This paper is interested in commodity fetishism as a signal of collapsing marital mandates in the genre of lad lit. Instead of focusing solely on its late twentieth-century moment of emergence as a response to chick lit, the paper proposes a longer historical view in order to understand the crisis of masculinity that lad lit lays bare in its protagonists’ inherently queer status as collectors. The analysis puts critical pressure on the collectible object by re-reading the “lad” through the literary (...) figure of the fop, who represents a recurring response to similar crises in gender from the seventeenth-century’s comedy of manners to the novels of Jane Austen. The fop’s overinvestment in style and consequent marginalization is considered in Nick Hornby’s novels High Fidelity and About a Boy, in which the protagonists’ obsessive collecting of objects can be understood as both a dominant feature of their masculinity and the roadblock to their participation in heteronormative rituals of romance. Instead of reading Hornby’s characters as straightforwardly queer, this paper focuses on the commodity as a signal of queerness, and in turn its central role in the creation of, and the challenge to, the lad’s masculinity. (shrink)

Drawing on in-depth interviews with individuals in current and former plural Mormon fundamentalist families, I demonstrate how gender is structured relationally in plural marriage, dependent on noncoercive power relations. Men perform a “conciliatory masculinity” based on their position as head of the family that requires constant consensus-building skills and emotional labor to maintain family harmony. This masculinity is shaped in relation to women’s performance of “homosocial femininity” that curbs men’s power by building strong bonds among wives to deflect jealousies and (...) negotiate household duties. I argue for the importance of studying masculinities and femininities together as a relational structure to better understand specific religious and family contexts. (shrink)

[Eve] Sedgwick examines from an explicitly feminist, implicitly Marxist perspective the relation of homosexuality to more general social bonds between members of the same sex . She argues that the similarity between homosocial desire and homosexuality lies at the root of much homophobia. Moreover, she sees this tension as misogynist to the extent that battles fought over patriarchy within the homosocial world automatically exclude women from that patriarchal power. Thus she places homosexuality and its attendant homophobia within a wider dynamic (...) of social relationships.1Yet even as Sedgwick invents a more sophisticated definition of “homophobia,” she may permit misreading of a more elementary sort. Her use of vocabulary is troubling. In a slangy prose that regularly juxtaposes James Hogg and Louis Lepke, Tennyson and Howard Keel, references to the “campiness” of Thackeray’s “bitchy” bachelors or the “feminized” cuckolds of Wycherley’s The Country Wife seem tame enough. Yet there is a political difference between the jokes. One can burlesque fifties musicals or organized crime with impunity; to refer to sexually embattled men with feminine adjectives, however, is to reinforce a sexual stereotype that sees in the supposed effeminacy of homosexuals a sign of their deviance. Nor are women empowered when terms of female degradation like “bitch” are turned back against men: the ironic reversal does not challenge the terms’ validity but reaffirms it, showing they have an even wider range of applicability than had been thought. 1. Throughout my analysis, I use “homosexual” and “gay” exclusively in reference to male sexuality. I do so in part to echo Sedgwick’s emphasis and in part because the logic of my own argument does not empower me to speak on female homosexuality. David Van Leer is associate professor of English and American literature at the University of California, Davis. He is the author of Emerson’s Epistemology: The Argument of the Essays and articles on American literature and popular culture. (shrink)

This study focuses on multiple masculinities conceptualized in terms of sociality, a concept used to refer to nonsexual interpersonal attractions. Through male homosocial heterosexual interactions, hegemonic masculinity is maintained as the norm to which men are held accountable despite individual conceptualizations of masculinity that depart from that norm. When it is understood among heterosexual men in homosocial circles that masculinity means being emotionally detached and competitive and that masculinity involves viewing women as sexual objects, their daily interactions help perpetuate a (...) system that subordinates femininity and nonhegemonic masculinities. Nonhegemonic masculinities fail to influence structural gender arrangements significantly because their expression is either relegated to heterosocial settings or suppressed entirely. (shrink)

:This article examines material economies of carbon fibre as a prosthetic form of masculinity. The paper advances three main arguments. Firstly, carbon fibre can be a site in which disability is overcome, an act of overcoming that is affected through masculinized technology. Secondly, carbon fibre can be a homosocial surface; that is, carbon fibre becomes both a surface extension of the self and a third-party mediator in homosocial relationships, a surface that facilitates intimacy between men in ways that devalue femininity (...) in both male and female bodies. Carbon fibre surfaces are material extensions of subjectivity, and carbon fibre surfaces are vectors of the cultural economies of masculine competition. Thirdly, the article gives an account of Oscar Pistorius as an example of the masculinization of carbon fibre, and the associated binding of a psychic attitude of misogyny and power to a form of violent and competitive masculine subjectivity. The paper unpacks the affects, economies and surfaces of “carbon fibre masculinity” and discusses Pistorius’ use of carbon fibre, homosociality and misogyny as forms of protest masculinity through which he unconsciously attempted to recuperate his gendered identity from emasculating discourses of disability. (shrink)

Surprisingly, when Laurence Sterne’s Yorick sets his head toward Dover, it is with no developed motive of connoisseurship or curiosity: the gentleman dandy ups with his portmanteau at the merest glance of “civil triumph” from a male servant. Perhaps we are in the world of P. G. Wodehouse, with a gentleman’s gentleman who happens, like Jeeves, to be the embodiment of all the prescriptive and opportunistic shrewdness necessary to maintain his master’s innocent privileges—but it is impossible to tell; the servant (...) utters his five words, glances his glance, and disappears from the novel. The prestige that has lent force to his misprision—or is it a sneer?—seems to belong not to a particular personality but to a position, a function , a bond between gentleman and gentleman’s gentleman that, throughout this novel, makes up in affective and class significance what it lacks in utilitarian sense. Yorick’s bond to another valet is the most sustained and one of the fondest in the novel; and, for most of the novel, the bond is articulated through various forms of the conquest and exchange of women.In the discussion ahead, I will be using the “exchange of women” paradigm taken from Claude Lévi-Strauss and, for example, René Girard and Gayle Rubin, to focus on the changing meanings of the bonds between men in a seventeenth-century play and an eighteenth-century novel.1 These discussions are part of a book-length study of what I am calling “male homosocial desire”—the whole spectrum of bonds between men, including friendship, mentorship, rivalry, institutional subordination, homosexual genitality, and economic exchange—within which the various forms of the traffic in women take place. Eve Kosofsky Sedgwick is associate professor of English at Amherst College. She is the author of Between Men: English Literature and Male Homosocial Desire. (shrink)

Friendship arguably offers itself as the freest of all human associations. A weakness of cultural prescription opens a terrain in which intimacy can be lived in a trust relationship that personifies equality, justice and respect. Friendship’s ‘relational freedom’ enables the mutual development of selves; it is generative. Therein lies ‘the beauty of friendship’, as Agnes Heller has reminded us. But the freedom of intimacy is limited. Embedded in a society that attributes different repertoires of intimacy to women and men and (...) privileges male homosociality, friendship’s freedom is curtailed. Especially cross-sex friendships continue to show evidence of persisting tensions. ‘Erotic friendships’ that seek to realize sexual intimacy but eschew the commitments of coupledom continue to face normative-practical challenges. In this paper, I view central aspects of heterosexual intimacy through the small world of intimate friendship, a prism that refracts gendered tensions in the world at large. (shrink)

This chapter contains sections titled: Getting Under Her Skin Revolutionary Politics and Feminist Body Consciousness Homosociality Skinship Bonding, and Corporeal Feminism Meeting Narrative Needs Pricks as Needles Odd Girls Out ‘By the Father's Hand’: The Tattoo Taboo, Public Anxiety, and India(n) Ink The Skin She's In: Keeping Tattooing Personal and Political.

A number of authors claim that Western European modern romantic love has been ‘gamified’ by digital apps and platforms, resulting in a ludic market logic that is increasingly compulsive and even addictive. This paper will suggest that modern romantic love was, in fact, predicated on games, particularly games of chance and competition. These games are seen to provide a number of functions, including homosocial bonding, the vindication of personal responsibility, and bringing about the probability of the improbable. The paper examines (...) changing attitudes to chance at several key historical moments in Western Europe, changes which we can discern in romantic codification, as well as in the modern economy. We trace these tendencies to digital corporations, where gathered behavioural data accelerates the capacity to economize and determine futures. (shrink)

The Ultimate Fighting Championship broadcasts Mixed Martial Arts fights in over 149 countries to nearly a billion households worldwide. In 2013, the UFC signed the first ever female fighter Ronda ‘Rowdy’ Rousey. In this essay, I argue that women’s participation in the UFC challenges traditional stereotypes of female physical passivity and Iris Marion Young’s claims about feminine spatiality. However, at the same time, UFC culture emphasizes traditional sexist views of femininity and submissiveness. In order to analyze how gender is constructed (...) in the UFC, theories on women’s lived body experiences through participation in MMA are explored. Brian Pronger’s homosocial and homophobia framework is also applied to the phallocentric discourse that is part of the UFC. (shrink)

Sexual difference as a basis of equality : an introduction to Irigarayan politics -- Irigaray on language : from the speech of dementia to the problem of sexual indifference -- Rethinking the politics of recognition : the declaration of Irigarayan sexuate rights -- Irigarayan performativity : is this a question of can saying it make it so? -- Sexuate genre : ethics and politics for improper selves -- Anticipating sexual difference : mediation, love, and divinity -- Interrogating an unasked question (...) : is there sexual difference? -- The impossible friend : traversing the heterosocial, the homosocial, and the successes of failure -- Sexed discourse and the language of the philosophers : to be two -- Effacement redoubled? : between the Orient and the Occident. (shrink)

This research focuses on how children negotiate gender boundaries in middle childhood play. Over a nine-week period, children were observed creating, defining, and altering gender codes in a summer day camp. When girls and boys disregarded pre-described boundaries, they entered an area we refer to as the gender transgression zone. This area of activity, where boys and girls conduct heterosocial relations in hopes of either maintaining or expanding gender boundaries in child culture, is where gender transgression takes place. The study (...) revealed that high-status boys used hegemonic masculinity to regulate both girls' and boys' boundaries by reserving the authority to sanction all gender transgressions. While race and class were salient for girls' homosocial organization and behavior, within this age group they did not appear to influence the boys' status system. (shrink)

Sexual violence of various forms, be it sexual harassment or sexual abuse, perpetrated by male professors against their female students has gained societal visibility through media broadcasts. This article tells the tale of the 2013 recruitment to the University of Iceland of a former political party leader, minister and ambassador. He was publicly called out in 2012 for his alleged sexual offences, perpetrated some years earlier. The story is told from two different viewpoints: from that of the media and from (...) the article author’s own standpoint as assistant professor in gender studies with co-responsibility for his de-recruitment. In the media story, opinion leaders from the political, judicial and media spheres take centre stage. The author thus utilizes the concepts patriarchal homosociality and influencers. Based on the findings from the media analyses, the author lays out her defence and justification, using embodiment as the core of her argument. She draws on black feminist knowledge validation processes, more specifically, the ethic of caring and personal accountability. Furthermore, she explores affective feminist pedagogy, i.e. connecting mind and body through self-actualization. By contrasting the two accounts, that of the media and her own feminist standpoint, the author sheds light on the role that influencers play in preserving patriarchal power and the status quo against ‘fire-raising feminists’ in academia and society at large. (shrink)

This article examines the variety of men's responses to feminism in late nineteenthand early twentieth-century United States through texts that addressed the claims raised by the turn-of-the-century women's movements. Antifeminist texts relied on traditional arguments, as well as Social Darwinist and natural law notions, to reassert the patriarchal family and to oppose women's suffrage and participation in the public sphere. Masculinist texts sought to combat the purported feminization of American manhood by proposing islands of masculinity, untainted by feminizing forces; proscribed (...) homosociality was also cast as an effective antidote to homosexuality. Profeminist texts openly embraced women's claims for changes in public participation and private and family life, both out of a sense of justice and the conviction that such changes would benefit men and challenge the emerging industrial capitalist order. Parallels to contemporary men's responses to the women's movement are suggested. (shrink)

Hegemonic masculinity is a concept that has been of central concern in gender research on different masculinities. However, with the exception of the pioneering work of Wajcman, it has not been widely discussed in relation to studies of science and technology. In this article, which mainly draws on anthropological fieldwork among car and motor mechanics in Penang, Malaysia, a certain form of hegemonic masculinity, based on an intimate embodied interaction with machines, is being discussed. Such a masculinity is furthermore founded (...) on an anthropomorphization of the man-machine relationship in which the machines are transformed into subjects in what might be termed a masculine technical sociability. In such a sociability, machines are understood as a means of a performative and embodied communication enabling masculine homosocial bonding linkages. (shrink)

Using in-depth interviews, I analyze the military medical inspections that conscripts in Turkey are required to undergo if they request an exemption from compulsory military service based on their homosexuality. The inspections respond to the Turkish military’s two main needs: Through these inspections, on the one hand, the military attempts to exclude feminine/dangerous bodies threatening its order based on homosocial bonding, thereby maintaining its role in the production of hegemonic masculinity in Turkey; on the other hand, through refining and proliferating (...) surveillance mechanisms, the Turkish military seeks to prevent the conscripts from earning unjust exemption by pretending to be homosexual. By complicating Foucault’s account of medical authority, I aim to make sense of the interplay of these objectives and discuss the fragile medical processes through which the military extends its reach into the male population in Turkey. This article makes a contribution to our understanding of how the military, medical, and cultural notions of homosexuality intersect in governing hegemonic masculinity in Turkey. (shrink)

:This article interrogates “masculinity” as a named object of study for the social sciences, and sociology in particular, by drawing on the analysis of sense and language in Gilles Deleuze's The Logic of Sense. While rejecting essentialist definitions of masculine attributes, sociologists have long insisted that masculinity can be defined as a strategic articulation in the pursuit of social goals. Developing Deleuze's notion of the “singularity” within signifying series, this article argues that sociological emphases on goal-oriented practices have elided important (...) problems around the individuation of social relations, as well as neglecting the subsequent textual work of naming such relations as masculine. To develop this argument, the article begins with R.W. Connell's concept of “hegemonic masculinity” as one example of empirical investigation that proceeds by way of specialised metaphors – strategies, positions, goals – that make masculinity appear self-evident as an innate communication between men. In scrutinising the efficacy of such metaphors, the article questions the paradigm of homosociality as a methodological a priori in social scientific research. Finally, the article asks how masculinity studies might engage a more critical relationship to observation and description, a question that remains urgent for developing the ethical vision of gender studies more broadly. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:preface This special issue of Feminist Studies presents an eclectic view of women ’s friendships from across Western history and from several different cultures. Several of the articles question whether identity or sameness is a prerequisite for friendship and ask what friendships across difference look like, including charting the difficulties of making and sustaining such friendships. The articles in this issue contrast the variety and functions of women’s friendships (...) with the narcissistic masculinist ideals of classical Western thought about friendship in which friends serve as reflections of a person—typically a male and upper-class person. The authors in this issue present women’s friendships that are more pragmatic and more vulnerable and that contend more fully with difference. Some authors reflect on the high expectations placed on friendship within Second Wave feminism in the United States, noting how competition and feelings of betrayal can suffuse friendships; others trace more autonomous, productive, and forgiving contemporary visions of friendship. The issue opens with Susan Van Dyne’s archival study of student friendships in a pioneering US women’s college, revealing how love, flirtation, and desire between women was expressed in Smith College’s class of 1883. In another historical study, sociologist Harriet Bjerrum Nielsen contrasts the narratives of Norwegian girls and young women from the late nineteenth century with those of present-day women and girls, noting differences between rural and urban contexts. Ivy Schweitzer 272Preface surveys classical Western masculinist ideals of friendship from Aristotle to Montaigne and traces the transformation of this tradition into the present quest for equality without hierarchy. Alexandra Verini addresses models of female friendship in the European Middle Ages, arguing that Christine de Pizan and Margery Kempe illustrate a “viable female alternative ” to classical models. The vulnerability of women’s close relationships comes to the fore in Nancy K. Miller’s moving elegies for deceased feminist friends, while Judith Taylor explores the more open and autonomous friendships adumbrated in contemporary fictions by Zadie Smith and Jillian and Mariko Tamaki, themes also addressed in Judith Kegan Gardiner’s review essay of advice books on friendships between women and other studies of women’s friendships. Richa Nagar’s interview articulates an ideal of feminist friendships that “enable continuous evolution of our beings and mindsets... without feeling threatened by one another.” If our articles focus on the close bonds between women, our News and Views pieces in this issue point to collective ties formed in response to political and social threats: Dalia Abd El-Hameed and Nadine Naber describe responses by Egyptian feminists to government crackdowns, and our forum “Orlando: Observances” offers a selection of first-person accounts from vigils organized to mark the massacre at the Pulse nightclub this summer. This issue also presents internal negotiations of identity, identification, and body image in Stephanie Han’s short story and in the vivid and bold transgressions of Wangechi Mutu’s collages as described by Sarah Jane Cervenak. In “‘Abracadabra’: Intimate Inventions by Early College Women,” Susan Van Dyne takes us on a fascinating journey into the “the early formation of a homosocial student culture and the bonds between women” at Smith College in the late nineteenth century. Mining an archive of diaries, letters, photos, and other materials from a group of friends from the class of 1883, she focuses on two kinds of written evidence: one, the inchoate expressions of homoerotic desire in one student’s journal at a moment when “lesbian” did not yet exist as an identity, and the other, a love poem to two students, written as a parody by one of their women professors, but which reverberated beyond the college and ignited male opprobrium. In her discussions of these developments, rather than ascribing identity, Van Dyne navigates the “messiness” of the archive, keeping her eye trained on the “only partially intelligible strategies of self-representation that can’t be translated or reduced to the modern Preface 273 language of sexual self-recognition.” What is most surprising in her account is not that young women would feel desire for one another, nor that male peers or authorities might find this threatening, but that the fabric of the students’ homosocial community had such resilience, nurturing... (shrink)

This essay is a reading of two Hollywood films: The Defiant Ones (1958, directed by Stanley Kramer, starring Tony Curtis and Sidney Poitier) and Rising Sun (1993, directed by Philip Kauffman starring Wesley Snipes and Sean Connery, based on the Michael Crichton novel of the same name). The essay argues that these films work to contain black demand for social and political equality not through exclusionary measures, but rather through deliberate acknowledgment of blackness as integral to US identity. My reading (...) shows how a homosocial bond between white and black stands in for US national identity, and how this identity is unified by foregrounding the threat of an apocalyptic outcome. I use the concept of brinkmanship to illustrate the political effects of this particular narrative form. Then I move to Rising Sun, a film that employs a racial triangle of white, black and Asian men to manage black demand for social change. I argue that the narrative logic and the cultural politics of the film require any figure that is both Asian and masculine to be coded as a foreign enemy. (shrink)

This article discusses women's positions in higher education in Europe and compares these with a case study analysis of senior women at one `new' UK university. The study comprises interview data from 22 senior women in both academic schools and departments and in functional departments. The main findings include substantial differences between younger and older women in their career progression. While for both groups having children was a major in uence, the older women, especially the academics, had to weave their (...) career developments around those of their husbands and caring for their children. Nevertheless, they displayed strong entrepreneurial tendencies, becoming highly skilled at spotting and seizing opportunities. The younger women were more selfconfident in a `postfeminist' period where young women often assume equality has been achieved and material support systems such as childcare is well established. In contrast with the older women, they fitted their family lives around their careers. Balancing their gender had become central to both their private and their work lives. The older women were sensitive to the subtle homosocial culture, attitudes and norms in the university, while the younger women relied more on a meritocratic approach to their careers, and were seemingly less aware of the institutional gendered power relations. Neither group showed signs of collective working or networking in the interests of themselves or women generally in the university. These characteristics imply that while the proportion of senior women may continue to increase, the strongly gendered culture is less likely to be challenged. (shrink)

Many things are frightening in the process by which people identify against and resist oppressions. One of the worst is how easy it is for people to be made to feel, by some intervention from another, that their own identity and their standing from which to resist that oppression have been foreclosed or annihilated: their voices delegitimated, the authority of their grounding in an indispensable identity threatened with erasure. Anyone who has worked in feminist groups, for instance, knows the moment (...) when a woman or group of women announce that they have sat silent through a discussion, not because they had nothing to say, but because they felt silenced, felt radically denegated by some act or speech or some perceived dynamic of the group. These announcements make shifty moments in the power relations of a group. They bring to the surface, by rupturing it, how far from impartial or inclusive is the normal, “neutral” decorum of conversational exchange, and how far from detached are the needs and dreads that people have invested in it. The fabric of trust that gives a nominally egalitarian texture to activist interactions is—it is always shocking to have once more to learn—a fragile one that a multitude of unacknowledged presumptions can suddenly leave gaping. Eve Kosofsky Sedgwick is professor of English at Duke University. She is the author of Between Men: English Literature and Male Homosocial Desire and the forthcoming Epistemology of the Closet. Her most recent contribution to Critical Inquiry is “Sexualism and the Citizen of the World: Wycherley, Sterne, and Male Homosocial Desire”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Language of Reciprocity in Euripides' MedeaMelissa MuellerEuripides' Medea is a character who is adept at speaking many languages. To the chorus of Corinthian women, she presents herself as a woman like any other, but with fewer resources; to Jason in the agōn she speaks as if man to man, articulating her claim to the appropriate returns of charis and philia. Even when she addresses herself, in the great (...) monologue, two distinct voices appear, that of the pitiful mother who loves her children and, opposed to this, the voice of the heroic warrior who demands revenge.1 The subject of this article will not be the versatility of Medea's speech, per se. Rather, I will consider the narrower but related issue of how—with what words and weapons—Medea enacts her revenge on Jason.Christopher Gill recently has argued that Medea's revenge is the final episode in the series of exchanges of charis between husband and wife.2 The exchanges began long ago in the mythical past, when Medea first helped Jason obtain the Golden Fleece.3 My argument, building on that of Gill's, is that the language of charis extends in this play to the material medium of the heroine's revenge. The "textiles" given by Medea to Creon's daughter are, I suggest, a significant component in the play's construction of Medea's agency and her participation in relations of philia.4 What can the objects that Medea uses as instruments of vengeance tell us about the identity of this heroine and the active role she [End Page 471] creates for herself?5 Why, more specifically, does Medea use gifts—a crown (plokos) and a robe (peplos)—to kill Creon and his daughter?6 By reading the gifts themselves in relation to the preceding agōn and Aegeus episode we will arrive at a more complete picture of the issues at stake in Medea's revenge.7To do this we will need to take into account several preliminary considerations. First of all, gifts are not given in isolation.8 There is always some reference to past acts of generosity as well as to future obligation when an offer is made. In Medea's case, the plokos and peplos—gifts given to her by her grandfather, Helios—are implicated in her own genealogy and, as I will argue, in her history with Jason. Standing as symbols of the autonomous power that Medea once used to give herself away in marriage, these objects are called upon once again, in this play, in order to punish Jason for his violation of philia.Secondly, the giving of gifts and the revenge take place in the context of two marriages: the marriage of Jason to Medea, and subsequently, his marriage to the princess of Corinth. In the final section of this article I will argue that Medea manipulates wedding gifts and imagery in such a way that the fulfillment of her revenge is conditional upon (and coextensive with) the unraveling of both of these marriages. The approach I am taking toward Medea's revenge therefore raises the important issue of female subjectivity in Greek tragedy, especially in the context of marriage. Recently, Victoria Wohl, Kirk Ormand, and Nancy Rabinowitz have given subtle and thorough consideration to the problems that arise in reading female subjectivity within the constraints of male authorship and the patriarchal systems of exchange of Greek tragedy. [End Page 472] I am for the most part in agreement with their description of marriage in tragedy as a homosocial institution: the exchange of women solidifies social and economic bonds between men—and therefore, should be read from this perspective.9Nevertheless, I believe that the Medea offers an interesting and significant challenge to this generalization. For it is precisely containment by a patriarchal system (and husband) that Medea seems to defy. Medea speaks a language of reciprocity that is usually spoken between men only, and she negotiates an uneasy balance for herself (in the agōn) between the roles of marital and aristocratic philia (as discussed below). When her claims to philia are not heard there, she stages another scene of exchange—this time... (shrink)

There seems to be something self-evident—irresistibly so, to judge from its gleeful propagation—about the use of the phrase, “Jane Austen and the Masturbating Girl,” as the Q.E.D. of phobic narratives about the degeneracy of academic discourse in the humanities. But what? The narrative link between masturbation itself and degeneracy, though a staple of pre-1920s medical and racial science, no longer has any respectable currency. To the contrary: modern views of masturbation tend to place it firmly in the framework of optimistic, (...) hygienic narratives of all-too-normative individual development. When Jane E. Brody, in a recent “Personal Health” column in the NewYork Times, reassures her readers that, according to experts, it is actually entirely possible for people to be healthy without masturbating; “that the practice is not essential to normal development and that no one who thinks it is wrong or sinful should feel he or she must try it”; and that even “’those who have not masturbated … can have perfectly normal sex lives as adults,’” the all but perfectly normal Victorianist may be forgiven for feeling just a little—out of breath.3 In this altered context, the self-evidence of a polemical link between autoeroticism and narratives of wholesale degeneracy 4 draws on a very widely discredited body of psychiatric and eugenic expertise whose only direct historical continuity with late twentieth-century thought has been routed straight through the rhetoric and practice of fascism. But it now draws on this body of expertise under the more acceptable gloss of the modern, trivializing, hygienic-developmental discourse, according to which autoeroticism not only is funny—any sexuality of any power is likely to hover near the threshold of hilarity—but also must be relegated to the inarticulable space of infantility. 3. Jane E. Brody, “Personal Health,” New York Times, 4 Nov. 1987.4. Rosenblatt, “The Universities,” p. 3. Eve Kosofsky Sedgwick is professor of English at Duke University and the author of Between Men: English Literature and Male Homosocial Desire and Epistemology of the Closet. (shrink)

I analyze the relationship between women and nationalism and argue that women's identity and relationship to the “Other” is different from that of men, hence even when women participate in nationalism it is in a less violent form. I argue, further, that the structures of nationalism are fundamentally homosocial, and antagonism toward women of one's own nation is one of the first forms of attack on the “Other,” and is constitutive of “extreme nationalism.”.

"Of all creatures women be best, / Cuius contrarium verum est": Gendered Power in Selected Late Medieval and Early Modern Texts The aim of this paper is to examine images of the relationship between men and women in selected late medieval and early modern English texts. I will identify prevalent ideology of representation of women as well as typical imagery associated with them. I will in particular argue that men whose homosocial laughter performs a solidifying function of their community seek (...) to reiterate their superiority over women through seemingly playful and inclusive humour. I will attempt to show that what appears to be good-natured entertainment is actually a weapon used against women who, often accused of no sense of humour, are ridiculed and commanded to succumb to male authority. I will also discuss the triumphant tone of both poems and dramatic writings whose cheerful tone functions to marginalize women and to reinforce the misogynistic foundations of public life. (shrink)

«Greek Love is a modern invention», asserts the classical scholar. David Hume can claim the title of inventor. In his 1751 Dialogue on morals he used the phrase to account for the relationship between a university boy and a man of merit. How did Hume come to this expression? Pederasty was a traditional sceptical topic against a universal standard for morals. What did Hume think of this practice and its origin? When he accounts for pederasty and homosocial arrangements by negative (...) epithets, is Hume seriously condemning them or he is «only» and prudentially following the common use? The Article tries to give a first answer to these questions by examining Hume's writings and their sources, and the views of the modern authors. The Article delineates the eighteenth-century debate, without projecting on it our views, and maintains that, like some ancient philosophers according to Sextus Empricus, and possibly like Smith, Hume would have declared practice in itself «indifferent». (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reclaiming the Works of Early Modern Women Authorship, Gender, and Interpretation in the Nouveau recueil de lettres des dames de ce temps (1635)1Aurora Wolfgang (bio) and Sharon Diane Nell (bio)Reclaiming the forgotten texts of women writers has been a major feminist undertaking of the last half-century. Indeed, believing in the importance of this sort of work, we have each spent much of our careers studying the women writers absent (...) from our own graduate-school education. What follows, however, is a cautionary tale about discovery and reclamation: first, our discovery of what we thought was a hitherto-neglected text by eminent seventeenth-century writer Madeleine de Scudéry—her Lettres amoureuses de divers auteurs de ce temps (1641); second, our discovery that the text was not (even as indexed in Gerritsen Collection of Women’s History microfilm collection) authored by Scudéry but was written instead by a Franciscan priest, Jacques Du Bosc. Clearly, our second discovery pointed out both our own rush to judgment as well as that of other literary scholars interested in the tenuous project of historical reclamation. In this essay, we seek to explore the implications of attribution and authorship for our cautionary tale. Does the fact that a work is not Scudéry’s Lettres amoureuses but instead Du Bosc’s Nouveau recueil de lettres des dames de ce temps (1635) diminish its importance to the history of women’s letters?The First DiscoveryWe became interested in Scudéry’s Lettres amoureuses because of a brief description of the text in Joan DeJean’s Tender Geographies, a pioneering study of women novelists of the seventeenth century. DeJean describes a one-volume work that constituted the first publication of one of the most important writers of the seventeenth century, Madeleine de Scudéry. This work was a reversal of and “forceful response to” the so-called Ovidian model of epistolary fiction in which a “seduced and abandoned” woman complains in letter form about the infidelity of her male lover. In Scudéry’s text, however, men wrote long letters complaining about the women who did not reciprocate their love (DeJean, Tender Geographies 79).We obtained a copy of the Lettres amoureuses from the Women’s History microfilm collection, which was created in the 1970s (published 1983) in order to make available [End Page 1] an extensive array of texts and documents relating to women’s lives. We were surprised to see that all of the letters in the Lettres amoureuses were written by women—not men. Moreover, most of the letters were written by women to other women. No letters by men were included at all. Our copy of Lettres amoureuses contained letters and responses written between women, meant to show the excellence of women’s writing skill. The letters discussed and debated a wide variety of topics of interest to seventeenth-century French women; more strikingly, however, they reflected a close-knit homosocial world of women who openly expressed love, devotion, desire, and longing for each other’s company.Given the differences between our copy of Lettres amoureuses and the text described by DeJean, we wondered if we were looking at the same book. Was our collection the one to which DeJean referred? Yes and no. In another DeJean article about the Lettres amoureuses, we discovered that DeJean had used a particular copy of the text, one found in the holdings of Harvard’s Houghton Library. Upon first obtaining a microfilm copy of the Houghton volume, and later examining the physical book itself in Houghton’s rare books room, we saw that it (unlike our own copy) did indeed contain only letters by men who complain about their female beloveds. At this point, we thought we had discovered a second volume to Scudéry’s work: it seemed clear to us that the Lettres amoureuses had been halved at some point in the last several centuries and that we had a chance to reunite the volumes. After all, the preface in the Houghton volume tells the reader, “Si vous receuez fauorablement ce volume, ie vous en prepare un second” [“If you receive this volume favorably, I will prepare a second one... (shrink)

Engaging with the work of C. Wright Mills and Eve Sedgwick, in this article I theorize how homoerotic relations facilitate the flow of global capital into risky market economies. Drawing on interview data with more than 60 financial professionals managing foreign investments in Vietnam, I examine the co-constitution of gender and global capital by identifying three categories of deal brokers. System maintainers are men and women who accept that women’s bodies are necessary for male homosocial bonding between political and economic (...) elites. System transformers are men and women who disrupt the status quo and develop alternative ways of deal brokering outside of erotic spaces. System defectors are those break the triangle altogether and work to create new markets. (shrink)

Many women professionals traverse settings beyond the office in their work, but research on women professionals rarely follows them out of the office. Using a large, archived data set of focus groups with sales professionals, the authors ask how work in out-of-the-office settings affects women’s careers. The authors distinguish between two types of settings. In “heterosocial” settings, interaction rules are traditionally and normatively gendered; women and men are understood by others as heterosexually linked pairs, women become targets of gossip, and (...) some women report sexual advances and sexual harassment. In “homosocial” settings such as golf courses and strip clubs, women’s disadvantage takes the form of exclusion. (shrink)

Through exploring transatlantic film history, this book uncovers the ways in which these men were presented in media and on screen, arguing that they carry with them, even in films made at the height of censorship, an appealing and attractive queerness. Owen-King expands on Eve Kosofsky Sedgewick's theory of homosocial/homosexual continuum and offer readings of film texts that use her theories to survey gender and sexual identities within Hollywood's Golden Era.

I analyze the relationship between women and nationalism and argue that women's "identity" and relationship to the "Other" is different from that of men, because within the nation women, though included, are so as subordinate to men. I argue, further, that the structures of nationalism are fundamentally homosocial, and antagonism toward women is one of the first forms of attack on the "Other" (including of course towards women of one's own nation). It is constitutive of "extreme nationalism" and is, as (...) subordinate inclusion, the pattern of other excusions. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Theorizing Chinese Masculinity: Society and Gender in ChinaKwai-Cheung LoTheorizing Chinese Masculinity: Society and Gender in China. By Kam Louie. Cam-bridge: Cambridge University Press, 2002. Pp. 239. Hardcover U.S. $60.00.In Theorizing Chinese Masculinity: Society and Gender in China Kam Louie offers us a very clear and concise analysis of the cultural models of Chinese masculinity from ancient imperial times to the present age of transnational contact. Although academic works (...) on Chinese masculinity are not totally absent, systematic and thorough historical surveys of this topic are still rare. While gender studies of China are predominantly on femininity or other women-related issues, man as a gendered category has long escaped serious academic attention. Louie's book could be considered a pioneering effort to provide a rather comprehensive study of this subject. Besides describing in detail the historical development of the male image from premodern to contemporary times, Louie also focuses on the ways in which Chinese men have been represented under the Western gaze and how these representations have negotiated with the dominant Western culture.The fundamental structure of masculinity in China, according to Louie, operates according to the two poles of wen (literary attainment, cultural knowledge, the mental) and wu (martial valor, martial arts, the physical), which are far more complementary than antagonistic, although the wen polarity has always been prioritized over wu in the conventional Chinese mindset. wen maleness is exemplified by Confucius, the sage of the gentleman-scholar type, whereas Guan Yu, the God of War, represents the wu masculine ideal. These two archetypes of Chinese masculinity [End Page 497] converge in the stern observance of moral demands, self-restraint, and a resistance or even a misogynistic attitude to the faults associated with femininity (i.e., sexual pleasure, comfort, and loss of virility) in order to pursue lofty forms of justice and homosocial binding. The recent popularity of Hong Kong martial arts films in the West may help Western readers become accustomed to the traditional Chinese idea that the ideal balance of wen and wu places emphasis on strategy and learning as a means of avoiding the use of violence. Louie repeatedly asserts that, in the Chinese cultural context, all men by definition have some wen and/or some wu, thus negating a simplified dichotomy.The highest ideal of Chinese maleness is that of a single individual who can demonstrate at the highest level the cultural credentials and physical skills of wen and wu. That is to say, the great man who can hold a brush in his right hand and a sword or some other weapon in his left, demonstrating prowess in both kinds of effort. But in terms of their sex appeal, it is always the softer, cerebral, scholarly men of wen who are more attractive to Chinese women than their macho, brawny opposite. Other than analyzing the heterosexual relationships of Chinese manhood, Louie also provocatively suggests that brotherhood and passions between men are never simply homosocial but can have sexual implications. He supports this claim by making reference to many classical texts that depict men sleeping together, leading to strong emotional attachments and jealousy, as if they were in a romantic or erotic liaison. What distinguishes Louie's wen/wu duality from the conventional yin/yang binary opposition (which is also an artificial difference that defines the Chinese male in relation to Western men and reinforces the stereotype of a feminized Chinese masculinity) is that he believes his dyad of Chinese masculinity to be more resilient, flexible, and adaptable to historical change, hybridizing with Western culture while simultaneously exerting its own global influence on non-Chinese cultures.Covering a vast range of historical and contemporary materials and a variety of genres, from classical philosophy to traditional vernacular fiction (e.g., The Romance of the Three Kingdoms and The Water Margin), through Lao She's early twentieth-century novel The Two Mas, the subversive portrayals of men by modern Chinese women writers, to contemporary Hong Kong action cinema—all in a relatively slim volume—Louie is at his best, for example, when observing and depicting character, but he is not so good at analyzing his texts on a... (shrink)

Sheldon Brivic has an immediately idealist and ultimately religious view of language and literature; he is devoted to Berkeley and Hegel, turns phenomenology into what he wittily calls "phonemonology" , and is much preoccupied with the individuality, personality, and god-like authority of the author. For Brivic, history is mainly important insofar as it passes through the mind of the author , and political criticism is readily construed as "narrowly political" , particularly if it seems insufficiently respectful of a favored character. (...) With the partial exception of phenonemology, these are not habits of thought with which I instinctively sympathize, though I do respect them and would certainly expect to learn something from them, especially when it comes to the practical criticism of Joyce, which is what I found most rewarding in the book; Brivic has a sensitive chapter on the consciousness of Stephen in the "Proteus" episode of Ulysses, as well as some noteworthy ideas on the echoing interactions between Stephen and Bloom and the more contentious relationship between Shem and Shaun in Finnegans Wake. Though he doesn't use the term, the homosocial bond would seem to be his long suit; since he does on page 160 use the phrase "between men," I think he could profitably have consulted Eve Kosofsky Sedgwick's l985 book of the same name. Requests for reprints should be sent to Michael Walsh, Ph.D., Department of English, University of Hartford, West Hartford, Connecticut 06117. (shrink)

The article explores the seraphic gender and its main features as an essential part of groundless existence, which was symptomatic of the Ukrainian 1920s, and examines its existentialist intentions in literature, tracing its origin back to the early European modernist literature. The research closely refers to transformations of seraphic discourse throughout the 1910s-1940s and analyzes the unexplored chapters of the novel that influence the path of Doktor Serafikus. The elaborated theory of seraphic gender is presented through the following components: first, (...) the meaningful constituents of seraphicity viewed through the early modernist perspective on sexuality and gender (androgyny, “imaginary sexuality,” and homosexuality); secondly the interrelations of desire and writing; and thirdly, seraphicity in its expanded definition as an anthropomorphic landscape and its dissolution in music. The research is based on a partial reconstruction of s the cultural and historical circumstances that contributed to the evolution of Doktor Serafikus, as well as feminist psychoanalytic criticism as proposed by Julia Kristeva and a post-structural approach to textual analysis. (shrink)