This paper introduces the Monstrous Conclusion, according to which, for any population, there is a better population consisting of just one individual (the Monster). The Monstrous Conclusion is deeply counterintuitive. I defend a version of Prioritarianism as a particularly promising population axiology that does not imply the Monstrous Conclusion. According to this version of Prioritarianism, which I call Asymptotic Prioritarianism, there is diminishing marginal moral importance of individual welfare that can get close to, but never quite reach, (...) some upper limit. I argue that Asymptotic Prioritarianism faces a theoretical cost, that I call the Absolute Priority Principle. However, the Absolute Priority Principle is an extreme version of what I call the Trade-off Condition, an already noteworthy problem facing other (more widely endorsed) versions of Prioritarianism. I conclude that it is better for a theory to imply the Absolute Priority Principle and avoid the Monstrous Conclusion than to imply the Monstrous Conclusion and the Trade-off Condition. The potential for Asymptotic Prioritarianism is substantial. (shrink)

Bounds consequence provides an interpretation of a multiple-conclusion consequence relation in which the derivability of a sequent is understood as the claim that it is conversationally out-of-bounds to take a position in which each member of Γ is asserted while each member of Δ is denied. Two of the foremost champions of bounds consequence—Greg Restall and David Ripley—have independently indicated that the shape of the bounds in question is determined by conversational practice. In this paper, I suggest that the standard (...) treatments of bounds consequence have focused heavily on the matter of veridicality at the expense of ignoring other features by which conversational bounds are set, prime among them being the matter of content or subject-matter. Furthermore, I argue that the semantic behavior of propositions containing “monstrous” content—content whose introduction is inappropriate to a context independently of veridical considerations—leads to a weak Kleene account of bounds consequence. (shrink)

This article focuses upon monstrously generous teaching styles, enacted in neocolonial educational contexts, where the interactions between students and teachers are sometimes tense and mistrustful. The tensions between students and teachers are explained by discussing the ways in which schools—in the theoretical perspective of Roberto Esposito—operate to immunize the society against youth deemed improper. Utilizing the theories of Antonio Negri, James Baldwin, and W.E.B. Du Bois, the characterization of students as monstrous is discussed and an inversion is suggested, whereby (...) students deemed to be monstrous are considered the source of reinvigorating visions of society. The pedagogical approaches of teachers who seek to welcome and nurture monstrous students are described, relying upon the accounts of great teachers offered by educators and sociologists. In practice, monstrously generous teachers make supererogatory gestures in their interactions with students, as a way of signaling to heavily-armored youth that they are willing to enter reciprocal relationships with them. Once youth drop their armor and begin to share their perspectives, monstrously generous teachers develop multiple means of helping youth develop their worldviews, without surveillance or censor. (shrink)

This article explores the political meanings of a relatively unexplored dimension of Edmund Burke's thought: the monster. After first showing the extent to which the figure of the monster appears throughout Burke's work, the article speculates on some of the political reasons for Burke's use of the metaphor of the monstrous. These reasons are rooted in the categories of the aesthetic developed in the Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful, and also in (...) his political fear of a new collective entity only beginning to emerge on the historical stage: the proletariat. The article therefore has three aims: first, to contribute to the developing body of literature on Burke's aesthetic ideology; second, to deepen our knowledge of the Gothic tropes in Burke's writings; and third, to broaden our conception of the way conservative ideology conceptualizes order and the threats to that order. (shrink)

In France between 1780 and 1815, doctors opened a broad correspondence with medical faculties and public officials about foetal anomalies . Institutional and legal reforms forced doctors to encounter monstrous births with greater frequency, and they responded by developing new ideas about heredity and embryology to explain malformations to public officials. Though doctors achieved consensus on pathogenesis, they struggled to apply these ideas in forensic cases, especially with doubtful sex. Medical networks simultaneously allowed doctors to explore obstetrical techniques, as (...) licensing regulations forced practitioners into emotional encounters with child anomalies. Doctors thus developed a new ethics for treating monstrosities, viewing them as pathological specimens, forensic objects, and obstetrical tragedies. (shrink)

Given that they are chance events, there can be no scientific demonstration or knowledge of monsters. There are still, however, many recognizable elements of scientific explanation in Aristotle's Generation of Animals Book IV chapter 4. What happens in cases of monsters and deformities occurs in the process of generation, and there is much that we can know scientifically about this process—working from the animal’s essential attributes outward to factors that influence these processes. In particular, we find Aristotle looking for and (...) investigating whether “for the most part” correlations are causally relevant and linked to essence. Even though the birth of monsters is scientifically inexplicable, the features of animals that tend to produce them can be known about. I will explain how it is that producing more than one offspring per birth is a knowable feature of a kind. This feature, along with others, can then give us a much better grasp on what happens in particular instances of monstrous birth. (shrink)

What is the political function of monstrosity? What is the nature of our political relationship with the dead? Why are the undead so threatening? In _The Monstrous and the Dead_, Mark Neocleous explores such questions as they run through three major political traditions: conservatism, Marxism and fascism. One of the things uniting these otherwise opposing traditions is that they share a common interest in the dead. This is therefore a book about the politics of remembrance, showing that how and (...) why the dead register in our political lives constitutes a major dividing line for the political traditions in question: are the dead to be reconciled with the living in a conservative fashion, resurrected for the cause of fascism or are their hopes and struggles to be redeemed for a communist future? Exploring these issues reveals that, as well as leaving traces in memories, dreams and unfulfilled wishes, the dead also generate fears, most notably the fear that they are not really dead: they are undead and thus monstrous. The book therefore simultaneously considers the function of monstrosity as a rhetorical political device: in Burke’s response to the monstrous revolution, Marx’s use of the vampire and fascism’s concept of the Marxist-liberal-Jewish menace. The outcome is an original reading of key thinkers and movements in western politics, a provocative account of the role of political metaphor and an eclectic argument concerning the place of the dead in historical struggles. (shrink)

The monster and the woman thus find themselves on the same side, the side of dissimilarity. “The female is as it were a deformed male,” added Aristotle . As she belongs to the category of the different, the female can only contribute more figures of dissimilarities, if not creatures even more monstrous. But the female is a necessary departure from the norm, a useful monstrosity. The monster is gratuitous and useless for future generations. Aristotle’s seminal work on the generation (...) of monsters posited a rigorously physical definition that was not necessarily linked to deformities: “Monstrosities,” he wrote, “come under the class of offspring which is unlike its parents” . Further, while a “monstrosity, of course, belongs to the class of ‘things contrary to Nature,’ … it is contrary not to Nature in her entirety but only to Nature in the generality of cases” .The monster, defined repeatedly by its lack of resemblance to its legitimate parents, is also monstrous in another important way, one that Aristotle described as a false resemblance to different species: “People say that the offspring which is formed has the head of a ram or an ox; and similarly with other creatures, that one has the head of another.… at the same time, in no case are they what they are alleged to be, but resemblances only” . The monster is thus a double imposture. Its strange appearance—a misleading likeness to another species, for example—belies the otherwise rigorous law that children should resemble their parents. Further, monsters offer striking similarities to categories to which they are not related, blurring the differences between genres, and disrupting the rigorous order of nature. Thus, if the monster were defined in the first place as that which did not resemble him who engendered it, it nevertheless displayed some sort of resemblance, albeit a false resemblance to an object external to its conception. Marie-Hélène Huet is William R. Kenan Professor of Romance Languages at Amherst College. She is the author of Rehearsing the Revolution: The Staging of Marat’s Death, 1793-1797 and is currently completing a book on literature and tetratology. (shrink)

This article interprets David Lynch's Mulholland Drive (2001) to argue for the morphological influence cinematic images have on modernity's monstrous identity. It shows how Lynch's tactic of interweaving apparently discrete spaces of dream and reality – one often inverting or uncannily ironising the other – relies on the virtual space of cinema, which leaves a mark on understanding, irrespective of its apparent truth. To do so, I employ Peter Sloterdijk's philosophy of space – especially the spherology developed in his (...) Spheres trilogy – and Bernard Stiegler's approach to cinematic phenomenology to consider the transferential force of cinema, and its power to cultivate and shape popular consciousness. Mulholland Drive is acutely aware of this force, and its interplay with the expectations and disappointments of Hollywood monstrosity inserts itself into the sphere-forming traffic of modern meaning-making. In doing so, I argue, the film takes up Lynch's familiar approach to irony and the weird to unwind the destructive uniformity of Hollywood hegemony. The productive bifurcations that result, inscribed in between cinema and consciousness, and forgettable as the very spheric intimacy of memory, gesture to what might live beyond discrete forms. (shrink)

In this paper I argue that “monstrous” women – violators of both moral and gender norms – mark the limits of acceptable behavior through such violation and thus provide particular insight into the workings of gendered power relations within contemporary western societies. Drawing upon Michel Foucault’s 1975 College de France course titled Abnormal , I begin by arguing that gendered power relations in western societies can be characterized as “normalizing.” Next, I refer to Foucault’s discussion of “natural” and “moral” (...) monsters in order to provide a sketch of the monstrous woman, and then show how specific monstrous women violate moral and gender norms. By way of conclusion I argue that the figure of the monstrous women is not wholly negative but rather ambivalent. As Foucault asserts, monsters are “limit figures;” monstrous women challenge limits – including prevailing norms governing the feminine and the human – in ways that render them explicit such that they are denaturalized and ultimately opened up to critical interrogation. (shrink)

Monstrosity has its recognized place in cultural narratives but in philosophical discourse it remains mostly untouched. In my paper I make an attempt at phenomenological inquiry into the experience of the Other’s monstrous body. I am beginning with some remarks concerning Georges Canguilhem and Michel Foucault, the philosophers who devoted some attention to the problem of monstrosity and the monstrous, but my analysis is mainly based on the works of Bernhard Waldenfels, Edmund Husserl and Maurice Merleau-Ponty. Waldenfels emphasizes (...) that the corporeal self is somehow perceived as alien, always somewhat distanced and not totally graspable. He also argues that the closer the Other, the stronger activation of the boundary between the spheres of the ownness and the alienness is caused. A promising framework for the analysis of the ambivalent reaction brought about by the encounter with a monstrous human body can be provided by Husserl’s phenomenological inquiry into the process of pairing, developed in his Cartesian meditations. It seems that in this experience the pairing process is frustrating and deranged because the process of apperception is disturbed by a cluster of untypical or quite unique characteristics of the monstrous body. In result, its sense remains unclear, puzzling and challenging. Interesting light on the experience of the Other’s monstrous body could shed Merleau-Ponty’s phenomenology, especially the ideas of flesh and chiasm outlined in his last work. The radical character of the monster, while does not render it something totally different from the own, elucidates, however, the contingency of the order under which the human corporeality is subsumed. (shrink)

This paper is an investigation into writing that describes, and in many ways objectifies and marginalises, the queer. Specifically, the paper looks at the fairytale, and discusses how such narratives might be rewritten by authors informed by Queer Theory. This analysis is undertaken to reflect on, theorise, and position the creative writing strategies and practice of queer writers working within the field of fairytale fiction. A major proposition of this paper is that many fairytales feature what will be defined as (...) “Monstrous Queer” figures. A further delineation of this paper is to foreground the moment of narrative closure – the fairytale ending. This is done because fairytale endings routinely involve the Monstrous Queer being destroyed or punished. This paper is concerned with how queer writers have undertaken a positive rewriting of these figures of the Monstrous Queer and how a critical engagement with Queer Theory might further inform this rewriting. It will be shown that writers of queer fairytales have utilised the very familiar figures of the fairytale – narrative clichés as it were – in familiar settings, with familiar plot devices but, significantly, with a shifted emphasis, a revaluation, that has a considerable deconstructive potency. (shrink)

In this article I consider instances in visual culture in which artists and filmmakers aestheticize women with damaged, missing or anomalous limbs. I focus upon Joel Peter Witkin’s photomontage Las Meninas (1987), Peter Greenaway’s film “A Zed and Two Noughts” (1985), Alison Lapper Pregnant a statue by Marc Quinn, Mathew Barney’s film “Cremaster” (2002), David Cronenberg’s “Crash” (1996), Luis Buñuel’s “Tristana” (1970) and David Lynch’s short film “The Amputee” (1973). I argue that although the artists and filmmakers reveal, rather than (...) disguise the damaged, anomalous or missing limb(s) of the women, thus valorising their particular embodiment, these women are paradoxically still portrayed as deviant and monstrous. (shrink)

Certain artworks appear to have multiple meanings that are also contradictory. In some instances they have attracted so much attention that they are effectively out of the reach of individual monographs. These artworks are monstrous.One reason paintings may become monstrous is that they make unexpected use of ambiguation. Modern and postmodern works of all sorts are understood to be potentially ambiguous ab ovo, but earlier--Renaissance and Baroque--works were constrained to declare relatively stable primary meanings. An older work may (...) have many "layers" of meaning, but it is normally expected to declare its principal message or subject matter, together with its allegiance to one idea or theme. Contemporary historical interpretation expects those stable starting meanings, even as it relishes the exfoliating ambiguities that may come afterward. So when the interpretive apparatus of art history runs up against premodern paintings that intentionally work against unambiguous primary meanings, it can generate a potentially incoherent literature.Some of the most monstrous pictures are Leonardo's Last Supper, Michelangelo's Sistine Ceiling, Watteau's fête galante paintings, Botticelli's Primavera, and Giorgione's Tempesta. The interpretive trichotomy of "Subject," "Not-Subject," and "Anti-Subject" is employed to talk about the ambiguity and polysemy of these monstrous works.This interpretive trichotomy helps order unruly accounts of the most complex artworks. In so doing it illuminates not only some monstrous pictures but a general area of historical interpretation: how to speak of the meaning of a created work in a way that does justice to its complexity and internal tensions. (shrink)

While the presence of monsters in popular culture is ever-increasing, their use as an explicit or implicit category to frame, stigmatise, and demonise the other is seemingly on the rise. At the same time, academic interest for monsters is ever-growing. Usually, monstrosity is understood as a category that emerges to signal a transgression to a given order; this approach has led to the demystification of the insidious characterisations of the (racial, sexual, physical) other as monstrous. While this effort has (...) been necessary, its collateral effects have reduced the monstrous to a mere (socio-cultural) construction of the other: a dialectical framing that de facto deprives monstrosity from any reality. 'Monstrous Ontologies: Politics, Ethics, Materiality' proffers the necessity of challenging these monstrous otherings and their perverse socio-political effects, whilst also asserting that the monstrous is not simply an epistemological construct, but that it has an ontological reality. There is a profound difference between monsters and monstrosity. While the former is an often sterile political and social simplification, the end-product of rhetorical and biopolitical apparatuses; the latter may be understood as a dimension that nurtures the un-definable, that is, that shows the limits of these apparatuses by embodying their material excess: not a 'cultural frame', but the limit to the very mechanism of 'framing'. The monstrous expresses the combining, hybridising, becoming, and creative potential of socio-natural life, albeit colouring this powerful vitalism with the dark hue of a fearful, disgusting, and ultimately indigestible reality that cannot simply be embraced with multicultural naivety. As such, it forces us towards radically changing not the categories, but the very mechanisms of categorisation through which reality is framed and acted upon. Here lies the profound ethical dimension that monstrosity forces us to acknowledge; here lies its profoundly political potential, one that cannot be unfolded by merely deconstructing monstrosity, and rather requires to engage with its uncomfortable, appalling, and revealing materiality. This book will appeal to postgraduate students, PostDocs, and academics alike in the fields of philosophy, critical theory, humanities, sociology and social theory, criminology, human geography, and critical legal theory. (shrink)

According to Kemp Smith, Descartes believed that animals were devoid of feelings and sensations. This is the so-called ‘monstrous thesis,’ which I explore here in light of two Cartesian approaches to animals. Firstly, I examine their original treatment in function of Descartes’ early metaphysical approach, i.e., all natural phenomena are to be elucidated in terms of mental scrutiny. As pain would only exist in the understanding, and animals have neither understanding nor souls, Descartes held that they did not suffer. (...) Secondly, I look at the Cartesian late naturalism; specifically, at how animals are subsequently regarded as machines that may suffer. Lastly, I conclude that the ‘monstrous thesis’ is not Cartesian because animals are machines with feelings and sensations. However, Descartes’ surprising indulgence towards humans who kill and eat animals supposes that empathy for beings who may suffer is not necessary. This may raise doubts as to another ‘monstrous thesis.'. (shrink)

The world perceived by a person undergoing vision without inversion of the retinal image has traditionally been described as inverted. Drawing on the philosophical work of Maurice Merleau-Ponty and the empirical research of Hubert Dolezal, I argue that this description is more reflective of a representationist conception of vision than of actual visual experience. The world initially perceived in vision without inversion of the retinal image is better described as lacking in lived significance rather than inverted; vision without inversion of (...) the retinal image affects the very content of the perceived world, including, importantly, its expressions and conducts, and not merely the orientation of this content. Moreover, I argue that the enactive approach, rather than a representationist approach, is best able to account for the perception of the world, after prolonged vision without inversion of the retinal image, as both normal and upright, yet still different from the world seen previously. Finally, in their attention to the perception of other people’s facial expressions, I argue that Merleau-Ponty and Dolezal draw out the existential significance of the enactive approach. In encountering another person, the most pressing task is generally not to observe this person’s features but, instead, to engage with this person’s expressions. (shrink)

From his long years of experience as a local executive until he was ushered into the presidency, Duterte was able to master the masses’ longings. He understands what the public expects in a leader-- gathered from information he collected in unorthodox fashion. He plunges into the grassroots even (at times) resorting to disguises; and sometimes he maintains his own intelligence group that feeds him necessary information. The shock that he generates in all corners, factions, sectors and even countries would qualify (...) him (perhaps) to be the unnamed monster that can disrupt the realm of Philippine politics. But despite his monstrous image, quite surprisingly, Duterte remains popular and appealing to the electorate. This essay foregrounds the ambivalent monster that the Philippine president wittingly or unwittingly assumes; a monster that is ready to devour victims while protecting those he (supposedly) loves. The essay argues that Duterte is a monster that represents a rapture—a kind of abrupt transition. He represents a monster leader that does not care about the elite’s and traditional pundits’ definition of a leader. He represents a leader that is hindi-iba (sa masa) but at the same time iba sa marami (trapo/traditional politicians). (shrink)

1. Complex demonstratives (noun phrases of the form ‘that F’) often behave in devious ways which do not fit well with their traditional understanding as devices of direct reference. Namely, there a...

Name der Zeitschrift: Semiotica Jahrgang: 2016 Heft: 212 Seiten: 239-258.

‘Do you see this egg? It is with this that all the theological schools and all the churches of the Earth will be overturned.’Diderot, Entretien avec d'Alembert (Conversation with d'Alembert)About fifteen years ago I took a journey through the famous work of Mary Shelley, and the interpretation of her warning call. Let me say briefly why I am interested in Mary Shelley.At the beginning of the 80s I was invited by a journal to reflect on what was totally new at (...) that time: the birth of children conceived asexually and outside the body by in vitro fertilization. At that time very little work existed on these issues, though they were soon to generate a great deal of ink. The only publications to have appeared were Jacques Testart's very first book, De l'éprouvette au bébé spectacle (From the test tube to the miracle baby), and René Frydman's L'irrésistible désir de naissance (The irresistible desire for birth). (shrink)

The purpose of this essay is to look at the ethical concerns and sensibilities that emerge out of Hegel and Heidegger’s respective interpretations of Antigone. Curiously, both of them turn to this ancient Greek tragedy in order to lay out the foundations of ethical life and the complexities of such a life in the present historical moment. The argument here in the end is that both Hegel and Heidegger find the lesson of the radical singularity defining ethical life to be (...) a key to what one sees in Antigone. Both see this above all in the role of death in the tragedy. Both focus upon questions of mourning, burial, and of the dead body. My suggestion is that birth too needs to be understood as confronting us with the problem of our being in the singular, our being an idiom among other idioms. (shrink)

The present essay analyzes an eighteenth-century phase of the querelle des monstres and highlights two main points. 1) As the cases of Lémery and Winslow demonstrate, in the period when preformation was the dominant view, the dispute over the origin of monsters carried into the very field of preformation the contrast which had originally opposed it to the now defeated model of epigenesis, namely the alternative between mechanical genesis and pre-existence of the monstrous form itself. 2) One of the (...) most important episodes in the shift of teratology from a primarily theological or metaphysical issue to a purely natural one was due to Albrecht von Haller. Haller shifted the dispute from anatomy to embryology; and it is on an embryological base and not on metaphysics that he built his own demonstration of the original nature of the monster. He was furthermore the only scientist of authority who dealt with teratology from an epigenetic standpoint. His numerous changes of view in the field of embryology did in fact never affect his early adherence to the thesis of original monstrosity. (shrink)

In England, higher education institutions, together with the schools whose staff they train, are being required to incorporate synthetic phonics as one of the key approaches to the teaching of reading. Yet even if synthetic phonics can be identified as one of the component ‘skills’ of reading, an assumption vigorously contested in this paper, it does not follow that it can or should be taught explicitly and independently of reading for meaning. Imposing such a ‘method’ is, at a deep level, (...) incompatible with teachers acting as teachers and potentially constitutes a kind of abuse of early readers. Moreover, because of the conceptual difficulties confronting any attempt to specify synthetic phonics as an approach, there cannot exist, in principle, empirical research that actually supports its value. Current policy in England since the Rose Report, at least, assumes the opposite. All this cannot be dismissed as a little local difficulty for England concerning the teaching of reading English with all its spelling irregularities: there are broader implications for the relationship between research and teaching, together with continuing tendencies to impose ‘teacher proof’ approaches on schools and their staff in many countries. (shrink)

The fact that monstrous births were not represented in independent learned publications of the eighteenth century, except for the case of hermaphrodites, does not mean that the interest in them had disappeared or that they were no more considered proper objects of inquiry. This paper focuses on the medical understanding of monstrosity at the Royal Society of London. I point to the use of monstrous births in strengthening the authority of medical practitioners and lecturers. I also show some (...) of their uses in providing new questions for the scenes of medical inquiry of the period and as crucial evidence in the understanding of regular physiological phenomena. I discuss some of the reasons why monstrous formations continued to defy an 'Enlightenment' approach to nature based on the search for order and regularity. (shrink)

In this essay, the author contends that Schelling’s first publication, the Philosophical Letters on Dogmatism and Criticism, provides crucial insights into the wide spread philosophical interest in poetic art today. For Schelling, philosophical inquiry finds that its native resource, reason, requires the disclosive power of the poetic genera of tragic drama in order to remedy a crisis which inheres in its very nature and operations.

A mahāvidyā inference is used for establishing another inference. Its Reason is normally an omnipresent property. Its Target is defined in terms of a general feature that is satisfied by different properties in different cases. It assumes that there is no case that has the absence of its Target. The main defect of a mahāvidyā inference μ is a counterbalancing inference that can be formed by a little modification of μ. The discovery of its counterbalancing inference can invalidate such an (...) inference. This paper will argue that Cantor’s diagonal argument too shares some features of the mahāvidyā inference. A diagonal argument has a counterbalanced statement. Its main defect is its counterbalancing inference. Apart from presenting an epistemological perspective that explains the disquiet over Cantor’s proof, this paper would show that both the mahāvidyā and diagonal argument formally contain their own invalidators. (shrink)

In The Sacred Monstrous author Wendy Hamblet traces the historical and social fact of violence through the work of Girard, Bloch, Lorenz and Burket. She takes up the charge advanced by social theorists, anthropologists and others that violence is steeped in our being; it pervades our generations and is imbedded in the ethos of our modern institutions. Hamblet's discussion of human history re-frames our understanding of how violence works in history and society. The Sacred Monstrous is a salient (...) work of continentally informed philosophy that contributes significantly to any discussion of violence and conflict in the social sciences. (shrink)

This essay remarks upon a seeming paradox in the philosophical anthropology of Joseph de Maistre (1753–1821). He presents a traditional Platonic asymmetry of reason and the passions. This is put to the service of an Origenistic-universalistic theology that revolves around questions of guilt, punishment and redemption and a theory of sacrifice. Maistre is far from being the irrationalist that many political theorists observe, even if he presents an antagonistic relationship between reason and passions, the rational self and its desires. The (...) apparently grim and sanguinary Platonism of the Savoyard Count can be neatly compared with Kant and contrasted with Hume’s sanguine, if not breezy, view of reason as a slave to the passions. (shrink)

1. Marx's monstrous ecostential imagination -- 2. Stranger: consuming the nature of monstrosity -- 3. Creature: the nature of domination on the margins -- 4. Thing: hauntology as a study of inheritance -- 5. Other: disconnection and a critique of the natural self -- 6. Enchantment and the madness of science -- Final thoughts.

This paper is devoted to the search for an argument for the existence of a posteriori identities. I will try to improve on existing predecessors and defend the result against Scott Soames' critique in his recent book "Beyond Rigidity". First I will inspect Kripke's original argument as well as Soames' reconstruction. This reconstruction, while closely related, is shown to differ from Kripke's original in important respects. I will then ask whether either the original or Soames reconstruction may be considered as (...) satisfactory arguments for the existence of aposteriori identities. I will show that this is not the case. These arguments use objectionable notions of apriority, but this problem can be remedied. The result will still be open to Soames main criticism against Kripkean arguments, namely that they are committed to principles of disquotation, principles of a kind that Kripke himself has later shown to be objectionable. Therefore, I will also sketch a defense of principles of disquotation. (shrink)

(2013). NORMAL MONSTERS AND MONSTROUS MONSTROSITIES: a response to cary wolfe. Angelaki: Vol. 18, No. 2, pp. 191-196.

Apocalyptic fictions abound in contemporary culture, multiplying end-of-the-world fantasies of environmental collapse. Meanwhile, efforts toward global sustainability extrapolate from deep-past trends to predict and manage deep-future scenarios. These narratives converge in “eco-eschatologies,” which work as phantasms that construct our identities, our understanding of the world, and our sense of responsibility in the present. I critique ecoeschatology’s reliance on an interpretation of deep time that treats every temporal moment as interchangeable and projects the future as a chronological extension of the past. (...) This enacts what Jean-Luc Nancy calls the “catastrophe of equivalence” by domesticating the future and obscuring the incommensurability of what resists substitution, conversion, or exchange. By contrast, the renewal of our responsibility toward the future, without apocalypse or apotheosis, requires an intuition of deep time that respects the singular anachronicity of the present and refuses the framing of existence against a background of annihilation. (shrink)

The modern conception of race is often thought by philosophers to have developed during the eighteenth and nineteenth centuries in response to a unique confluence of scientific, philosophical, and imperial forces; and in recent decades some impressive work has been done to excavate the details of its construction during this period. . . . I will argue, however, that an analysis of the visual images created by Europeans during the first half-century after 1492 reveals that the essential elements of the (...) late modern conception of race are put into place during that period. In brief, the tremendous social, economic, and political pressures that culminate in this comparatively brief moment yield the modern notion of "the savage." I will suggest that from its inception this notion is an inherently radicalized one, and that it is the nodal point for the more familiar eighteenth- and nineteenth-century understandings of non-European races. Moreover, I will argue that the modern notion of the savage is synthesized, not directly from the Noachic legends, but from images drawn, sometimes literally, on the margins of medieval understandings of humanity: powerful and deeply entrenched images of the Wild Man and the monstrous races. (shrink)

Sensationalized representations of autistic families in film and other media frequently feature violent encounters between mothers and sons. This essay analyzes two media stories and three films that suggest how limited—and therefore misleading—popular representations of the autism family are. Except for one of the films, these representations blame the problem of adult autistic dependency on either monstrous autism or bad mothering. Doing so elides collective social responsibility for autism care and denies the reality that autistic adults continue to have (...) complex dependency needs that families cannot always meet. Narratives that sensationalize youth and adults with autism or scapegoat their maternal caregivers also diminish opportunities for social inclusion and for autistic people to live fully and dependently. (shrink)

Foucault characterizes the defining feature of modern politics in terms of a new form of power concerned with maximizing life, biopolitics, as opposed to the sovereign right to kill. This characterization becomes problematic, especially when the overwhelming frequency of death and massacres in the twentieth century is considered. The question of how so much death is produced in an economy of power concerned with the maximization of life has stirred considerable debate. This paper argues that there is a death-function internal (...) to biopolitics that should be considered in terms of biopolitical social defense. In making the life of a population its object, biopolitics makes death into an immanent condition of the population. The history of the emergence of this death-function internal to biopolitics is traced out in terms of different figurations of the monstrous: the shift from a juridical conception of monstrosity to a criminal and then medico-normative monstrosity shows that the steeping of death in the life of the population is done by normalizing judgment, through which death becomes an immanent condition of society. Thus, I show that the defense of society against its own monstrosity is done on both the disciplinary and the biopolitical levels. (shrink)

The paper asks about the difficulty of reading Schelling's work today given the historical biases that dominate contemporary philosophical inquiry. But if we cannot succeed as the readers Schelling himself appears to be looking for, this does not already have to mean that his work cannot speak to our time. Such a possibility, however, presupposes that we consider Schelling's work as it is inseparably connected to a critique of the modern project and as it points thereby to the monstrous (...) discord that defines human philosophical discourse as such. In particular, the paper considers the Kantian opposition between faith and knowledge and claims that this opposition itself appears to establish a kind of limit for philosophical inquiry today. In this context, some reflections are offered on the history of European nihilism and the death of God. The paper concludes by giving several indications of how Schelling's thought promises to subvert this opposition and this limit. (shrink)

It is common practice in formal semantics to assume that the context specifies an assignment of values to variables and that the same variables that receive contextually salient values when they occur free may also be bound by quantifiers and λs. These assumptions are at work to provide a unified account of free and bound uses of third person pronouns, namely one by which the same lexical item is involved in both uses. One way to pursue this account is to (...) treat quantifiers and λs as monsters in Kaplan’s sense. We argue that this move should be avoided and explore an alternative route based on the idea that there is a variable assignment coordinate in the context and a variable assignment coordinate in the circumstance of evaluation, with the definition of truth in context identifying them. One fundamental challenge that arises in pursuing a unified account is to explain the difference in the way the gender presuppositions of bound and free pronouns project. The proposal that emerges from the attempt to meet this challenge is a non-indexical account of free third person pronouns and a new conception of the role and structure of assignment functions. (shrink)