchical order, leading to the creator of the world. The tragedy of life is for Lullus the marker, that emphasizes the crisis of the medieval philosophy, that was based on the revelation. This crisis discovers the land of new philosophy. This philosophy stresses the autonomy of the human personality. (shrink)

Novel, as a literary genre, is described as the expression of events and emotions by using unconventional methods and techniques; beyond this, novek is also a subject of sociology. For this reason, writers have used the art of the novel as a way of expressing the pain experienced by the individual and its social dimensions. One of these writers is Mourid Barghouti (d. 2021), who was born in Palestine in 1944 and studied English Language and Literature at Cairo University. Banned (...) from entering Palestine in 1967 when he graduated from the university, and exiled from Egypt for criticizing Anwar al-Sādāt's (d. 1981) visit to Israel, Barghouti lived in exile for 17 years in various Arab and European countries away from his wife and child. Barghouti, who returned to Palestine 30 years after his departure, wrote a novel called I Saw Ramallah. This novel was first published in 1997, and he expressed his homesickness and the experiences of the Palestinian people after the occupation. Divided into nine chapters, consisting of 220 pages and translated into many languages, the novel shows the drama of many Palestinians who entered the British mandate after World War I, whose lands were occupied with the establishment of Israel in 1948, and who was forced to leave their homeland. In this sense, the novel I Saw Ramallah reflects both the expatriation of Palestine and the author. In this study, the work named I Saw Ramallah was elaborated in terms of technique in order to determine to what extent the author used the rules of the art of the novel, and thematically which subjects were handled in the novel. It is understood that the name of the novel was chosen to reflect the content by making use of the symbolic value of the place. This novel is seen as an autobiographical novel type, due to the author’s narrator technique used and the author tells his own life. The author's entry into Palestine is used as the objective tense of the novel; the author, with recollections and connotations in objective time, conveyed his experiences by using the flashback method. Events that contain enough sadness have been tried to be conveyed as they happened by mentioning time, place and individuals in order to awake the reader's feelings. Although the events in the novel are listed non-chronologically, when the whole novel is examined, it is seen that the author writes his experiences within the framework of the days he spent in Ramallah and the memories that they remind him of, and in the order in which they come to mind. In almost all of the novel, classical Arabic is preferred. The novel has avoided as much forced expressions and literary expressions that enlarge or reduce events as possible. Although it is impossible to claim that he is completely impartial as a Palestinian, it is seen that the author describes the events with the simplicity of a Palestinian citizen, away from political conflicts as much as possible and in a natural language. It is possible to say that the dominant use of critical style in the novel as the experiences of a writer suffered living abroad throughout his life, shaped his perspective on life and its reflection on the novel. The main topic of the novel is the absence from home. In addition, those killed far away from their homeland, Jewish settlement, the effect of Jewish occupation on the social life, the Oslo Agreement and the role of the phone in the life of the expat are handled as sub-themes. Although the novel named I Saw Ramallah is mostly close to daily or commemorative works and does not fully fit in the definitions of novel art as it emerged in the West, it includes the style of novel art at a certain level. It is seen that the novel has an important place in terms of raising awareness on the Palestinian issue in the Arab and Islamic world. The novel I Saw Ramallah, which was awarded The Naguib Mahfouz Medal for Literature by the American University in Cairo in 1997, is likely to have received this award because of its thematic aspect rather than its stylistic aspect. Considering this award that the novel won against its peers and the considerations we mentioned during the technical and stylistic analysis we made about the novel, it is seen that the art of the novel in Arabic literature is still in the development stage. (shrink)

This chapter attempts to examine nostalgia as both a mood or disposition in general, and as a mood or disposition that is characteristic of philosophical reflection. Nostalgia is a combination of the Greek nostos, meaning home or the return home, with algos, meaning pain, so that its literal meaning is a pain associated with the return home. Part of this inquiry will involve a rethinking of the mood of nostalgia and what that mood encompasses. Rather than understand the nostalgic as (...) characterized solely by the desire to return to a halcyon past, it is explored through the connotations suggested by its Greek etymology as precisely a longing for the return home—a return that cannot be achieved—a form of homesickness, and so as unsettling rather than comfortable, as bringing with it a sense of the essential questionability of our own being in the world. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Narrative SymposiumPersonal Narratives Experiences of Psychiatric HospitalizationV. Barnard, J. Carson, Eugene Doe, Robin Driben, Anonymous One, Anonymous Two, Charles Kelley, Michael Kerins, D. Millman, Anonymous Three, Viesia Novosielski, Ben Zion, and Anonymous Four• Dreaming: A Recovery Story• The Intervention of the Demon• Bent but Not Broken• Tortured Souls Do Not Rest• Homesick• A Professional Patient No More• My Spiritual Journey• Personal Account of Psychiatric Hospitalization• Psychiatric Hospitalization Story• As (...) Ice Is to Water• The Power Of Human-To-Human Contact• Dignity• HospitalizationCopyright © 2011 The Johns Hopkins University Press... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Narrative SymposiumPersonal Narratives Experiences of Psychiatric HospitalizationV. Barnard, J. Carson, Eugene Doe, Robin Driben, Anonymous One, Anonymous Two, Charles Kelley, Michael Kerins, D. Millman, Anonymous Three, Viesia Novosielski, Ben Zion, and Anonymous Four• Dreaming: A Recovery Story• The Intervention of the Demon• Bent but Not Broken• Tortured Souls Do Not Rest• Homesick• A Professional Patient No More• My Spiritual Journey• Personal Account of Psychiatric Hospitalization• Psychiatric Hospitalization Story• As (...) Ice Is to Water• The Power Of Human-To-Human Contact• Dignity• HospitalizationCopyright © 2011 The Johns Hopkins University Press... (shrink)

In this paper the authors seek to contribute to a new ontology of an embodied, desiring subject through an exploration of their own subjectivities and of the ways in which subjectivities are produced and transformed through affective attachments to place. Using the method of collective biography (Davies, Gannon 2006) and drawing on Deleuze and Guattari’s concepts of desire and territorialization they examine their affective responses and attachments to place: Australia and the Czech Republic. As a point of departure for their (...) analysis, the authors ask: What does it mean to be homesick for a place which is not one’s home? What does it mean to desire a place? What of the other place is inscribed in the body? In asking this, the authors show the extent to which place is a zone of immanence in which a continual play of de- and re-territorialization occurs. (shrink)

A fluent essay in contemporary Kulturkritik, flexibly but not always happily strung to the interpretation of a fairy tale. The author submits, drawing extensively upon Marcel and Buber, that nostalgia, homesickness, is the characteristic moral sentiment of our time. As an index and reminder of man's want of a true present, and especially as a potential signpost to its recovery, nostalgia holds out promise. It is suggested--at odds with a Humanism such as Sartre's, and with Heideggerian "waiting"--that true presence, (...) whether of Person or of Nature, must depend upon and serve the realization of Divine Presence.--A. F. (shrink)

Originally published in different form this is a commentary on "modern man" that is not, and does not pretend to be, a sociological or psychological study. It does claim to be philosophical, but if it is, it is surely not in the Anglo-American analytic tradition. It is concerned with such thinkers as Marcel, Proust, Nietzsche, Sartre, Buber, Dostoyevsky, Kierkegaard, Kafka, Marx and Heidegger, although there is often gross over-simplification of their views and a frequent tendency to confuse the lives of (...) the philosophers with the content of their works. Through the framework of the tale of the Sleeping Beauty and by way of commentary Mr. Harper examines such notions as poetic justice, hope, longing, mystery, promise, waiting, nostalgia and "presence": "something that moves one." The text is ridden with highly dubious and at times unintelligible assertions. But only a minimum of sensitivity is needed to understand that dramatic emphasis is being placed upon certain aspects of the experience of those who may be seriously concerned with the lack of God in the world, those who are shaken, disturbed, and homesick, who turn toward the past to complete a hungry and hollow present. Mr. Harper believes there are few who do not.—D. A. G. (shrink)

Introduction: original questions -- Nostalgia's early modern origins: cultural backgrounds -- Dr. Thomas Willis and the science of nervous sensibility -- Nostalgia's original theories: implications and effects -- The ranz-des-vaches -- "Medical" nostalgia and its uses in eighteenth- and nineteenth-century Europe -- Critics of nostalgia: Kant, Schopenhauer, and the question of time -- Nostalgia's modern translations -- Uncanny acts of violence -- Postmodern reencounters -- Conclusion: the end of nostalgia.