Results for ' Arts, German'

955 found
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  1.  47
    Παλιν Ἐξ Ἀρχησ.Andrew German - 2019 - Epoché: A Journal for the History of Philosophy 23 (2):305-321.
    I argue that Plato’s deployment of the resumptive phrase πάλιν ἐξ ἀρχῆς illuminates the philosophical significance of his art of transition in Socratic dialogues. These explicit calls for a new beginning often appear when a conversation fails to account for two particular elements of ordinary experience: assumptions about whole-part relations and about the interlocutor’s self-conception as a being responsive to basic rational and normative distinctions. Returning to the archē is a form of ἀνάμνησις, reminding us that these assumptions constitute true, (...)
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  2.  8
    Cinco artistas argentinas.J. Luis Germán Sierra - 2022 - Co-herencia 19 (37):307-316.
    A tono con esta afortunada relevancia de las mujeres (hay un gran estallido en todo el mundo del arte y la literatura de magníficas calidades, hechos por mujeres), vienen aquí cinco artistas argentinas: Carla Rey, Silvana Blasbalg, Romina Linder, Gabriela Juárez y Ana Lía Werthein, de entre muchas otras artistas plásticas que pertenecen al colectivo Instantes Gráficos, presidido y fundado en la ciudadbonaerense desde 1999 por la también artista Carla Rey.
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  3.  41
    avital, tsion. Art versus Nonart: Art Out of Mind. Cambridge UP 2003. pp. 445. 11 colour plates. 15 b&w figures. Hardback£ 65.00. bates, jennifer ann. Hegel's Theory of Imagi. [REVIEW]Early German Romanticism - 2005 - British Journal of Aesthetics 45 (2).
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  4.  18
    Handbook of Popular Culture and Biomedicine: Knowledge in the Life Sciences as Cultural Artefact.Arno Görgen, German Alfonso Nunez & Heiner Fangerau (eds.) - 2018 - Springer Verlag.
    This handbook explores the ways biomedicine and pop culture interact while simultaneously introducing the reader with the tools and ideas behind this new field of enquiry. From comic books to health professionals, from the arts to genetics, from sci-fi to medical education, from TV series to ethics, it offers different entry points to an exciting and central aspect of contemporary culture: how and what we learn about scientific knowledge and its representation in pop culture. Divided into three sections the handbook (...)
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  5.  19
    Towards low-cost machine learning solutions for manufacturing SMEs.Jan Kaiser, German Terrazas, Duncan McFarlane & Lavindra de Silva - 2023 - AI and Society 38 (6):2659-2665.
    Machine learning (ML) is increasingly used to enhance production systems and meet the requirements of a rapidly evolving manufacturing environment. Compared to larger companies, however, small- and medium-sized enterprises (SMEs) lack in terms of resources, available data and skills, which impedes the potential adoption of analytics solutions. This paper proposes a preliminary yet general approach to identify low-cost analytics solutions for manufacturing SMEs, with particular emphasis on ML. The initial studies seem to suggest that, contrarily to what is usually thought (...)
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  6.  21
    German Idealism and the arts.Andrew Bowie - 2000 - In Karl Ameriks (ed.), The Cambridge companion to German idealism. New York: Cambridge University Press. pp. 239--257.
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  7.  8
    Recognizing music as an art form: Friedrich Th. Vischer and German music criticism, 1848-1887.Barbara Titus - 2016 - Leuven (Belgium): Leuven University Press.
    Music's status as an art form was distrusted in the context of German idealist philosophy which exerted an unparalleled influence on the entire nineteenth century. Hegel insisted that the content of a work of art should be grasped in concepts in order to establish its spiritual substantiality (Geistigkeit), and that no object, word or image could accurately represent the content and meaning of a musical work. In the mid-nineteenth century, Friedrich Theodor Vischer and other Hegelian aestheticians kept insisting on (...)
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  8.  9
    Winckelmann's 'Philosophy of Art': a prelude to German classicism.John Harry North - 2012 - Newcastle upon Tyne, UK: Cambridge Scholars Press.
    It is the aim of this work to examine the pivotal role of Johann Joachim Winckelmann (1717-1768) as a judge of classical sculpture and as a major contributor to German art criticism. John Harry North seeks to identify the key features of his treatment of classical beauty, particularly in his famous descriptions of large-scale classical sculpture. Five case studies are offered to demonstrate the academic classicism that formed the core of his philosophy of art. North aims to establish Winckelmann's (...)
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  9.  33
    A comparison of the German and Russian literary intelligentsia in Arnold Hauser’s Social History of Art.Jim Berryman - 2019 - Studies in East European Thought 71 (2):141-155.
    To date, critical engagement with Arnold Hauser’s sociology of art has been confined to the field of art history. This perspective has ignored Hauser’s interest in literary history, which I argue is essential to his project. Hauser’s dialectical model, composed of conflicting realist and formalist tendencies, extends to the literary sphere. In The Social History of Art, these two traditions are epitomised by the Russian social novel and German idealism. Anti-enlightenment tendencies in German intellectual culture provide Hauser with (...)
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  10. Liberal Arts Dictionary in English, French, German [and] Spanish.Mario Pei & Frank Gaynor - 1952 - Philosophical Library.
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  11.  7
    German Culture: The Contribution of Germans to Knowledge, Literature, Art, and Life.W. P. Paterson - 1915 - International Journal of Ethics 26 (1):133-135.
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  12.  22
    The German Romantic Reform of Education: Ph. O. Runge's Plan for Art.Rudolf M. Bisanz - 1988 - The Journal of Aesthetic Education 22 (3):77.
  13. German Text and Translation of "Wahrheit ist eine Art von Ubereinstimmung".Franz Brentano - 1965 - In Jan T. J. Srzednicki (ed.), Franz Brentano's analysis of truth. The Hague,: H. Nijhoff. pp. 122-127.
  14.  78
    Leo Strauss on ''German Nihilism'': Learning the Art of Writing.William H. F. Altman - 2007 - Journal of the History of Ideas 68 (4):587-612.
    The year Leo Strauss published "Persecution and the Art of Writing" (1941), he prepared a lecture ("German Nihilism") that he never published. An analysis of this lecture shows that Strauss hadn't fully mastered the art of writing he'd discovered in others: his secrets are too exposed. In the context of "German Nihilism," it becomes clear that "Persecution and the Art of Writing" is about liberal persecution of authoritarianism, no the reverse, as liberals would assume. In response to recent (...)
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  15.  14
    Art of controversy, the (in German and english).Arthur Schopehauer - unknown
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  16.  65
    Lozano-Vásquez, Andrea y Meléndez, Germán, comps. Convertir la vida en arte: una introducción histórica a la filosofía como forma de vida.Diana María Acevedo-Zapata - 2017 - Ideas Y Valores 66 (163):373.
    Lozano-Vásquez, Andrea y Meléndez, Germán, comps. Convertir la vida en arte: una introducción histórica a la filosofía como forma de vida. Bogotá: Universidad Nacional de Colombia, 2016. 389 pp.
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  17.  66
    The Enchantment of Art: Abstraction and Empathy from German Romanticism to Expressionism.David Morgan - 1996 - Journal of the History of Ideas 57 (2):317-341.
    In lieu of an abstract, here is a brief excerpt of the content:The Enchantment of Art: Abstraction and Empathy from German Romanticism to ExpressionismDavid MorganA familiar tradition since the eighteenth century has invested art with the power to heal a decadent human condition. Inheriting this ability from religion—the romantic enthusiast Wilhelm Wackenroder considered artistic inspiration to originate in “divine inspiration” in the case of his hero, Raphael 1 —art eventually replaced institutionalized belief in an evolutionary schedule of cultural development (...)
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  18. Nietzsche on the Art of Living: New Studies from the German-Speaking Nietzsche Research.Günter Gödde, Jörg Zirfas, Reinhard Mueller & Werner Stegmaier (eds.) - 2023 - Nashville: Orientations Press.
    The philosophy of the art of living asks the age-old question of orienting one’s own life: ‘How can I live well?’ An art of living is always called for when people do not know what to do and how to go on, when the ways of life are no longer self-evident, when traditions, conventions, rules, and norms lose their plausibility and individuals begin to worry about themselves. The art of living and of its philosophy has a practical aim: It is (...)
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  19.  7
    Spectrum: modern German thought in science, literature, philosophy and art.Winfred Philipp Lehmann, Helmut Rehder & Hans Beyer - 1964 - Holt, Rinehart and Winston.
  20.  18
    The Founding of Aesthetics in the German Enlightenment: The Art of Invention and the Invention of Art.Stefanie Buchenau - 2013 - Cambridge: Cambridge University Press.
    When, in 1735, Alexander Gottlieb Baumgarten added a new discipline to the philosophical system, he not only founded modern aesthetics but also contributed to shaping the modern concept of art or 'fine art'. In The Founding of Aesthetics in the German Enlightenment, Stefanie Buchenau offers a rich analysis and reconstruction of the origins of this new discipline in its wider context of German Enlightenment philosophy. Present-day scholars commonly regard Baumgarten's views as an imperfect prefiguration of Kantian and post-Kantian (...)
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  21. The mine and the art in the renaissance. German mining iconography from the late gothic to the bergaltar by Hans Hesse.Alberto Bonchino - 2010 - Rinascimento 50:237-261.
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  22.  25
    Art-Rap, German Idealism and Therapy.John Preston & Milo - 2016 - The Philosophers' Magazine 74 (74):66-69.
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  23.  28
    Physics as an art: the German tradition and the symbolic turn in philosophy, history of art and natural science in the 1920s.Catherine Chevalley - 1996 - In Alfred I. Tauber (ed.), The elusive synthesis: aesthetics and science. Boston: Kluwer Academic Publishers. pp. 227--249.
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  24.  19
    The Work of Art in German Romanticism.Judith Norman - 2009 - In Jürgen Stolzenberg, Karl Ameriks & Fred Rush (eds.), Internationales Jahrbuch des Deutschen Idealismus / International Yearbook of German Idealism : Romantik / Romanticism. Walter de Gruyter. pp. 59-79.
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  25. Art history or the history of culture: A contemporary German problem.J. P. Hodin - 1954 - Journal of Aesthetics and Art Criticism 13 (4):469-477.
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  26.  25
    Cosmopolitan translation and patriotic sensibilities in German garden art.Jennifer Milam - 2017 - Intellectual History Review 27 (3):377-403.
    My focus in this article is on a small group of German theorists, designers and patrons who thought extensively about the relationship between national identity and garden design: Christian Hirschfeld, Prince Franz von Anhalt-Dessau and his wife Luise, Johann Wolfgang von Goethe, and Prince Pückler. These garden enthusiasts knew one another through personal contact or their writings, and they responded to and developed their ideas in relation to the newly framed creative enterprise in German lands of “garden-landscape-art”. What (...)
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  27.  27
    Art and Responsibility: A phenomenology of the Diverging Paths of Rosenzweig and Heidegger.Jules Simon - 2011 - Continuum.
    Two German philosophers working during the Weimar Republic in Germany, between the two World Wars, produced seminal texts that continue to resonate almost a hundred years later. Franz Rosenzweig—a Jewish philosopher, and Martin Heidegger—a philosopher who at one time was studying to become a Catholic priest, each in their own, particular way include in their writings powerful philosophies of art that, if approached phenomenologically and ethically, provide keys to understanding their radically divergent trajectories, both biographically and for their philosophical (...)
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  28.  15
    The Tyranny of Greece Over Germany: A Study of the Influence Exercised by Greek Art and Poetry Over the Great German Writers of the Eighteenth, Nineteenth and Twentieth Centuries.E. M. Butler - 2012 - Cambridge University Press.
    This 1935 book studies the powerful influence exercised by Ancient Greek culture on German writers from the eighteenth century onwards.
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  29.  1
    German philosophy in the twentieth century.Julian Young - 2018 - New York, NY: Routledge.
    The path taken by German philosophy in the twentieth century is one of the most exciting and controversial in the history of human thought, by turns radical and conservative and secular and religious. In this outstanding introduction, German Philosophy in the Twentieth Century: Dilthey to Honneth--the third and final volume in his trilogy, Julian Young examines the work of eight German philosophers and theologians of the period. He shows how they engaged with profound existential questions about individual (...)
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  30.  13
    The End of Art - Again: Afterthoughts on the German Literaturstreit.Eva Geulen - 1993 - Telos: Critical Theory of the Contemporary 1993 (95):171-180.
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  31.  21
    Religious Philosophy and Music: Seeing the Religious Emotions in German and Austrian Art Songs From Bach and gounod's "Ave Maria".Wei Hou - 2023 - European Journal for Philosophy of Religion 15 (3):201-215.
    This article sheds light on the relationship between religious philosophy and music to emphasize the formulation of religious emotions in art songs. This study's theoretical framework is based on the "Theory of Religious Philosophy and Music" Using these concepts, this paper explores the religious feelings associated with German and Austrian Art Songs by Bach and Gounod's "Ave Maria." The religious emotions of connectedness with God, serenity and love, faith in the heavens and angels, and the assistance of Christ and (...)
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  32.  11
    The new vision in the German arts.Herman George Scheffauer - 1924 - Port Washington, N.Y.,: Kennikat Press.
    The essence of expressionism.--The vivifying of space.--A candidate for immortality [Otto Braun]--The machine as slave and master.--The "absolute" poem--A pæau against the age.--The architecture of aspiration.--The visible symphony.--Figures of war and forces of death.--The laughing synthesis.--Activistic architecture.--The dynamic dramatist.--The intensive Shakespeare.--The chromatic "Othello".--The drama on fire.--"The machine-storemers."--The organization of the spirit.
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  33.  62
    The German Aesthetic Tradition.Kai Hammermeister - 2002 - New York: Cambridge University Press.
    This book, first published in 2002, is a systematic critical overview of German aesthetics from 1750 to the present. It begins with the work of Baumgarten and covers all the major writers on German aesthetics that follow, including Kant, Schiller, Schelling, Hegel, Nietzsche, Heidegger, Gadamer and Adorno. The book offers a clear and non-technical exposition of ideas, placing these in a wider philosophical context where necessary. Such is the importance of German aesthetics that the market for this (...)
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  34.  28
    Adventures in Bioaesthetics - Art, Biology and Aesthetic Experience in Early German Romanticism and the Art of Sturm und Drang.Johan Redin - 2001 - Nordic Journal of Aesthetics 13 (24).
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  35.  61
    Classic and Romantic German Aesthetics.J. M. Bernstein (ed.) - 2002 - New York: Cambridge University Press.
    This 2002 volume brings together major works by German thinkers, writing just prior to and after Kant, who were enormously influential in this crucial period of aesthetics. These texts include the first translation into English of Schiller's Kallias Letters and Moritz's On the Artistic Imitation of the Beautiful, together with translations of some of Hölderlin's most important theoretical writings and works by Hamann, Lessing, Novalis and Schlegel. In a philosophical introduction J. M. Bernstein traces the development of aesthetics from (...)
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  36. Art, Authenticity, and Understanding.David Suarez - 2023 - In Jens Pier (ed.), Limits of Intelligibility: Issues from Kant and Wittgenstein. London: Routledge.
    Early 20th century debates over the possibility of ‘metaphysics’ are grounded in a set of questions and answers whose central themes are already delineated in Kant’s critical philosophy. Wittgenstein and Carnap are sympathetic to Kant’s dismissal of transcendent metaphysics, but skeptical that there could be any substantive account of the fundamental conditions of our meaning-making. By contrast, Heidegger follows Fichte and the early German Romantics in seeing answers to the problems raised by metacritique not in science, but in the (...)
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  37.  17
    Postmodernism and art music in the German debate.Joakim Tillman - 2002 - In Judith Irene Lochhead & Joseph Henry Auner (eds.), Postmodern music/postmodern thought. London: Routledge. pp. 75.
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  38.  29
    The notion of aesthetic freedom in contemporary German philosophy: Christoph Menke’s The Power of Art and Martin Seel’s Active Passivity.Thomas Hilgers - 2017 - Continental Philosophy Review 50 (3):425-428.
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  39.  36
    Book Review:German Culture: The Contribution of Germans to Knowledge, Literature, Art, and Life. W. P. Paterson. [REVIEW]F. W. Stella Browne - 1915 - International Journal of Ethics 26 (1):133-.
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  40.  27
    Music Education and the Art of Performance in the German Baroque. [REVIEW]Lydia Goehr - 1995 - Journal of Aesthetic Education 29 (4):110.
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  41.  64
    Reconstructing German idealism and romanticism: Historicism and presentism.John Zammito - 2004 - Modern Intellectual History 1 (3):427-438.
    Frederick Beiser, German Idealism: The Struggle Against Subjectivism, 1781–1801 Robert Richards, The Romantic Conception of Life: Science and Philosophy in the Age of Goethe All art should become science and all science art; poetry and philosophy should be made one. Friedrich Schlegel, Kritische Fragmente When two major studies on the same thematic appear roughly simultaneously, integrating not only their authors' respective careers but the revisions of a whole generation of scholarship, the moment cries out for stock-taking, both substantively and (...)
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  42.  24
    Graeco-latin and germanic art.Albert Gehring - 1896 - Philosophical Review 5 (2):157-172.
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  43.  11
    German Idealism.Brian O'Connor, Michael Rosen, Hans Jörg Sandkühler & David W. Wood (eds.) - 2014 - Routledge.
    The course of German Idealism, which lasted from Kant to Schelling, is one of the most important and influential periods in the history of philosophy. _The Routledge Handbook of German Idealism_ is a superb resource for all students and scholars of the movement. Its twelve specially commissioned thematic chapters, all written by experts in the area, cover the essential aspects of German idealism, including Knowledge, nature, freedom and morality, law, history, religion, art and the European legacy of (...)
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  44. Nietzsche on the Art of Living. New Studies from the German-Speaking Nietzsche Research.Manuel Knoll (ed.) - 2023 - Nashville: Orientation Press.
     
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  45.  30
    The German Aesthetic Tradition (review).Kirk Pillow - 2003 - Journal of the History of Philosophy 41 (4):565-566.
    In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.4 (2003) 565-566 [Access article in PDF] Kai Hammermeister. The German Aesthetic Tradition. New York: Cambridge University Press, 2002. Pp. xv + 259. Cloth, $60.00. Paper, $22.00. This history of German (or more accurately, Germanic) aesthetics surveys the tradition stretching from Alexander Baumgarten to Theodor Adorno. The author has divided his survey into three thematic parts. In the first, "The Age (...)
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  46.  31
    The Founding of Aesthetics in the German Enlightenment: The Art of Invention and the Invention of Art by Stefanie Buchenau.Timothy M. Costelloe - 2014 - Journal of the History of Philosophy 52 (3):615-616.
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  47.  55
    Menzel's Realism: Art and Embodiment in Nineteenth-century Berlin.Michael Fried & Adolph Menzel - 2002
    Adolf Menzel was one of the most important German artists of the 19th century, yet he is scarcely known outside his native land. In this study a leading art historian argues that Menzel deserves to be recognized not only as one of the greatest painters and draftsmen of his century but also as a master realist whose work engages profoundly with an extraordinary range of issues - artistic, scientific, philosophical and socio-political. Michael Fried explores Menzel's large and fascinating oeuvre, (...)
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  48.  10
    The Impact of Idealism 4 Volume Set: The Legacy of Post-Kantian German Thought.Nicholas Boyle & Liz Disley (eds.) - 2013 - New York: Cambridge University Press.
    German Idealism is arguably the most influential force in philosophy over the past two hundred years. This major four-volume work is the first comprehensive survey of its impact on science, religion, sociology and the humanities, and brings together fifty-two leading scholars from across Europe and North America. Each essay discusses an idea or theme from Kant, Hegel, Schelling, Fichte, or another key figure, shows how this influenced a thinker or field of study in the subsequent two centuries, and how (...)
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  49.  44
    (1 other version)The German Aesthetic Tradition (review).Michael Thompson - 2003 - Philosophy and Literature 27 (2):478-480.
    In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 27.2 (2003) 478-480 [Access article in PDF] The German Aesthetic Tradition,by Kai Hammermeister; xv & 259 pp. Cambridge: Cambridge University Press, 2002; $60.00 cloth; $22.00 paper. In some ways, aesthetic theory has become a thing of the past. With the exception of a kind of fascination with works such as T. W. Adorno's Aesthetic Theory, as a project, as a tradition, aesthetics has surrendered its (...)
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  50.  14
    Germans of Novosibirsk region in the aspect of multilingualism.O. A. Aleksandrov, O. A. Luzik & Yu V. Shegolikhina - 2017 - Liberal Arts in Russiaроссийский Гуманитарный Журналrossijskij Gumanitarnyj Žurnalrossijskij Gumanitarnyj Zhurnalrossiiskii Gumanitarnyi Zhurnal 6 (6):457.
    The work is carried out in line with the Russian dialectology of the German language. Its relevance comes from the fact that it is devoted to one of the territorial forms of German, which was never before linguistically studied. The authors of the paper conducted the field work in the territory of Novosibirsk region and collected data that allow analyzing the language situation of the Germans residing there. In the proposed article, the first results of this analysis are (...)
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