In this paper, we introduce and defend the recurrent model for understanding bodily spatial phenomenology. While Longo, Azañón and Haggard (2010) propose a bottom-up model, Bermúdez (2017) emphasizes the top-down aspect of the information processing loop. We argue that both are only half of the story. Section 1 intro- duces what the issues are. Section 2 starts by explaining why the top- down, descending direction is necessary with the illustration from the ‘body-based tactile rescaling’ paradigm (de Vignemont, Ehrsson (...) and Haggard, 2005). It then argues that the bottom-up, ascending direction is also necessary, and substantiates this view with recent research on skin space and tactile field (Haggard et al., 2017). Section 3 discusses the model’s application to body ownership and bodily self-representation. Implications also extend to topics such as sense modality individuation (Macpherson, 2011), the constancy- based view of perception (Burge, 2010), and the perception/cognition divide (Firestone and Scholl, 2016). (shrink)

Collapsing three-dimensional space into two violates Lehar's “volumetric mapping” constraint and can cause the visual system to construct illusory transparent regions to replace voxels that would have contained illumination. This may underlie why color constancy is worse in two dimensions, and argues for Lehar to revise his phenomenal spatial model by putting “potential illumination” in empty space.

The paper applies phenomenological method to the analysis of perception of landscapes and other spatial formations. A spatial formation is seen as a region of space, or a territory, with its specific meaning that is experienced by the subject who views it. Husserl’s theory of meaning-formation is used to clarify how spatial formations obtain meanings that define them as landscape, home, or country. It is suggested that besides the subject’s position and the series of perceptions of objects, (...) the decisive element that determines the meaning of the specific spatial formation is what Husserl calls a “grasping sense” . It defines the gaze specific to a particular spatiality. When the “grasping sense” becomes intersubjectively valid and institutionalized, it obtains the status of a cultural form which functions as a meaning-bestowing automaton for interpreting the world for entire societies. Finally it is argued that the spatiality specific to human Umwelten serves the purpose of creating and maintaining meanings that would otherwise disappear in the flux of time.Keywords: perception of landscapes, spatial formations, phenomenological method, grasping sense, cultural form. (shrink)

In this essay, I consider how spatial experience is fundamentally connected to the development and maintenance of “existential healthy” agency. More specifically, I examine how our formation as choosing, active, and self-defining persons is dependent upon the spatially-thick and interpersonally-interwoven “gestures” through which we develop a lived sense of space as supportive and cooperative or hostile and threatening. I conclude from this both that existentially healthy agency is always already a relational capacity, and, more central to my focus here, (...) that it depends in significant part upon the cultivation of an appropriately supportive spatial environment. (shrink)

Sociological theories of space have so far not provided an in-depth analysis of online spaces. The paper addresses this issue by means of Löw’s relational theory of space. As this theory mainly focuses on material spaces, it is necessary to embrace the phenomenological perspective in order to apply it to the virtual realm. More recent phenomenological research has highlighted the ongoing mediatization or virtualization of the life-world. These theories, and presence research more generally, are useful for examining the layers of (...) virtual presence. This paper focuses on two emblematic types of spaces: multiplayer online role-playing games and Skype video chats. The first represents an online version of a Schutzian finite province of meaning, while Skyping is an example of how the paramount reality of everyday life expands into the virtual realm. Albeit differently, actors in both cases constitute hybrid, virtual-material spaces with various forms and degrees of virtual presence. User experiences in these spaces are in line with contemporary sociological diagnoses indicating the vanishing experience of living in space and the general tendency of late modernity to question previous social forms of modernity. (shrink)

A work of outstanding originality and importance, which will become a cornerstone in the philosophy of geography, this book asks: What is human science? Is a truly human science of geography possible? What notions of spatiality adequately describe human spatial experience and behaviour? It sets out to answer these questions through a discussion of the nature of science in the human sciences, and, specifically, of the role of phenomenology in such inquiry. It criticises established understanding of phenomenology (...) in these sciences, and demonstrates how they are integrally related to each other. The need for a reflective geography to accompany all empirical science is argued strongly. The discussion is orgamsed into four parts: geography and traditional metaphysics; geography and phenomenology; phenomenology and the question of human science; and human science, worldhood and place. The author draws upon the works, of Husserl, Heidegger, Gadamer and Kockelmans in particular. (shrink)

In this paper I will contrast the current situation concerning the explanatory relation between neuroscientific and philosophical accounts of our spatial and temporal experience. Evans’ account of “egocentric experience’ and Husserl’s analysis of temporal awareness are respectively taken to represent the philosophical side, while Pouget’s basis functions theory and Grush’s trajectory estimation theory act respectively as representatives of the neuroscientific camp. I inquire specifically about the respective chances of these representative neuroscientific theories to explain aspects of the ordinary (...) class='Hi'>spatial and temporal phenomenology, as this phenomenology is accounted for by those well-known philosophical theories. I will argue that, in this respect, the spatial and temporal cases present a strong contrast: while in the spatial case the claim that neuroscientific theories explain some aspects of the phenomenology would be defensible, nothing of this sort is in sight in the temporal case. (shrink)

As we turn to the lived experience of memory, we are confronted with an eerie and enigmatic possibility: the possibility to remember what we ourselves never lived. How to explain phenomenologically this enigmatic but fundamental level of spatialized memory? I would like to come back to these issues in order to face yet another fundamental question: Does a phenomenology of spatialized memory require any onto-phenomenological concretizations?

We argue that a phenomenological approach to social space, as well as its relation to embodiment and affectivity, is crucial for understanding how the social world shows up as social in the first place—that is, as affording different forms of sharing, connection, and relatedness. We explore this idea by considering two cases where social space is experientially disrupted: Moebius Syndrome and schizophrenia. We show how this altered sense of social space emerges from subtle disruptions of embodiment and affectivity characteristic of (...) these conditions. These disruptions are instructive, we suggest, in that they highlight the foundational role that body and affect play in organizing social space—the lived context in which we first encounter one another as social agents. (shrink)

We argue that a phenomenological approach to social space, as well as its relation to embodiment and affectivity, is crucial for understanding how the social world shows up as social in the first place—that is, as affording different forms of sharing, connection, and relatedness. We explore this idea by considering two cases where social space is experientially disrupted: Moebius Syndrome and schizophrenia. We show how this altered sense of social space emerges from subtle disruptions of embodiment and affectivity characteristic of (...) these conditions. These disruptions are instructive, we suggest, in that they highlight the foundational role that body and affect play in organizing social space—the lived context in which we first encounter one another as social agents. (shrink)

This chapter provides an overview of how existential phenomenology has influenced qualitative research methods across a range of disciplines across the social, health, educational, and psychological sciences. It focuses specifically on how the concepts of “existential structures,” or “existentials”—such as selfhood, temporality, spatiality, affectivity, and embodiment—have been used in qualitative research. After providing a brief introduction to what qualitative research is and why philosophers should be interested in it, the chapter provides clear, straightforward examples of how qualitative researchers have (...) used existentials to analyze qualitative data and design qualitative studies. The chapter is intended to introduce philosophers to existential approaches to phenomenological qualitative research, with the aim of facilitating interdisciplinary dialogue and collaboration. (shrink)

The consensus in contemporary philosophy of mind is that how a perceptual experience represents the world to be is built into its sensory phenomenology. I defend an opposing view which I call ‘moderate separatism’, that an experience's sensory phenomenology does not determine how it represents the world to be. I argue for moderate separatism by pointing to two ordinary experiences which instantiate the same sensory phenomenology but differ with regard to their intentional content. Two experiences of an (...) object reflected in a mirror can possess the same spatial phenomenology while representing that object to occupy different spatial locations. So, contrary to the current consensus, the representation of spatial location is not fixed by an experience's sensory phenomenology. (shrink)

Husserl and Spatiality is an exploration of the phenomenology of space and embodiment, based on the work of Edmund Husserl. Little known in architecture, Husserl's phenomenology of embodied spatiality established the foundations for the works of later phenomenologists, including Maurice Merleau-Ponty's well-known phenomenology of perception. Through a detailed study of his posthumously published and unpublished manuscripts, DuFour examines the depth and scope of Husserl's phenomenology of space. The book investigates his analyses of corporeity and the 'lived (...) body,' extending to questions of intersubjective, intergenerational, and historical spatial experience, what DuFour terms the 'environmentality' of space. Combining in-depth architectural philosophical investigations of spatiality with a rich and intimate ethnography, Husserl and Spatiality speaks to themes in social and cultural anthropology from a theoretical perspective that addresses spatial practice and experience. Drawing on extensive fieldwork in Brazil, DuFour develops his analyses of Husserl's phenomenology through spatial accounts of ritual in the Afro-Brazilian religion of Candomblé. The result is a methodological innovation and unique mode of spatial description that DuFour terms a 'phenomenological ethnography of space.' The book's profoundly interdisciplinary approach makes an incisive contribution relevant to academics and students of architecture and architectural theory, anthropology and material culture, and philosophy and environmental aesthetics. (shrink)

In experimental cognitive psychology, objects of inquiry are typically operationalized with psychological tasks. When interpreting results from such tasks, we focus primarily on behavioral measures such as reaction times and accuracy rather than experiences – i.e., phenomenology – associated with the task, and posit that the tasks elicit the desired cognitive phenomenon. Evaluating whether the tasks indeed elicit the desired phenomenon can be facilitated by understanding the experience during task performance. In this paper we explore the breadth of experiences (...) that are elicited by and accompany task performance using in-depth phenomenological and qualitative methodology to gather subjective reports during the performance of a visuo-spatial change detection task. Thirty-one participants (18 females) were asked to remember either colors, orientations or positions of the presented stimuli and recall them after a short delay. Qualitative reports revealed rich experiential landscapes associated with the task-performance, suggesting a distinction between two broad classes of experience: phenomena at the front of consciousness and background feelings. The former includes cognitive strategies and aspects of metacognition, whereas the latter include more difficult-to-detect aspects of experience that comprise the overall sense of experience (e.g., bodily feelings, emotional atmosphere, mood). We focus primarily on the background feelings, since strategies of task-performance to a large extent map onto previously identified cognitive processes and discuss the methodological implications of our findings. (shrink)

The article examines the question posed in the title, which implies the consideration of sculpture as a method of sense making by plastic means, revealing the truth of being in spatial form. The study of the phenomenological perspective of this method is built upon I. Kant’s conception of art as a free play of genius, based on reason. The apparent contradiction between the spontaneity of the subjective assumption of an image, which implies the impossibility of its being deduced, and (...) its rationality, assuming an extra-subjective universalism of meaning, is resolved based on the F. Schelling’s doctrine of creation as “a pure being who escapes to any thought” (unvordenkliche) act of the subject positing something in the conceptual horizon of the logical possibilities of its existence uncertainty. The act of vivid imagination and the coherent process of creating art work presupposes not only the subjective arbitrary will of the artist, but also the “intelligence of vision,” connecting the intentional act constituting the image and the counter-intentional act, in which the image created manifests its own teleology, clarifying and elaborating the author’s idea. The sculptor’s consciousness acts as a kind of tuning fork, capable of capturing the accuracy of the sound of the image, its harmony with aesthetic sensibility. At the same time, the expressiveness of the art work, its beauty is the non-verbal aspect of meaning, capable of signifying and expressing the author’s vision of the ideological depth of the chosen theme, which allows the sculptor to create original philosophical parables that heuristically complement verbal forms of thought. These provisions are considered in the context of the sculptural series “Masque Theatre” created by Alexander Apollonov, whose plastic images show various scenarios and complex drama of the relationship between the subject and his personal objectifications, manifested in masks-personalities. (shrink)

The use of armed drones in post-9/11 US military conflicts has increasingly been the subject of academic writings; few, however, examine its collateral effects from a biopolitically-framed, phenomenological lens. This article examines how the indeterminate field of threat produced and sustained by the preventive military paradigm of drone warfare transforms potential threats into determinate targets of military violence. The spatial disruption experienced by inhabitants of the "space of death" generated by the "drone zone" thus transforms their existential comportment of (...) living under drones into that of 'walking corpses' whose relationships to space expose the devastating phenomenological consequences of drone warfare. (shrink)

This phenomenological-psychological study aims at discovering the essential constituents involved in congenitally blind people's spatial experiences. Nine congenitally blind persons took part in this study. The data were made up of half structured (thorough) interviews. The analysis of the data yielded the following three comprehension forms of spatiality; (i) Comprehension in terms of image-experience; (ii) Comprehension in terms of notions; (iii) Comprehension in terms of knowledge.Comprehension in terms of image experience is the form which is most concretely and clearly (...) experienced. It is important to notice, that this kind of image experience is not synonymous with a visually based image experience — a fact which is discussed in the article. The following three features, which are to be understood as a description of what characterizes congenitally blind people's image experience, are presented; (i) Experience of the whole; (ii) Synthesizing/Harmonizing; (iii) Spontanous presentation of the whole. Furthermore, comprehension in terms of image experience is made up of the following four constituents, which aim at specifying the conditions for the possibility of having an image experience; (i) The image experience is based on tactile experiences; (ii) The inner horizon of the object has to be limited in order for the tactile sense to constitute an image experience; (iii) The person must have reached a certain degree of familiarity with the object; (iv) The importance of the emotional investment in the object. (shrink)

In this paper we explore the phenomenon of writing online. We ask, ‘Is writing by means of online technologies affected in a manner that differs significantly from the older technologies of pen on paper, typewriter, or even the word processor in an off‐line environment?’ In writing online, the author is engaged in a spatial complexity of physical, temporal, imaginal, and virtual experience: the writing space, the space of the text, cyber space, etc. At times, these may provide a conduit (...) to a writerly understanding of human phenomena. We propose that an examination of the phenomenological features of online writing may contribute to a more pedagogically sensitive understanding of the experiences of online seminars, teaching and learning. (shrink)

Realism is a term that can be understood only by contrasting it with an opposite term, such as idealism or representationalism. But representationalism has indeed to presuppose something that is represented,in order for the representation to be possible at all. This does not mean,however, to fall prey to a naïve realism: our grasp on reality is always determined by our own way of accessing it. A realism which can take hold of this presupposition is to be called phenomenological realism. In (...) this sense, reality is always given only in representation, that is, mediated by our access to it, but is not itself representation. It is an objectivity opposed to ourself, it has a particular place and it appears, but its appearance does not belong to the subject, it is simply there. Therefore, appearances are spatial and have to be described as such. (shrink)

The phenomenology of the unity of consciousness can be analyzed in terms of perceptual spatial and object unity. Subject unity—what we commonly understand by “the unity of consciousness”—has no attendant phenomenology. The further, non-phenomenological, effects of unity can be analyzed in terms of the functional notion of access unity. The unity of consciousness in general can therefore be analyzed in terms of access unity. As a consequence, we can avoid the theoretical introduction of problematic notions such as (...) subsumptive or phenomenal unity. (shrink)

Introduction: find your way -- Orientations toward objects -- Sexual orientation -- The orient and other others -- Conclusion: disorientation and queer objects.

The goal of “Phenomenology of Distraction“ is to explore the imbrication of attention and distraction within existential spatiality and temporality. First, I juxtapose the Heideggerian dispersion of concern (which includes, among other things, the attentive comportment) in everyday life, conceived as a way to get distracted from one's impending mortality, to Fernando Pessoa's embracing of the inauthentic, superficial, and restless existence, where attention necessarily reverts into distraction. Second, I consider the philosophical confessions of St. Augustine and Jean-Jacques Rousseau as (...) evidence for the proto-phenomenological temporal synthesis that hinges upon distraction and dispersion, despite the confessors' best efforts to pay attention to their inner life and to concentrate it in the eternal present. The paper concludes with an assessment of the ethical effects of mutual distraction, outlining a model of “distracted intersubjectivity.“. (shrink)

This paper integrates personal narratives with the methods of phenomenology in order to draw some general conclusions about ‘what it means’ and ‘what it feels like’ to be depressed. The analysis has three parts. First, it explores the ways in which depression disrupts everyday experiences of spatial orientation and motility. This disruption makes it difficult for the person to move and perform basic functional tasks, resulting in a collapse or contraction of the life-world. Second, it illustrates how depression (...) creates a situational atmosphere of emotional indifference that reduces the person’s ability to qualitatively distinguish what matters in his or her life because nothing stands out as significant or important anymore. In this regard, depression is distinct from other feelings because it is not directed towards particular objects or situations but to the world as a whole. Finally, the paper examines how depression diminishes the possibility for ‘self-creation’ or ‘self-making’. Restricted by the illness, depression becomes something of a destiny, preventing the person from being open and free to access a range of alternative self-interpretations, identities, and possible ways of being-in-the-world. (shrink)

This paper argues that intuition plays a role in the diagnosis of schizophrenia and presents its phenomenological rationale. A discussion of self-assessment questionnaires and empirical studies in the clinical setting provides evidence that despite the prevalence of operational diagnosis, the intuitive judgment of schizophrenia continues to take place. Two related notions of intuitive diagnosis are presented: Minkowski’s diagnostic by penetration and Rümke’s praecox feeling. Further on, the paper explores and clarifies the phenomenology behind the praecox feeling. First, it is (...) argued, intuitive diagnosis is neither a feeling nor an experience, but a typification operating at an implicit level. Second, it is not simply subjective as spatially it takes place in the in-between of the clinical interaction. Finally, it is not just momentary, but temporally extended, and, hence, partly reflective. The paper suggests that intuitive diagnosis requires critical testing on the side of the psychiatrist to either confirm or falsify it through reflective operations. In conclusion, the merits and shortcomings of intuitive vs. operational diagnosis are presented. (shrink)

This paper, on the psychopathology and phenomenology of schizophrenia, presents a selective summary of the work of the French psychiatrist, Eugene Minkowski (1985-1972), one of the first psychiatrists of an explicitly phenomenological persuasion. Minkowki believed that the phenomenological essence of schizophrenia (what he called the "trouble générateur") consists in a loss of "vital contact with reality" (VCR) and manifests itself as autism. Loss of vital contact with reality signifies a morbid change in the temporo-spatial structure of experiencing, particularly (...) in the diminishment and modification of temporal-dynamic aspects and a corresponding predominance of spatial-static factors. The patient tries to compensate for this primary morbid process through a variety of affective-cognitive preoccupations (rich autism) or sterile intellectuoid attitudes (autisme pauvre). Autism signifies a morbidly modified existential pattern that affects the domains of experience and expression as well as action. Minkowski's psychopathological analyses are illustrated by brief clinical vignettes of his patients. (shrink)

Can a phenomenologically-founded sociology contribute to the understanding of social change? By reference to the structure of the lifeworld as it has been analyzed by Husserl and Schutz, I argue that human action is formed by temporal, spatial, and social dimensions. These are objectified by a social semantics through which they gain their intersubjective cultural shape. From this perspective, I investigate changes in the temporal, spatial, and social dimensions of this semantics, as they occur in the present transformation (...) of post-socialist societies. Finally, I consider whether these changes mark a return to Western patterns and whether they confirm the thesis of the end of history. (shrink)

ABSTRACT The technological virtual converges with our contemporary existence in a multitude of ways, which suggests a need to interrogate the question of the virtual existentially. Merleau-Ponty’s existential phenomenological account of embodiment is invaluable in this regard because the virtual is encountered from the basis of the facticity of the embodied individual – a facticity that is closely related to perception and motor intentionality. The current article argues that these characteristics of the body-subject should be taken into consideration in order (...) to develop a clearer description of the virtual. However, beyond an embodied account that relates to early technologies, Merleau-Ponty also presents through his concept of the flesh a novel avenue for the ontological investigation of the virtual. The flesh describes the intertwining of the body-subject and the world, which is suggestive of a new account of the individual’s sensibility in relation to the virtual. An original concept is suggested to describe the existential-ontological structure of the virtual: The embodied screen. The embodied screen as neologism presents an alternative conceptualisation of the coincidence of the body-subject (who understands the world spatially) with the virtual (as non-spatial). By tracing imaginative signification and embodied habitude in terms of the virtual, this article suggests certain existential implications of the virtual for contemporary being. (shrink)

This piece focuses on the work of Juhani Pallasmaa who introduces phenomenological aspects of kinesthetic and multisensory perception of the human body into architecture theory. He argues that hand-drawing is a vital spatial and haptic exercise in facilitating architectural design. Through this process, architecture can emerge as the very ‘material’ existence of human embodied ‘immaterial’ emotion, feelings and wisdom. Hence, for Pallasmaa, architecture can be seen as an artistic practice, which entails multisensory and embodied thought in order to establish (...) the sense of being in the world. (shrink)

As Husserl already noticed, artworks themselves have a phenomenological character. This means, however, that to experience artworks as phenomena no “epoché” and no “phenomenological reduction” is necessary. The leading question of my essay is whether, and possibly how, this observation can be methodologically generalized for understanding phenomena. I discuss if, and possibly how, a phenomenological reflection on art allows and even demands a general conception of phenomenology that nevertheless does not confuse artworks with phenomena in general. My intention is (...) to show that and how phenomenality can be clarified with reference to its spatial character. Accordingly, works of architecture that are artworks will play a decisive role in my argument. (shrink)

In this article, I clarify the phenomenological concept of lifeworld by drawing on the geographical themes of place, place experience, and place meaning. Most simply, lifeworld refers to a person or group’s day-to-day, taken-for-granted experience that typically goes unnoticed. One aim of phenomenological research is to examine the lifeworld as a means to identify and clarify the tacit, unnoticed aspects of human life so that they can be accounted for theoretically and practically. Here, I discuss some key phenomenological principles and (...) then draw on phenomenological renditions of place as one means to clarify some of the lifeworld’s social, environmental, spatial, and geographical aspects. To concretize my discussion, I draw descriptive evidence from British writer Penelope Lively’s Spiderweb, a 1990s novel describing one outsider’s efforts to come to inhabit a place—a fictitious present-day village in the southwestern British county of Somerset. -/- . (shrink)

This trans-disciplinary, socio-spatial study analyzes the history of decolonial existentialist and phenomenological theory in the work of figures such as Simone de Beauvoir, Richard Wright, Franz Fanon, Lewis Gordon, Audre Lorde, Sylvia Wynter, and Jamaica Kincaid to decolonize dominant discourses on femininity, Blackness, and Black peoples.

This chapter explores to what extent some core ideas of predictive processing can be applied to the phenomenology of time consciousness. The focus is on the experienced continuity of consciously perceived, temporally extended phenomena (such as enduring processes and successions of events). The main claim is that the hierarchy of representations posited by hierarchical predictive processing models can contribute to a deepened understanding of the continuity of consciousness. Computationally, such models show that sequences of events can be represented as (...) states of a hierarchy of dynamical systems. Phenomenologically, they suggest a more fine-grained analysis of the perceptual contents of the specious present, in terms of a hierarchy of temporal wholes. Visual perception of static scenes not only contains perceived objects and regions but also spatial gist; similarly, auditory perception of temporal sequences, such as melodies, involves not only perceiving individual notes but also slightly more abstract features (temporal gist), which have longer temporal durations (e.g., emotional character or rhythm). Further investigations into these elusive contents of conscious perception may be facilitated by findings regarding its neural underpinnings. Predictive processing models suggest that sensorimotor areas may influence these contents. (shrink)

Scholars increasingly recognize that discourse is not a standing collection of representations for pre-existing thoughts and/or things in a pre-existing world. Still, many obstacles remain, and these seem to be inseparable from contemporary common-sense. When we ask about the nature of discourse, we are, ultimately, asking about the nature of world, the nature of the body, and also, there must be, if only tacitly, an account of space and time. Discourse, I would suggest, is a mode of evaluative praxis, a (...) way of articulately being-concerned-with-others. But discourse is not only a finely nuanced praxis, or a sophisticated mode of cooperative action. Its powers for spatializing and temporalizing include predication in their peculiar kind of care. In general, as implying a concernful -being-with-others-being-toward-world, discourse is an intentional nexus whose capacities for spatializing and temporalizing make-room for those situations in which we find ourselves thrown, projected, and concernfully stretching along. (shrink)

This paper extends Merleau-Ponty’s arguments regarding the interpersonal character of human spatiality and Bateson’s conception of the dynamically extended nature of consciousness. The central argument is that human communication is essentially spatial in nature, and that it is experienced and expressed as such. Using this analysis, the paper argues that Anorexia nervosa should not primarily be understood as an eating disorder, but rather as a spatially expressed and felt communication disorder. Moreover, it demonstrates that anorexia is not an illness (...) of an individual, but rather is a symptom of an ailing system of communication, most commonly that of an ailing family. By means of a novel interpretation of anorexia as a neurosis that both reflects a contracted environment and also offers a spatially significant gesture in response to this contracted environment, the paper helps to elucidate the spatial nature of communication in general and to show how acts of communication are not primarily acts or experiences of isolated individuals confronting other self-sufficient individuals, but are rather spatially shared and expressed experiences of intersubjectivity. (shrink)

Taking Maurice Natanson's posthumously published book, The Erotic Bird: Phenomenology in Literature, as its point of departure, the essay argues that "fictive reality" is the specific content of transcendental-phenomenological reflection. Elaborating this concept allows us to see how phenomenological concepts such as constitution, horizon, and the "transcendental" have a tropological, rather than a psychological, meaning. Specifically, the article considers the metonymical structure of reality's "spatial horizon" and the metaphorical structure of reality's "temporal horizon." This latter is demonstrated on (...) Natanson's analysis of Thomas Mann's concept of the "leitmotiv" in The Magic Mountain. The essay concludes by pointing toward the ontology of metaphor entailed by Natanson's analysis, while suggesting the difference between phenomenology, as the "poetic essence" of philosophy, and philosophy itself, as the categorial elaboration of what phenomenology uncovers. (shrink)

RésuméDans cet article, j'analyse deux approches du phénomène du geste, tel qu'il est constitué par l'incarnation, l'intersubjectivité, l'affectivité et le langage : tandis que Martin Heidegger affirme que le mouvement corporel humain dans son ensemble doit être compris comme geste par opposition au mouvement spatial des choses, Vilém Flusser intègre sous cette notion une multitude de pratiques et d'activités humaines que le sens commun hésite à appeler gestes. Le dilemme de la phénoménologie du geste consiste dans cette tension entre (...) la concrétude plurielle des apparences gestuelles et la tentation irrépressible d'identifier une couche unitaire qui leur permettrait de tenir ensemble. (shrink)

I discuss the so-called “problem of perception” in relation to the Argument from Illusion: Can we directly perceive the external world? According to Direct Realism, at least sometimes perception provides direct and immediate awareness of reality. But the Argument from Illusion threatens to undermine the possibility of genuine perception. In The Problem of Perception (2002), A. D. Smith proposes a novel defense of Direct Realism based on a careful study of perceptual phenomenology. According to his theory, the intentionality of (...) perception is explained in terms of three phenomenological features of perception: phenomenalthree-dimensional spatiality, movement, and the Anstoss. He argues that this account of perceptual intentionality can resist a central premise of the Argument from Illusion, i.e. the “sense-datum inference.” After presenting Smith’s theory, I argue that he fails to distinguish two independent tasks for the direct realist, and that he underestimates the threat of the so-called “sense-datum infection.” My contention is that even if Smith’s theory of perceptual intentionality is correct, Direct Realism has not been saved from the Argument from Illusion. To resist the Argument from Illusion, it is not enough to merely consider how to block the sense-datum inference. The direct realist must also find a way to undermine the sense-datum infection. If so, I suggest, Direct Realism cannot be defended by perceptual phenomenology alone. (shrink)

This essay denaturalizes the taken-for-granted meaning of ‘access’ and interrogates its role and lived meaning in ableist social worlds, with a focus on spaces of higher education. I suggest that legalistic approaches to access need ‘cripping’ by a disability framework. Currently, these approaches (1) miss the intersubjective sociality of being-in-the-world; (2) they prioritize a narrow conception of access focused on ‘physical’ access and ‘physical’ space (a typology I contest); (3) they approach access as frozen in time, rather than as a (...) relational and temporally dynamic process (4); and, finally, they contribute to bureaucratizing and privatizing disability knowledge. I examine ‘access’ through the lens of belonging by asking how we orient ourselves in spaces shaped by oppressive social norms. I argue that ableist lifeworlds generate serious disorientations for disabled people that are lasting, structurally enforced, and harmful or debilitating. (shrink)

The complex systems approach to cognitive science invites a new understanding of extended cognitive systems. According to this understanding, extended cognitive systems are heterogenous, composed of brain, body, and niche, non-linearly coupled to one another. This view of cognitive systems, as non-linearly coupled brain–body–niche systems, promises conceptual and methodological advances. In this article we focus on two of these. First, the fundamental interdependence among brain, body, and niche makes it possible to explain extended cognition without invoking representations or computation. Second, (...) cognition and conscious experience can be understood as a single phenomenon, eliminating fruitless philosophical discussion of qualia and the so-called hard problem of consciousness. What we call “extended phenomenological-cognitive systems” are relational and dynamical entities, with interactions among heterogeneous parts at multiple spatial and temporal scales. (shrink)

Aims and Objectives. This article uses the concept of embodiment to demonstrate a conceptual approach to applied phenomenology. -/- Background. Traditionally, qualitative researchers and healthcare professionals have been taught phenomenological methods, such as the epoché, reduction, or bracketing. These methods are typically construed as a way of avoiding biases so that one may attend to the phenomena in an open and unprejudiced way. However, it has also been argued that qualitative researchers and healthcare professionals can benefit from phenomenology’s (...) well-articulated theoretical framework, which consists of core concepts, such as selfhood, empathy, temporality, spatiality, affectivity, and embodiment. -/- Design. This is a discursive article that demonstrates a conceptual approach to applied phenomenology. -/- Method. To outline and explain this approach to applied phenomenology, the Discussion section walks the reader through four stages of phenomenology, which progress incrementally from the most theoretical to the most practical. -/- Discussion. Part one introduces the philosophical concept of embodiment, which can be applied broadly to any human subject. Part two shows how philosophically trained phenomenologists use the concept of embodiment to describe general features of illness and disability. Part three illustrates how the phenomenological concept of embodiment can inform empirical qualitative studies and reflects on the challenges of integrating philosophy and qualitative research. Part four turns to phenomenology’s application in clinical practice and outlines a workshop model that guides clinicians through the process of using phenomenological concepts to better understand patient experience. -/- Conclusion and Relevance to Clinical Practice. A conceptual approach to applied phenomenology provides a valuable alternative to traditional methodological approaches. Phenomenological concepts provide a foundation for better understanding patient experience in both qualitative health research and clinical practice, and therefore provide resources for enhancing patient care. (shrink)

Applying Michel Henry’s philosophical framework to the phenomenological analysis of religious experience, the author introduces a concept of material introspection and a new theory of the constitution of religious experience in phenomenologically material interiority. As opposed to ordinary mental self-scrutiny, material introspection happens when the usual outgoing attention is reverted onto embodied self-awareness in search of mystical self-knowledge or union with God. Such reversal posits the internal field of consciousness with the self-disclosure of phenomenological materiality. As shown by the example (...) of Vedantic self-inquiry, material introspection is conditioned on the attitude ‘I “see” myself’ and employs reductions which relieve phenomenological materiality from the structuring influence of intentionality; the telos of material introspection is expressed by the inward self-transcendence of intentional consciousness into purified phenomenological materiality. Experience in material introspection is constituted by the self-affection and self-luminosity of phenomenological materiality; experience is recognized as religious due to such essential properties as the capacity of being selffulfilled, and specific qualitative “what it’s like”(s). Drawing on more than 5000 live accounts of internal religious experience, it is shown that introspective attention can have different trajectories, producing, within a temporal extension of material introspection, different spatial modifications of embodied selfawareness and a variety of corresponding religious experiences. (shrink)

In this paper, I consider the materiality of experience as stemming from a temporal process of sense-formation (Sinnbildung), whose essence is not just formally configured, but also materially organized. In order to understand this process of sense-formation, I first examine the materiality that is intrinsic to the intentional sense and its relationship with the sensible materiality of experience brought forth by the project of hyletic phenomenology. In the second part of the paper, I propose to overcome the tension between (...) a materiality of sense and a materiality of sensibility by reflecting on the specific materiality that is created in our experience through the dynamism of imaginative modifications. Allowing us to switch between different temporal and spatial horizons, imaginative projections and reveries reveal a hidden “reverse” side of our perceptive field, that we access only when we let go of objectifying acts and established significance. In the last part of the paper, I turn toward bodily gestures, in which I see an expression of experience that resists objectification and straightforward symbolization, attesting for the complex social inscription of our bodily existence. I end the paper with an inquiry into the specific materiality of gestures, understanding them as vanishing archives offered to the future. (shrink)

This essay engages with Cressida Heyes’s Anaesthetics of Existence (2020) on two points. First, it raises worries about Heyes’s apparent association of anaesthetic time with feminist resistance. Second, it reconsiders Heyes’s account of the specific harm involved in raping unconscious individuals, as well as her account of the sort of agency nullified by rape more generally, by appealing to the notion of interpersonal spatiality.

In this article, I focus on the problem of body as it is developed in Heidegger’s Zollikon Seminars, in contrast with its enigmatic concealment in Being and Time. In the first part, I emphasize the implicit connection of Heidegger’s approach of body with Husserl’s problematic of Leib and Körper, and with his phenomenological analyses of tactility. In the second part, I focus on Heidegger’s distinction between the limits of the lived body and the limits of the corresponding corporeal thing, opening (...) to an ontological understanding of the ecstatic bodying forth of the body. In the third part, I analyse this ecstatic bodiliness in relation to the problem of spatiality, exploring the tension between the here and the over there in the experience of the embodiment. Heidegger not only refuses to understand the space starting from the here of the body, but he also refuses to understand the body starting from the here of the space. Thus, there are two interconnected inversions that Heidegger operates in relation to Husserl: In the topic of spatiality, he rejects the pre-eminence of the here; in relation to the body, he contests the primacy of tactility. Finally, the conclusion stresses that, even if the bodying forth penetrates almost all behaviour of Dasein in the world, there is however a limit of embodiment, an unreachable frontier beyond any possibility of the bodying forth, namely the understanding of being. This also implies that the problem of body needs be understood in the context of the ontological difference. (shrink)