This essay interprets Butler’s distinction between identity in the loose and popular sense and in the strict and philosophical sense. Suppose there are different standards for counting the same things. Then what are two distinct things counting strictly may be one and the same thing counting loosely. Within a given standard identity is one-one. But across standards it is many-one. An alternative interpretation using the parts-whole relation fails, because that relation should be understood as many-one identity. Another alternative making (...) identity relative to sort fails, because whole and parts can be of the same sort. (shrink)

When fat people are depicted in popular media, we often take their behavior to be representative of all fat people. How one fat person acts becomes representative of a broader pattern of behavior that all fat people are presumed to share, shaping the way we understand fatness. This way of generalizing presents fatness as a singular experience, reducing fat people to a monolithic narrative that often reinforces anti-fat bias. How do we avoid this reduction? How can we responsibly depict (...) fat characters without perpetuating negative stereotypes about real fat people? Using the case of “Fat Thor” from Avengers: Endgame, I propose the beginnings of an account of responsible artistic agency which can be used to improve the ways that marginalized communities are depicted in art, with a particular focus on fat communities. Central to this account are two features: inclusion of and deference to members of the communities depicted from a variety of backgrounds throughout the production process, and mindfulness of the preexisting narrative web built around the communities depicted. I will use this discussion to highlight the need for a drastic shift in how we consider marginalized populations in art—in reimagining both who tells their stories, and what stories are told on their behalf. (shrink)

This paper elaborates on a theory of the ideological public sphere in the age of digital media. It describes the public sphere as an initially ascending and then descending communication process that includes both polarising and integrating publics, which are organised by antagonistic media and compromise-building mass media. This framework allows us to distinguish between hegemonic, populist, and popular-oriented flows of communication, as well as register changes in the interplay of different publics driven by digital media platforms. Digital transformations (...) of the public sphere give rise to antagonistic and networked-individualistic flows of populist communication that put public hegemony under constant pressure. The challenge is to find ways to strengthen popular communications that enable democratic learning processes and the flourishing of communicative competences of all citizens. (shrink)

How do hip-hop songs produced from 2017 to 2023 depict and rationalize online fraud? This study examines the depiction of online fraudsters in thirty-three Nigerian hip-hop songs on nine popular streaming platforms such as Spotify, Deezer, iTunes, SoundCloud, Apple Music, and YouTube. Using a directed approach to qualitative content analysis, we coded lyrics based on the moral disengagement mechanism and core themes derived from existing literature. Our findings shed light on how songs (a) justify the fraudulent actions of online (...) fraudsters, (b) blame and dehumanize victims of online romance fraud, (c) glamorize online fraud, and (d) provide insights into prevailing attitudes, indigenous linguistics, and worldviews regarding cybercrime victimization. Specifically, our analysis shows the presence of moral disengagement mechanisms, including "dehumanization," “minimizing own agency,” and "displacement of responsibility." Moreover, we identify core contextual themes pertinent to online fraud in the Nigerian context: (a) "cyber spiritualism" and (b) "the North-South divide." This research underscores the global influence of musicians whose songs are easily accessible on diverse music platforms in trivializing the plight of online fraud victims. We argue that these artists' persuasive messages not only downplay but also satirize the victims' predicaments, thus contributing to the cultural worldviews and dimensions of online fraud. We conclude by underscoring these songs' capacity to actualize, reshape, and actively engage with the narratives of glamorization, justification, spiritualism, colonial legacies, gender dynamics, and societal implications. We recommend that future research endeavors explore non-conventional data sources adept at capturing the intricate fabric of cultural attitudes and dynamics. (shrink)

This contribution traces the parallel development of two distinct approaches to peasant agroecological education: the peasant-to-peasant horizontal method that disseminated across Mesoamerica and the Caribbean beginning in the 1970s, and the political-agroecological training schools of combined consciousness-building and skill-formation that have been at the heart of the educational processes of member organizations of La Via Campesina since the 1990s. Applying a theoretical framework that incorporates territorial struggle, agroecology and popular education, we examine spatial and organizational aspects of each of (...) these models for peasant education and movement-building. Recognizing that the models, their respective contexts, and the dialectical relationships therein have been in constant evolution, we share findings on the movement-place as a territorial system with socio-historical subjectivity, that is, peasant movements as territorially-embedded, collective historical actors. This leads to some conclusions in moving past educational theory that has centered upon individual subjects, and approaching a conception of territory as a subject of learning processes. (shrink)

Science communication in online media is a discursive domain where science-related content is often expressed through styles characteristic of popular journalism. This article aims to characterize some dominant stylistic patterns in magazine articles devoted to environmental issues by identifying the devices used to enhance newsworthiness, given the fact that for some readers environmental topics may no longer seem engaging. The analytic perspective is an adaptation of the newsworthiness framework that has been applied in news discourse studies. The material is (...) a sample of the 38 most-read environment-oriented articles in the online version of the international science magazine New Scientist collected between late 2013 and late 2014. The articles are analysed qualitatively to show the instantiations of such newsworthiness criteria as novelty and superlativeness, timeliness and impact, negativity and positivity as well as other strategies aimed at engaging the readers: rationalization and speculation, direct address and conversational style. The analysis reveals how, in this case study, science communication is turned into infotainment and considers the implications of this discursive shift for the public understanding of environmental science. (shrink)

In 2012, two major professional societies representing Europe and the United States released influential statements that would propel a commercial market for social egg freezing, in which women bank their oocytes for later use in order to avoid compromised fertility that comes with age. While the European Society of Human Reproduction and Embryology condoned SEF based on reproductive autonomy and justice, the American Society for Reproductive Medicine discouraged SEF based on insufficient data and concerns about false hope. In this article, (...) we map the contexts and discursive moves by which the biomedicalization of SEF proceeded since 2012. We compare professional bioethical arguments that made the case to approve SEF in Europe with news and popular media discourse that formed and shaped the commercial marketization of SEF in the United States despite the recommendation of the ASRM. While a statist pronatalist perspective informed the former, a distinctly private labor market recruitment strategy utilizing a Lean In efficiency model of feminism buttressed the latter. (shrink)

Recent research into cultural transmission suggests that humans are disposed to learn, remember, and transmit certain types of information more easily than others, and that any information that is passed between people will be subjected to cognitive selective pressures that alter the content and structure so as to make it maximally transmittable. This paper presents a review of emerging research on content biases in cultural evolution with relevance to the transmission of popular narratives. This is illustrated with content analysis (...) of urban legends, which found that most exploited at least one known content bias, with emotional information and social information being the most frequent. We argue that the narratives do not succeed because of the transmission of adaptively relevant information but because of their exploitation of content biases in human cognition. (shrink)

Messaging from U.S. authorities about COVID-19 has been widely divergent. This research aims to clarify popular perceptions of the COVID-19 threat and its effects on victims. In four studies with over 4,100 U.S. participants, we consistently found that people perceive the threat of COVID-19 to be substantially greater than that of several other causes of death to which it has recently been compared, including the seasonal flu and automobile accidents. Participants were less willing to help COVID-19 victims, who they (...) considered riskier to help, more contaminated, and more responsible for their condition. Additionally, politics and demographic factors predicted attitudes about victims of COVID-19 above and beyond moral values; whereas attitudes about the other kinds of victims were primarily predicted by moral values. The results indicate that people perceive COVID-19 as an exceptionally severe disease threat, and despite prosocial inclinations, do not feel safe offering assistance to COVID-19 sufferers. This research has urgent applied significance: the findings are relevant to public health efforts and related marketing campaigns working to address extended damage to society and the economy from the pandemic. In particular, efforts to educate the public about the health impacts of COVID-19, encourage compliance with testing protocols and contact tracing, and support safe, prosocial decision-making and risk assessment, will all benefit from awareness of these findings. The results also suggest approaches, such as engaging people's stable values rather than their politicized perspectives on COVID-19, that may reduce stigma and promote cooperation in response to pandemic threats. (shrink)

There is reason for genuine puzzlement about Hume's aim in ‘The Natural History of Religion’. Some commentators take the work to be merely a causal investigation into the psychological processes and environmental conditions that are likely to give rise to the first religions, an investigation that has no significant or straightforward implications for the rationality or justification of religious belief. Others take the work to constitute an attack on the rationality and justification of religious belief in general. In contrast to (...) these views, I argue that Hume aims to establish two important claims in ‘The Natural History of Religion’. First, almost all popular religions, including popular monotheism, are deeply superstitious. Second, superstitious monotheism is incompatible with the variety of theism supported by the argument from design. This incompatibility puts significant pressure on the rational acceptability of popular religions. (shrink)

Although eighteenth-century Federalists, including James Madison, have been associated with the very contemporary idea of a transnational political order, the argument that the modern state with its centralised authority and supreme power poses a threat to liberty was already a subject of discussions during the period. The American Constitution was intended to establish a new political order, rather than a loose federation or an enlarged state. The Framers were not alone in their preoccupation with a transnational order; the German philosopher (...) Immanuel Kant struggled with the same issues of liberty and security in his political essays. This chapter examines how Madison and Kant grapppled with the problem of transnational order in the context of democracy and republicanism. It looks at the issues addressed by Kant and Madison that are closely related to those discussed today, including diversity, popular sovereignty and political violence. The chapter suggests that Kant and Madison, along with many other republicans of the time, explored the idea of government without resorting to the models of small-scale, ancient republics. (shrink)

The aim of this article is to investigate the Habermasian way of problematizing the European political situation through consideration of the conceptual framework within which he develops his proposal. I begin by clarifying various conceptual difficulties that emerge when thinking about politics within the European Union. I then focus on the concept of popular sovereignty as procedure, which Habermas develops in Between Facts and Norms against the historical backdrop of the nation state. In the debate regarding European constitutionalization, the (...) concept of popular sovereignty as procedure first assumes a critical function against proponents of the no demos thesis. More recently, Habermas has advanced a concept of shared/divided sovereignty, which becomes indispensable when we consider Europe as a democratic federation. The conclusions hereby drawn disclose two problematic aspects of Habermas’s recent proposal. Respectively, these concern the viability of his approach and the questionable plausibility of this proposed federation’s ability to uphold democracy in terms of self-determination. (shrink)

Religious views of the future often include detailed expectations of profound changes to nature and humanity. Popular American evangelical Christianity, especially writers like Hal Lindsey, Rick Warren, or Rob Bell, offer extended accounts that provide insight into the views of the future held by many people. In the case of Lindsey, detailed descriptions of future events are provided, along with the claim that forecasted events will occur within a generation. These views are summarized and compared to the secular idea (...) of a coming “intelligence explosion” or technological singularity as advanced by Ray Kurzweil, which is described in terms of its history as an idea and in terms of its specific proposals for the coming transformation of the cosmos, which is also predicted to occur within a generation. While profoundly different in important ways, these two perspectives share many features with each other—for example, in their respective predictions of distinct stages in the unfolding of the future of the cosmos. (shrink)

Although many accept the Rawlsian distinction between ‘end-state’ and ‘transitional’ principles, theorists disagree strongly over which feasibility constraint to use when selecting the former. While ‘minimalists’ favor a scientific-laws-only constraint, ‘non-minimalists’ believe that end-state principles should also be constrained by what people could (empirically) accept after reasoned discussion. I argue that a theorist who follows ‘non-minimalism’ will devise end-state principles that cannot be realized (as end-state principles), or cannot be stabilized (as end-state principles), or are indistinguishable in content from those (...) she would have selected had she followed ‘minimalism.’ The paper ends by outlining the implications of my analysis for the broader methodological map of political philosophy. (shrink)

In this paper, I study how mathematicians are presented in western popular culture. I identify five stereotypes that I test on the best-known modern movies and television shows containing a significant amount of mathematics or important mathematician characters: (1) Mathematics is highly valued as an intellectual pursuit. (2) Little attention is given to the mathematical content. (3) Mathematical practice is portrayed in an unrealistic way. (4) Mathematicians are asocial and unable to enjoy normal life. (5) Higher mathematics is ...

ABSTRACTIn Western and non‐Western societies, it is a widely held belief that the concept of human rights is, by and large, a Western cultural norm, often at odds with non‐Western cultures and, therefore, not applicable in non‐Western societies. The Universal Draft Declaration on Bioethics and Human Rights reflects this deep‐rooted and popular assumption. By using Chinese culture as an illustration, this article points out the problems of this widespread misconception and stereotypical view of cultures and human rights. It highlights (...) the often ignored positive elements in Chinese cultures that promote and embody universal human values such as human dignity and human rights. It concludes, accordingly, with concrete suggestions on how to modify the Declaration. (shrink)

There are some risks in producing public philosophy. We don’t want to misrepresent the work of philosophy or mislead readers into thinking they have learned all they need to know from a single, short book or article. The potential benefits, though, outweigh the risks. Public philosophy can disseminate important ideas and enhance appreciation for the difficult and complex work of philosophers. Popular writing is often less precise, lacking in fine detail and elaboration, but it can still be accurate . (...) People often need a simplified account to get an initial understanding. Whatever one thinks of the role of jargon in scholarly writing, its place should be minimal in popular writing. If physicists can write books of popular science with virtually no equations, philosophers can write books for a general audience with limited jargon. (shrink)

ABSTRACTThis article presents an ecolinguistic analysis of a popular digital simulation game, Animal Crossing: New Leaf. As the popularity and immersive capability of digital gaming continue...

ABSTRACTFor the Scottish Enlightenment thinker Adam Ferguson and many of his time, the history of the Roman Republic furnished the best case study for discussions of internal threats to a mixed system of government. These included factionalism, popular discontent, and the rise of demagogues seeking to concentrate power in their own hands. Ferguson has sometimes been interpreted as a ‘Machiavellian’ who celebrated the legacy of Rome and in particular the value of civic discord. By contrast, this article argues that (...) he is better understood as a disciple of Montesquieu, who viewed Rome as an anachronistic and dangerous ideal in the eighteenth century, the era of the civilized and commercial monarchy. The greatest fear of Ferguson was military despotism, which he believed was the likely outcome of democratic chaos produced by the levelling instincts of the ‘common’ people and demagogues prepared to harness their discontent. In such a scenario, a legitimate order in a mixed government would be turned into a faction putting the constitutional balance at risk, undermining intermediary powers, and ending liberty for all. (shrink)

The article analyses the necessary conditions an argument for popular punishment would need to meet, and argues that it faces the challenge of a dilemma of reasonableness: either popular views on punishment are unreasonable, in which case they should carry no weight, or they are reasonable, in which case the reasons that support them, not the views, should carry weight. It proceeds to present and critically discuss three potential solutions to the dilemma, arguing that only an argument for (...) the beneficial effects of coherence between popular views and penal policy is persuasive, but that it makes popular punishment less important than proponents claim, and offers a justification proponents will find it difficult to advance. (shrink)

Nowadays, young people from all over the world are fascinated by the mass popular culture of South Korea. This process of spread of Korean culture in the world came to be called “Korean current” or “Korean wave”, which became a kind of “Korean cultural boom”. The spread of the “Korean wave” has been compared to a viral disease that first spread throughout East Asia, then Southeast Asia, and eventually engulfed the entire world. Despite the fact that the phenomenon of (...) the “Korean wave” had a sufficient public resonance, due to its novelty and unexpected emergence, it remains an understudied subject of scientific study, especially in the West and in particular in Ukraine. That is why the topic of this study is relevant nowadays. The aim of the article to investigate the mass cultural phenomenon “Korean wave”, to analyze its sources and dynamics of development, to characterize its inherent features, to determine the aspects of its spread and popularization, to investigate its influence on world society and culture, as well as to find out the peculiarities of its influence on the consciousness of the masses. The research methodology is based on a philosophical and cultural analysis of such a mass phenomenon of modern artistic culture as the “Korean wave”. When writing the work, we tried to adhere to the principles of objectivism, systematicity, comprehensiveness and multifactoriality. To comply with these principles, we used a number of general scientific and special methods in the research: comparative-historical, axiological, phenomenological, logical, retrospective, analytical-synthetic, socio-critical, systemic, structural-functional, generalizing and statistical. Adherence to these principles and methods made it possible to avoid bias and tendencies in judgments. Results. Such a mass cultural phenomenon as the “Korean wave” is a kind of entanglement of opposite principles: modern Western (progressive-innovative) and traditional Eastern (Confucian) cultural values. It manifests itself in the spread of fashion to everything Korean (or to be more precise, South Korean): not only K-pop, dramas, toys, clothes and other types of South Korean entertainment industry, but also Korean cuisine, household items, etc. In the past, despite the geographical proximity and cultural connectivity, for political reasons the countries of Asia largely suppressed cultural exchanges among themselves. China, Korea and Japan began to develop cultural ties between themselves relatively recently. It should also be noted that South Korea is a country that was previously considered a cultural periphery in international exchanges, now it plays an important role in the regionalization of mass culture as a whole in East and Southeast Asia and the product produced by it is considered a center of mass culture and one of the ways of cultural exchange throughout Asia. Conclusions. To sum up, we can say that the great popularity of the “Korean wave” is a kind of leap in the modern culture of South Korea. This phenomenon is represented not only by the synthesis of modern Western (European-American) culture and traditional Eastern (Korean), but also by the fact that in our time it has turned into a powerful locomotive of the entire South Korean economy, a kind of “dragon’s head”. The phenomenon of the “Korean wave” helps to raise the level of the image of South Korea as a prosperous country, and also visually demonstrates the modern South Korean culture to the world. The “Korean Wave” demonstrates to other countries in Asia and to the whole world in general that South Korea is not a periphery in our time, it is no longer a third world country, and it is as modern an urbanized country as most of the developed countries of the West, which has not only modernized its culture, but also spread it, and even managed to influence other countries and their cultures. (shrink)

Artificial Intelligence (AI) Agents are often compared to psychopaths in popular news articles. The headlines are ‘eye-catching’, but the questions of what this analogy means or why it matters are hardly answered. The aim of this paper is to take this popular analogy ‘seriously’. By that, I mean two things. First, I aim to explore the scope of this analogy, i.e. to identify and analyse the shared properties of AI agents and psychopaths, namely, their lack of moral emotions (...) and their capacity for instrumental rationality. Second, I aim to examine the impact of the analogy. I argue that both agents, as ‘amoral calculators’, present the perfect candidates to revisit two long-standing debates on moral and criminal responsibility, regarding the necessity of moral emotions for ‘moral-agent-capacity responsibility’ and the necessity of ‘moral-agent-capacity responsibility’ for criminal responsibility. Finally, cross-examining the debates on the moral and criminal responsibility of psychopaths and AI agents is instructive and revealing. Instructive since the moral and legal treatment of psychopaths can be telling about the future treatment of AI agents (and vice versa) and revealing since it makes explicit our often-implicit philosophical commitments on the criteria of moral agency and the overarching purpose of criminal law. (shrink)

The present paper aims to investigate the role played by figurative language, in particular metaphor and simile, in expressing negative opinions in reviews of popular music albums. In order to explore this phenomenon at the intersection of cognitive linguistics, discourse analysis, and pragmatics, it makes use of language data gathered from selected critical reviews of music albums from a reputed English-speaking music website Pitchfork.com. More specifically, the paper analyses selected instances of negatively-laden metaphors and similes so as to demonstrate (...) how they are used to portray key objects of criticism such as music album as a whole, artists and their careers, music genre and its production, songs in the album, and their lyrics. Moreover, it analyses figurative imagery used to express negative opinions about these objects of criticism by pointing out the prominent role of personification and objectification. (shrink)

Julian Huxley’s contribution to twentieth-century biology and science popularisation is well documented. What has not been appreciated so far is that despite Huxley’s eminence as a public scientific figure and the part that he played in the rise of experimental zoology in Britain in the 1920s, his own research was often heavily criticised in this period by his colleagues. This resulted in numerous difficulties in getting his scientific research published in the early 1920s. At this time, Huxley started his (...) class='Hi'>popular science career. Huxley’s friends criticised him for engaging in this actively and attributed the publication difficulties to the time that he allocated to popular science. The cause might also have its roots in his self-professed inability to delve deeply into the particularities of research. This affected Huxley’s standing in the scientific community and seems to have contributed to the fact that Huxley failed twice in the late 1920s to be elected to the Royal Society. This picture undermines to some extent Peter J. Bowler’s recent portrayal of Huxley as a science populariser. (shrink)

The image of jazz in Ukrainian pop music is reproduced, the subcultures that dominate its modern manifestations are shown: African music, Irish-European melodies and rhythms, the interaction between pop music and folklore, a diametrically symmetrical structure, the appropriate composition of variable phrases (voice-instrument), various combinations of timbre acoustic electronics, a fusion of Ukrainian folklore and rock music. But, first of all, it is a harmonious combination of Afro-European traditions with Ukrainian folklore, its best examples. The article also talks about the (...) leading masters of Ukrainian jazz who managed to do this - Leonid Goldshtein and Igor Zhuromskyi, for whom the processing of folklore materials - household and African) with a predominance of appeals to the traditional folkloric Ukrainian musical stratum is characteristic. The aim. To reveal the image of jazz in Ukrainian pop music and its significance in the subculture. The tasks of the research are the analysis of the constituent subcultures in the modern representation of the art of Ukraine and their significance for the world artistic treasury. Research methodology. The methodology of the author’s research is based on the paradigmatic method, which allows determining the priority of artistic paradigms, the ratio of traditionally established and non-traditional vision of Ukrainian jazz culture. Reconstruction was also used - to reproduce the main milestones of the development of art of the 20th century within the scope of the research. Also, the methodology is based on a transdisciplinary approach, thanks to which we can study jazz not only in an art-historical aspect, but as a structure of European life of the given period. Research results: The results are as follows - it is 1) a feature of rock music style, such as heavy metal, punk rock, rock and roll, instrumental composition, the use of distinctive fans and unique sounding productions and vocals Intonation technology. 2) Saxophone melodies are built according to the Hutsul system with a characteristic degree of saxophone. 3) Official use of colomous rhythm in the voice. 4) Application of antique blues harmonic sequence. 5) Use of bluesy principles of questions and answers when alternating statements and instrumental episodes. 6) For vocal improvisation. Conclusion.So, we analyzed the interaction of Ukrainian modern pop and real folklore and jazz. Jazz, rock and pop styles were found, which are ideal for interpenetration with various Ukrainian subcultures, jazz-rock, free jazz, alternative music, rock and roll, blues-rock, trip-hop, pop ballad, disco music. The characteristics of the processing of folklore materials (domestic and African) are, first of all, an appeal to the traditional folklore layer, the method of performance (expressed by a real saxophone), the use of folk instruments or their tones. Depending on the genre that created jazz, rock and pop groups, the composition can be divided into folk songs and original compositions based on folklore. Popular music quotes folk and jazz material from pop music. (shrink)

This article reveals three aspects of victimhood in Bataille’s reading of Sade (of the other, of the self, and Sade’s language) and relates them to some of Bataille’s metaphysical and political notions: the impossible, the general and the restricted economy, sovereignty, and transgression. Doing so shows a progressive simplification of possibilities for transgression from the pre-Christian world to that of popular sovereignty, i.e., the sovereignty of the crowd, the latter leaving open one avenue for transgression: Sadean victimhood. The article (...) then applies these aspects to the pamphlet in Sade’s Philosophy in the Boudoir, “Frenchmen, Some More Effort If You Wish to Become Republicans,” in relation to a contemporaneous document of popular sovereignty, the preamble to the Constitution of the Year III, titled “Declaration of the Rights and Duties of Man and Citizen.” Attending to the aspects of Sadean victimhood in “Effort” shows that its system’s very impossibility makes it the Declaration’s logical completion. Finally, that impossibility is revealed as the sovereignty of the masses, distinct from that of the crowd. (shrink)

Nowadays references to the afterlife-angels strumming harps, demons brandishing pitchforks, God enthroned on heavenly clouds-are more often encountered in New Yorker cartoons than in serious Christian theological reflection. Speculation about death and its sequel seems to embarrass many theologians; however, as Greg Garrett shows in Entertaining Judgment, popular culture in the U.S. has found rich ground for creative expression in the search for answers to the question: What lies in store for us after we die? The lyrics of Madonna, (...) Los Lonely Boys, and Sean Combs; the plotlines of TV's Lost, South Park, and The Walking Dead; the implied theology in films such as The Dark Knight, Ghost, and Field of Dreams; the heavenly half-light of Thomas Kinkade's popular paintings; the ghosts, shades, and after-life way-stations in Harry Potter; and the characters, situations, and locations in the Hunger Games saga all speak to our hopes and fears about what comes next. In a rich survey of literature and popular media, Garrett compares cultural accounts of death and the afterlife with those found in scripture. Denizens of the imagined afterlife, whether in heaven, hell, on earth, or in purgatory, speak to what awaits us, at once shaping and reflecting our deeply held-if often somewhat nebulous-beliefs. They show us what rewards and punishments we might expect, offer us divine assistance, and even diabolically attack us. Ultimately, we are drawn to these stories of heaven, hell, and purgatory--and to stories about death and the undead--not only because they entertain us, but because they help us to create meaning and to learn about ourselves, our world, and, perhaps, the next world. Garrett's deft analysis sheds new light on what popular culture can tell us about the startlingly sharp divide between what modern people profess to believe and what they truly hope and expect to find after death--and how they use those stories to help them understand this life. (shrink)

The idea of the police as a “good order” from the Polizeiwissenschaft of absolutism was developed in the biopolitical model of caring for the population of the Modern era, engaged in ensuring safety and well-being. Being a product of mass society, the modern state has focused on influencing public opinion. In the XIX–XX centuries, there was a counter-movement of police supervision and art which gave rise to ‘police aesthetics’. Cinematography was an effective means of forming a desirable image of the (...) Soviet militia in the post-war period of normalization of public life. By contributing to the Soviet myth of developed socialism, militia cinema contributed to a screen-to-life transfer of a new norm of trust between representatives of power and citizens. This constructivist cinema involved the viewer in the cinematic reality by likening them to the main character, a militiaman who acts as a moral guide. In addition to forming the image of the ‘familial militia’, intellectual militia cinema—with its focus on professionalism—is actively developing. The most popular version of the latter is militia cinema that thematizes the moral rightness of militia officers fighting crime in the name of Soviet citizens. Involvement in the cinematic reality through assimilation, novelty, memory, and imagination included the romanticization of the historical events of the revolution. Militia cinema was inverted during the years of the perestroika. It exploited the effect of novelty associated with the viewer's immersion in emerging market relations. The viewer's interest was focused on the wrong, criminal, side of public life. Crime is romanticized, the militia is stigmatized. From constructing the myth of cooperation between the government and the population, militia cinema moves on to deconstructing the myth, achieving an effect of denigration. The fashion for American cinema brings elements of action, thriller, horror. The viewer is no longer included in the imperious project of transforming reality; they are attracted by the illusion, the spectacle. The latest police cinema, overcoming total deconstructionism, is busy reconstructing the spirit of Soviet militia cinema in modern settings. Oscillating between the intention to generate positive images of the police and the demonstration of the “truth of life”, modern police cinema contains the natal shoots of a new cinema in which the image of the police is important for the normalization of public life. (shrink)

Representations of breast cancer are examined in three popular women's periodicals targeting African American readers: Ebony, Essence, and Black Elegance. The researcher focuses specifically on representations that reflect certain ideas/ideals about the sharing and creating of information about the disease and related issues, such as health care and body image. Magazine selections are analyzed and critiqued according to the epistemological principles outlined by Patricia Hill Collins in Black Feminist Thought. The author calls for further research into how and why (...) particular social and cultural groups consume information about health and illness in particular ways. (shrink)

Control over food supply was advanced in the kingdom of France in the Eighteenth century by Physiocrat economists under the seemingly advantageous label of 'freedom of grain trade'. In 1764 these reforms brought about a rise in grain prices and generated an artificial dearth that ruined the poor, some of whom died from malnutrition. The King halted the reform and re-established the old regime of regulated prices; in order to maintain the delicate balance between prices and wages, the monarchy tried (...) to limit speculation in subsistence goods and achieved some success in regulating the provisioning of public markets. Le Mercier de la Riviere concluded that executing these reforms required more effective political control. After 1774 the new king gave the Physiocratic reforms a second chance, reforming property rights and establishing an aristocracy of the landed rich. Again, this led to price hikes and as a result so-called 'popular emotions' erupted. Turgot ordered military intervention to dispel the protesters, marking a first rupture between the monarchy and the people over speculation on subsistence. Turgot's experiment failed and he was dismissed, but the Physiocracy had discovered that the market in subsistence offered new opportunities for economic power under the misleading legitimacy of 'economic laws'. Turgot's followers, Dupont de Nemours and Condorcet, continued to develop this 'theory' that was later translated into a 'scientific language' that ultimately asserted the autonomy of the economic sphere and its alleged independence from ethics and politics. The paper examines the continuity of events through the six great jacqueries and the French Revolution, including the all- important agrarian reform that ensued after 1792. Robespierre's concept of 'popular political economy' is analysed and compared with the notion of unfettered private property rights that lies at the heart of neoliberalism. (shrink)

Contemporary feminisms are ineluctably drawn into comparisons with historic discourses, forms of praxis and tactical repertoires. While this can underscore points of continuity and commonality in ongoing struggles, it can also result in nostalgia for a more unified and purposeful feminist politics. Kate Eichhorn argues that our interest in nostalgia should be to understand feminist temporalities, and in particular the specific context in which we experience such nostalgia. Accordingly, this article takes up the idea that neoliberalism and populism, which have (...) given rise to both neoliberal feminism and femonationalism, have produced a series of contestations regarding the purpose and nature of feminist politics, as expressed by white popular feminism in the United Kingdom. This article examines two dimensions of feminist nostalgia: first, nostalgia for a more radical form of feminist politics – one not co-opted by neoliberal forces, not individualistic and not centred around online activism; and second, a nostalgia for the idea of ‘sisterhood’ – a time before white feminists were called upon to engage with intersectionality or be inclusive of trans-women. We analyse these themes through analysis of white popular feminism produced in the United Kingdom between 2010 and 2020, cautioning against a feminist nostalgia which neglects to engage with the radical politics of intersectionality. (shrink)

The driving question behind Sandra Leonie Field's exciting new book, Potentia, is: what, exactly, constitutes popular power? Field turns to two seventeenth-century political theorists, Thomas Hobbes and Benedict de Spinoza, to try to extract an account that might avoid Joseph Schumpeter's dismal conclusion that we should abandon all pretenses to popular power. In the process, she exposes problems with recent populist interpretations of Hobbes and Spinoza, showing that both of these figures appreciated the problems with identifying plebiscites with (...) popular power better than their "radical" interpreters. The result is a rich and stimulating work on a topic—namely, power—that remains somewhat undertheorized, at least... (shrink)

In this paper, I study how mathematicians are presented in western popular culture. I identify five stereotypes that I test on the best-known modern movies and television shows containing a significant amount of mathematics or important mathematician characters: (1) Mathematics is highly valued as an intellectual pursuit. (2) Little attention is given to the mathematical content. (3) Mathematical practice is portrayed in an unrealistic way. (4) Mathematicians are asocial and unable to enjoy normal life. (5) Higher mathematics is ...

El artículo recorre la obra de Rodolfo Kusch posicionando sus principales propuestas en la construcción de tres enfoques convergentes en su filosofía. El primer enfoque está relacionado con la fenomenología y la cultura. El segundo enfoque se refiere a la influencia de la antropología y el cuestionamiento por el símbolo. El tercer enfoque despliega una aproximación filosófico-política. Estos enfoques permiten introducir tres “horizontes de pregunta” principalmente relacionados con el método, con lo popular y con lo indígena, que son expuestos (...) como asuntos centrales en toda su obra. Estos “horizontes de pregunta” buscan comprender los alcances de la filosofía de Kusch y su contribución al pensamiento filosófico americano. This paper analyses the work of Rodolfo Kusch remarking his main philosophical proposals through three correlated perspectives. The first perspective refers to phenomenology and culture. The second focuses on the influence of anthropology and the problem of symbols. The third posits a political-philosophical approximation. These perspectives operate interdependently as the background for Kusch’s philosophy and allow us to introduce three “questioning horizons” related to the method, the popular and the indigenous as the central issues of his philosophical work. Thus, these “questioning horizons” build a platform to understand Kusch’s philosophy and his contribution to the Latin American philosophy. (shrink)

El presente artículo tiene como objetivo plantear que la obra de Jorge González –considerando en esta a su música (canciones, álbumes y colaboraciones), su iconografía (videos, portadas de discos y estética visual en general), así como su discursividad y rol público–, o lo que llamaremos su locus de enunciación, produce una síntesis de la música popular chilena. Desde el disco La voz de los 80, González permite replantear la inscripción crítica de la historia de la música popular chilena, (...) desde los años 60 hasta el presente (de ahí su carácter de «bisagra»), pero también al producir un encuentro singular entre la tradición lírica que cimentó la Nueva Canción Chilena con el primer movimiento de pop en Chile, que se llamó La Nueva Ola (en esto consistiría la «síntesis»). No obstante, esta lectura es efecto de los acontecimientos políticos ocurridos en Chile durante la revuelta de octubre del 2019 hasta el inicio de la pandemia, donde Jorge González se elevó como ícono y algunas de sus canciones fueron coreadas e interpretadas en las masivas protestas. Finalmente, este desplazamiento constituye una importante resistencia crítica a la cultura neoliberal, que trató de borrar, desde los años 80, el pasado musical anterior. (shrink)

The purpose of this research is to reflect on the role of the context environment of the contextualized situations of teaching school mathematics, which make significant contributions to the initial training of the mathematics teacher at the Universidad Popular del Cesar-Valledupar-Colombia, where the informants were the twelve students enrolled in the subjects of Elective III, Mathematics Didactics, History and Epistemology of Mathematics and Degree Work II, of the VI, VII, VIII and IX semesters respectively, of the Bachelor's Degree in (...) Mathematics program; assigned to the Faculty of Education, of the Universidad Popular del Cesar. The study was situated in the qualitative paradigm, under the epistemological approach of sociocultural constructivism, with the recapitulations of the foundations and orientations of the phenomenological-transcendental methodology. It is concluded that it is feasible to change the mathematics master class for a space where students can interact in the teaching-learning process, with the necessary knowledge to understand the messages of the context of the habitat of the subject who learns; and for this reason, the relationships of the trio: Teacher-School Mathematical Knowledge-Students and these with the context can always be placed in the context of mathematics education. (shrink)

This article argues that two distinctive varieties of antifascism took shape in the 1930s and endured through the late 1970s. These two varieties—Popular Front antifascism and anti-imperial antifascism—were in dialogue but in opposition to one another, and both were transnational mobilizing ideologies. Investigating these two antifascist movements allows us to place Europe in the wider world and demonstrate how anti-imperial activists of color simultaneously “provincialized” Europe and situated it within a global framework. The effort also highlights the need to (...) rethink the history of the European Left through the framework of antifascism. (shrink)

In at least one respect, classical music is superior to popular music. Classical music has greater potential for expressiveness and, consequently, has more potential for psychological insight and profundity. The greater potential for expressiveness in classical music is due, in large part, to it greater harmonic resources. The harmonies in classical music are more likely to be functional, more contrary motion is employed, and modulation is more common. Although popular music employs rhythms not found in classical music, on (...) the whole there is less rhythmic variety in popular music than there is in classical. (shrink)

O texto busca compreender e avaliar as influências das filosofias políticas de Rousseau e Kant no pensamento habermasiano. Ele se atém sobretudo à ideia fundamental de Direito e democracia, segundo a qual há uma cooriginariedade lógica entre direitos humanos, interpretados como direitos fundamentais de liberdade individual, e a soberania popular, interpretada como direitos políticos de participação e comunicação, no processo de formação pública da opinião e vontade. Defende-se que a crítica habermasiana a Rousseau e a Kant se deve ao (...) projeto de radicalização da democracia, para o qual as contribuições dos dois filósofos apresentam ainda alguns obstáculos. Porém, ao mesmo tempo, pode-se dizer que, segundo Habermas, a contribuição de um serve para sanar os problemas presentes na contribuição do outro. This text analyzes and evaluates the influence of the political philosophies of Rousseau and Kant in Habermasian thought. It stresses the fundamental idea of Faktizität und Geltung, according to which there is a logical co-originality of human rights, interpreted as fundamental rights of individual liberty, and popular sovereignty, understood as political rights of participation and communication in the process of public formation opinion and will. It is argued that Habermas' critique of Rousseau and Kant is due to Habermas' project of the radicalization of democracy, to which the contributions of the two philosophers present some obstacles. Nevertheless, it may be said that, according to Habermas, the contribution of each one serves to solve the problems in the contribution of the other. (shrink)

The date of Ādi Śaṅkarācārya has been one of the unsolved problems of Indian Philosophy. He is generally accepted to have lived from 788 to 820 CE and is thus assigned from the end of the eighth century to the beginning of the ninth century. So far scholars who have worked on this problem have consulted his hagiographies and his works to determine his date. However, they have not studied the date of Ādi Śaṅkarācārya by placing him in the context (...) of the development of religion in South India. Nor have they consulted South Indian sources, especially Tamiḻ texts, to see if there are any references to his philosophy. In this paper, I study the problem of the date of Ādi Śaṅkarācārya by consulting Tamiḻ sources and the hitherto less consulted epicŚivarahasya. I also connect his date with the emergence of Śaivism as a popular religion in South India. Based on my study, I place Ādi Śaṅkarācārya in the fifth century BCE and as a result, I emphasize the importance of redating Hindu scriptures, especially theVedas, as Ādi Śaṅkarācārya is the earliest commentator. (shrink)

In this essay, I identify the reasons that libertarian principles have failed to capture the popular imagination as an acceptable form of civil society. By the term “libertarian” I mean a belief in and commitment to a set of methods and policies that have as their common aim greater freedom under law for individuals. The term “freedom” in this context means not only a commitment to civil liberties, such as freedom of expression, but also to economic liberties, including a (...) commitment to a laissez-faire policy of free enterprise and free trade between countries. Libertarians, therefore, are committed to the absolute minimum state intervention in the economy as well as in people's private lives. In a world constrained by these libertarian principles, people should be permitted to do as they please, constrained only by rules that prevent them from encroaching on the liberty of others. (shrink)

Images and concepts of the 'posthuman' go back at least as far as the famous 'madman parable' in F. Nietzsche's The Gay Science, and their 'roots' go back much further still. In turn, the image or theme of the posthuman has played an increasingly important role in recent literature, film, and television, where the notion of humanity as a 'larval being' (G. Deleuze) that transforms itself or is being transformed into something else, for better or worse, has become increasingly common. (...) This book explores these concepts in relation to biblical texts, particularly texts from the gospel of Mark but also from the books of Daniel, Jonah and Qoheleth (Ecclesiastes), and the Acts of the Apostles. At the same time, texts from recent popular culture are examined, including novels by J. Morrow, C. Miéville and G. Ryman, the movies Local Hero and Lars and the Real Girl, and the Heroes TV series among others. Through a kind of inverted causality, recent texts in various media such as these transform earlier and otherwise unrelated ones, including biblical texts, into precursors, giving them new, postmodern meanings, just as the older texts once signified in still other ways before the advent of the familiar modern world. As a result, biblical texts signify in remarkably different ways in relation to the posthuman. Posthuman beings appear in both biblical and non-biblical texts, and the biblical phrase 'sons of men' (in both plural and singular versions) plays a crucial role, where it too takes on meanings that range far beyond the conventional or traditional ones. (shrink)

A tradição interpretativa de Maquiavel reconhece a centralidade do povo como ator político. No entanto, sobre a função que desempenha existe um amplo espectro de interpretações. Em um extremo estão aquelas que o concebem como ente passivo, sem iniciativa política autônoma. No outro, as que lhe conferem um papel ativo no governo da cidade. Muito embora o próprio Maquiavel fale do povo como animado por um “desejo negativo”, disso não resulta uma passividade popular. Neste trabalho mostraremos que o povo (...) é ator político ativo autônomo que atua na cena pública de dois modos principais. Uma forma extra-institucional exercida pelos tumultos por meio dos quais o povo luta por leis. E uma forma intra-institucional exercida por meio de estruturas legais e institucionais com os quais o povo age com as leis. (shrink)

Abstract:The pedagogical strategy of students choosing their own friends with whom to work in classroom contexts (under the guise of democratic participation) because this is how popular musicians learn, has mostly gone uninterrogated in the literature. Approaching the question of how to create a common world through a critical examination of the unexamined assumptions that underpin emerging celebratory discourses on friendship, I consider the ways in which the words friends and friendship are indiscriminately used without acknowledging that the soundness (...) of this pedagogical choice is based on data collected from people (‘real life’ popular musicians) who are in, more often than not, instrumental relations of utility. In doing so I call for a rereading of friendship groups in order to resist the neoliberal injunction of self-interest, a survival-of-the-fittest ethos, and unchecked individualism. To that end I question the ways in which friendship groups in popular music groupings have become sites for developing and perfecting the neoliberal self. (shrink)

La problemática de la cultura popular ha sido abordada desde diversos marcos teóricos a partir de su inclusión entre los temas necesarios para comprender una sociedad integralmente. El artículo estudia los aportes realizados por Antonio Gramsci, quien desde una visión marxista heterodoxa, propone un análisis de los sectores subalternos que permite vislumbrar virtudes y limitaciones. Los conceptos filosofía espontánea, sentido común y filosofía de la praxis, surgen como fundamentales para el análisis teórico y la práctica política transformadora y para (...) una necesaria revisión de las herramientas analíticas que ofrecen las teorías clásicas ante la especifica y compleja realidad latinoamericana. (shrink)

Listeners can attend to and track instruments or singing voices in complex musical mixtures, even though the acoustical energy of sounds from individual instruments may overlap in time and frequency. In popular music, lead vocals are often accompanied by sound mixtures from a variety of instruments, such as drums, bass, keyboards, and guitars. However, little is known about how the perceptual organization of such musical scenes is affected by selective attention, and which acoustic features play the most important role. (...) To investigate these questions, we explored the role of auditory attention in a realistic musical scenario. We conducted three online experiments in which participants detected single cued instruments or voices in multi-track musical mixtures. Stimuli consisted of 2-s multi-track excerpts of popular music. In one condition, the target cue preceded the mixture, allowing listeners to selectively attend to the target. In another condition, the target was presented after the mixture, requiring a more “global” mode of listening. Performance differences between these two conditions were interpreted as effects of selective attention. In Experiment 1, results showed that detection performance was generally dependent on the target’s instrument category, but listeners were more accurate when the target was presented prior to the mixture rather than the opposite. Lead vocals appeared to be nearly unaffected by this change in presentation order and achieved the highest accuracy compared with the other instruments, which suggested a particular salience of vocal signals in musical mixtures. In Experiment 2, filtering was used to avoid potential spectral masking of target sounds. Although detection accuracy increased for all instruments, a similar pattern of results was observed regarding the instrument-specific differences between presentation orders. In Experiment 3, adjusting the sound level differences between the targets reduced the effect of presentation order, but did not affect the differences between instruments. While both acoustic manipulations facilitated the detection of targets, vocal signals remained particularly salient, which suggest that the manipulated features did not contribute to vocal salience. These findings demonstrate that lead vocals serve as robust attractor points of auditory attention regardless of the manipulation of low-level acoustical cues. (shrink)

In the Discourses on Livy, Machiavelli maintains that the people is often superior epistemically to princes. This forms the outlines of an argument from popular epistemocracy. However, in light of his theory of humours, how can governance belong to the most epistemically capable if they are driven solely by a negative desire? How can the best decisions regarding domination be made by those who only have a desire to not dominate? This paper develops the thesis that the people’s negative (...) humours can be consistent with the claim that it has the best epistemic capacities to rule insofar as such capacities are understood only negatively, based on the people’s competencies to assess error and identify mistakes in collective decision-making. The argument is divided into three sections. The first unpacks the problem by clarifying how multiplicity in Machiavelli has more robust epistemic value and, consequentially, more political value in certain circumstances. The second explains the negative dimension of epistemic capacity and how Machiavelli attributes it to the people by highlighting two epistemically crucial characteristics: multiplicity and diversity. The third lists the people’s three forms of negative governance displayed in the Discourses: intra-institutional opposition, institutional participation (in litigation, the selection of magistrates, and lawmaking), and extra-institutional contestation. In the end, it should be clear that Machiavelli qualifies as an epistemocrat with democratic tendencies insofar as the people fulfils the role of a ‘negative legislator’. (shrink)

These essays showcase the value of the narrative arts in investigating complex conflicts of value in moral and political life, and explore the philosophical problem of moral dilemmas as expressed in ancient drama, classic and contemporary novels, television, film, and popular fiction. From Aeschylus to Deadwood, from Harriet Beecher Stowe to Harry Potter, the authors show how the narrative arts provide some of our most valuable instruments for complex and sensitive moral inquiry.