This is a piece written for interdisciplinary audiences and contains very little philosophy. It looks into whether, or in what sense, pains and pleasures are emotions.

Table of Contents: Olivier Massin, 'Pleasure and Its Contraries'; Colin Klein, 'The Penumbral Theory of Masochistic Pleasure'; Siri Leknes and Brock Bastian, 'The Benefits of Pain'; Valerie Gray Hardcastle, 'Pleasure Gone Awry? A New Conceptualization of Chronic Pain and Addiction'; Richard Gray, 'Pain, Perception and the Sensory Modalities: Revisiting the Intensive Theory'; Jonathan Cohen and Matthew Fulkerson, Affect, Rationalization, and Motivation; Murat Aydede, 'How to Unify Theories of Sensory Pleasure: An Adverbialist Proposal'; Adam (...) Shriver, 'The Asymmetrical Contributions of Pleasure and Pain to Subjective Well-Being'. (shrink)

While Henry and Levinas are often juxtaposed, little attention has been given to their shared views on pain and pleasure. Both phenomenologists converge on the argument that an adequate account of pain and pleasure requires a critical confrontation with the theory of intentionality. This raises further questions. What roles do interiority and exteriority play in pain and pleasure? Should they be conceived as different tonalities of one essence or as heterogenous phenomena? Despite their shared (...) critique of intentionality, Henry and Levinas respond differently to these questions. We argue that Henry’s account suffers from an imprisonment in immanence, leading to a homogenous account of pain and pleasure as derivatives of one essence. In our view, Levinas points toward a more fruitful phenomenological account, both in so far as he does not divorce pain and pleasure from exteriority, and also in the way his phenomenology preserves the heterogeneity of pleasure and pain. (shrink)

There is little more common in ethics than to think pain is intrinsically bad and pleasure is intrinsically good. A Humean-style error theory of the axiology of pain and pleasure is developed against these commonsense claims. We defend the thesis that the value of pain and pleasure is always contingent and only instrumental. We survey prominent theories of both intrinsic value and pain/pleasure, all of which assume that pain and pleasure (...) are intrinsically valuable. We base our error theory on counterexamples to this assumption, upon which these theories falter, and a theory of pain and pleasure which derives their value solely from their evolutionary function. (shrink)

Fear, sadness, surprise, anger, lust and love - virtually nothing was more important in the paintings ofthe Golden Age than convincingly depicting human emotions. In this publication, the Frans Hals Museum and Rembrandt expert Gary Schwartz present a selection of masterpieces in which these emotions are sublimely portrayed. According to seventeenth-century connoisseurs, the beauty of a painting was not even half as important as the passions that could be seen in that painting; they formed the soul of the work. Painters (...) such as Rembrandt, Frans Hals, Maerten van Heemskerck and Cornelis van Haarlem were masters at depicting a range of emotions. Their works are presented in a new context - the emotional life - and with a focus on the flourishing scientific study of emotions in our own time. Emotions will be published in conjunction with the first exhibition in the Netherlands to present this essential component of painting. Exhibition: Frans Hals Museum, Haarlem, the Netherlands (11.10.2014-15.02.2015). (shrink)

Unresponsive wakefulness syndrome is a disorder of consciousness wherein a patient is awake, but completely non-responsive at the bedside. However, research has shown that a minority of these patients remain aware, and can demonstrate their awareness via functional neuroimaging; these patients are referred to as having ‘cognitive motor dissociation’. Unfortunately, we have little insight into the subjective experiences of these patients, making it difficult to determine how best to promote their well-being. In this paper, I argue that the capacity to (...) experience pain or pleasure is a key component of well-being for these patients. While patients with unresponsive wakefulness syndrome are believed to be incapable of experiencing pain or pleasure, I argue that there is evidence to support the notion that CMD patients likely can experience pain and pleasure. I analyze current neuroscientific research into the mechanisms of pain experience in patients with disorders of consciousness, and provide an explanation for why CMD patients likely can experience physical pain. I then do the same for physical pleasure. I conclude that providing these patients with pleasurable experiences, and avoiding subjecting them to pain, are viable means of promoting their well-being. (shrink)

In this dissertation I analyse the concepts of pleasure and unpleasantness and outline an approach whereby the insights gained about pleasure and unpleasantness are applied to the analysis of a number of feeling and emotion concepts. In trying to understand what pleasure is and hew it is related to pain and unpleasantness, I tackle various basic questions about the role of pleasure, pain, and unpleasantness in motivation and about the intrinsic goodness of pleasure (...) and the intrinsic badness of pain and unpleasantness. In pleasure's nature of being good, wanted, and sought and pairfs nature of being bad, unwanted, and avoided we locate the way in which pleasure and pain are opposites and the central defining properties of the 'pleasant' and the 'unpleasant'. Within my analysis of pleasure and unpleasantness I reach the conclusion that pleasure and unpleasantness are 'special experiences' : I explain what is involved in this claim and defend it against the objections which Ludwig Wittgenstein raised in his Private Language Argument. The view of the emotions which I outline and defend is the view which Aristotle, Spinoza, and many other philosophers have held. According to this view, emotions or 'feelings' such as con¬ fidence or fear, delight or misery, and pride or shame, are 'modes' of pleasure or unpleasantness. Given my views on pleasure and unpleasantness, it would follow that a number of emotions are, in part, the 'special experiences' of pleasure and unpleasantness. (shrink)

Following Hume’s lead, Paul Draper argues that, given the biological role played by both pain and pleasure in goal-directed organic systems, the observed facts about pain and pleasure in the world are antecedently much more likely on the Hypothesis of Indifference than on theism. I examine one by one Draper’s arguments for this claim and show how they miss the mark.

Pluralistic theories of well-being might appear unable to accommodate just how important pleasure and pain are to well-being. Intuitively, there is a finite limit to how well your life can go for you if it goes badly enough hedonically (e.g. because you never feel any pleasure and you spend two years in unrelenting agony). But if there is some basic good distinct from pleasure, as any pluralistic theory must claim, then it seems that you could be (...) made arbitrarily well off by being given enough of that good even if your life is hedonically terrible. My aim is to defend pluralistic theories against this objection. After replying to the simplest version of it, I will answer a more sophisticated version of it that has recently been leveled by Theron Pummer. (shrink)

This paper posits a feminist aesthetic of reading, ‘re-captivation,’ which accounts for both the reader's pleasure and his/her ethical responsibility. Re-captivation is distinguished by its introspective and ethical characteristics; it is a pleasure informed by the pain of misrecognition, i.e. acknowledgement of one's own complicity in systems of oppression. After a brief explanation of re-captivation, this paper describes my experience viewing the film Menace II Society. Using my paths of identification and emotional response to this film as (...) my data, I analyze the complexities and ambiguities resulting from my practice of re-captivation. (shrink)

PREFACE -/- WHEN first I undertook the study of the theory of Art, many years ago, I was impressed by the emphasis of pleasure attainment in all descriptions of art works, and by the emphatic pleasurableness of my own mental state during the contemplation of artistic productions. -/- My thought being thus turned to the consideration of the relation of æsthetics to hedonics, I was led to make a careful study of the psychology of pleasure and of its (...) correlate pain: the results of this study I here lay before those who may be interested. (shrink)

I distinguish two kinds of pleasures – value–based pleasures, which can be explained in terms of the values of those who experience them, and brute pleasures, which cannot be so explained. I apply this distinction to three related projects. First, I critically examine a recent discussion of moral character by Colin McGinn, arguing that McGinn offers a distorted view of good character. Second, I try to elucidate certain remarks Aristotle makes about the relationships between pleasure and courage and (...) class='Hi'>pleasure and temperance. Third, I appeal to the distinction to elucidate the topic of moral improvement. (shrink)

The aim of this article is to explore nuances within the field of bodily self-awareness. My starting-point is phenomenological. I focus on how the subject experiences her or his body, i.e. how the body stands forth to the subject. I build on the phenomenologist Drew Leder’s distinction between bodily dis-appearance and dys-appearance. In bodily dis-appearance, I am only prereflectively aware of my body. My body is not a thematic object of my experience. Bodily dys-appearance takes place when the body appears (...) to me as “ill” or “bad.” This is often the case when I experience pain or illness. Here, I will examine three versions of bodily dys-appearance. Whereas many phenomenological studies have explored cases of bodily dys-appearance, few studies have focused on the opposite of bodily dys-appearance, i.e. on bodily modes of being where the body appears to the subject as something good, easy or well. This is done in this article. When the body stands forth as good, easy or well to the subject, I suggest that the body eu-appears to this person. The analysis of eu-appearance shows that the subject can attend to her or his body as something positive and that this attention need not result in discomfort or alienation. Eu-appearance can take place in physical exercise, in sexual pleasure and in some cases of wanted pregnancies. I also discuss, briefly, the case of masochism. (shrink)

It seems self-evident that people prefer painful experiences to be in the past and pleasurable experiences to lie in the future. Indeed, it has been claimed that, for hedonic goods, this preference is absolute (Sullivan, 2018). Yet very little is known about the extent to which people demonstrate explicit preferences regarding the temporal location of hedonic experiences, about the developmental trajectory of such preferences, and about whether such preferences are impervious to differences in the quantity of envisaged past and future (...) pain or pleasure. We find consistent evidence that, all else being equal, adults and children aged 7 and over prefer pleasure to lie in the future and pain in the past and believe that other people will too. They also predict that other people will be happier when pleasure is in the future rather than the past but sadder when pain is the future rather than the past. Younger children have the same temporal preferences as adults for their own painful experiences, but prefer their pleasure to lie in the past, and do not predict that others’ levels of happiness or sadness vary dependent on whether experiences lie in the past or the future. However, from the age of 7, temporal preferences were typically abandoned at the earliest opportunity when the quantity of past pain or pleasure was greater than the quantity located in the future. Past-future preferences for hedonic goods emerge early developmentally but are surprisingly flexible. (shrink)

Ambiguity in the athlete’s perception and description of pain that opens the door to a series of reinterpretations of athletic experience and events that argue the development of an increasingly inauthentic relation to self and others on the part of those who consume performance as third parties (spectators) and ultimately those who produce it first hand (athletes). The insertion of the spectator into the sport situation as a consumer of the athlete’s activity and the preference given to spectator interpretation (...) shift control of meaning away from the athlete and encourage a demand for athlete suffering in aid of the spectator’s own need for meaning. Through discussions of the function of narrative in sport spectacle, the witnessing role of spectators, and the phenomenon of vicarious substitution, I discuss the representation of the athlete as a character ideal and moral exemplar. At a more developed level of external interpretation, the athlete (or team) becomes the champion of the spectator, the role model or focal point of civic pride whose victory asserts the ascendence of my team and town over yours; and finally, the athlete or team is the intentional object of fan identification: my team is me. I conclude that the existential commitment of the spectator as devoted fan is an inauthentic one. (shrink)

Ambiguity in the athlete’s perception and description of pain that opens the door to a series of reinterpretations of athletic experience and events that argue the development of an increasingly inauthentic relation to self and others on the part of those who consume performance as third parties (spectators) and ultimately those who produce it first hand (athletes). The insertion of the spectator into the sport situation as a consumer of the athlete’s activity and the preference given to spectator interpretation (...) shift control of meaning away from the athlete and encourage a demand for athlete suffering in aid of the spectator’s own need for meaning. Through discussions of the function of narrative in sport spectacle, the witnessing role of spectators, and the phenomenon of vicarious substitution, I discuss the representation of the athlete as a character ideal and moral exemplar. At a more developed level of external interpretation, the athlete (or team) becomes the champion of the spectator, the role model or focal point of civic pride whose victory asserts the ascendence of my team and town over yours; and finally, the athlete or team is the intentional object of fan identification: my team is me. I conclude that the existential commitment of the spectator as devoted fan is an inauthentic one. (shrink)

Introduction: Wellbeing policy analysis is often criticized for requiring a cardinal interpretation of measurement scales, such as ranking happiness on an integer scale from 0-10. The commonly-used scales also implicitly constrain the human capacity for experience, typically that our most intense experiences can only be at most ten times more intense than our mildest experiences. This paper presents the alternative “heavy-tailed valence” (HTV) hypothesis: the notion that the accessible human capacity for emotional experiences of pleasure and pain spans (...) a minimum of two orders of magnitude. Methods: We specify five testable predictions of the HTV hypothesis. A pilot survey of adults aged 21-64 (n = 97) then tested two predictions, asking respondents to comment on the most painful and most pleasurable experiences they can recall, alongside the second most painful and pleasurable experiences. Results: The results find tentative support for the hypothesis. For instance, over half of respondents said their most intense experiences were at least twice as intense as the second most intense, implying a wide capacity overall. Simulations further demonstrate that survey responses are more consistent with underlying heavy-tailed distributions of experience than a “constrained valence” psychology. Discussion: A synthesis of these results with prior findings suggests a “kinked” scale, such that a wide range of felt experience is compressed in reports at the high end of intensity scales, even if reports at lower intensities behave more cardinally. We present a discussion of three stylized facts that support HTV and six against, lessons for a future survey, practical guidelines for existing analyses, and implications for current policy. We argue for a dramatic increase in societal ambition. Even in high average income countries, the HTV hypothesis suggests we remain far further below our wellbeing potential than a surface reading of the data might suggest. (shrink)

In this volume, G. Marian Kinget's classic work, On Being Human, can be read for the first time in light of a second, previously unpublished work, Pleasure And Pain. Taken together, these two works offer a new generation of readers a comprehensive picture of the insights, principles, and goals of humanistic psychology. On Being Human, Kinget's pioneering work, which arose from the original humanistic revolution in psychology, systematically describes the characteristics that make human beings different from all other (...) forms of life. In this work, Kinget explores man in his full nature not solely as a biological organism modified by experience and culture. She presents a person as a symbolic entity capable of pondering his existence, and lending it meaning and direction. Man is the only animal who knowingly exists in space and time, manifesting transcendental and metaphysical concern throughout history and culture. On Being Human presents the fundamentals of any valid approach to psychology as well as to other fields concerned with the individuality of the human being. It describes the specific human capacities for reflective thought and declarative language, and it discusses the unique ability of humans to devise culture and question origins. Pleasure and Pain considers the interdependence of human pleasure and pain. This idea, which leads to unnecessary fears and unwarranted expectations, goes unrecognized in a contemporary western society focused on the accumulation of pleasure without any awareness of the duality of the pleasure-pain experience. Kinget refutes the widespread fallacy that fun lies in the means, when it actually lies in the subject, and she discusses the human potential for autonomous "management" of the pleasure-pain dimension of human existence. (shrink)

Abusive supervision negatively affects its direct victims. However, recent studies have begun to explore how abusive supervision affects third parties. We use the emotion-based process model of schadenfreude as a basis to suggest that third parties will experience schadenfreude and increase their work engagement as a response to peer abusive supervision. Furthermore, we suggest that the context of competitive goal interdependence facilitates the indirect relationship between PAS and third parties’ work engagement on schadenfreude. We use a mixed-method approach to test (...) our hypotheses. Data from an experimental study conducted by facial expression analysis technology and a multi‐wave field study generally support our hypotheses. Overall, our study extends PAS literature and meaningfully informs practitioners who aim to promote ethical workplace environments. (shrink)

BackgroundEnhancement involves the use of biomedical technologies to improve human capacities beyond therapeutic purposes. It has been well documented that enhancement is sometimes difficult to distinguish from treatment. As a subtype of enhancement, neuroenhancement aims to improve one’s cognitive or emotional capacities.Main bodyThis article proposes that the notion of neuroenhancement deserves special attention among enhancements in general, because apart from the notion of treatment, it also overlaps with other concepts such as prevention, pain relief, and pleasure seeking. Regarding (...) prevention, patients’ mental endurance can be enhanced when a patient is prescribed a selective serotonin reuptake inhibitor for the purpose of preventing the relapse of depression following a stressful situation. As for pain relief, psychiatrists use medication to alleviate distress in patients who experience various types of anxiety; the alleviation of distress is equal to psychological pain relief, but is also an enhancement of the patient’s temperamental traits. Regarding pleasure seeking, insidious transition exists between neuroenhancement and pleasure seeking when using psychotropic drugs. It is well known that people use psychostimulants for recreational purposes and to induce overconfidence in one’s performance. The polysemy of psychotropics derives from their effects on human sensibility. Therefore, when using psychotropic agents, psychiatrists should pay close attention to what the agent is used for on each patient in each situation, and explicitly share the continuity and overlap in the purpose of prescribing a medication with the patients to make a better clinical decision.ConclusionsThe notion of neuroenhancement overlaps not only with the notion of treatment, but also with other concepts of prevention, pain relief, and pleasure seeking. The continuity between those concepts makes the issues concerning the prescription of psychotropic drugs subtler. Psychiatrists should explicitly share the continuity with the patients to make a better clinical decision. (shrink)

If there is such a thing as a genuine property appropriately called "intrinsic value" this property must be such that recognition that something does, or would, possess it, has a necessary tendency to motivate towards sustaining that thing in existence or producing it (if possible). There is just one thing which possesses that property and that is the property of being pleasurable (properly conceived) which, therefore, is the same as intrinsic value. (The same, mutatis mutandis, applies to intrinsic disvalue and (...) painfulness.) Why this seems not to be so is explained. (shrink)

This paper aims to study Bentham’s utility and its meaning of moral education. To compute pleasures and pains in Bentham is not a simple calculation. As seen in this paper, his concern of pleasures and pains is toward the community based on the pursuit of happiness by a private individual. For the greatest happiness, he does not have to have the excessive interest in the community, because of the simple feature that the community consists of private individuals and each action (...) in their lives is under the nature of the production of pleasure and of the avoidance of pain. The key to complete Bentham’s plan in IPML is to get the conception of the art of ethics. In Bentham, ethics is the art of directing men’s actions to produce the greatest happiness. Important in his definition is that he distinguishes it into two sections: private and legislation. He recognizes private sections that do not have to be intervened by legislation. A private individual has to control a motive and actions of self-regarding in the course of expressing his duty to himself for his neighbors. The action of the individual is not necessary to be the same of legislation, while the art of legislation is always to control happiness in the results of their performances. That is the art of ethics. More important, subsequently, is the art of moral education. In Bentham, the moral part of education is to cultivate a lot of affections. In fact, he emphasizes the importance of considering a motive as the springs of actions in calculating pleasures and pains. In his view, different actions have the same motive, so that the greatest happiness can be controlled from the beginning of the actions. Therefore, the art of moral education is to deal with a motive in terms of its expected pleasures and pains, in the process of performing an individual’s duty to himself, that is, of expressing his duty toward his neighbors. This paper would utilize his scheme of the art of moral education by drawing a questionnaire in the areas of moral sensitivity, judgement, motivation and practice. (shrink)

I examine what happens in the brain when patients experience chronic pain and when subjects are addicted to alcohol. We can find important parallels between these two cases, and these parallels can perhaps point us toward new ways of treating (or at least understanding) both issues. Interestingly, we can understand both cases as our pleasure system gone awry. In brief, I argue that chronic pain and alcohol addiction both stem from a dysregulation in our brain’s reward structure. (...) This dysregulation in what should be our pleasure circuitry pushes individuals to behave in ways counterproductive to their needs and to feel unpleasant things. In other words, there is likely both something quite right and perhaps quite wrong about how some philosophers are thinking about pain as an evaluative state. I shall be arguing that pain is both hedonic and evaluative, though perhaps not in the ways they are imagining. (shrink)

Further, we come here to what for the purpose of our present argument is the most important consideration of all, viz. that if we could show that there were two kinds of neural or physiological processess, occurring respectively on all occasions of pleasure and pain, the fact would be valueless for proving that life must be predominantly pleasant. It is perhaps intelligible that to succeed or fail in purposive activity should bring respectively contentment and discontent rather than vice-versa; (...) but that of two kinds of neural or physiological process, one should be accompanied by pleasure and the other by pain, is no more intelligible than if the connection were reversed. If the behaviour of any creature is affected by desires and aversions, by judgments, by feelings: if its desires and aversions or its judgments are connected with or affected by its pleasures and pains, then indeed the question with what bodily conditions its pleasures and pains are connected is part of the problem that interests the biologist—viz. what the conditions are under which the species can continue. But in that case the biologist must not claim that all the conditons of life and reproduction can be found in what happens in the body. Pleasures and pains, desires and aversions, purposes are not events that happen in the body. If they are the mere “apparence or sense” of what happens there, and alone determines survival or extinction, then what happens there to determine survival might, for all we can see, equally appear as pain or pleasure. (shrink)

Compare your pain when immersing your hand in freezing water and your pleasure when you taste your favourite wine. The relationship seems obvious. Your pain experience is unpleasant, aversive, negative, and bad. Your experience of the wine is pleasant, attractive, positive, and good. Pain and pleasure are straightforwardly opposites. Or that, at any rate, can seem beyond doubt, and to leave little more to be said. But, in fact, it is not beyond doubt. And, true (...) or false, it leaves a good deal more to be said: about the nature of sensory affect; its relations to perception, motivation, and rationality; its value; and the mechanisms underlying it. Much is said about these matters in the contributions that follow. Here, in this introductory essay, we map the dialectical landscape and locate our contributors’ papers within it. (shrink)

Consider our attitude toward painful and pleasant experiences depending on when they occur. A striking but rarely discussed feature of our attitude which Derek Parfit has emphasized is that we strongly wish painful experiences to lie in our past and pleasant experiences to lie in our future. Our asymmetrical attitudes toward future and past pains and pleasures can be forcefully illustrated by means of a thought-experiment described by Parfit (1984, 165) which I will paraphrase as follows: You are in the (...) hospital to have an extremely painful but completely safe operation for which you can be given no anaesthetic. In order to ease recovery, you know that the hospital will give you drugs that cause you to forget your operation as soon as it is completed. You wake up, not remembering having gone to sleep, and ask the nurse if your operation has been completed. She tells you that there were two patients for this operation and she cannot remember which you are: either you already had your operation and it was the longest such operation ever performed, lasting ten hours, or else you are the other patient in which case your operation is imminent, but will last only one hour. 1. I wish to thank Sarah Broadie for comments on a version of this paper and Derek Parfit for conversations on this subject. (shrink)

The target articles by blumberg et al. and berkley reflect some of the recent major theoretical and clinical advances in two areas of pain research. These two articles also represent two very different approaches to which type of variables are considered relevant to the study of pain. These different approaches are contrasted in the context of the different emphases in pain and pleasure research.

I take up the issue of whether pleasure is a kind of sensation or not. This issue was much discussed by philosophers of the 1950’s and 1960’s, and apparently no resolution was reached. There were mainly two camps in the discussion: those who argued for a dispositional account, and those who favored an episodic feeling view of pleasure. Here, relying on some recent scientific research I offer an account of pleasure which neither dispositionalizes nor sensationalizes pleasure. (...) As is usual in the tradition, I compare pleasure with pain, and try to see its similarities and differences. I argue that pain and pleasure experiences have typically a complex phenomenology normally not so obvious in introspection. After distinguishing between affective and sensory components of these experiences, I argue that although pain experiences normally consist of both components proper to them, pleasure, in contradistinction to pain, is only the affective component of a total experience that may involve many sensations proper and cognitions. Moreover, I hold that although the so-called “physical” pleasure is itself not a sensation proper, it is nevertheless an episodic affective reaction to sensations proper. (shrink)

Further, we come here to what for the purpose of our present argument is the most important consideration of all, viz. that if we could show that there were two kinds of neural or physiological processess, occurring respectively on all occasions of pleasure and pain, the fact would be valueless for proving that life must be predominantly pleasant. It is perhaps intelligible that to succeed or fail in purposive activity should bring respectively contentment and discontent rather than vice-versa; (...) but that of two kinds of neural or physiological process, one should be accompanied by pleasure and the other by pain, is no more intelligible than if the connection were reversed. If the behaviour of any creature is affected by desires and aversions, by judgments, by feelings: if its desires and aversions or its judgments are connected with or affected by its pleasures and pains, then indeed the question with what bodily conditions its pleasures and pains are connected is part of the problem that interests the biologist—viz. what the conditions are under which the species can continue. But in that case the biologist must not claim that all the conditons of life and reproduction can be found in what happens in the body. Pleasures and pains, desires and aversions, purposes are not events that happen in the body. If they are the mere “apparence or sense” of what happens there, and alone determines survival or extinction, then what happens there to determine survival might, for all we can see, equally appear as pain or pleasure. (shrink)

That all pleasure is good and all pain bad in itself is an eternally true ethical principle. The common claim that some pleasure is not good, or some pain not bad, is mistaken. Strict particularism (ethical decisions must be made case by case; there are no sound universal normative principles) and relativism (all good and bad are relative to society) are among the ethical theories we may refute through an appeal to pleasure and pain. (...) Daniel Dennett, Philippa Foot, R M Hare, Gilbert Harman, Immanuel Kant, J. L. Mackie, and Jean-Paul Sartre are among the many philosophers addressed. (shrink)

The prelims comprise: Pleasure as a Good Aristotle on Pleasure Limitations and Drawbacks The Coherence of Aristotle's Treatment of Pleasure and Pain Conclusions Notes Reference.

In lieu of an abstract, here is a brief excerpt of the content:Pleasure and Pain in LiteratureOliver ConollyWhy do we enjoy the depiction, in imaginative literature, of situations that typically arouse negative emotions such as pity, sadness, and horror? One view, which aims to dissolve rather than solve the problem, is that we do not enjoy them at all. According to this theory—the pure pain theory—the problem does not arise in the first place. But the theory must (...) explain why we chose to undergo such painful experiences. Are we simply aesthetic masochists? The pure pleasure theory, by contrast, denies that there are any painful aspects to our experience of such literature. This theory must explain how we can take pure delight in the literary depiction of suffering. Are we simply aesthetic sadists? Lying between both extremes is the hybrid theory, which asserts that there are both painful and pleasant aspects of such experiences. The hybrid theory must specify which aspects of the experience are painful and which pleasant. In this paper a version of the hybrid theory is advanced and defended.IThe pure pleasure theory denies that we feel painful emotional identification with fictional characters. Why take this view? One reason is that it is a way of resolving the paradox of fiction, as formulated by Colin Radford.1 The paradox asserts that there is an inconsistency between the propositions that: (1) we have emotions for fictional characters, (2) we know that they do not exist, (3) it is irrational to have emotions for non-existent objects. Each proposition seems plausible, yet one must be false. Whilst most of the participants in the debate have attacked the notion that feelings for fictions are irrational, some have [End Page 305] denied that we have such feelings in the first place. One intuition guiding this denial is that the depiction of a fictional horrible event is likely to be less painful than the depiction of an identical but real event. In other words, the mere fictionality of an event is liable, by itself, to diminish the pain we are liable to feel at its depiction in comparison with a real event: I label this the fictionality gap. If the fictionality gap exists, it applies across the board, to the sufferings of Pip in Great Expectations as well as those of King Lear. The characters in those works are fictional, and so the lessening of the pain we feel at their fates must, if the fictionality gap holds, hold merely in virtue of the fact that they are fictional.It has often been noted—rather than argued, but this is question of impression rather than logic—that one would feel more affected were the stories real rather than fictional. The kinds of events depicted in King Lear—ugly struggles for power, the manipulation of the naïve, the impotence of the good, inconsolable grief—are not in themselves other-worldly, and can be imagined taking place in reality. However it is much more difficult to imagine King Lear in its full particularity taking place in the real world, given the theatricality of its form and language. In order to imagine King Lear as real, one would have to rob it of Shakespeare's poetry, which is other-worldly in its eloquence. French proponents of the Three Unities thought that theatre should aim at, among other things, verisimilitude, but never overcame the problem that the fact that characters in French theatre speak in rhyming couplets might detract from that verisimilitude, which it clearly does. This worry about the transplantability of King Lear into the real world appears to be less of a problem in relation to realist novels, which, as their appellation suggests, are easier to imagine taking place in the real world. Not only is the language used in realist novels less exalted than that used in tragedies, the situations such novels depict tend to be more likely to occur. Clearly, the realist novel is capable of depicting horrible or unpleasant events. About such novels, say, Madame Bovary, it seems to make sense to ask ourselves how we would feel about them if we read them as true stories.I would like however to question the very intelligibility of the... (shrink)

The article starts with a brief overview of the kinds of approaches that have been attempted for the presentation of Phenomenology’s view on the emotions. I then pass to Husserl’s unsatisfactory efforts to disclose the intentionality of emotions and their intentional correlation with values. Next, I outline the idea of a new, “normalized phenomenological” approach of emotions and values. Pleasure and pain, then, are first explored as affective feelings . In the cases examined, it is shown that, primordially, (...) pleasure and pain are recordings for our bodily and spiritual states resulting from our confrontation with beings and situations in the world. Delight and distress are, subsequently, approached as the first full-fledged emotive acts that animate or intentionally interpret pleasure and pain in specific ways. The elementary values of agreeableness and disagreeableness appear correspondingly to the latter in relation to the very pleasure or pain and to what has caused them. In other words, agreeable and disagreeable show how what we confront in the world weighs for us, what value it has for the embodied intentional consciousness, for its state and functioning as well as for its existentio-praxial possibilities in the lifeworld. (shrink)

Against Hume and Epicurus I argue that our selection of pleasure, pain and other objects as our ultimate ends is guided by reason. There are two parts to the explanation of our attraction to pleasure, our aversion to pain, and our consequent preference of pleasure to pain: 1. Pleasure presents us with reason to seek it, pain presents us reason to avoid it, and 2. Being intelligent, human beings (and to a degree, (...) many animals) are disposed to be guided by reason, and hence by what there is reason to choose, seek, and prefer, when they act. (shrink)

In the Philebus, Socrates argues that some anticipatory pleasures can be false. The main argument at 38b6-41a4 has perplexed readers, however, and scholars have developed several different ways to understand the falsity of false anticipatory pleasures. I argue that the anticipation argument should be read in conjunction with a later distinction in the Philebus between intense pleasures mixed with pain and pure pleasures free from pain. I suggest that anticipatory pleasures taken in intense pleasures are false because they (...) misidentify an intense pleasure as a genuine pleasure when in fact intense pleasures are inferior and non-genuine due to being mixed with pain. I contend that the example of a false anticipatory pleasure supports recognizing this kind of falsity, and that doing so helps to resolve several challenges that face existing interpretations. (shrink)

이 글의 목표는 아리스토텔레스의 습관화 이론에서 즐거움(hēdonē)과 고통(lypē)이 하는 역할을 고찰해 보는 것이다. 첫 장에서는 습관화를 보상을 통한 즐거움과 처벌을 통한 고통이라는 행위 외적 유인들을 통해 탁월성을 형성하는 과정으로 보는 설명을 검토할 것이다. 이 설명은 두 가지 점에서 만족스럽지 않음이 지적될 것이다. 첫째, 그것은 아리스토텔레스가 훌륭한 성품을 가진 젊은이들과 다중의 성향을 비교하면서 처벌을 통해 행동을 규제하는 것을 후자에게나 적합한 열등한 것으로 묘사하고 있다는 사실과 충돌한다. 둘째, 그것은 탁월한 행위에 수반하는 즐거움에 관한 아리스토텔레스의 설명과 부합하지 않는다. 다음 장에서는 그의 즐거움 이론에 (...) 보다 잘 부응하는 버녯의 설명을 검토할 것이다. 이곳에서는 특히 그의 설명이 가지는 매력과 설득력이 상당부분 그가 제시하고 있는 유비적 설명의 예로부터 오는 것임을 밝히고, 그가 즐김이라는 개념의 특징을 효과적으로 활용하고 있음을 보일 것이다. 이어지는 세 장에서는 버녯의 설명에 제기된 학자들의 다양한 비판들을 검토할 것이다. 그 비판은 각각, 버녯이 습관화 과정에 가르침을 포함시키고 있다는 것, 습관화는 즐거움이 아닌 고통을 통해 이루어진다는 것, 그리고 탁월한 행위의 즐거움은 탁월한 성품의 즐거움의 전제 조건이 아니라 결과라는 것이다. 이 비판들을 검토하면서 아리스토텔레스의 습관화 이론의 몇몇 주요한 측면들을 좀 더 선명하게 부각시킬 수 있을 것이다. 이 글의 마지막 장에서는 습관화를 즐거움과 고통의 관점에서 설명하는 것이 남기는 과제를 점검해 보게 될 것이다. 필자는 고귀함과 수치스러움의 동기를 보다 직접적이고 적극적인 방식으로 규명할 수 있는 설명이 보충되어야 필요가 있음을 논증하면서 이 글을 마무리할 것이다. (shrink)