To explain why we should be structurally rational – or mentally coherent – is notoriously difficult. Some philosophers argue that the normativity of structural rationality can be explained in terms of substantive rationality, which is a matter of correct response to reason. I argue that the psychological phenomena – positive illusions – are counterexamples to the substantivist approach. Substantivists dismiss the relevance of positive illusions because they accept evidentialism that reason for belief must be evidence. I argue that (...) their evidentialist stance would imply that we are caught in unsolvable dilemmas arising from positive illusions. (shrink)

It is a common assumption among both philosophers and psychologists that having accurate beliefs about ourselves and the world around us is always the epistemic gold standard. However, there is gathering data from social psychology that suggest that illusions are quite prevalent in our everyday thinking and that some of these illusions may even be conducive to our overall well being. In this paper, we explore the relevance of these so-called 'positive illusions' to the free will debate. More specifically, (...) we use the literature on positive illusions as a springboard for examining Saul Smilansky 's so-called 'free will illusionism '. At the end of the day, we will use data from both social and developmental psychology concerning perceived control to try to show that his view is on shaky empirical footing. (shrink)

Rather than being a genuine adaptation, are examples of doxastically uncommitted policies implemented at both the individual and societal levels. Even when they are genuine misbeliefs, most positive illusions are not evolved but ephemeral – a phenomenon limited to a particular social and economic moment. They are essentially a consumer response to messages from the pop-psychology industry in the recently terminated era of easy credit.

ABSTRACT People tend to be unable to evaluate themselves accurately in many areas. One such area is their own and others’ morality. The current research explores the self–other moral valuation difference in the context of moral foundation theory. We propose that people generally have a moral positive illusion. Specifically, people overestimate their own morality and underestimate the morality of others. Two studies provide converging evidence that individuals underestimate the average moral valuations of others on the five dimensions of (...) moral foundation theory. In particular, we demonstrate three moderators for moral positive illusion: moral foundation type, gender, and political identity. Specifically, compared with the binding foundations, people have greater moral positive illusions based on the individualizing foundations; compared to men, women have greater moral positive illusions; and compared with liberals, conservatives have greater moral positive illusions based on the binding foundations. (shrink)

McKay & Dennett (M&D) argue that positive illusions are a plausible candidate for a class of evolutionarily misbeliefs. I argue (Flanagan 1991; 2007) that the class of alleged positive illusions is a hodge-podge, and that some of its members are best understood as positive attitudes, hopes, and the like, not as beliefs at all.

We question a central premise upon which the target article is based. Namely, we point out that the evidence for is in fact quite mixed. As such, the question of whether positive illusions are adaptive from an evolutionary standpoint may be premature in light of the fact that their very existence may be an illusion.

There is a distinctive form of existential anxiety, neuroexistential anxiety, which derives from the way in which contemporary neuroscience provides copious amounts of evidence to underscore the Darwinian message—we are animals, nothing more. One response to this 21st century existentialism is to promote Eudaimonics, a version of ethical naturalism that is committed to promoting fruitful interaction between ethical inquiry and science, most notably psychology and neuroscience. We argue that philosophical reflection on human nature and social life reveals that while working (...) to be and remain biologically fit, humans also seek meaning in a way that conforms to a pattern recognized by Plato. We argue that human beings should seek “the good,” “the true,” and “the beautiful”; moreover, the proper measure of human flourishing is the degree to which humans achieve these three, in a maximally harmonious way. One potential problem with this view, however, is that it might privilege the role of truth, such that if there is a conflict among these three, what is good or beautiful should yield to what is true. But this seems to conflict with evidence from neuroscience and psychology (e.g. the study of positive illusions) which suggests that people with a tendency to form and harbor certain false beliefs tend to more easily achieve eudaimonia than do those for whom truth takes precedence in all domains. We argue that this conflict is only apparent: the false beliefs in question are not literally beliefs; instead, they are an amalgam of belief and desire, an amalgam that we dub, tertullian beliefs (or, t-beliefs). Among other things, what is distinctive about t-beliefs is that they are able to change the world, in certain specific ways, such that, strictly speaking, it would be erroneous to say of them that they aim away from the truth. Paradoxically, it is because they seem to aim away from the truth, that they are sometimes able to succeed in changing the world so that it matches what we desire, or, what we t-believe. (shrink)

Most people hold overly (though not excessively) positive self-views of themselves, their ability to shape environmental events, and their future. These positive illusions are generally (though not always) beneficial, promoting achievement, psychological adjustment, and physical well-being. Social processes conspire to produce these illusions, suggesting that affiliation patterns may have evolved to nurture and sustain them.

McKay & Dennett (M&D) have done an admirable job of distinguishing among various forms of misbelief and evaluating the idea that they stem from evolved mental mechanisms. We argue that a complete account of misbeliefs must attend to the role that others play in creating and maintaining positive illusions.

It is a foundational prediction of evolutionary theory that human beliefs accurately approximate reality only insofar as accurate beliefs enhance fitness. Otherwise, adaptive misbeliefs will prevail. Unlike McKay & Dennett (M&D), we think that adaptive belief systems rely heavily upon misbeliefs. However, the case for positive illusions as an example of adaptive misbelief is weak.

In a well-known paper “Illusion and well-being”, Taylor and Brown maintain that positive illusions about the self play a significant role in the maintenance of mental health, as well as in the ability to maintain caring inter-personal relations and a sense of well-being. These illusions include unrealistically positive self-evaluations, exaggerated perceptions of personal control, and unrealistic optimism about one's future. Accurate self-knowledge, they maintain, is not an indispensable ingredient of mental health and well-being. Two lines of criticism (...) are directed against the creative self-deception hypothesis, one methodological and one substantive. First, it is argued that Taylor and Brown's method of eliciting experimental subjects' self-reports and comparative self-ratings under artificial experimental conditions lacks ecological validity and phenomenological realism. Second, it is argued that positive illusions diminish the range of reactive other-regarding attitudes and emotions that people can adopt. A literary case history (Ibsen's The wild duck ) which satisfies the criteria of ecological adequacy is used to illustrate the latter point. (shrink)

There is a widespread practice of using evidence obtained from conceiving/imagining for establishing possibility claims. As a case study. I offer a critical reconstruction of an influential conceivability argument, Bohn’s (Philosophical Quarterly 59:193-201, 2009a, Analysis 70:296–298, 2009b, Analysis 70:296-298, 2010) argument for junk (there are proper parts forming wholes, but there is no whole that is not a proper part itself). The most influential scenario used by Bohn and his successors is purported to be junk but not ensured to be (...) junk. This finding calls for an explanation. I distinguish ways of conceiving/imagining that are insufficient to establish modal claims from positive conceiving/imagining, which is more promising. Positive conceiving/imagining often works by a partial structural isomorphy to its target, and it is sufficiently detailed. In order to be sufficiently detailed, it has to properly integrate theoretical considerations. I outline a concern about extant ways of conceiving/imagining junk: they do not yet include a metaphysical understanding of what it takes for there to be proper parts and wholes without a whole that is not a proper part itself, for instance in terms of a non-gerrymandered principle of composition. (shrink)

Are there illusions of duration? Certainly, many experiences of an event’s duration differ from its measure in clock duration, the measure of that event in seconds, minutes, hours, and so forth. However, I argue that an illusory duration requires more than difference from a real duration; it requires difference from a duration that is relevant to experience. It is plausible to hold that there are many kinds of real duration and reason to question the relevance of all of them. In (...) particular, the interpretation of experienced duration as illusory is typically because it is compared to clock time; the experience of duration goes wrong by being different from a clock measurement of duration. -/- However, I argue that clock duration is not obviously relevant to evaluating the experience of duration. One might hold that it is plausible to evaluate experience by clock duration because clocks more closely match reality than experiences do; on the scale of experience, clock time is no different to real duration. It is not that experienced duration is an illusion because it is merely different from clock duration; it is an illusion because it is different from real duration and we know this because of its difference from clock duration. It is like illusions of size: some object seems to be a size it is not, and we know this by comparing it to an object we can otherwise accurately measure by meters. -/- However, unlike size illusions, it is not clear what the ‘real duration’ is against which we should evaluate apparent duration. What is meant by ‘real duration’ involves either (a) an appeal to the duration of substantial absolute time or (b) some kind of duration in things, e.g., duration which is the measure of change in some kind of process. (a) is an irrelevant duration; few positions hold that we experience absolute time. As for (b), if real duration is a measure of change, then, for experienced duration to match clock duration, they must both agree on the relevant change. If there is a difference in what is treated as the real duration, then neither experience nor clocks can be treated as evaluable in terms of the other. -/- Finally, we may have an illusory duration because there are cases of variation between experiences of the same duration. Yet, even here, we may be misled; we may not be directly comparing experiences. We compare the experienced durations through first measuring each in terms of clock duration. If there is a variability in the relationship between clock standard and some relevant standard for experience, then one expects anything accurately meeting one standard to differ from anything accurately meeting the other. The error is holding there is a stable relationship between the standards. This error is not a matter of our experience of duration, and so is not an illusion of duration. (shrink)

Exploring illusions of control in a wide variety of domains, the authors posit a practical way to minimize negative consequences.

A central thesis of Frankish's argument for illusionism is the claim that illusionism is possibly true. This is what the realist about phenomenal consciousness must deny. Frankish's argument for that premise is based on a widely shared understanding of phenomenal consciousness as being a matter of certain events instantiating special properties. I argue that the illusionist's reasoning is difficult to avoid if one accepts this common account. A positive argument for the thesis that the mere possibility of illusionism can (...) be excluded is developed. It uses a proposal about how the notion of phenomenal consciousness should be taken to pick out the phenomenon it refers to. Given that account it becomes obvious that the illusionist cannot be understood as seriously accepting his own theory. The belief in illusionism thus turns out to be an illusion. (shrink)

The Illusion of the Body: Introducing the Body Alive Principle is the divinely inspired work of author David Almeida. This book opens the door to a new understanding in metaphysical thinking. The author draws on the philosophy of panpsychism to support his contention that an unseen ocean of consciousness exists all around us, and within our own bodies (i.e. cells, organs, and systems). The author refers to the Body Alive Principle as “panpsychic healing.” This text offers proven techniques for (...) communicating with the body intelligences the author terms the “little minds.” This process is intended to bring healing to those with both minor and severe medical conditions. Some of the most common medical complaints treated by the Body Alive Principle includes:1. Back or neck pain2. Allergies3. Arthritis/rheumatism4. Difficulty walking5. Headaches6. Lung problems7. Digestive8. Gynecological9. Anxiety disorders10. Heart conditionsThe author contends that even the most nefarious medical issues are curable or can be successfully managed using the Body Alive Principle. This is accomplished through the action of human “super mind”, which will at times consciously supervise the activities of the little minds. The Illusion of the Body instructs its Body Alive practitioners to approach their recovery using several time-tested techniques. Three widely recognized methods are employed in the application of the panpsychic healing philosophy. These modalities are creative visualization and empathetic listening followed by affirmative commands. Each technique is essential to the effectiveness of the Body Alive Principle.This book also discusses guilt and its deleterious effect on the body. True guilt has a beneficial quality when it prevents us from repeating an unacceptable behavior. Beyond this, guilt causes us to become ineffectual. The author holds that this antiquated form guilt needs to be purged, so that we may move on with our lives. A step-by-step process for liberating oneself from the chains of guilt is provided.There is also a section dedicated to trauma because of its potential to immobilize an affected person. Traumatic experiences suddenly unleashed on the body may produce waves of acute anxiety, which wreak havoc on its finely tuned systems. The author recounts his personal experience of negotiating the discharge of negative experiences with the entities supporting them.The Body Alive Principle promotes the importance of adhering to high moral standards in order to maintain homeostasis within ourselves. Integrity is of the outmost importance to the little minds. The author emphasizes the necessity for one to act within the domain of moral excellence. However, the author makes it clear that integrity is a process we work to perfect throughout our lives.The Illusion of the Body represents the author's many years of metaphysical study and experimentation. The author hopes to generate a greater awareness and appreciation of our precious bodily intelligences. The organic vessels that contain our consciousness are alive. They are almost countless in number. If we, the super mind can learn to communicate with the little minds in a positive way, we can ensure ourselves of a more comfortable journey. (shrink)

Saul Smilansky's Illusionism suggests that some false beliefs are important enough to warrant the indefinite perpetuation of illusions in order to protect the larger moral community from breaking down. In this article I suggest that this position actualises an old educational paradox where education is expected to protect the common moral community (even if this means maintaining some illusions), and at the same time promote the pursuit of truth. Taking Smilansky's position of Illusionism as a starting point, I argue that (...) while Illusionism highlights and addresses an important problem—that sometimes false beliefs can function to maintain social stability where the truth threatens to unsettle it—relying on indefinite illusions is problematic from an educational point of view. It is difficult to justify that education, being at least in part motivated by truth-seeking, should (or even could) be grounded in illusion. Taking seriously the fact that a dimension of education concerns maintaining social stability, I suggest that Spinoza's notion of fiction can complement Smilansky's view in that it can be conceived in terms of an instrument for maintaining social stability and promoting truth-seeking without assuming that one end is pursued at the expense of the other. (shrink)

This paper develops a new interpretation of the “table of nothing” that appears at the end of the transcendental aesthetic in the Critique of Pure Reason. In contrast to previous interpretations, which have taken it to be part of Kant’s account of the failures of reason, this paper argues that it should be understood as proffering Kant’s positive account of the objects he will be concerned with in the transcendental dialectic, namely objects that, properly understood, are nothing. I examine (...) the four nothings in turn, showing how Kant’s concern is to develop a positive account of each one that allows him to determine its object while recognizing that it in some sense is not. I introduce Allison’s distinction between error and illusion and argue that the table of nothing is Kant’s theoretical account of what illusions are as objects, and thereby explains how something like a transcendental dialectic is possible at all. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Illusions of KnowingMatthew T. Kapstein (bio)Knowing Illusion: Bringing a Tibetan Debate into Contemporary Discourse, Volume I: A Philosophical History of the Debate, and Volume II: Translations. By The Yakherds ( José Cabezón, Ryan Conlon, Thomas Doctor, Douglas Duckworth, Jed Forman, Jay Garfield, John Powers, Sonam Thakchöe, Tashi Tsering, and Geshé Yeshes Thabkhas). New York: Oxford University Press, 2020.Metaphysics is a subject much more curious than useful, the knowledge (...) of which, like that of a sunken reef, serves chiefly to enable us to keep clear of it.Charles S. Peirce, "How to Make Our Ideas Clear"I. The Elusive Way to the MiddleKnowing Illusion: Bringing a Tibetan Debate into Contemporary Discourse is the fruit of collaborative efforts by the Yakherds, a group of scholars stemming from the earlier Cowherds, in which two of the present herdsmen—Sonam Thakchöe and Jay Garfield—were active as well.1 In moving from the broad issues of Buddhist philosophy that occupied the Cowherds to a tightly focused study of a particular debate in Tibet, the group has parted from the gentle cattle of the Indian plains to tend more rugged Himalayan stock. The present work, in two volumes, offers an exceptionally lucid guide to some of the main lines of Madhyamaka thought in Tibet and the disputes that these engendered. It constitutes an essential contribution to our knowledge of the philosophical traditions of Tibetan Buddhism, but, beyond this, merits the attention of those focusing on their Indian background and on Buddhist philosophies more generally. Indeed, Knowing Illusion is among the rare works in this area that may be profitably taken up by philosophers who are not specifically concerned with Buddhist or other Asian ways of thought, but who may wish to explore approaches beyond those of the Euro-American tradition to some of the central topics of philosophy overall: truth and falsehood, knowledge and ignorance, existence and illusion, belief and argument. Of the many interesting [End Page 1023] questions raised in Knowing Illusion, whether from the perspective of specialized Tibetan Buddhist Studies or of philosophy more broadly, only a sample can be addressed in the space of this review.The unifying thread in Knowing Illusion is a series of written disputes that were provoked by a fifteenth-century teacher belonging to the Sakyapa order of Tibetan Buddhism, Taktsang Sherab Rinchen (1405–1477), in his treatise titled Freedom from Extremes Accomplished through Comprehensive Knowledge of Philosophy (hereinafter Comprehensive Knowledge of Philosophy).2 Central to these debates was the challenge of squaring the Madhyamaka philosophy of Nāgārjuna (second century c.e.), whose teaching of ultimate emptiness (śūnyatā) seemed to undermine most—perhaps all—claims to knowledge, with the positive theory of knowledge (pramāṇa) advanced by Dignāga (fifth century c.e.) and Dharmakīrti (sixth century c.e.). The problem had already preoccupied Indian Buddhist thinkers, including philosophers Bhāviveka (sixth century c.e.) and Śāntarakṣita (eighth century c.e.), who sought to harmonize the insights of Madhyamaka with those of the pramāṇa school, and Dharmakīrti's contemporary Candrakīrti, whose trenchant interpretations of Nāgārjuna appeared to undermine the entire project of a 'theory of knowledge'.3 In Tibet, thinkers of the former camp came to be known as proponents of Svātantrika-Mādhyamika (so-called because they affirmed that emptiness could be established through positive proof, svatantra), while those allied with Candrakīrti were said to follow Prāsaṅgika-Mādhyamika (who allowed only indirect proof, reductio ad absurdum, or prasaṅga).4The debate reemerged forcefully in Tibet, and not merely as a historical exercise, in tandem with the expansion of monastic colleges there during the twelfth century, as Tibetan teachers increasingly elaborated original perspectives on the Indian classics. Many aspects of the Svātantrika/Prāsaṅgika split were co. (shrink)

Illusion is a significant concept in philosophy, art history, literary theory and aesthetics. It has a concrete scientific basis in the perspective of modern cognitive neuroscience. Historically, it has been critically discussed by many philosophers, including Plato, Bacon, Descartes, Kant, and Nietzsche, who considered it to be a distortion of reality. Yet illusion is connected with so many basic aesthetic issues -- such as ambiguity, imagination, and imagery -- that it remains an indispensable concept in modern aesthetics. In (...) the different art media communication of creators with appreciators involves illusory imagery. Its importance is emphasized by Ernst Gombrich in his Art and Illusion, one of the most influential art history texts in the English-speaking world. The concept of illusion becomes the crossing point of classical philosophy and contemporary aesthetics. In this article, the philosophical, psychological and aesthetic bases of illusion will be introduced. In different fields, illusion has different content, but depends on the same psychological mechanisms. The neural mechanisms that underpin aesthetic illusion in contemporary artistic production also function in the modern ideology described by Adorno, Eagleton, and Williams. Not all aesthetic illusions have positive functions, which sometimes leads to distorted cognition and emotional complexity. When it deviates too far from reality, aesthetic illusion contains particular cognitive emotional qualities that conflict with artistic imagery in classical arts. As a bearer of modern aesthetic emotion, it is also shaped by special economic and political situations and always has a kind of ideological character. Thus aesthetic illusion often promotes new configurations of aesthetics and art history. (shrink)

Are there illusions of duration? Certainly, many experiences of an event’s duration differ from its measure in clock duration, the measure of that event in seconds, minutes, hours, and so forth. However, I argue that an illusory duration requires more than difference from a real duration; it requires difference from a duration that is relevant to experience. It is plausible to hold that there are many kinds of real duration and reason to question the relevance of all of them. In (...) particular, the interpretation of experienced duration as illusory is typical because it is compared to clock time; the experience of duration goes wrong by being different from a clock measurement of duration. However, I argue that clock duration is not obviously relevant to evaluating the experience of duration.In response, one might hold that it is plausible to evaluate experience by clock duration because clocks more closely match reality than experiences do; on the scale of experience, clock time is no different to real duration. It is not that experienced duration is an illusion because it is merely different from clock duration; it is an illusion because it is different from real duration and we know this because of its difference from clock duration. It is like illusions of size: some object seems to be a size it is not and we know this by comparing it to an object we can otherwise accurately measure by meters.However, unlike size illusions, it is not clear what the ‘real duration’ is against which we should evaluate apparent duration. What is meant by ‘real duration’ involves either an appeal to the duration of substantial absolute time or some kind of duration in things, for example, duration which is the measure of change in some kind of process. is an irrelevant duration; few positions hold that we experience absolute time. As for, if real duration is a measure of change, then, for experienced duration to match clock duration, they must both agree on the relevant change. If there is a difference in what is treated as the real duration, then neither experience nor clocks can be treated as evaluable in terms of the other.Finally, we may have an illusory duration because there are cases of variation between experiences of the same duration. Yet, even here, we may be misled; we may not be directly comparing experiences. We compare the experienced durations through first measuring each in terms of clock duration. If there is a variability in the relationship between clock standard and some relevant standard for experience, then one expects anything accurately meeting one standard to differ from anything accurately meeting the other. The error is holding there is a stable relationship between the standards. This error is not a matter of our experience of duration, and so is not an illusion of duration. (shrink)

Das Filmbild vermittelt die Illusion der Realpräsenz des Dargestellten und ist zugleich Ikon und Index im Sinne von Peirce, so lautet eine Bestimmung der akademischen Filmtheorie, die seit den frühen siebziger Jahren gängig war und durch die Einführung digitaler, das heißt vermeintlich nicht-indexikalischer Verfahren der Bildproduktion in den neunziger Jahren in die Krise geriet. Der Aufsatz vertritt die Position, dass Indexikalität ganz unabhängig von den jeweiligen medientechnischen Bedingungen nicht ausreicht, um die Spezifik des filmischen Bildes zu bestimmen. Stattdessen wird (...) im Anschluss an Goodman der Vorschlag unterbreitet, Denotation Denotation sein zu lassen und das filmische Bild als Exemplifikation von photographischer Qualität in der Zeit aufzufassen. (shrink)

Investigating perceptual and cognitive abilities of zoo animals might help to improve their husbandry and enrich their daily life with new stimuli. Developing new environmental enrichment programs and devices is hence necessary to promote species-specific behaviours that need to be maintained in controlled environments. As far as we are aware, no study has ever tested the potential benefits of motion illusions as visual enrichment for zoo animals. Starting from a recent study showing that domestic cats are spontaneously attracted by a (...) well-known motion illusion, the Rotating Snake (RS) illusion, we studied whether this illusion could be used as a visual enrichment for big cats. We observed the spontaneous behaviour of three lionesses when three different visual stimuli were placed in their environment: the RS illusion and two control stimuli. The study involved two different periods: the baseline and the RS period, in which the visual stimuli were provided to the lionesses. To assess whether the lionesses were specifically attracted by the RS illusion, we collected data on the number of interactions with the stimuli, as well as on the total time spent interacting with them. To investigate the effect of the illusion on the animals’ welfare, individual and social behaviours were studied and compared between the two periods. The results showed that two lionesses out of three interacted more with the RS stimulus than with the two control stimuli. The fact that the lionesses seemed to be more inclined to interact with the RS stimulus indirectly suggests the intriguing possibility that they were attracted by the illusory motion. Moreover, behavioural changes between the two periods were reported for one of the lionesses, highlighting a reduction in self-directed behaviours and an increase in attentive behaviours, suggesting positive welfare implications. Thus, behavioural observations made before and during the presentation of the stimuli showed that our visual enrichment actually provided positive effects in lionesses. These results call for the development of future studies on the use of visual illusions in the enrichment programs of zoo animals. (shrink)

Gregory Currie, arguing against recent psychoanalytic and semiotic film theory, has defended various realist theses about film. The strongest of these is that ‘weak illusionism’—the view that the motion of film images is an illusion—is false. That is, Currie believes film images really do move. In this paper I defend the common-sense position of weak illusionism, firstly by showing that Currie underestimates the power of some arguments for it, especially one based on the mechanics of projection, and secondly by (...) showing that film images exhibit neither garden-variety motion, nor a special response-dependent kind. (shrink)

I discuss the suggestion that conscious will is an illusion. I take it to mean that there are no conscious decisions. I understand ‘conscious’ as accessible directly and ‘decision’ as the acquisition of an intention. I take the alternative of direct access to be access by interpreting behaviour. I start with a survey of the evidence in support of this suggestion. I argue that the evidence indicates that we are misled by external behaviour into making false positive and (...) false negative judgements about our own decisions. Then I turn to a challenge to this suggestion. What could we interpret in cases when there is no external behaviour? I propose the response that we interpret internal behaviour. We can understand internal behaviour as mental simulation of external behaviour, which can proceed by way of conscious mental imagery. I argue that the proposal has the following advantages. It helps us explain more evidence than we could otherwise. It relies mostly on mechanisms that we already have reason to believe in. And it receives support from the available neurological evidence. I also suggest a way to test the proposal in future empirical research. I conclude by discussing the limitations of the proposal and its implications for the wider debates about the imagination and the will. (shrink)

1. “All Theory is Against Free Will…” Powerful arguments have been leveled against the concepts of free will and moral responsibility since the Greeks and perhaps earlier. Some—the hard determinists—aim to show that free will is incompatible with determinism, and that determinism is true. Therefore there is no free will. Others, the “no-free-will-either-way-theorists,” agree that determinism is incompatible with free will, but add that indeterminism, especially the variety posited by quantum physicists, is also incompatible with free will. Therefore there is (...) no free will. Finally, there are the a priori arguments against free will. These arguments conclude that it makes no difference what metaphysical commitments we hold: free will and ultimate moral responsibility are incoherent concepts. Why? Because in order to have free will and ultimate moral responsibility we would have to be causa sui, or ‘cause of oneself.’ And it is logically impossible to be self-caused in this way. Here, for example, is Nietzsche on the causa sui. (shrink)

Nous défendons la thèse selon laquelle les images sont phénoménalement transparentes : nous ne voyons (quasiment) jamais leur surface mais seulement ce que les images dépeignent, ce qui implique que notre expérience des images est fondamentalement une illusion. Cette thèse s’oppose à celle de R. Wollheim, qui fait aujourd’hui figure de position standard, selon laquelle nous percevons la surface et le depictum. Une même expérience perceptive, selon nous, ne peut avoir deux objets ou deux aspects. En ce sens, nous (...) sommes plus proche de la position de E.H. Gombrich : nous percevons soit la surface, soit le depictum, mais jamais les deux. Nous cherchons toutefois à la radicaliser en soutenant qu’il est finalement très rare de percevoir la surface de l’image. (shrink)

In the Protagoras, Socrates argues that what appears to be akrasia is, in fact, the result of a hedonic illusion: proximate pleasures appear greater than distant ones. On the face of it, his account is puzzling: why should proximate pleasures appear greater than distant ones? Certain interpreters argue that Socrates must be assuming the existence of non-rational desires that cause proximate pleasures to appear inflated. In this paper, I argue that positing non-rational desires fails to explain the hedonic error. (...) However, careful consideration of Socrates’ treatment of appearances reveals that he is not without resources to explain the illusion. I argue that in the Protagoras, appearances are imagistic mental representations that appear true but tend to be false. I suggest that proximate pleasures produce inflated hedonic predictions because we represent them more vividly than distant ones, yielding greater anticipatory pleasure which causes us to overestimate their magnitude. (shrink)

Certain expositors of the Tractatus have tried to make sense of Wittegnstein’s curious revocation of its propositions by suggesting that although they lack content, they nonetheless express (“show,” but do not say) some ineffable truths about reality. Such a view Cora Dimaond labels “chickening out.” I attempt to diagnose the lingering attraction of the ‘chicken’ (in this case an attraction to an illusion of sense) by condsidering a (false) parallel with the case of perceptual illusion. To this end, (...) I make a brief excursion into the work of Gareth Evans in order to draw out what the parallel would look like and more specifically how the chicken might be tempted to think that there is indeed such a parallel. In this way, I hope to better ‘understand’ the chicken and her seduction, and in the process make a plea for not “chickening out.” I then turn to a positive consideration of how we should in fact read this work. In particular, I consider Diamond’s idea that the Tractatus requires an “imaginative understanding” of its reader, an ability to ‘think’ oneself into certain philosophical illusions of sense in order to dismantle them from within. I explore exactly what such an imagination involves. In particular, I suggest that it presupposes a kind of ‘metaphysical’ thesis of its own about the nature of human beings and their innermost tendencies, a position, I argue, that Wittegnstein held. (shrink)

_Positive Peace _is a scholarly and creative compilation of articles on peace education, nonviolence and social change. Arun Gandhi (grandson of Mahatma Gandhi) sets the scene in his introduction with the challenge that positive peace is both a resisting of the physical violence of war and the passive violence of the psychological structures that lead to conflict. Peace education rises to meet that challenge. In twelve chapters, philosophers and educators look at a variety of topics from Gandhian nonviolence, to (...) pragmatic conflict solving; hope and the ethics of belief, to the way we use violent language; mothering and peace activism, to multiculturalism and peace. Recurring themes are: pragmatic nonviolence, the ethics of care as an antidote to violence, and hope in a violent world. Chapters on the use of film in peace education, song and nonviolent activism, and teaching art history and peace, demonstrate pragmatic possibilities for would-be peace educators. Arun Gandhi in his introduction asks, “For generations human beings have strived to attain peace, but with little or no success. … Why is peace so illusive? Is it unattainable? Are humans incapable of living in peace?” This book suggests that peace education has a large part to play. It is an important attempt to begin to meet the challenge. (shrink)

Available from UMI in association with The British Library. Requires signed TDF. ;The libertarian conception of free will is incoherent, irrespective of the prospects for determinism. However, both compatibilist and hard determinist accounts of the implications of the lack of libertarian free will are inadequate. This I attempt to show primarily with respect to the notions of desert and justice. Working from a "Core Conception" of justice, I argue that we are obliged to recognize a "Fundamental Dualism" in the morally (...) proper attitude to desert and justice. This means that the compatibilist claim that moral responsibility and justice are not harmed by the lack of libertarian free will is mistaken; but so is the hard determinist claim that no account of moral responsibility and justice is possible once the lack of libertarian free will is realized. The dualistic position proposed attempts to combine the insights of compatibilism and hard determinism, while avoiding their inadequacies. Other alternative positions on the free will issue are also argued to be inadequate. In the light of these considerations it is argued that motivated illusion is a central requirement of moral and personal life. In arguing for the importance of illusion, I claim that it is a reality today, that it is mostly positive, and that by and large it ought to continue. To some extent illusion is unavoidable, but, even more interestingly, there seem to be avoidable but morally necessary illusions. The importance of illusion presents great difficulties in the moral and political sphere as well as in the cognitive sphere. Appreciation of the relatively neglected role of illusion, which follows from the basic structure of the free will problem in its moral aspects, is an important key to making progress on this problem. (shrink)

Philosophical treatments of the self in a range of different traditions have positioned it outside the realm of ordinary worldly objects. This paper argues that part of the explanation for this seemingly widespread and persistent temptation to mystify the self is that the epistemic properties of I-thought are apt to give rise to an illusion of transcendence about their objects—that is, about ourselves.

Open peer commentary on the target article “Who Conceives of Society?” by Ernst von Glasersfeld. First paragraph: Issues such as social interaction and communication play an essential role in my recent approach to knowledge management called “Knowledge Cooperation”, conceived as “the participative cultivation of knowledge in a voluntary, informal social group”. Radical Constructivism provides a substantial support to the foundations of this approach, which aims at equilibrating intellectual and social capital. So I warmly welcome Ernst von Glasersfeld’s clarification of the (...) constructivist position in regard to “society.”. (shrink)

In this paper, I want to look at the way in which Deleuze's reading of Kant's transcendental dialectic influences some of the key thèmes of Différence and Répétition. As we shall see, in the transcendental dialectic, Kant takes the step of claiming that reason, in its natural functioning, is prone to misadventures. Whereas for Descartes, for instance, error takes place between two faculties, such as when reason (wrongly) infers that a stick in water is bent on the basis of sensé (...) impressions, Kant postulâtes that reason générâtes illusions internally purely in the course of its natural function. It is thèse illusions which lead reason into antinomy, as on the basis of thèse illusions, it is led to posit an illegitimate concept of the world as a totality. Further, for Kant, the antinomies represent an indirect proof of transcendental idealism, as it is only with the additional assumption of the noumenon, as that which falls outside of appearance, that we are able to résolve the antinomies. Deleuze's work on the image of thought clearly owes a great deal to Kant's theory of transcendental illusion, but the connections between Kant's transcendental dialectic and the structure of Différence and Répétition go deeper than this. Whereas Kant's problem is that reason générâtes contradictions when it assumes that the unconditioned can be given to reason, Deleuze's problem is the impossibility of developing a concept of différence within représentation. Between thèse two problems, there are significant structural parallels - in particular, the attempt to think outside the dichotomy of the finite and the infinité, and the attempt to prevent the application of spatio-temporal predicates to the noumenon. The antinomy of représentation for Deleuze is the inability of représentation to think différence apart from as purely representational or as undifferenciated abyss. As we shall see, Deleuze gives an explanation of this antinomy in terms of the differential calculus, and the notion of the differential in particular. While thèse parallels exist between Kant and Deleuze's thought, there are also some important différences. Although the differential is not determined in relation to représentation, this does not mean that it lacks ail détermination. This opens up a possibility not available in Kant's philosophy, that is, a thinking beyond the limit of représentation. As we shall see, Kant closes off this possibility by giving reason a heuristic function which in effect reinstates représentation. Kant makes this move precisely because the lack of spatiotemporal déterminations of the noumenal means for Kant that the noumenal lacks déterminations altogether. (shrink)

I took part in the work of the editorial board of Voprosy filosofii from the very first days of the journal's existence. I am thus in a position to say something about the earliest period of its activities, especially as the distinctive features of this period are worthy of special attention.

The rubber hand illusion is one of the most commonly used paradigms to examine the sense of body ownership. Touches are synchronously applied to the real hand, hidden from view, and a false hand in an anatomically congruent position. During the illusion one may perceive that the feeling of touch arises from the false hand, and that the false hand is one's own. The relationship between referral of touch and body ownership in the illusion is unclear, and (...) some articles average responses to statements addressing these experiences, which may be inappropriate depending on the research question of interest. To address these concerns, we re-analyzed three freely available datasets to better understand the relationship between referral of touch and feeling of ownership in the RHI. We found that most participants who report a feeling of ownership also report referral of touch, and that referral of touch and ownership show a moderately strong positive relationship that was highly replicable. In addition, referral of touch tends to be reported more strongly and more frequently than the feeling of ownership over the hand. The former observations confirm that referral of touch and ownership are related experiences in the RHI. The latter, however, indicate that when pooling the statements one may obtain a higher number of illusion ‘responders’ compared to considering the ownership statements in isolation. These results have implications for the RHI as an experimental paradigm. (shrink)

This paper takes the position that interpretations of legal discourse are invariably taken in the context of socio-pragmatic realities to which a particular instance of discourse applies. What makes this process even more complicated is the fact that social realities themselves are often negotiated within the mould of one’s subjective conceptualisations of reality. Institutions and organisations, including people in power, often represent socio-political realities from an ideologically fuelled perspective, engendering many ‘illusory’ categories often a result of contested versions of reality. (...) To substantiate this view, we discuss interpretations of a number of interesting contemporary and controversial laws, including America’s Patriot Act and Hong Kong’s proposed Article 23 of the Basic Law. Both laws can be seen as illustrative of the definitional conflict that abstract concepts such as democracy and human rights are subjected to in their own specific socio-political contexts. While America crowns itself with democracy and Hong Kong struggles to achieve it in effective synthesis with its unique political arrangement, the laws produced by both contrasting political systems are unexpectedly similar, aiming for the moderation of basic rights. The actions of both governments set against their beliefs and discourses, and furthermore set against one another and other media voices, particularly those of non-governmental organisations, political activists, and other socio-political groups, demonstrate contestation of realities, giving rise to ‘discursive illusions’, which seem to be interpreted not so much on the basis of their linguistic construction but more on the basis of socio-pragmatic factors, such as trust, belief, transparency, control and power. (shrink)

Metaphors involve immense explanatory power and positive impact predominantly in the scientific education and popularization. Still the use of metaphors in science might be a double-edged sword. Introduction of the computer metaphor to many scientific fields in the last century resulted in reductionist approaches, oversimplifications and mechanistic explanations in science as well as in humanities. In this short commentary we developed further the computer metaphor by prof. Noble and the illusions this metaphor led to in genetics, linguistics and consequently (...) DNA linguistics. (shrink)

Nineteenth-century optical toys that showcase illusions of motion such as the phenakistoscope, zoetrope, and praxinoscope, have enjoyed active “afterlives” in the twentieth and twenty-first centuries. Contemporary incarnations of the zoetrope are frequently found in the realms of fine art and advertising, and they are often much larger than their nineteenth-century counterparts. This article argues that modern-day optical toys are able to conjure feelings of wonder and spectacle equivalent to their nineteenth-century antecedents because of their adjustment in scale. Exploring a range (...) of contemporary philosophical toys found in arts, entertainment, and advertising contexts, the article discusses various technical adjustments made to successfully “scale up” optical toys, including the replacement of hand-spun mechanisms with larger sources of motion and the use of various means such as architectural features and stroboscopic lights to replace traditional shutter mechanisms such as the zoetrope’s dark slots. Critical consideration of scale as a central feature of these installations reconfigures the relationship between audience and device. Large-scale adaptations of optical toys revise the traditional conception of the user, who is able to tactilely manipulate and interact with the apparatus, instead positing a viewer who has less control over the illusion’s operation and is instead a captive audience surrounded by the animation. It is primarily through their adaptation of scale that contemporary zoetropes successfully elicit wonder as scientific spectacles from their audiences today. (shrink)

Anand Vaidya, Sean Smith, and Mark Siderits have presented thoughtful comments and provocative challenges to my article “What Kind of an Illusion is the Illusion of Self?” Their challenges raise significant questions about the nature of illusion, whether Buddhism is denying the self in all senses of the term, whether there could be a self that exists for some limited duration of time and has at least some measure of control, whether there is a phenomenal illusion (...) of self, whether the neuropsychological assumptions embedded in Thomas Metzinger’s Phenomenal Self Model is consistent with Buddhist metaphysics, the usefulness of evolutionary psychology in explaining why we have the illusion of self, whether the I-sense is a result of natural selection or cultural selection, vipassanā meditation as a form of verification and its usefulness for extinguishing the I-sense. The discussion here is my response to these criticisms through which I further clarify and develop my arguments and, in some ways, amend my position. (shrink)

Visual percepts are called veridical when a “real” object can be identified as their cause, and illusions otherwise. The perceived position and color of a flashed object may be called veridical or illusory depending on which viewpoint one adopts. Since “reality” is assumed to be fixed (independent of viewpoint) in the definition of veridicality (or illusion), this suggests that “perceived” position and color are not properties of “real” objects.

In my thesis I develop a theory of our mental, physiological and emotional involvement with motion pictures that accounts for the distinct role of perception in our cinematic experiences. In particular, I present a resemblance view of cinematic perception and depiction that begins with an analysis of motion picture screenings as events in the world to which audience members share perceptual access and to which we can attribute complex visual and auditory properties. By understanding the precise nature of these properties (...) and by understanding the mind's rich and dynamic relationship to visual and auditory stimuli, we can meet the demand of explaining the essential contribution of perception to our cinematic experiences. This positive theory is introduced through a philosophical and empirical critique of the work of several contemporary "cognitivist" film theorists who can been faulted for falling into the traps of traditional illusion accounts, failing to account for the perceptual nature of our film experiences, or incorrectly characterizing the nature of our perceptual relationship to cinematic content. (shrink)

I argue that if we read E. H. Gombrich's Art and Illusion with the charity that it deserves, we will find a much subtler theory of depiction than the illusion theory that is usually attributed to Gombrich. Instead of suggesting that pictures are illusory because they cause us to have experiences as of seeing the depicted objects face to face, I argue that Art and Illusion is better read as making the point that naturalistic pictures are illusory (...) because they cause us to see qualities and properties that the pictures themselves do not possess. Once we appreciate this point, we will be in a better position to appraise the value and limits of naturalistic art. (shrink)

In her Discourse on Happiness, Émilie du Châtelet argues susceptibility to illusion is one of the five ‘great machines of happiness,’ and that ‘we owe most of our pleasures to illusions’. However, many who read the Discourse find this aspect of her view puzzling and in tension with her claims that we must always seek truth and obey reason. To understand better her claims in the Discourse on Happiness, this article explores Du Châtelet's discussions of illusions in her Foundations (...) of Physics, On Liberty, and the Dissertation on the Nature and Propagation of Fire. I distinguish four types of illusions that Du Châtelet posits and clarify the ways in which these relate to her views on happiness and love in the Discourse and argue that she avoids deceptive or perpetual illusions of happiness through the use of the principle of sufficient reason. (shrink)

This is a philosophical discussion of cinema’s power to create positive illusions and myths, drawing on Nietzsche, Kracauer, and Deleuze.

Why does cinema exert such power over our emotions? Many have wanted to answer by appeal to the idea that film sustains some illusion concerning the events it narrates. I compare three such views: that film sustains the illusion that those events are before us; that it sustains that illusion, but only partially; and that, though viewers are always fully aware of seeing pictures, those pictures are experienced as the moving photographic record of the narrated events. I (...) identify these positions’ successes and failures in explaining film’s emotional power, and various ways in which the issue between them might be tested further. (shrink)