The article discusses the importance of practice for conducting research on digital culture. It poses questions about whether one should possess technical competences in the field of digital humanities and in what way they can facilitate research attempting to describe the contemporary world. This issue is analysed using the theory of the third culture developed by Charles Percy Snow. The argument also focuses on other researchers representing various strategies for combining practice with theory, such as: Lev Manovich, Alexander R. Galloway, (...) Jan Stasieńko and Mirosław Filiciak. The aim of the article is to describe the emerging, new image of a humanist studying digital culture, whose new competence may be seen as a remedy for the ongoing crisis of the humanities. (shrink)

Celem artykułu jest omówienie roli filozofii we współczesnych społeczeństwach zachodnich. Autor nie zgadza się z tezą Richarda Rorty’ego, według której filozofia jest bezużyteczna, jeśli chodzi o współczesne problemy społeczno-polityczne. Amerykański filozof twierdzi, że jeśli ktoś jest antyesencjalistą, to nie powinien oczekiwać od filozofii żadnego porządku w sprawach publicznych. Autor artykułu stara się dowieść, że można zaakceptować antyesencjalizm i antyfundacjonalizm Rorty’ego, a jednocześnie odrzucić jego poglądy na rolę filozofii.

One of the most fundamental existential experiences is the “indifference of the world”. Faced with the awareness of the insignificance of human fate, the lack of meaning, the indifference of the world, man creates various strategies of depotentialising reality. One of them is “story-telling”, working on a myth. Nietzsche also believed that “life needs a protective atmosphere woven from illusions, dreams, delusions”, so he tried to create a myth to fill the void left by the “death of God”. He began (...) with Wagner’s “aesthetic myth” and went on to create a “myth of the aestheticisation of existence”. His next attempts to give meaning to human life were the story of the Übermensch and the revitalization of the myth of eternal return. Another myth which can be found at the core of Nietzsche’s philosophy is “the myth of the myth-maker”. (shrink)

Ve své knížce Fenomenologie a kultura slepé skvrny předkládá Ivan Blecha tři eseje, jejichž společným jmenovatelem je konfrontace různých aspektů postmodernistické filosofie s filosofií fenomenologickou. Proti obratu k jazyku a z něj často vyvozovaného pluralismu nebo dokonce relativismu staví Blecha tezi, že svět, ve kterém člověk žije, je determinován způsobem, kterým v kadlubu své intencionální mysli konstituuje věci ze svého bezprostředního prožívání, a že tudíž tento svět není v žádném podstatném slova smyslu ani tvarován jazykem, ani otevřen žádným velkým (...) pluralistickým variacím. V prvním textu, ‘Znak, stopa, fenomén’ se Blecha zamýšlí především nad tím, co nazývá lingvistickou klauzurou (a co je podle něj přesvědčením společným francouzským poststrukturalistům kolem Derridy i americkým postanalytickým filosofům kolem Rortyho), totiž že člověk nemá bezprostřední přístup ke světu, ale jedině k jazyku, takže veškeré poznávání je jenom interpretace. Ve druhém, ‘Kant, pragmatický anti-realismus a Husserlova fenomenologie’ se zabývá tím, do jaké míry je opodstatněné relativistické domýšlení Kanta. V posledním, který je nazván tak jako celá knížka, pak polemizuje především s názory Wolfganga Welsche, které ústí do cílevědomého epistemického pluralismu. Myslím, že ty nejzákladnější otázky, které Blecha ve své knize klade, totiž otázka po nutnosti a mezích plurality a po tom, do jaké míry je nám chápání světa zprostředkováváno jazykem, jsou velice důležité a také velice zajímavé. Blecha se s nimi navíc snaží vypořádat, aniž by se obrnil hantýrkou, která by jeho obranu fenomenologie učinila srozumitelnou zase jenom pro fenomenology; a jeho kniha tím představuje výzvu k zajímavé diskusi. Do filosofů na druhé straně barikády se pouští s odkrytým hledím, a i když je, jak se budu snažit ukázat, sem tam v něčem dezinterpretuje, je jeho kniha ukázku toho, jak by se podle mne s konkurenčními filosofickými směry polemizovat mělo. Co se mi jeví jako dezinterpretace, se objevuje hned na počátku prvního eseje.. (shrink)

Kao i sva živa bića, čovjek je djelomično genetski predodređen, tj. određen i prije nego što se u potpunosti razvije kao ljudsko biće. Ali ono što čovjeka bitno razlikuje od svih nam poznatih živih bića, jest upravo to što je, u odnosu na njih, njegova predodređenost bitno manje u-rođena, a znatno više pri-rođena. A to znači da su ljudi u odnosu na druge žive vrste manje predodređeni na genskoj, a više na memskoj, upravo kulturnoj razini. Kulturni, a to znači povijesno (...) oduhovljeni okoliš u koji se djeca rađaju i koji zatiču pri-rođenju bitan je čimbenik njihova daljnjeg razvitka. Stoga se čovjek i ne rađa kao čovjek, nego kao dijete koje čovjekom tek mora postati. Za razliku, naime, od bićâ koja već pri rođenju imaju sve bitne odlike svoje vrste i koja se stoga mogu razvijati i uzgojem, tj. poticanjem na rast i pridizanjem onoga što im je biološki već dano, djeci je za ljudski razvitak potreban odgoj koji će ih tek uvesti u određenu kulturu kao njihov duhovni – i samo takav istinski ljudski – zavičaj. Čitavo čovjekovo biće, dakle i ono tjelesno, raste u duhu određene kulture i izrasta iz njega. Kako i koliko kultura određuje čovjeka – predmet je ove rasprave.As all other living beings, man is partially genetically predisposed, that is, determined even before it completely develops as a human being. However, the thing that differentiates man from all other known living beings is the fact that, compared to them, his predisposition is significantly less natured, and significantly more nurtured. This means that humans compared to other living species are less determined on a genetic, and more on a memetic, cultural level. Cultural, meaning a historically spiritualized environment, children are born into and find with birth, is an important factor of their further development. Thus, humans are not born as humans, but as children that have yet to become human. Namely, unlike the beings that have all the important characteristics of their species at birth, which are thus able to develop through breeding, that is, through encouragement of growth and nurturing of what is biologically given, for human development children need raising that will only introduce them into a specific culture as their spiritual – and truly human – environment. The entire human being, including the physical, grows up in a spirit of a specific culture and springs from it. How and how much culture determines man is the topic of this discussion. (shrink)

Author: Zaporowski Andrzej Title: CULTURE AND CAUSALITY (Kultura a przyczynowość) Source: Filo-Sofija year: 2011, vol:.12, number: 2011/1, pages: 279-289 Keywords: CULTURE, CAUSALITY, ACTION, EVENT, SYMBOLIC RELATIONSHIP Discipline: PHILOSOPHY Language: POLISH Document type: ARTICLE Publication order reference (Primary author’s office address): E-mail: www:The essay addresses the problem of how to link culture and causality. The starting point is an appeal to J. Kmita’s socio-regulative conception of culture where culture is given in terms of the propositional attitudes communally defined. Since human (...) actions are physical events, one can ask if they can enter into the causal relationship with other physical events. The problem is that this relationship is given to an agent through the cultural mediation. The mediation in question is possible due to the symbolic relationship embedded in the so-called symbolic sphere presupposed by Kmita’s conception. The causal relationship is therefore derived from the symbolic relationship. It is also the communal language which expresses the attitudes in question that is of a symbolic nature. Kmita’s conception then allows one to understand not only the communal nature of culture. It also shows how the human beings culturally defined live in a world of causality. (shrink)

The article brings up the problem of making use of trust in organization management. Modern organizations and the conditions of their functioning enforce some inevitable changes in different areas of their activity. An attempt at adapting to these changes may be shaping trust culture and an opportunity to use this tool in organization management. The article contains elements of trust theory as well as organizational culture theory. It also presents an effort put into defining the guidelines for organization management concerning (...) the trust culture shaping (on the basis of a theoretical model) and positive aspects of trust existing in an organization as well as a possibility of using it in management science as an effective tool. (shrink)

This article assesses cultural studies and the concept of organizational culture. Cultural studies, created at the University of Birmingham, focused mostly on the analysis of culture and its connections to authority. The Centre for Contemporary Cultural Studies created its own approach to hegemony, describing it as an interaction between elites and the power-deprived rest of the society. However, this situation is widely accepted and based on common agreement. CCCS used the theory of structuralism in order to obtain further insights to (...) the origins of culture. The author also describes the theory of organizational culture in order to present the culture of an enterprise as a way for national culture to manifest itself. In addition to this, an attempt is made to look at the organizational culture from the point of view of hegemony. (shrink)

This paper reflects on how civic culture is shaped in consumer society. Contemporary society is now often described as a ‘consumer society’. In this society, identity and status are acquired and social inclusion or integration is considered to be achieved through participation in consumer activity.

Nowoczesne przedsiębiorstwa są bytami w szczególny sposób narażonymi na cyberzagrożenia powiązane z _metodami _inżynierii społecznej, szeroko wykorzystywanymi przez cyberkryminalistów. Dziś środowiska firmowe muszą niemalże na co dzień mierzyć się z próbami kradzieży danych opartymi na wielu pochodnych współczesnych odmian phishingu, a jednym z głównych sposobów walki z tego rodzaju zagrożeniami pozostaje w dalszym ciągu edukacja pracownicza, która przyjmować może różne formy. Człowiek z reguły określany jest jako najsłabszy element „łańcucha bezpieczeństwa” danego poprawnie skonfigurowanego systemu informatycznego. Ten stan rzeczy biorą pod (...) uwagę zarówno spółki samodzielnie przygotowujące programy edukacyjne i szkolenia dla swoich pracowników, jak i te, które przeprowadzanie tego rodzaju działań zlecają firmom zewnętrznym. Skuteczne kreowanie tzw. kultury bezpieczeństwa danej korporacji jest zadaniem niezwykle odpowiedzialnym, a przy tym wysoce nietrywialnym, a temat ten stosunkowo rzadko poruszany jest w literaturze przedmiotu. Ciągła rewizja środków i metod prowadzenia programowych szkoleń i symulacji oraz zarządzanie działaniami przyczyniającymi się do współtworzenia zdrowego środowiska firmowego w zadowalającym stopniu odpornego na zagrożenia zewnętrzne powinny zatem stanowić jeden z głównych priorytetów jednostek administrujących lokalnymi instrumentami prewencji incydentów, które mają miejsce w danej spółce. (shrink)

Predmet rasprave bit će antropološki pristup mjestu kulture u procesu humanizacije čovjeka: koje su dobrobiti razvoja modernoga doba i koji se problemi javljaju u postindustrijskoj i još uvijek tehnološkoj civilizaciji? Što se promijenilo s obzirom na fundamentalnu ulogu kulture u ljudskom svijetu: a) kad je kultura postala industrijski proizvod u smislu »masovne kulture«, i b) pod utjecajem postmodernog relativizma ? Posljedice tih promjena analizirat će se s gledišta supstancijalnih ljudskih mogućnosti kao što su kreativnost i imaginacija, osnove referenci koje (...) se tiču smisla života, multidimenzionalna priroda strukture ljudskoga karaktera, sloboda ličnosti naspram vulgariziranog individualizma, itd. Postavlja se zaključno pitanje: je li kultura postala potčinjena ekonomizmu ili politici, umjesto da bude njihova osnova? (shrink)

This paper deals with the relationship between culture and politics. Martin Buber, one of the leading representatives of cultural Zionism, believes that a nation must fi rst build its own culture and then establish state institutions or governments based on it. The paper presents Martin Buber’s works concerning the Hasidic world and the reactions that they aroused among Western Jews. For many of them, Buber’s Hasidic stories became the basis for their spiritual and cultural rebirth, as a result of which (...) they began to identify with the Jewish people again. However, the dispute between political and cultural Zionists has not been settled yet. (shrink)

In this paper, the concept of political culture is considered in reference to the notions of G.A. Almond, S. Verba and J. Rawls. It is defined as a specific educational project, which is linked to the idea of a fair, democratic and constitutional system. The author also points to potential contemporary obstacles to implementation of this project. Deepening inequalities arising from personal culture are the first threat to liberal civic education. The second threat is associated with the development of new (...) media and the related changes in the public sphere, including various forms of political and civic activity. (shrink)

The politics of memory and culture of the Polish People’s Republic alludes to Ideologiekritik in its idiosyncratic way characterized by Marxist utopianism. In reality, this leads to reversing this theory. The causes of fascism are seen in “German imperialism”. For political and strategic reasons the German Democratic Republic becomes one of the main partners of the Polish People’s Republic, with regard to which it is capable of accomplishing the guidelines of its policy in the cultural dimension. This is accompanied by (...) an intensive cultural exchange between the two countries. In the language of official politics manifested, for instance, in the strategy of publishing houses of the Polish People’s Republic the culture of the two countries develop in a parallel fashion, which is an obvious product of the propaganda. (shrink)

'Culture’. The Work for Choir and Orchestra. Music as an Organon for the Structural Analysis of Myth.

Author: Jedliński Marek Title: WESTERN CULTURE THROUGH THE EYES OF RUSSIAN ROMANTICS. ON CAPITALISM AND RATIONALISM (Kultura Zachodu oczami romantyków rosyjskich. Rzecz o kapitalizmie i racjonalizmie) Source: Filo-Sofija year: 2011, vol:.12, number: 2011/1, pages: 373-383 Keywords: RUSSIAN ROMANTIC, WESTERN CULTURE, CAPITALISM, RATIONALISM Discipline: PHILOSOPHY Language: POLISH Document type: ARTICLE Publication order reference (Primary author’s office address): E-mail: www:The article presents Russian Romantics’ reflections on Western culture, highlighting their views on capitalism and rationalism. Russian thinkers regarded farewell with religious outlook (...) and the associated development of capitalism as unambiguously negative. According to them, capitalism led to egocentric perception of reality and finally to demise of culture. They called capitalism ‘a contemporary form of barbarism’ as it encouraged fighting and increased the desire to possess. They claimed it would precipitate an acute crisis resulting in regression of civilization. The capitalism-induced process of degradation of Western culture was accelerated by the affirmation of reason. Rationalism limited human freedom. The views were expressed in the oeuvre of the poet Alexei Khomakov and of the historians Stepan Shevyriov and Mikhail Pogodin, as well as, in a more structured manner, in Vladimir Odoyevsky’s novel titled ‘Russian Nights’ (1844). (shrink)

Dialog Kościoła i kultury Karol Wojtyła podjął w sposób znaczący jako biskup w Krakowie i później jako papież – m.in. wtedy, kiedy powołał do życia w 1982 roku Papieską Radę ds. Kultury. Nie tylko identyfikował się z artystami, ale wręcz stał się ich duchowym przywódcą. W artykule ukazany jest ów dialog prowadzony przez biskupa Karola Wojtyłę, a następnie papieża Jana Pawła II. Czynił to podczas papieskich pielgrzymek w Polsce, spotkań z ludźmi kultury w Rzymie i świecie, na czele z jego (...) programowym wystąpieniem w UNESCO, aż po _List do artystów_. Dzisiaj wydaje się, że ten dialog pomiędzy Kościołem a kulturą jest bardzo ważny, a wręcz stanowi potrzebę chwili w życiu Kościoła. (shrink)

Zakład Edukacji Wizualnej, Wydział Pedagogiki i Psychologii UwB.