ABSTRACT What happens to the imagination in the process of overturning despair and becoming an authentic (i.e. a Christian) self? Using the mystic concept of Entbildung (i.e. getting cleansed of images) as heuristics, the article re-examines the relation of the imagination and the will in Kierkegaard. Analysing the rarely compared texts Practice in Christianity and the first of the Ethical-Religious Essay, and paying close attention to the semantics of the image, the article argues that grace and imagination cooperate in the (...) process of Entbildung, restoring the self’s receptivity for possibility as an uncontrollable, non-anticipatable divine possibility. It is in this kenotic discipleship that the aspiring followers of Christ may come to resemble Christ, who in the Garden of Gethsemane prayed ‘Father … everything is possible for you. Take this cup from me. Yet not what I will, but what you will’. (shrink)

Commentators agree that Kierkegaard's “second authorship” emphasizes the imitatio Christi. But they disagree in their understanding of conforming one's life to Christ. Does the authorship end with a summons to martyrdom or with heightened love of the neighbor? The paper argues that Kierkegaard's appropriation of the imitatio theme in pietist literature shows that human limitation and divine supremacy are the hallmarks of imitating Christ. Both potential martyrdom and the practice of the love of the neighbor rest upon submission (...) to God and reliance upon divine grace. (shrink)

The Heythrop Journal, Volume 63, Issue 4, Page 553-566, July 2022.

An ethics of imitation risks trivializing, aggrandizing, and homogenizing the company of disciples. Should followers of Jesus even try to walk this way?

Christians have traditionally conceived of the moral life as an imitation of Christ, whereby followers enter into fellowship with God. The American Transcendentalists can be understood as extending rather than dispensing with this legacy. For Emerson, a person cultivates virtues by imitating those she loves and admires. Ultimately, however, the virtues enable her to innovate on received models, to excel by pressing beyond exemplars. Emerson's famous line, “imitation is suicide,” is not a contradiction but a fulfillment of (...) the imitation of Christ, understood in his terms. In his own time, John Brown was the public figure who, for Emerson, most nearly exemplified this innovative imitation of Christ. An examination of exemplarity, of this artful union of imitation and innovation in moral and spiritual formation, sheds light on how modern agents can cultivate the virtues needed to be at home in the modern world. (shrink)

The Martyrdom of Polycarp narrates a martyrdom ‘according to the Gospel’. Numerous facets of the text echo the passion materials of the Gospels, and Polycarp is directly said to imitate Christ. Various scholars have discussed the imitatio Christi theme within the work. Such an approach focuses upon Christ as an exemplar of suffering to be imitated, through specific events of similar suffering. But the Christology of the Martyrdom of Polycarp is far richer than this focus alone. Jesus (...) class='Hi'>Christ is also the Son, Savior, eternal high priest, teacher, elector, king, and alternative to Caesar. As the sovereign, he actively coordinates events and chooses martyrs from among his servants. (shrink)

This paper attempts to investigate Kierkegaard’s thought through the category of mimesis. First, two meanings of the word are distinguished and analyzed: the archaic meaning that links it to the concept of re-enactment, and the traditional meaning that links it to the aesthetic field of art. These two meanings are then considered in relation to Kierkegaard’s opus, showing the oscillation of mimesis as corresponding to that between the aesthetic, which lives in fantasy and in the unfulfilled possibility, and the religious, (...) which finds its identity in the imitation of Christ and in the transparent relationship to God. (shrink)

This article reevaluates the origins of Kierkegaard’s concept of imitation. It challenges the general approach to the genealogy of the phenomenon in question, which privileges the influence of various religious traditions on the thinker and ignores his exposure to the non-Christian literature. I contend that a close reading of the Apology, the Sophist, the Republic, and the Phaedo alongside Kierkegaard’s texts from the so-called second authorship reveals in the dialogues of Plato the three crucial aspects of Kierkegaard’s concept of (...) imitation, namely the phenomenon of following after, the existential, and the non-imitative character of imitation. Lastly, I show that, apart from striving to be a follower/an imitator of Christ, Kierkegaard perceives himself as a follower/an imitator of Socrates. This means that the life of the imitator of Christ is the examined life in the Socratic sense. (shrink)

This paper challenges the general approach to Kierkegaard ’ s engagement with imitation, which privileges a strictly religious reading. Heretofore imitation has been apprehended as a coherent concept shaped within the context of imitatio Christi in the devotio moderna. I locate Kierkegaard ’ s writings in the broader context of mimesis. Analysing particular mimetic structures woven into the text, I show that a plurality of imitative models that are different fromChrist occurs therein. Addressing the distinction between the religious (...) and the aesthetic in Kierkegaard, I inquire into the status of these imitative models. Referring to the term “ Mellembestemmelserne ” and “ ekphrasis ”— the rhetorical de- vice of aesthetics — I show that the other models of imitation exhibit supportive roles to the highest type of prototype (Christ) and therefore question the solely religious rendering of mimesis and the aesthetic confines of Kierkegaard ’ s concept of aesthetics. (shrink)

With a crown of thorns on his head, nails in his hands and feet, and a spear wound in his chest, Jesus Christ of Nazareth, who was hanging on the Cross, has occupied Christians for hundreds of years and continues to do so. All Christian faith centres around Jesus, who sacrificed himself on the crucifix for this symbolized event, or "salvation of sinful mankind." In this framework, Christians believe that every human being should imitate the life of Christ (...) as a "model savior", and especially experience the same wounds and passion on the crucifix. Paul was the first to say that he had the scars of Christ on his body. Francis of Assisi and others followed him, and they were considered stigmatics/stigmata bearers. In our country, although there have been many studies on Jesus, no study on the subject of stigmata has been found. Therefore, in this article, the emergence of the understanding of stigmata in the context of bearing the wounds of Jesus Christ on the cross on the body of believers, its historical development, the perceptions of the Middle Ages and the stigmata of Paul and Francis of Assisi will be discussed. Thus, the development of the understanding of stigmata in the Christian world and how effective it is will be tried to be revealed. (shrink)

In this essay, I explore Emmanuel Falque’s interpretation of Søren Kierkegaard’s Upbuilding Discourses in Various Spirits (1847), specifically his quotation of “the burden is light” passage from Matthew 11:30. I argue that his use of the “Gospel of Sufferings” offers a methodological insight into Falque’s motif of transformation. The lightness of the burden is an invitation to the imitation of Christ that retains the full weight of finitude. The savior models the decision coram Deo (“before God”) that brings (...) the “other” to bear on our experience, but Falque augments this by emphasizing the concept of being cum Deo (“with God”), providing a fuller praxis in our existential habituation of eternity. The “other” is what determines the lightness of the burden and invites us to a fraternal solidarity with God and humanity. I begin my argument by offering an exposition of Falque’s philosophy of religious experience, then I survey texts where Falque employs the lightness of the burden. I conclude by focusing on Falque’s use of this passage in his recent discussions of tragedy and trauma. (shrink)

Through an analysis of Kierkegaard’s and Dostoevsky’s approaches to the theme of the death of Christ – one of the major leitmotifs in the debate of their contemporaries conveyed through theological and philosophical considerations, but also expressed in novels and in art – I show how the thinkers comprehended and articulated in their works the religious challenges awaiting the modern man.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Varieties of Vernacular Mysticism (1350–1550) by Bernard McGinnDennis J. Billy C.Ss.R.The Varieties of Vernacular Mysticism (1350–1550). By Bernard McGinn. New York: Crossroad, 2012. Pp. xiv + 721. $70.00 (cloth). ISBN: 978-0-8245-9901-0.This fifth volume of McGinn’s Presence of God: A History of Western Christian Mysticism covers the Dutch, Italian, and English vernacular mystics of the late Middle Ages. In previous volumes, the author treated the Foundations (vol. 1), (...) Growth (vol. 2), Flowering (vol. 3), and Harvest (vol. 4) of Western Christian mysticism from its roots in the Jewish matrix and the Greek ideal to its fruition in the German vernacular writings of Meister Eckhart and his students. In this latest volume, he continues his history of Western Christian mysticism by focusing on varieties of vernacular mysticism in the Low Countries, Italy, and England from 1350 to 1550.Conscious of the dangers of historical periodization and regional classification, as well as the relationship of mysticism to the greater ecclesiastical world, McGinn takes pains to show the distinctive character of each mystic under consideration, while at the same time pointing out appropriate parallels with Western and Eastern Christian mystics from past historical epochs and those contemporary voices from both within and [End Page 476] without each mystic’s linguistic region. In his preface, he apologizes to his readers for the long gestation of the present volume and offers a brief account of how his original plan of writing a three-volume history of Western Christian mysticism evolved into a series of seven, due in large part to the sheer wealth of sources and his desire to give them a thorough treatment. Rather than following his original intention of including other vernacular traditions in his previous volume on German mysticism, he wisely chose to devote an entire volume to these other important strands (ix–x).Instead of writing a general introduction to the volume, McGinn decides to give a brief introduction to each of the three major parts. He divides his work into thirteen chapters constructed along the following lines: (1) “Late Medieval Mysticism in the Low Countries” (chaps. 1–5), (2) “Mysticism in Late Medieval Italy” (chaps. 6–9), and (3) “Mysticism in Late Medieval England” (chaps. 10–13). The volume closes with a brief conclusion (491–94), extended annotations (495–661), an extensive bibliography (662–704), and indices for Scripture references (705–6), names (707–12), and subjects (713–21). The book’s organization reflects the theme of diversity highlighted in its title. Although each part has its own internal structure and stands on its own as a survey of the material at hand, it also fits well into the volume’s overall plan of pointing out the distinctiveness and great variety of the vernacular mysticisms produced during this period. Taken individually, each part can be considered a probing monograph on the vernacular mysticism in each region. Taken together, the parts offer a unique glimpse into the mystic and literary creativity that sets this period apart as one of the most fertile periods in the history of Christian mysticism.In part 1, “Late Medieval Mysticism in the Low Countries,” McGinn notes that “the period ca. 1350 to ca. 1550 is the central era for Dutch mysticism” and “witnessed a florescence of mystical authors writing in the Dutch-Flemish language” (1). Although he hesitates to refer to a Dutch “school” of mysticism and thinks that “Ruusbroec should not be made the yardstick by which all later Dutch mystics are measured,” he has no reservations about considering him “a gravitational center in the history of Dutch mysticism” (2). This section of the book begins with an in-depth look at the mystical writings of Jan van Ruusbroec (1293–1381) (chap. 1) and continues with a study of Goenendaal mysticism after Ruusbroec (chap. 2). It then turns to a treatment of the mystical aspects of the Devotio Moderna, with a special emphasis on The Imitation of Christ and some vernacular mystics numbered among the Devout, such as Hendrik Mande (ca. 1360–1431, Gerlach Peters (ca. 1375–1411), and Alijt Bake (1415–55), and adds a brief note on the nominalistic... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Life of Virtue as an Act of Worship:On the Eucharistic Orientation of the Moral LifeMichael A. WahlThe Second Vatican Council's sole mention of moral theology, which occurs in the decree on priestly formation Optatam Totius, consists in a brief but unmistakable call for its renewal (§16). The need for such renewal stems from the state of moral theology in the mid-twentieth century, dominated by the manualist tradition that (...) had emerged after the Council of Trent. The manuals were increasingly thought to be inadequate in at least two important respects. First, they framed the moral life primarily in juridical terms of duty and obligation.1 As the author of one early-twentieth-century manual put it, the manuals do not "hold up a high ideal of Christian perfection for the imitation of the faithful. Rather, they deal with what is of obligation under pain of sin; they are books of moral pathology."2 Second, the focus of the manuals was principally on resolving cases of conscience rather than on treating the theological principles at the heart of Christian ethics, and the method they employed in this task was primarily philosophical, occasionally supplemented by biblical citations. What resulted from this approach is what one contemporary moral theologian describes as a "stifling of the theological imagination," a severing of moral theology from its place within [End Page 1399] the larger context of Christian theology and its self-relegation to the domain of problem-solving.3Given this context, the Council's summons to renewal would entail a significant reorientation of moral theology in at least two ways. First and perhaps most pressingly, the Council's injunction that moral theology "should shed light on the loftiness of the vocation of the faithful in Christ" calls on moral theologians to re-conceive the moral life in positive terms, as the pursuit of beatitude through growth in holiness, rather than solely in the minimalist terms of avoiding sin (Optatam Totius §16). Second, the Council's insistence that moral theology "should be renewed by a more living contact with the mystery of Christ" and "more nourished by Sacred Scripture" demands a recovery of the properly theological character of moral theology and its more intentional integration with Scripture, dogmatic theology, the liturgy, and spirituality (§16).Over the past seventy-five years—in the time both leading up to and following the Council—Catholic moral theologians have returned to the sources of Christian ethics in fresh and creative ways in order to renew moral theology.4 One crucial component of this renewal, especially in the wake of Pope John Paul II's 1993 encyclical Veritatis Splendor—approximately the midpoint between the end of the Council and the present—has been the resurgence of virtue ethics, including and especially the virtue ethics of Thomas Aquinas, in Catholic moral theology.5 This return to virtue has incorporated several important elements of the Council's call for renewal. For example, many virtue ethicists have emphasized the teleological character of the moral life by emphasizing the call to supernatural beatitude as the foundation for moral theology.6 In addition, contemporary works in [End Page 1400] theological virtues ethics have given special consideration to the relationship between Scripture and the moral life.7 For these reasons and others, many scholars regard virtue ethics as the most promising way forward for developing a theological approach to the Christian moral life aligned to the vision of the Council.There remains, however, one of the Council's desiderata for moral theology's renewal to which virtue ethics has devoted less attention. While theological virtue ethics has striven to "shed light on the loftiness of the vocation of the faithful in Christ" and to ensure that it has been "more nourished by Sacred Scripture," comparatively less consideration has been given to ensuring that moral theology is put in "living contact with the mystery of Christ." To be sure, several recent contributions to Catholic virtue ethics have emphasized the role of grace, the infused virtues, and the gifts of the Holy Spirit in order to highlight the properly supernatural character of the Christian moral life.8 But at the same time, virtue ethics... (shrink)

All the major sixteenth-century Reformers knew something about the early church and used the early Fathers. As an Augustinian monk and professor of theology, however, Luther’s knowledge and use of the great Father was both deeper and more nuanced. While indebted to Augustine, Luther went further in defining what it meant for theology to be ‘scriptural’. He saw history as the interaction of God’s two regimes, and the church of every age as weak and flawed but conquering through the cross (...) of Christ. This led him to a free use of the Fathers without being constrained to always agree with or imitate them. The comfort he received from the Apostles’ Creed in particular led him to appreciate the early creedal statements, and so it was natural for him to use them as models when formulating the new confessions required in his own day. The sixteenth-century heritage of written confessions of faith is a heritage under-appreciated but still vital for church bodies today.1. (shrink)

Near the end of Practice in Christianity, Kierkegaard’s pseudonym Anti-Climacus denies that progress occurs within history. We are not getting better every day, in every way. According to Anti-Climacus, we are the same as we have always been. This essay sets Anti-Climacus’s denial of progress in its historical context, arguing that he develops a counter-philosophy of history which combats the prevailing Hegelianism of his age. The essay also draws connections between Anti-Climacus’s philosophy of history and the themes of imitation (...) and contemporaneity, showing how a denial of history’s progress enables contemporary humans to interact with the same world Christ faced. (shrink)

This article is intended to serve as a reminder of the themes that have been present in Christian spiritual formation through the centuries. In a WISDOM orientation we ground our approach to CSF in Scripture, in theology, and in “best practices,” yet we also seek to thoughtfully locate CSF within specific contexts. The WISDOM acronym reminds us that formation must involve: Wise planning, where the leaders prayerfully seek to implement what is needed in a specific situation; Intentionality, calling people to (...) commit to walk differently from the ways of the world; Scripture, salvation, and Spirit, where the Salvation message and the Spirit-led mission of the whole of Scripture provides the framework for CSF; Discipleship, where the end of CSF is the imitation of Jesus Christ; Optimism, where we pursue our formation in an atmosphere of hope and expectation of change; and Means. (shrink)

The Abased Christ is the first monograph to be devoted exclusively to Søren Kierkegaard’s Christological masterpiece, Practice in Christianity. Alongside an argument for a new translation of the work’s title, it offers detailed textual commentary on a series of themes in Practice in Christianity, such as the person of Christ, contemporaneity, imitation, and Kierkegaard’s philosophy of history. Anti-Climacus, the pseudonymous author of Practice in Christianity, presents to his readers a uniquely challenging understanding of who Christ is (...) and what it means to follow him. The Christ of Anti-Climacus is not the glorious Christ who abides with the Father in heaven, but the abased Christ who is poor, marginal, offensive, and persecuted. Throughout Practice in Christianity, we are called not only to perceive the abased Christ, but to follow after him. The Abased Christ aims to enrich historical theologians’ appreciation of Kierkegaard’s Christology. However, it concludes by grappling with questions of power, agency, and sacrifice which have been at the forefront of contemporary theology in the 20th and 21st centuries, thereby suggesting how we might make sense of Kierkegaard’s Christology today. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Erasmus and the Problem of the Johannine CommaJoseph M. LevineWhen Edward Gibbon decided to banish primary causes from the Decline and Fall and integrate secular and ecclesiastical history, he was completing a revolution that had begun unwittingly two centuries before. 1 To bring into his narrative of empire a consideration of the “Johannine comma” (the interpolation in 1 John 5:7–8) was not perhaps either digressive or inevitable; but it (...) would certainly have surprised and dismayed some of Gibbon’s immediate predecessors, such as the Catholic Frenchmen, Bossuet and Tillemont, each of whom had written about his subject and exercised an important effect on him at different times in his life; and it would have seemed even more incomprehensible to earlier generations. 2 Something had happened in the two centuries between Erasmus and Gibbon to make this new vantage point possible and congenial.It was, I think, nothing less than a victory for the idea of history. At the beginning of the sixteenth century theology still ruled as queen of the sciences and the claims of religion were largely justified by an appeal to reason and authority, that is, to Aristotelian logic and the dictates of the Church. By the end of the eighteenth century theology had become dependent on history, and religion was now justified by an appeal to “matter of fact.” 3 Even such mysteries as the doctrine of the Trinity, which had eluded the reason of St. Thomas and the schoolmen and had remained dependent on the dictates of Church Councils from Chalcedon to Trent, had come now to depend in some fashion on the [End Page 573] evidence of Scripture considered as history. At the same time the removal of final causes from the narrative of human events threatened to leave it—with every other Christian doctrine and event—to the arbitrament of ordinary scholarship. Gibbon brings us to the edge of religious modernity, and the history of the comma exactly spans the period of that development. It was Erasmus, however, as Gibbon himself suspected, who had first set some of the key problems, which he and his enlightened friends believed they had solved.For Erasmus the decision to edit the Greek New Testament was the result of an early commitment to Renaissance humanism and a response in particular to several lively currents in the contemporary intellectual scene. On the one hand Erasmus, encouraged perhaps by his new friend John Colet, began to think of the Bible principally as a record of history rather than as an arsenal of theological texts, above all as the story of Christ on earth—Christ as the supreme exemplar to be followed and imitated. Apparently, he had been well prepared for this by his acquaintance with the Brothers of the Common Life, and by a characteristic humanist distaste for logic and metaphysics—and a preference for rhetoric and history—which he displayed in all his early writing. 4 It seems to have been Colet’s Lectures on the New Testament that encouraged his view that Paul and the apostles, if not Christ himself, were best understood in their historical setting and that their message was primarily ethical. 5 In effect the churchman, Colet, and the wandering monk, Erasmus, wanted to place Christian responsibility back in the hands of the laity, in the conscience and behavior of the Christian believer, rather than in what they took to be the mechanical observances of Church ritual. This required that the Bible be placed at the very center of worship, in the hands of every man (and woman), accessible and intelligible as the Vulgate was not, and read in the first place for its story. There were others on the Continent who shared the same impulse—which, of course, the Protestant Reformation was also to endorse. 6Secondly, Erasmus was encouraged to his work by his accidental discovery of Lorenzo Valla’s Notes on the New Testament. 7 He had already pledged [End Page 574] himself to the culture of Italian humanism, to its determination to recover the Greek and Latin texts of classical antiquity and put them to use by imitation. Valla was the master of humanist technique, the greatest... (shrink)

ABSTRACTSeveral times within 1 Corinthians Paul encourages the Corinthians to imitate him. These are found at critical junctures in the epistle in 1 Corinthians 4:16 and 11:1. The meaning of these sections is in question from the perspective of Corinthian scholars. Several believe that Paul is appealing to apostolic power and authority to coerce the Corinthians to obey him, whereas others find him responding to social situations. This is different from the way that imitation and discipleship are presented within (...) the writings of Ignatius of Antioch. Pauline ideas, specifically those from 1 Corinthians, are known to have influenced Ignatius of Antioch’s writing, and thus Ignatius’ ideas about imitation are likely to reflect the meaning that Paul intended. Ignatius specifically speaks about imitation and discipleship in several places: Ign. Eph. 1, 2, 4; 3:1-3, Ign. Magn. 4:1; 5:1-2; 9:1-6, Ign. Rom. 3:1-2; 6, 3, 1. When these passages are considered, imitation involves suffering and possibly martyrdom. Imitation is also connected to the cross of Christ and is not a means to enforce superiority. Ignatius’ view of imitation would contradict the opinions of some scholars who see Paul’s injunction for imitation as a claim for power. It also supplies more information to the idea than those who claim that it is simply a counter example to the social situation. (shrink)

In contemporary Western societies, public begging is associated with economic failure and social opprobrium--the lot of street people. So Christians may be puzzled by the fact that an interpretation of the imitation of Christ in the late Middle Ages elevated religious mendicancy into an ideal form of life. Although voluntary religious begging cannot easily be resurrected as a Christian ideal today, the author argues that a radical attitude and practice of trust, self-abandonment, and acknowledgment of dependence on God (...) can be a Christian ideal in any time and place. To follow this way of life, which the author calls mendicancy in attitude, is to become a beggar of God. (shrink)

The church of S. Prassede, built and decorated by Pope Paschal I , survives as the example par excellence of the Carolingian Revival in Rome. The plan of the church has long been recognized as a deliberate imitation of the design of Old St. Peter's, though on a much smaller scale. The splendid apse mosaic of Christ and the attendant Adoration of the Lamb by the twenty-four elders, which occupies the apsidal arch, may derive directly from the sixth-century (...) program at SS. Cosmas and Damian, which in turn refers to a fifth-century prototype such as was found at St. Paul's Outside the Walls. (shrink)

The article begins with the gospels’ admonition to take up one's cross and asks how Christians might understand Christ's work on the cross so that we might better imitate or participate in it. Using tools from recent advances in literary analysis and systematic theology, the article attempts to provide some answer to this question. It considers contemporary feminist and liberation theologians’ criticism of the common but problematic interpretation of Christ's cross, what is often called ‘substitutionary penal atonement.’ It (...) compares this with Anselm's atonement theory of satisfaction and Bernard Lonergan's and René Girard's analysis of the cross as a communication of love that invites others into loving relationship. With these interpretations of Christ's work, it concludes with some thoughts on how Christians might take up their own daily crosses. (shrink)

What place do imagination and art have in Christian existence? This paper examines this question through the writings of Kierkegaard's pseudonym Anti‐Climacus: The Sickness Unto Death and Practice in Christianity. I focus on the latter work in particular because it best illustrates the importance of imagination in following after (Efterfølgelse) Christ in imitation, which Anti‐Climacus presents as the proper task of faithful Christian existence. After outlining both his critique and his affirmation of the imagination, I then consider what (...) role the notion of ‘Christian art’ might play in his account of the imitation of Christ. Anti‐Climacus gives a severe critique of Christian art, insofar as it disposes the viewer to detached observation and admiration – rather than imitation – of Christ. However, an earlier passage in the same text gives a provocative yet cryptic indication of the sort of art that would not succumb to this danger. Taking a cue from the phenomenology of Jean‐Luc Marion, I draw out this suggestion and argue for the important role that visual art can play in imitating Christ. The final section illustrates this point briefly with three paintings: Matthias Grünewald's Crucifixion, Hans Holbein's The Body of the Dead Christ in the Tomb, and Albrecht Dürer's Self‐Portrait (1500). (shrink)

This article explains and assesses a particular method of loving others that is espoused by Søren Kierkegaard. In his later works, Kierkegaard advocates a kind of deceptive love whereby one mystifies or deceives another person for that other person's own good. The theological underpinning of this mode of love is found in the imitation of Christ. In other words, just as Jesus adopted an incognito, so also Christians should, at times, appear different or lowlier in order to help (...) others by meeting them where they are. After explaining this form of love, I argue that there are considerable reasons not to follow Kierkegaard in his support of outright deception within personal relationships. I conclude with some brief reflections on whether the deceptive structure of Kierkegaard's own authorship is thereby condemned or whether it can be exonerated. (shrink)

Augustine’s sermons on the Psalms of Ascent, part of the Enarrationes in Psalmos, are a unique entry in the venerable tradition of those writings that aim to help us ascend to a higher reality. These sermons transform the ascent genre by giving, in the place of the Platonic account of ascent, a Christian ascent narrative with a Trinitarian structure. Not just the individual ascends, but the community that is the church, the body of Christ, also ascends. The ascent is (...) up to God, the Idipsum or the Selfsame, the ultimate reality, confessed by the church as God the Father, God the Son, and God the Holy Spirit. Through the grace of the Incarnation, God the Son enables us to ascend, making himself the way of ascent from the humility we must imitate at the beginning of the ascent all the way up to Heaven, where he retains his identity as Idipsum. Meanwhile, the Holy Spirit works in the ascending church to convert our hearts to the love of God and neighbor. I review the Platonic ascent tradition in Plato’s Republic and Plotinus’ Enneads; overview ascent in some of Augustine’s earlier writings; introduce the narrative setting of the sermons on the Psalms of Ascent; and analyze the Trinitarian structure of their ascent narrative. I close with some reflections on the difference between a preached Trinitarianism that encourages ascent and a more academic effort to understand God such as we find in Augustine’s de Trinitate. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Bonaventure, the Body, and the Aesthetics of Salvation by Rachel DaviesRobin LandrithRachel Davies, Bonaventure, the Body, and the Aesthetics of Salvation. Cambridge, UK: Cambridge University Press, 2020. Pp. Xii + 187. $105.00. ISBN: 9781108485371. Rachel Davies's Bonaventure, the Body, and the Aesthetics of Salvation finds in Bonaventure a resource for contemporary theological efforts to read embodied experience as a primary text. She argues that Bonaventure supports these efforts (...) by affirming the body as an aid to the soul in the whole self's sanctification. In her effort to read Bonaventure's account of the body in aesthetic terms, Davies argues that Bonaventure sees the suffering body as the site of the revelation of God's beauty. Distinguishing her reading from that of Hans Urs von Balthasar, however, Davies avoids suggesting that bodily suffering is beautiful per se (19–21), emphasizing instead the need to seek the beauty unique to bodily suffering "through" that suffering, looking toward its redemption (25). The beauty of suffering is beauty in potency—beautiful only insofar as it is grafted onto Christ's suffering, and, like Christ's suffering, only revealed as beautiful when it appears in the resurrected body. For Davies, the "deep logic" (32) by which Christ's suffering and resurrection transform human suffering permits hope that suffering can be made meaningful, but that same logic also refuses premature attempts to say how it will be made meaningful. Davies's argument is most persuasive when read as a mystical meditation on the beauty unique to human suffering—that is, as a theo-logical text in the formal sense. There is a pastoral sensitivity motivating her scholarly contribution. The book attempts to address "a common human struggle: the experience of bodily diminishment, which threatens to turn corporeality into a noetic obstacle rather than the communicative medium it was intended to be" (170). In some ways, Davies shows Bonaventure to be a useful resource in pursuit of this aim. At the same time, Bonaventure's works and milieu create conditions within which Davies's scholarly and pastoral theses occasionally work against each other. Davies first intends to highlight Bonaventure's (occasionally) favorable view [End Page 245] of the body—a view which stands apart from less-favorable assessments frequent in medieval theology (32). In doing so, Davies recovers an important, surprisingly tender, instance of medieval sensitivity to the soul's abandonment of the body in sin alongside medieval references to the body's rebellion against the soul. As a scholarly contribution, Davies's work draws attention to these existing, if at times undeveloped, intuitions within Bonaventure's account of the role of the body in the process of sanctification. Still, it is difficult to see an obvious pastoral application for the claim that the soul abandons the body when we consider cases of involuntary chronic or terminal suffering. Davies does not try to offer one, but neither does she address the fact that shifting the accent to the guilt of the soul in abandoning the body risks shifting the blame for suffering—even chronic suffering—to the sufferer herself. Davies by no means thinks the blame lies here. She is attentive to the challenges that such suffering presents to the sufferer. Indeed, it is to alleviate some of these challenges that Davies emphasizes the mystical, rather than imitative, aspect of Bonaventure's account of the effect of Christ's suffering on other instances of human suffering (109). She observes that Christ's "victory is a victory for the entire Church," which means that "those who cannot begin to imagine the transfiguration of their own sufferings, or direct their feelings toward any sort of fruitfulness, can at least consent to be carried along passively in Christ's return to the Father" (108). This "requires nothing but blind trust, and does not ask people to find meaning in their own suffering, or even to be at peace with it" (108). I am convinced by the pastoral merit of this point, and of the capacity of Bonaventure's mystical soteriology to sustain it. But the notion of an unconscious or unintentional transfiguration of suffering raises two further questions regarding attempts to apply Davies's... (shrink)

In this article I develop a new perspective on Kierkegaard’s ethics of becoming oneself. I understand this important subject from the perspective of moral exemplarity, a viewpoint for which there has not been sufficient attention in Kierkegaard scholarship on the subject of becoming oneself. On the basis of a combined reading of his The sickness unto death and his Practice in Christianity I show that Kierkegaard argues, under the pseudonym Anti-Climacus, that one becomes oneself through the imitation of (...) class='Hi'>Christ. I elaborate this Christian ethics of becoming oneself by focusing on the transition from philosophy to theology in Anti-Climacus’ ethics, and, moreover, by making clear, first, how one can become oneself through the imitation of Christ; second, why one should, according to Anti-Climacus, imitate Christ; and third, what exactly should be imitated in the imitation of Christ. In the conclusion of this article I argue that, contra a dominant interpretation among Kierkegaard scholars, human beings can be themselves according to Anti-Climacus. (shrink)

The collected essays and consensus statements of the second round of the National Evangelical-Catholic Dialogue, and the second book of the series on Evangelicals and Catholics in dialogue. The essays address the Christian ideal of life lived in pursuit of the good that is God, and the witness and imitation of God's action in Christ, as a pathway to fruitful dialogue between Catholics and Evangelicals.

This essay discusses the role of mimesis in bringing about the images of the crucified Christ, the self, and the martyr as overlooked parts of Kierkegaard!s pseudonymous texts. With respect to mimesis I focus on imitation, representation and resemblance.3 With regard to Kierkegaard!s “Does a Human Being Have the Right to Let Himself Be Put to Death for the Truth?” I argue that its author H.H. introduces the mimetic concept of self and its textual process of formation. I (...) claim that H.H.'s concept of martyr is deeply mimetic and represents Kierkegaard's own vision of himself. In my exposition I employ Rene Girard's theory of “mimetic desire” and Paul Ricoeur's concept of “mimetic arc.”. (shrink)

Recollection is a central component of Kierkegaard’s dramaturgical aesthetics, as it is recollection that allows for the actor and audience to accomplish continuity between the past and present, and, crucially, the private and the public. This continuity is accomplished imaginatively, wherein an actor or a poet seeks to elicit mood and establish an interpersonal dimension to inwardness, hence allowing the act of recollection to have both existential and social significance. My task is to articulate this aspect of his dramaturgical aesthetics (...) and demonstrate how there is a further continuity, between Kierkegaard’s thinking of the aesthetic and the religious in his authorship. I establish this continuity by analyzing the relationship between the living and the dead in recollection. Because recollection also forms an inward relation to the dead, this analysis has important implications for his doctrine of Christianity. Consequently I suggest Kierkegaard’s authorship fits Lessing’s criteria for a successful Christian drama. At a minimum Kierkegaard wrote in order to be read dramaturgically, with the reader thinking alongside and interpreting the text based on the mood it elicits. Finally, Kierkegaard’s own work of recollecting Christ in a “martyrdom of laughter” [Latterens Martyrium] establishes a continuity between the aesthetic (im)possibility of Christian theater qua Lessing and the religious (im)possibility of imitating Christ. (shrink)

Heresies are intrinsically intertwined with the evolution and inner growth of the very religions that denounce them. They serve as theological junctures, challenging and thus refining the orthodoxy of religious beliefs. The Pelagian heresy touches on one of the central tenets of Christian theology: the question of salvation. Pelagianism posits that human beings retain freedom of the will and, more specifically, the capacity to earn salvation through their own merits rather than relying solely on the grace of God in (...) class='Hi'>Christ. This stands in contrast to the predominant Christian view that Original Sin fundamentally impaired man’s will and intellect. A central tenet of Christianity is that through His suffering and death on the Cross, Christ atoned for humanity’s Original Sin and paved the way for our redemption. But what exactly made this redemption possible through the suffering and death on the Cross? Unlike many of the answers offered, Abelard’s explanation, also referred to as exemplarism, resonates with modern sensibilities: Christ set an example to imitate, and through this imitation, man learns humility and love. However, this stance faced criticism and was condemned by Bernard of Clairvaux as having Pelagian tendencies because it suggests that Christ’s redemptive work might not inherently require Christ’s divine nature. This study will attempt to defend the exemplaristic approach while ensuring Christ’s essential role and addressing criticisms against the Pelagian heresy. This discussion is further enriched by an examination of the Eucharist, illuminating the theological tension between symbolic and realistic interpretations of religious rites. (shrink)

A militant Marxist atheist and a "Radical Orthodox" Christian theologiansquare off on everything from the meaning of theology and Christ to the war machine of corporatemafia.

This book is devoted to the so-called moral virtues, especially those moral virtues of which Christian tradition upholds that they are given by God to the faithful. For instance patience, humility and justice. There are not only different interpretations of these infused moral virutes, but it is also not unambiguous in the theology of Aquinas how these virtues are related to the virtues human beings acquire on their own accord. What is the relationship with Scripture, how do these virtues clour (...) the imitation of Christ, and what do these virtues tell about the moral life of non-Christians? (shrink)

Andrey Bely was an important member of the Russian symbolist movement of the late 19th and early 20th centuries. This essay presents a summary of the development of his ideas regarding the origins of image and symbol in poetic language. For Bely language organizes chaos. The poet finds images in the internal world of dreams. Music has an organizing power beyond that of language, which language attempts to imitate. Under the influence of Vladimir Solovyov he looked to the union of (...) Divine Wisdom or Sophia with the Eternal Logos as the principle behind symbolic images. Later, under the spell of Rudolf Steiner, he found the source of inspiration in the eternal dwelling of the Logos from which the human ego descends into flesh. The task of the poet is to recover the memory of the time before he left the realm of the Logos and to return to that realm by participating in Christ's ascent to the Cross. The autobiographical novel Kotik Letaev gives an account of recovering memory from before birth and the need to be joined with Christ crucified. (shrink)

The quintessence of Byzantine faith is the twofold identification of the God-Man. Yet, the image of God Jesus Christ and the transcendent Trinity is a one-God concept. Inevitability, I argue Byzantine aesthetics had to recognize God as both anthropomorphous and divine. Since, omission of God’s divinity would verify God as divisible. In line with apophatic theology, Byzantine aesthetics used non-categorizations and non-identifications, what I denominate meta-images, to teach about God’s divinity and that God is. Since 'holy' equals right manner (...) and right teaching about God , anything else would have been heresy. The desired effect of salvation would come to naught if the image did not concur with 'right opinion' . Contemplation and imitation as well as communion with God depend on aesthetics 'of right belief' . God is Beauty and God is Truth, and vice versa. In context of aesthetics, the idea of beauty refers to potential impetus to restore the natural image in the believer. Beauty identifies in deification , spiritual knowledge of the supreme beauty of God. Beauty does not refer to the perishable, but to the imperishable, not to physical strength and vigor, but to spiritual strength, yearning, and purity. Aesthetic approaches that help believers go beyond physical law to divine law, beyond the corporeal mundane to spiritual knowledge are good and beautiful. Interaction of narration, flattened corporeality, inverted perspectives, and meta-images such as light, brilliance, and patterned borders identifies the twofold reality of God and the historical event within and beyond time and space. This interaction of Incarnation and Grace refers to the Beauty of God, the prerequisite for salvation of humankind. (shrink)

ABSTRACTThe role of the image in the third part of Practice in Christianity suggests that Kierkegaard was inspired by Meister Eckhart’s and Johann Tauler’s account of detachment. I argue that Kierkegaard was not only indirectly influenced by Tauler through the works of the Pietistic writers, but also directly inspired by Tauler’s sermons. Particularly striking are similarities to a sermon that was included in the Tauler edition owned by Kierkegaard: the second sermon on the Feast of the Exaltation of the Cross. (...) A comparison of the texts shows how both Tauler and Kierkegaard criticize the mental images their contemporaries hold of Jesus Christ. Both stress the importance of existential kenosis, which they describe as Entbildung of the intellect and the will, and which is an essential part of following Christ in his abasement. Furthermore, they analyze inadequate attempts to imitate Christ in a similar manner. Even though Kierkegaard and Tauler differ with regard to the ontological implications of Entbildung, the ethical implications are the same: one should not retreat from the world, but rather turn to it with a selfless attitude. (shrink)

Andrey Bely was an important member of the Russian symbolist movement of the late 19th and early 20th centuries. This essay presents a summary of the development of his ideas regarding the origins of image and symbol in poetic language. For Bely language organizes chaos. The poet finds images in the internal world of dreams. Music has an organizing power beyond that of language, which language attempts to imitate. Under the influence of Vladimir Solovyov he looked to the union of (...) Divine Wisdom or Sophia with the Eternal Logos as the principle behind symbolic images. Later, under the spell of Rudolf Steiner, he found the source of inspiration in the eternal dwelling of the Logos from which the human ego descends into flesh. The task of the poet is to recover the memory of the time before he left the realm of the Logos and to return to that realm by participating in Christ's ascent to the Cross. The autobiographical novel Kotik Letaev gives an account of recovering memory from before birth and the need to be joined with Christ crucified. (shrink)

This dissertation seeks to bridge the gulf between New Testament studies and Christian theological ethics by integrating them on the topic of Christian love for others--especially when such a love is correlated with the appeal to imitate God or Jesus Christ. The general goal of this endeavor is therefore to do an exercise in hermeneutics--to make the Scripture speak to contemporary Christians ethically. The specific goal, then, is to establish the rudiments of a complete ethical theory of Christian love (...) which is biblically based. ;In order to achieve these goals, this dissertation will carry out three tasks: the descriptive task--to ascertain exegetically the meaning of those passages of love which correlate love with imitation ; the interpretive task--to translate the moral messages contained in these passages from their first century vernacular into the contemporary, technical, ethical language; the evaluative task--to assess selected interpretations by recent Christian ethicists of individual texts on Christian love, and the message on Christian love in the New Testament in general. ;On the basis of the result of these descriptive and interpretive tasks, I formulate eight theses on a Christian ethics of love. I also find that many contemporary interpreters of Christian love have neglected many of these theses. (shrink)

Call the claim, common to many in the Christian intellectual tradition, that Christ, in virtue of his created human intellect, had certain, infallible exhaustive foreknowledge the Foreknowledge Thesis. Now consider what I will call the Conditional: If the Foreknowledge Thesis is true, then Christ’s created human will lacked an important sort of freedom that we mere humans have. Insofar as many, perhaps all, of the people who affirm the Foreknowledge Thesis also wish to affirm the robust freedom of (...) Christ’s human will, the truth of the Conditional would be most unwelcome to them. I consider an argument in support of the Conditional from the necessary conditions for deliberation, arguing that the argument fails. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:THE MARVELOUS EXCHANGE: RAYMUND SCHWAGER'S INTERPRETATION OF THE ffiSTORY OF SOTERIOLOGY JOHNP. GALVIN The Oath-Olia University of America Washington, D.O. IN A WIDE-RANGING series of studies of disparate material, the French ethnologist and literary critic Rene Girard has proposed 'a remarkably comprehensive anthropological theory. Girard identifies imitation, which inevita.bly issues in rivalry and violence, as the decisive force in human conduct. In primitive societies,,Jacking centralized civil authority and (...) confronted with recurrent threats to survival, a fragile social order is preserved solely by discharging violence upon an arbitrarily chosen victim. According to Girard's analyses, periodic ritual reenactment of this primal event is the source of all great social institutions; the "scapegoat mechanism " thus lies at the root of human culture.1 While Girard has devoted increasing attention to examining the Judeo-Christian tradition from the perspective of his anthropology,2 more thorough application of his thought to Christian theological themes has been undertaken by Raymund Schwager, a Swiss Jesuit professor of dogmatics at the University of Innsbruck. In a book published in 1978, Schwager argued that Girard's theory offers a useful framework for addressing various biblical issues (the pervasiveness 1 Cf. especially Violence and the Sacred (Baltimore: Johns Hopkins, 1977) ; Des choses cachees depuis la fondation du monde (Paris: Grasset & Fasquelle, 1978); The Scapegoat (Baltimore: John Hopkins, 1986). For discussion of the bearing of Girard's thought on biblical issues cf. Robert North, "Violence and the Bible: The Girard Connection," OBQ 47 (1985), 1-27. 2 Cf. esp. Des choses cachees depuis la fondation du monde, pp. 163-304. 675 676 JOHN P. GALVIN of violence in the Old Testament; the diversity of Old Testament depictions of God; the prophetic critique of sacrifice; and the salvific significance of Jesus' public life and death) which have pvoven intractable from other perspectives.3 Since the appearance of that work, he has extended his testing of the theological value of Girard's thought, chiefly through publication of a series of ten articles in the Zeitschrift fur katholische Theologie on major figures and themes from the history of soteriology. These essays, always conceived as an integral whole, have now been gathered in a single volume; as a unit, they form a significant account of the history of Christian thinking on a central theological topic.4 Sohwa;ger devotes his first six studies to the patristic period. His historical survey begins with an examination of the contrasting soteriologies of Marcion and Irenaeus, under the title " The God of the Old Testament and the God of the Crucified " (pp. 7-31). Marcion's questioning of the inner unity of the Old Testament 1 and the apostolic writings led him to reject the Old Testament as the revelation of a creator God of rigorous justice, far inferior to the God of love manifest in Jesus Christ. Corruption of Christ's teachings by his disciples led to the calling of Paul, who alone preached the gospel in pure form. Marcion 1 therefore assembled a canon of Pauline writings (minus alleged regressive intevpolations) rand reconstructed f:vom Lu~e what he judged to he the sole authentic written gospel, one communicated directly to Paul hy Christ. In opposition to such Gnostic thought, Irenaeus rejected any dualism in the understanding of creation and :vedemption and a Brauahen wir einen Siindenbook?: Gewalt und ErlOsung in den biblisohen Sohriften (Munich: Kosel, 1978); an English translation has recently been published: Must There Be Scapegoats?: Violenoe and Redemption in the Bible (San Francisco: Harper & Row, 1987). For presentation and discussion of this stage of Schwager's work cf. John P. Galvin, "Jesus as Scapegoat?: Violence and the Sacred in the Theology of Raymund Schwager," Thomist 46 (1982), 173-194. 4 Der wunderbare Tausoh: Zur Gesohichte und Deutung der ErlOsungslehre (Munich: Kosel, 1986). Pp. 327. DM 34.00. RAYMUND SCHWAGEll AND SOTERlOLOGY 677 consequently defended the unity of the two testaments. Their distinct economies of salvation result from a wise divine pedagogy, ev;er attentive to different stages in the gradual maturation of the human raee. The Old Testament is a preparation for the recapitulation of all things in Christ; it should be understood typologically, iby reference to its... (shrink)