Abstract

This work studies an artistic way of narrating an exile without having to resort to direct words such as violence or crime. Max Aub, a Spanish exile in Mexico, published his personal magazine Sala de Espera in Aztec lands. In the section called “Zarzuela,” he compiled a series of short stories entitled Crímenes, which later, for its edition in book format, he called Crímenes ejemplares. The short stories are a series of humorous confessions about various types of murders narrated by the "murderers," so that they seem real testimonies. Throughout the three editions of this book, during Aub's lifetime, the author incorporated a series of "clues" in the paratexts with the aim of referring to the social phenomena of the time, especially those related to the situation with the Franco regime, the Cold War —historical context of the time of Aub's exile in Mexico— and the events that would take place in Mexico and Paris in 1968. For example, this last nod to the violent events of that summer of 68 is represented with a painting that evokes the French gang Bonnot, dedicated to bank robberies to destabilize the economy of the richest. This is an example of how the writer related the fiction of the crimes to real events, in such a way that a kind of dilution between the real and the imaginary arises.