When the Federal Communications Commission considered revamping its policies, many political activists argued that media conglomerates had failed to meet their duties to protect freedom of speech. Moveon's dispute with CBS over its proposed Superbowl advertisement and Michael Moore's quarrel over distribution of his documentary, Fahrenheit 911, are cases in point. In matters of pure entertainment, the public expect companies to avoid offensive programming. The press, on the other hand, may well be forced to offend some audience members in order (...) to create a viable forum for political dissent. As journalism and entertainment are increasingly inter-linked, an in depth moral analysis of the media corporation and its obligations becomes increasingly important. I explore Kantian, Utilitarian, and Rawlsian analyses of corporate obligation in the aforementioned cases. I then examine whether or not these results suggest anything more generally about the sorts of mission statements and ethical policies that ought to be endorsed by media conglomerates and whether non-business institutions also require changes. Ultimately, I suggest that at a minimum, media institutions should view the duty to promote the representation of diverse views in a democracy as an imperfect moral and civic duty rather than making programming decisions solely by reference to profit. Ideally, greater access to media access should not be increased for the most powerful unless doing so at the same time increases free speech opportunities for those who currently have the least access. (shrink)

El presente artículo busca explorar las implicaciones que los nuevos modos de comunicación digitales y de masas tienen sobre la constitución cognitiva, social y política de sus usuarios. El nuevo modo de comunicación privilegiado apunta por medio de un uso muy concreto de sus protocolos –el que reduce los textos e interfaces al trabajo de signos algorítmicos– a un usuario que va reduciendo la extensión de sus textos y los contenidos de sus experiencias hasta su expresión comunicativa mínima, con el (...) ideal de la literalidad esperando allá en su extremo, el signo que no necesita traducción por parte del algoritmo. El conocimiento va quedando reducido a su vez a flujo y intercambio de informaciones, el comercio de estas, meramente, y el usuario en cada uno de los extremos de dicho intercambio, reducido a mero consumidor y propietario de datos. (shrink)

El presente artículo se propone analizar el par conceptual “privatismo civil / politización de la sociedad”. El objetivo es cuestionar si una de las formas concretas que adoptan hoy los procesos de repolitización de la sociedad civil, a saber, el llamado politainment y la sentimentalización del relato político, constituye o no una superación del privatismo civil. Para ello reconstruiremos primero la aparición del privatismo civil en el capitalismo tardío. En segundo lugar, analizaremos el surgimiento de esa conciencia ciudadana participativa que (...) tiene su germen en los movimientos sociales de protesta postmaterialistas de finales de los sesenta. En tercer lugar, estudiaremos los procesos de sentimentalización y espectacularización del relato político. Sobre la base de este recorrido, en último lugar argumentaremos en contra de la tesis de una superación del privatismo civil. (shrink)

Science communication in online media is a discursive domain where science-related content is often expressed through styles characteristic of popular journalism. This article aims to characterize some dominant stylistic patterns in magazine articles devoted to environmental issues by identifying the devices used to enhance newsworthiness, given the fact that for some readers environmental topics may no longer seem engaging. The analytic perspective is an adaptation of the newsworthiness framework that has been applied in news discourse studies. The material is a (...) sample of the 38 most-read environment-oriented articles in the online version of the international science magazine New Scientist collected between late 2013 and late 2014. The articles are analysed qualitatively to show the instantiations of such newsworthiness criteria as novelty and superlativeness, timeliness and impact, negativity and positivity as well as other strategies aimed at engaging the readers: rationalization and speculation, direct address and conversational style. The analysis reveals how, in this case study, science communication is turned into infotainment and considers the implications of this discursive shift for the public understanding of environmental science. (shrink)

During the past decades, the culture industries have multiplied media spectacles in novel spaces and sites, and spectacle itself is becoming one of the organizing principles of the economy, polity, society, and everyday life. An Internet-based economy has been developing hi-tech spectacle as a means of promotion, reproduction, and the circulation and selling of commodities, using multimedia and increasingly sophisticated technology to dazzle consumers. M edia culture proliferates ever more technologically sophisticated spectacles to seize audiences and augment their power and (...) profit. The forms of entertainment permeate news and information, and a tablodized infotainment culture is more and more popular. New multimedia that synthesize forms of radio, film, TV news and entertainment, and the mushrooming domain of cyberspace, become spectacles of technoculture, generating expanding sites of information and entertainment, while intensifying the spectacle-form of media culture. Political and social life is also shaped more and more by media spectacle. Social and political conflicts are increasingly played out on the screens of media culture, which display spectacles like sensational murder cases, terrorist bombings, celebrity and political sex scandals, and the explosive violence of everyday life. M edia culture not only takes up expanding moments of contemporary experience, but also provides ever more material for fantasy, dreaming, modeling thought and behavior, and constructing identities. Of course, there have been spectacles since premodern times. Classical Greece had its Olympics, thespian and poetry festivals, its public rhetorical battles, and bloody and violent wars. Ancient Rome had its public offerings of bread and circuses, its orgies, its titanic political battles, and the spectacle of Empire with parades and monuments for triumphant Caesars and their armies, extravaganzas put on display in the 2000 film Gladiator.. (shrink)

In this article, our objective was to analyze the emotions expressed regarding the Covid-19 vaccine in content published in Brazilian Portuguese on TikTok, a video sharing platform that has recently experienced global popularity. Our data set for this investigation was comprised of posts including the hashtag #vacina (vaccine), extracted using the Python TikTokAPI library. Emotions were identified and classified using standardized descriptors from the Human-Machine Interaction Network on Emotion (HUMAINE) and the Core Affect Model. Given the diversity of content on (...) TikTok, videos with emotional content were also separated into categories. Results revealed a prevalence of positive emotions such as contentment, enthusiasm, and interest regarding the vaccines, especially in videos of a personal and informative character. Negative emotions, such as doubt and disapproval, were associated with contextual and strategic factors, with significant expression in humorous and infotainment publications. (shrink)

The past several decades have exhibited vertiginous change, surprising novelties, and upheaval in an era marked by technological revolution and the global restructuring of capitalism.1 This "great transformation," comparable in scope to the shifts produced by the Industrial Revolution, is moving the world into a postindustrial, infotainment, and biotech mode of global capitalism, organized around new information, communications, and genetic technologies. The scientific-technological-economic revolutions of the era and spread of the global economy are providing new financial opportunities, openings for (...) political amelioration, and a wealth of ingenious products and technologies that might improve the human condition. Yet these developments are accompanied by explosive conflict, crisis, and even catastrophe. The post-September 11 world reveals the contradictory dialectic of globalization in which the wide-reaching circulation of people, technology, media, and ideologies can have destructive as well as beneficial consequences. Hence, the turbulent transmutations of the contemporary situation are highly contradictory and ambiguous, with both hopeful and threatening features being played out on political, economic, social, and cultural fronts. (shrink)

This study presents the manifestations of irrational practices in recent Romanian politics. Providing a short history of the mystical and the occult in Romanian politics, this research uses as a case study the alleged use of the occult “violet flame” in the presidential campaign of 2009. By showing how public religiousness and the daily mystical practices are changing, the author is describing the transformations of the national political communication under the pressure of the news media, which are becoming more and (...) more pervasive to the occult discourses and the magical thinking. The author describes these transformations as part of the general transformations of the political imaginary inRomania. The Romanian public psyche belongs more and more to the culture of infotainment, a culture based on cultivating superficiality, where mystical and simplistic thinking have replaced the traditional processes of public exchange of reasonable ideas. Thus a main trait of this video-pathology in which the Romanian media is engulfed, is the substitution of the rational discourses with the superficial understanding of the world and supernatural explanations about the universe. One of the conclusions is that the manifestations and functions of the irrational in the Romanian political sphere have become more innocuously connected with a deep mysticism already in place, and are profoundly changing the society as a whole. (shrink)

Preview: /Review: Tommy Shelby and Brandon M. Terry, eds. To Shape a New World: Essays on the Political Philosophy of Martin Luther King, Jr., 463 pages./ To mark the fiftieth anniversary of Martin Luther King, Jr.’s assassination, Harvard professors Tommie Shelby and Brandon M. Terry have produced a masterful reappraisal of King’s legacy, specifically as a political philosopher. More importantly, the book can be read as a mirror through which we can see King’s struggles and resistance, that led him down (...) a “dangerous road,” having strong parallels with the dangerous road we face with current political and social upheavals. Negative reactions against globalization have heightened the sentiments of fear, paranoia, and partisanship. Racial tensions are reaching a boiling-point in the U.S. after the 2017 Charlottesville protests and a pattern of discrimination and senseless killings from the privileged campus of Yale to the country roads of Minnesota or Georgia, by law enforcement and civilians alike. One of the tendencies growing in this distressing hour of world history entails the rise of personality and celebrity cults forming around “strong” leaders. A mobocracy mentality is forming the way we think about politicians, judges, or even health specialists like chief U.S. immunologist Anthony Fauci. Celebrity fetishizing has infected Americans’ sense of reality, including the ways in which politics are practiced and interpreted. Engulfed in the quagmires of identity politics, our attempts to legitimate who has the right to fight for social justice have been paralyzed by these performative gestures of social change and action. It could be argued that the aesthetic presentation and the skills of rebranding have, in a certain sense, replaced the philosophical and moral concerns explored in the sections on “Traditions,” “Ideals,” “Justice,” and “Conscience,” respectively. What King teaches us philosophically has, more often than not, been glossed over by a superficial publicity or aesthetics of infotainment destined for the tabloids. For this reason, King’s iconic image is both a blessing and curse. In order to appreciate the full thrust of King’s thinking, we have to go deeper morally and philosophically to supplement our aesthetic religious values and interests, and that is what these fifteen essays deliver. (shrink)

ABSTRACTThe ubiquity of digital communication channels such as social media platforms, video sites, and mobile apps has transformed the relational experience between audiences and brand entities. Whether engaging within a consumer goods market, a professional services industry, or a news and infotainment source, audiences and brand entities have inhabited a new ecosystem that has challenged the acceptance of the classic purchase funnel model pioneered by Elias St. Elmo Lewis. This article reviews the conception of a postpurchase funnel media environment (...) and seeks to moralize its transaction-driven expediency in 3 ways. First, it explores the legitimacy of an audience-centric ecosystem as a theoretical substitute for the purchase funnel model. Second, it introduces MacIntyre’s concept of virtue ethics as a grounding moral philosophy in the postpurchase funnel environment. Finally, it reviews two cases of postpurchase funnel marketing abuses and recommends strategies that commit brand entities to a bilatera... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 37.1 (2004) 92-95 [Access article in PDF] Rethinking the Frankfurt School: Alternative Legacies of Cultural Critique. Ed. Jeffrey T. Nealon and Caren Irr. Albany: SUNY Press, 2002. Pp. 227. $23.95, paperback. Not long ago at a gathering of arts and humanities scholars, I found myself introduced to a group of people as someone interested in the work of Theodor Adorno, whose name led one member of (...) the group to groan, "Not that old chestnut!" Such has been an ambient attitude in cultural studies toward not just the work of Adorno but many of the scholars who came to be known collectively in the 1960s as the Frankfurt School, thanks to their affiliation with the Institute for Social Research at the University of Frankfurt. Rethinking the Frankfurt School, a deceptively slim volume that manages to cover a lot of ground in a dozen densely packed essays edited by Jeffrey T. Nealon and Caren Irr, counters the conventional cultural studies wisdom regarding the Frankfurt School, debunking along the way not just the facile dismissal of some of the school's members for their "mandarin elitism," but also the notion that the scholars who arguably pioneered the critical study of mass culture have lost their relevance for cultural studies.The association of the Frankfurt School with a cranky and outdated variant of bourgeois proto-Marxism—what Lukacs once dismissed as self-indulgent despair cultivated in the comfort of "the Grand Hotel Abyss"—was at least in part a legacy of the rediscovered cultural and political optimism of the late 1960s. This optimism came to characterize those strands of cultural studies that countered the gloomy assessments of the Frankfurt School with the potential of what the collection's editors disparagingly describe as "subversive consumption." From the perspective of the new millennium it's no longer the Frankfurt scholars who look misguided. In a turning of the tables, the outdated figure of this volume is not Adorno, the pointy-headed pessimist, but rather those who helped dismiss him as such. In particular, Simon During, who edited the 1993 version of the cultural studies canon, The Cultural Studies Reader, comes in for a double dose of implicit criticism (thanks in part to what seems to be an editing oversight) for his critique of Horkheimer and Adorno's failure to take into account [End Page 92] the "opportunities for all kinds of individual collective creativity and decoding" provided by the culture industries (3, 62). If, as During suggested, the 1960s represented a time in which the mass media had become more variegated and presumably more flexible and porous than in the period treated by Horkheimer and Adorno, this collection suggests the renewed relevance of the Frankfurt School might in part be explained by the "unprecedented consolidation within the multinational 'infotainment' industry" during the 1990s (5). The triumphal resuscitation and consolidation of monopoly capitalism triggers, on this account, the rehabilitation of its most scathing critics.The more compelling argument advanced in this volume, however, is that the ostensibly outdated character of much of the work of the Frankfurt School was as much a result of superficial and dismissive readings as of changing historical conditions. As contributor Evan Watkins suggests in his discussion of Adorno, the dominant tendency in culture studies has been to contradict disparaging claims about mass culture (claims which earned Adorno and Horkheimer the sticky moniker of elitists) rather than to take seriously an approach that explored the intricate connections between mass culture and the social relations of production and consumption. Only in the abstract can the consumption of ostensibly counter-hegemonic texts be figured as subversive politics, especially during a time when "The Times They Are A-Changin' " can become a jingle for a bank commercial.Against the theoretical backdrop of the Frankfurt School, the very attempt to isolate culture as a sphere of resistance unto itself becomes a symptom of reification. As Imre Szeman puts it, perhaps the most important lesson of the Frankfurt School for cultural studies "can be summarized by a negative maxim: don't fetishize culture" (74... (shrink)

The attack on the US Capitol on 6 January 2021 was a tragic illustration of the existential threat that the viral spread of disinformation poses in the age of social media and twenty-four-hour news. From climate change denialism to the frenzied conspiracy theories and racist mythologies that fuel antidemocratic white nationalist movements in the United States and abroad, What Would Cervantes Do? is a lucid meditation on the key role the humanities must play in dissecting and combatting all forms of (...) disinformation. David Castillo and William Egginton travel back to the early modern period, the first age of inflationary media, in search of historically tested strategies to overcome disinformation and shed light on our post-truth market. Through a series of critical conversations between cultural icons of the twenty-first century and those of the Spanish Golden Age, What Would Cervantes Do? provides a tour-de-force commentary on current politics and popular culture. Offering a diverse range of Cervantist comparative readings of contemporary cultural texts – movies, television shows, and infotainment – alongside ideas and issues from literary and cultural texts of early modern Spain, Castillo and Egginton present a new way of unpacking the logic of contemporary media. What Would Cervantes Do? is an urgent and timely self-help manual for literary scholars and humanists of all stripes, and a powerful toolkit for reality literacy. (shrink)

This article documents some foregrounding devices that the media use to attract readers' attention to linguistic forms, all identified in sports reports relating to the Euro 2004 Football Championship published in various British newspapers. A functional explanation is offered in terms of the poetic and interactive character of such devices and their role in simulating friendship and encouraging `bonding' between the writers and readers. Their omnipresence in the British media is linked with structural characteristics of the English language, the readiness (...) of the British to tolerate manipulation of linguistic forms, and the general trend towards `infotainment' in the media. (shrink)

Media in Question sets the agenda for a revitalized debate on the hybrid communicative practices that constitute the postmodern media landscape: practices that cross the boundaries between fact and fiction, information and entertainment, public knowledge, and popular culture. In this challenging and provocative collection, the individual contributors rethink key issuesùthe meaning of the public interest, the quality of media performance, and deregulation. In the process they raise questions rarely addressed in normative media theories, for example, the ethics of sports reporting, (...) the moral reasoning in popular culture, and the required professional standards for infotainment genres such as reality television and gossip journalism. Accessible and wide-ranging, The Media in Question will be essential reading for students in mass communication and political communication studies. (shrink)

Delia Cristina Balaban, Informationsvermittlung und öffentliche Meinungsbildung im rumänischen Fernsehen Editura Presa Universitarã, Cluj- Napoca, 2003.