The notion of aesthetic illusion relates to a number of art forms and media. Defined as a pleasurable mental state that emerges during the reception of texts and artefacts, it amounts to the reader's or viewer's sense of having entered the represented world while at the same time keeping a distance from it. Aesthetic Illusion in Literature and the Arts is an in-depth study of the main questions surrounding this experience of art as reality. Beginning with an (...) introduction providing historical background to modern discussions of illusion, it deals with a wide range of theoretical issues. The collection explores the nature and function of the aesthetic illusion as well as the role of affect and emotion, the implications of aesthetic illusion for the theory of fiction, the variable forms of aesthetic illusion and its relationship to other components of aesthetic response. Aesthetic Illusion in Literature and the Arts brings together a team of scholars from philosophy, literature and art and presents an interdisciplinary examination of a concept lying at the heart of contemporary aesthetics. (shrink)

pt. I. Metaphysical theories.--pt. II. Factualism.--pt. III. A new approach.

It is widely held in theories of narrative that all works of literary narrative fiction include a narrator who fictionally tells the story. However, it is also granted that the personal qualities of a narrator may be more or less radically effaced. Recently, philosophers and film theorists have debated whether movies similarly involve implicit audio-visual narrators. Those who answer affirmatively allow that these cinematic narrators will be radically effaced. Their opponents deny that audio-visual narrators figure in the ontology of movies (...) at all, and many have argued that the ‘effaced’ literary narrator is an illusion as well. In this paper, I attempt to sort out the central issues that arise in these debates, defending the existence of effaced narrators in both literature and film. (shrink)

This is a preprint draft. Please cite published version (DOI: 10.1111/mila.12385). The aim of this paper is to provide a novel analysis of anorexia nervosa (AN) in the context of the sense of agency literature. I first show that two accounts of anorexia nervosa that we ought to take seriously— i.e., the first personal reports of those who have experienced it firsthand as well as the research that seeks to explain anorexic behavior from an empirical perspective— appear to be (...) thoroughly in tension with one another in their descriptions of anorexic actions. Rather than proceeding at this point by way of disregarding anorexic testimony as meaningless or insincere, I instead offer a positive account of the sense of agency in anorexia nervosa that renders these two depictions compatible. The resultant picture of anorexic behavior is one that accommodates current empirical findings while also providing valuable insight into how it is that anorexics can sincerely report feeling fully in control over their food restriction. (shrink)

Seneca the Younger's tragedies are adaptations from the Greek. C. A. J. Littlewood emphasizes the place of these plays in the Latin literature and in the philosophical context of the reign of the emperor Nero. Stoics dismissed public reality as theatre, as illusion. The artificiality of Senecan tragedy, the consciousness that its own dramatic worlds are literary constructs, responds to this contemporary philosophical perception.

C. A. J. Littlewood approaches Seneca's tragedies as Neronian literature rather than as reworkings of Attic drama, and emphasizes their place in the Roman world and in the Latin literary corpus. The Greek tragic myths are for Seneca mediated by non-dramatic Augustan literature. In literary terms Phaedra's desire, Hippolytus' innocence, and Hercules' ambivalent heroism look back through allusion to Roman elegy, pastoral, and epic respectively. Ethically, the artificiality of Senecan tragedy, the consciousness that its own dramatic worlds, events, (...) and people are literary constructs, responds to the contemporary Stoical dismissal of the public world as mere theatre. (shrink)

Introduction In "search of instances where the American imagination demands the real thing, and, to attain it, must fabricate the absolute fake," Umberto ...

The notion that history is a record of continuous improvement has come to dominate the Western view of the world. This paper examines how nursing has embraced this ‘Enlightenment project’ and continues to be guided by a faith in ‘history as progress’ despite the fact that its structural position remains one of subordination and struggle. Faith in progress is manifested in nursing historiography and contemporary nursing literature, in the basic tenet of nursing orthodoxy, that professionalization is both inevitable and (...) desirable, in the alignment of nursing with medical science and technology and the belief that Western nursing is the model for nursing world wide. It is argued that this uncritical faith in a continuously improving future has obscured nursing's vision for the future and rendered it powerless in the face of rapid global economic and social change. (shrink)

Art treats appearance as appearance and thus does not want to be an illusion, but is true. [...] truths are illusions which we are oblivious of their being ...

In the absence of an objective contingency, psychological studies have shown that people nevertheless attribute outcomes to their own actions. Thus, by wrongly inferring control in chance situations people appear to hold false beliefs concerning their agency, and are said to succumb to an illusion of control (IoC). In the current article, we challenge traditional conceptualizations of the illusion by examining the thesis that the IoC reflects rational and adaptive decision making. Firstly, we propose that the IoC is (...) a by-product of a rational uncertain judgment (“the likelihood that I have control over a particular outcome”). We adopt a Bayesian perspective to demonstrate that, given their past experience, people should be prone to ascribing skill to chance outcomes in certain situations where objectively control does not exist. Moreover, existing empirical evidence from the IoC literature is shown to support such an account. Secondly, from a decision-theoretic perspective, in many consequential situations, underestimating the chance of controlling a situation carries more costs than overestimating that chance. Thus, situations will arise in which people will incorrectly assign control to events in which outcomes result from chance, but the attribution is based on rational processes. (shrink)

The Self Possessed: Deity and Spirit Possession in South Asian Literature and Civilization, Frederick M. Smith, 13 illus., pp. xxvii+701, $60.00/£35, ISBN: 0-231-13748-6.

This paper deals with various aspects of the development of data systems for engineering materials. The problem considered here is the difference between the end-users' mental model of materials, which focuses on performance, and the concepts of properties of materials held by materials specialists. Previous treatises on this problem have elaborated on systems aspects in general, emphasising incompatibilities in the relationship mentioned and the means of overcoming these incompatibilities by service management. Another perspective applied has been the historical one, combined (...) with experience of traditional views on science and technology. The present paper pursues this general path by discussing the problem in terms of visions, illusions and myths. These phenomena are thought to be both inevitable in this context and necessary in any attempt to understand the dilemma of data systems for engineering materials. It is believed that the views of the different parties involved are to a great extent steered by visions, illusions and myths, examples of which are discussed. Furthermore, it is suggested that these phenomena have roots in, or are expressions of, paradigms and values related to world pictures. Admittedly eclectic, this discussion leads to the conclusion that a solution to the dilemma in question cannot be found within computer science, materials technology and design theory only. Guidance has to be sought in philosophy and theory of science as well as in literature and the arts. In order to make it possible to implement ideas arrived at by such means, practitioners of psychology will probably have to be consulted. (shrink)

Puzzling Out the Past: Studies in Northwest Semitic Languages and Literatures in Honor of Bruce Zuckerman. Edited by Marilyn J. Lundberg; Steven Fine; and Wayne T. Pitard. Culture and History of the Ancient Near East, vol. 55. Leiden: BRill, 2012. Pp. xvi + 334, illus. $245.

This article provides a summary of current knowledge about memory illusions. The memory illusions described here focus on the recall of imagined events that have never actually occurred. The purpose is to review theoretical ideas and empirical evidence about the reality-monitoring processes involved in memory illusions. Reality monitoring means deciding whether the memory has been perceptually derived or been self-generated (thought or imagined). A few key findings from the literature have been reported in this paper and these focus on (...) internal source-monitoring judgments which distinguish perceptual events from imagined events. Finally, the experimental paradigms used to shed light on processes occurring in the failure of reality monitoring in healthy subjects may be extended to an examination of the causes and the prevention of hallucinations in patients. (shrink)

The notions of other peoples, cultures, and natural conditions have always been determined by the epistemology of imagination and fantasy, providing much freedom and creativity, and yet have also created much fear, anxiety, and horror. In this regard, the pre-modern world demonstrates striking parallels with our own insofar as the projections of alterity might be different by degrees, but they are fundamentally the same by content. Dreams, illusions, projections, concepts, hopes, utopias/dystopias, desires, and emotional attachments are as specific and impactful (...) as the physical environment. This volume thus sheds important light on the various lenses used by people in the Middle Ages and the early modern age as to how they came to terms with their perceptions, images, and notions. Previous scholarship focused heavily on the history of mentality and history of emotions, whereas here the history of pre-modern imagination, and fantasy assumes center position. Imaginary things are taken seriously because medieval and early modern writers and artists clearly reveal their great significance in their works and their daily lives. This approach facilitates a new deep-structure analysis of pre-modern culture. (shrink)

This article suggests that, during the 1820s and 1830s, Britain experienced a mirage moment. A greater volume of material was published on the mirage in scientific journals, treatises, travel literature and novels during these two decades than had occurred before in British history. The phenomenon was examined at the confluence of discussions about the cultural importance of illusions, the nature of the eye and the imperial project to investigate the extra-European natural world. Explanations of the mirage were put forward (...) by such scientists and explorers as Sir David Brewster, William Wollaston and General Sir James Abbott. Their demystification paralleled the performance of unmasking scientific and magical secrets in the gallery shows of London during the period. The practice of seeing involved in viewing unfathomable phenomena whilst simultaneously considering their rational basis underwrote these different circumstances. I use this unusual mode of visuality to explore the ways the mirage and other illusions were viewed and understood in the 1820s and 1830s. Ultimately, this paper argues that the mirage exhibited the fallibility of the eyes as a tool for veridical perception in a marvellous and striking way, with consequences for the perceived trustworthiness of ocular knowledge in the period. (shrink)

In the framework of Japanese studies, the relationship between Buddhism and Japanese poetry has received very little academic consideration. The noticeable founded narrative forms and potent and substantial philosophical influence of classical Chinese writings have resulted in the image of China being recontextualized during the process of fantasy, development, and encounters on the part of Japanese writers or investigators, with the result that many distortions and mischaracterizations have occurred as a result of this process. This work employs a comparative method (...) that incorporates literature and philosophy to examine the poetry of Hagiwara Sakutarô (1886–1942). The comparative analysis is seen from the viewpoint of Naturalism's impact and the use of description in the development of Japanese contemporary poetry. This has led to several inaccurate depictions of the country. The image of China that is presented in Japanese literature is both a perception and an illusion that is produced when cultural knowledge and creative achievements are combined. This combination creates the image of China. In the article, an examination and classification of the depiction of China in Japanese literature is provided. (shrink)

It is a common assumption among both philosophers and psychologists that having accurate beliefs about ourselves and the world around us is always the epistemic gold standard. However, there is gathering data from social psychology that suggest that illusions are quite prevalent in our everyday thinking and that some of these illusions may even be conducive to our overall well being. In this paper, we explore the relevance of these so-called 'positive illusions' to the free will debate. More specifically, we (...) use the literature on positive illusions as a springboard for examining Saul Smilansky 's so-called 'free will illusionism '. At the end of the day, we will use data from both social and developmental psychology concerning perceived control to try to show that his view is on shaky empirical footing. (shrink)

Reviewed work: Geoffrey Cantor; Sally Shuttleworth . Science Serialized: Representation of the Sciences in Nineteenth‐Century Periodicals. 351 pp., illus., index. Cambridge, Mass.: MIT Press, 2004. $40 .; Louise Henson; Geoffrey Cantor; Gowan Dawson; Richard Noakes; Sally Shuttleworth; Jonathan R. Topham . Culture and Science in the Nineteenth‐Century Media. xxv + 296 pp., illus., index. Burlington, Vt.: Ashgate, 2004. $84.95 .; Geoffrey Cantor; Gowan Dawson; Graeme Gooday; Richard Noakes; Sally Shuttleworth; Jonathan R. Topham. Science in the Nineteenth‐Century Periodical: Reading the Magazine (...) of Nature. xi + 329 pp., illus., bibl., index. New York: Cambridge University Press, 2004. $75. (shrink)

It has been suggested that there maybe no olfactory illusions. This manuscript examines this claim and argues that it arises because olfactory illusions are not typically accompanied by an awareness of their illusory nature. To demonstrate that olfactory illusions do occur, the relevant empirical literature is reviewed, by examining instances of where the same stimulus results in different percepts, and of where different stimuli result in the same percept. The final part of the manuscript evaluates the evidence favoring the (...) existence of olfactory illusions, and then examines why they may not typically be accompanied by awareness. Three contributory mechanisms are discussed, relating to difficulty of verification and paucity of olfactory knowledge, the role of change blindness, and restricted access consciousness in this sense. (shrink)

La désignation de " paroles rapportées " peut masquer, sous le trompe-l'oeil d'une fidélité plus ou moins revendiquée, la réduction inévitable qu'opère toute représentation par rapport à la totalité de l'acte d'énonciation représenté. L'autonymie, et par conséquent le discours direct, sont au coeur de cette tension entre fidélité et facticité. Rapporter le discours d'autrui, même au style direct, n'est-ce pas toujours déjà se l'approprier? Ce livre rassemble les travaux de chercheurs antiquisants, littéraires, linguistes et stylisticiens sur cet aspect de l'hétérogénéité (...) énonciative que sont les illusions attachées à l'autonymie dans la représentation du discours de l'Autre. Outre les modalités de transcription du discours de l'Autre et leurs effets sémantiques, poétiques et pragmatiques, a été abordée dans cet ouvrage collectif la question des illusions de la fidélité littérale. (shrink)

An artistic interpretation of historical facts is quite relevant in the literature and non-fiction of a post-totalitarian society. Prose works on historical themes are valuable and interesting in that they create an illusion for readers to be present in a certain period of historical time, and it is the artistic modeling of events that makes priceless facts of history completely disappear. The historical past is an inexhaustible material that word artists have been referring to for centuries, creating the (...) best examples of fiction. Prose texts of historical subjects are perceived by each next generation in a new way, historical events and phenomena are interpreted from different angles, the activities of famous figures of the past are widely covered. Non-fiction literature is a kind of literature that is on the verge of artistry and documentary. The main non-fiction genres are a diary, autobiography, biography, memoirs, confession, letters, etc. On the one hand, non-fiction literature claims to recognize the author’s subjective truth about him in her texts; on the other hand, only the reader can either, demonstrating full confidence in the author, call this text documentary, or admit the presence of poetry and aesthetics in the work and tilt the scales in the direction of artistry. The material for observation and research of the phenomenon of artistic modeling are works that allow us to trace the most common, in our opinion, models of correlation of historical and artistic consciousness in postmodern literature and non-fiction of a post-totalitarian society. (shrink)

Paul Valéry: Illusions of Civilization opens a vast discussion of the meaning of civilization, in particular, Western civilization. It causes us to face the problems of survival, meaning, and ends. This discussion with Valéry is unique - never before has such an encounter taken place. The reader is overwhelmed and challenged. The problems are presented with amazing clarity and depth.

Mixing passion and humor, a personal work of literary criticism that demonstrates the power of our greatest books to illuminate our lives. Why do we read literature? For Arnold Weinstein, the answer is clear: literature allows us to become someone else. Literature changes us by giving us intimate access to an astonishing variety of other lives, experiences, and places across the ages. Reflecting on a lifetime of reading, teaching, and writing, The Lives of Literature explores, with (...) passion, humor, and whirring intellect, a professor's life, the thrills and traps of teaching, and, most of all, the power of literature to lead us to a deeper understanding of ourselves and the worlds we inhabit. As an identical twin, Weinstein experienced early the dislocation of being mistaken for another person--and of feeling that he might be someone other than he had thought. In vivid readings elucidating the classics of authors ranging from Sophocles to James Joyce and Toni Morrison, he explores what we learn by identifying with their protagonists, including those who, undone by wreckage and loss, discover that all their beliefs are illusions. Weinstein masterfully argues that literature's knowing differs entirely from what one ends up knowing when studying mathematics or physics or even history: by entering these characters' lives, readers acquire a unique form of knowledge--and come to understand its cost. In The Lives of Literature, a master writer and teacher shares his love of the books that he has taught and been taught by, showing us that literature matters most because we never stop discovering who we are. (shrink)

The presidential election of 2007 that sworn in Barack Obama as president of the United States of America heightened the idea that rightly, or wrongly, suggests the world has become post-racialised. I will explain how the notion of post-raciality is a distraction to the demands of racial diversity in the twenty-first century. I use the conversational thinking as an alternative method to show how the possibility of both nuances in the form of racial conflict/diversity can subsist. The difference I envisage (...) is that between highly melanated Africans and European Americans. Here, I argue that dialogue is still the most preferred option in racial conflict. However, the dialogue I propose is not a promise akin to the post-racialised, but a relationship that can exist in the midst of conflict, while at the same time acknowledging difference. (shrink)

Travel and Ethnology in the Renaissance, based on a Cambridge dissertation, is a reaction to two related trends in recent writing about early modern European travel literature, both ultimately deriving from the “Orientalist” model presented in the work of Edward Said on the nineteenth and twentieth centuries. These are the trend that views travelers' accounts as more revelatory of European concerns than of the reality of the non‐European societies they wrote about and the trend that analyzes these texts using (...) the techniques of literary criticism and scholarship rather than those of historical investigation. Joan‐Pau Rubiés argues, by contrast, that the texts were the product of a genuine, although sometimes distorted, cultural encounter between Europeans and others; the argument relies on a case study of European writing about south India, particularly the Hindu kingdom of Vijayanagara. The south Indian literature is less well known than that produced by early modern travelers to larger states such as China and the Ottoman Empire. Even in examining accounts of India itself, the Muslim Mughals of north India get more attention. Rubiés's task is complicated by the fact that there are so many mysteries in Vijayanagara history. The book will sometimes be heavy going for those unacquainted with south Indian history and culture.Rather than beginning with the Portuguese invasion of the Indian Ocean at the end of the fifteenth century, Rubiés starts with Marco Polo and discusses fifteenth‐century Italian accounts. This emphasizes the continuity between the late Middle Ages, when Europeans arrived as travelers or merchants, and the early modern period, when Europeans were associated with an imperial project. The bulk of Rubiés's analysis is devoted to a group of texts produced by sixteenth‐century Italian and Portuguese travelers. These travelers and missionaries in south India are less well known in the English historical literature than are their British and French equivalents, and Rubiés has unearthed some fascinating characters. Rubiés defends the accuracy, perceptiveness, and open‐mindedness of the Western observers from charges of ethnocentrism. Since so much contemporary scholarly knowledge of early modern Vijayanagara is derived from these Western travelers' accounts, lauding them for their accuracy involves an obvious problem of circularity, which Rubiés attempts to evade by asserting the accounts' consistency with recently obtained archaeological data.By contrast with the Latin Christian writers whose perceptive readings of Vijayanagara's culture Rubiés lauds, the Muslim writers of north India who wrote about Vijayanagara come off very poorly. Rubiés finds them, despite some insights, mostly unable to break from the paradigm of “holy war,” a permanent structural conflict between Muslims and idolators, to perceive Vijayanagara as it was. In this case it is the Orientals who are the Orientalists.The European writers employed two distinct sets of categories for the analysis of Vijayanagara, one historical, in which Vijayanagara was analyzed in terms of its conformation to an ideal of “civilization,” and one religious, in which it was negatively evaluated as “idolatrous.” Rubiés claims that these travelers' accounts had major effects on the culture of Europe itself, in which the historical discourse expanded and partially incorporated the religious discourse. In a way reminiscent of traditional European intellectual historians such as Paul Hazard, Rubiés finds travel literature, with its interest in human diversity, to be a root of the Enlightenment. His case against the applicability of the Orientalist paradigm is convincing.Although it is, unfortunately, priced beyond the reach of most scholars, this book will be of interest to students of the origins of ethnography and anthropology. Cambridge University Press and the author deserve praise for producing a book with proper bottom‐of‐the‐page footnotes, a full bibliography, and a fine index. (shrink)

This article challenges the orthodox position that some smells are pleasantly fragrant and some tactile sensations are painful. It proposes that the affective components of our experiences are a kind of illusion. Under this alternative picture, experiences that seem to have positive or negative affect never actually do. Rather, the affective component is hyper-illusory, a second-order misrepresentation of the way things actually seem to us. While perceptual hyperillusions have elicited scepticism in other contexts, affective hyperillusions can withstand common critiques. (...) Focusing on the paradigmatic affective experience — pain — the article situates the hyperillusory account within the existing scientific and philosophical literature. Several theoretical advantages of positing a hyper-illusory structure to affective experiences emerge from the discussion. (shrink)

One crucial premise in the argument from illusion is the Phenomenal Principle. It states that if there sensibly appears to be something that possesses a sensible quality, then there is something of which the subject is aware that has that sensible quality. The principle thus enables the inference from a mere appearance to an existence (usually a mental one). In the argument from appearance, a similar move is taken by some philosophers—they infer a content from a mere appearance. There (...) are two kinds of defences for the Phenomenal Principle in the literature, namely, the epistemological one (e.g. H.H. Price) and the semantic one (e.g. Frank Jackson). I argue that neither consolidates the Phenomenal Principle. I particularly demonstrate that the appearance verb in premise 1 of the argument from illusion is not used in the phenomenal sense as it is used in the Phenomenal Principle, which renders the argument essentially invalid. To avoid invalidity, the proponents either give up the phenomenal use, which makes the argument unable to serve its original purpose, i.e. inferring an unusual existence, or they insist on the phenomenal use in all premises of the argument, which will trivialise the argument. I also demonstrate that a similar objection applies to the argument from appearance. (shrink)

The concept of moral innocence is frequently referenced in popular culture, ordinary language, literature, religious doctrine, and psychology. The morally innocent are often thought to be morally pure, incapable of wrongdoing, ignorant of morality, resistant to sin, or even saintly. In spite of, or perhaps because of this frequency of use the characterization of moral innocence continues to have varying connotations. As a result, the concept is often used without sufficient heed given to some of its most salient attributes, (...) especially those germane to moral agency and the moral community. In this article I intend to identify these attributes and propose that moral innocence is best defined as an inability to enter the moral community as a result of a trust in moral illusions. The content of the illusions pertains to several factors including one’s role in the moral community, one’s ability to wrong or harm others, the intricacies of one’s moral interaction with others, and the corresponding manifold complexities tangled up with the concepts of good and evil. Maintaining these illusions impedes or even prohibits an appropriate exchange of praise and blame with others. As membership in the moral community requires precisely this ability to engage in such an exchange, moral illusions necessarily give rise to an inability to participate in the moral community. (shrink)

The book is written on purpose of Indian Academy for higher classes on English and British Literature. As personally found being a teacher that majority of students are incapable on setting and developing an answer on context of the chapter. It is hurt to say the sweetness of Classic Literature is exactly not teaching properly at Indian Academy on English and British Stories. Students , concerning at my place on context of the aforesaid book, only are gulping in (...) India the matter rather to understand the history on Literature. (shrink)

While visiting relatives in northern England in October 1865 the London chemist William Crookes witnessed firsthand the economic devastation of farming communities blighted by the cattle plague that had been sweeping Britain since June. Crookes delayed his return to London for several months and obtained official permission to begin experimenting on eradicating the disease with a new disinfectant, carbolic acid. In his report to the British government in 1866, Crookes was explicit that his experiments had been based on a germ (...) or contagion theory of the disease. Germs were considered to be airborne particles that might either be “living” material that “germinated” in the soil of animal flesh and blood or chemical poisons that decomposed flesh and blood.In the opening chapter of this fine study of the construction of British germ theories between the 1860s and 1900, Michael Worboys makes it clear that the cattle plague was a keystone in the long process of germ theory construction. Rinderpest was readily accepted by veterinary surgeons as a contagious disease to be controlled by wholesale culling with the poleax. On the other hand, they ignored or actively opposed the practical implications of a germ theory—disinfection , vaccination, and laboratory research—because these procedures posed a threat to the power and control of the veterinary profession. Plus ça change? In Britain, we are currently witnessing a similar example of party interest as a powerful Farmers' Union culls millions of cattle and sheep but prevents the use of vaccination in fighting a foot and mouth epidemic.Although a number of studies have celebrated the germ theory as the key development in producing scientific medicine in the late nineteenth century, this is the first critical book‐length study of its diffusion. The separate professional communities of veterinary practitioners, surgeons, and sanitarians are disarmingly shown to have developed different germ theories and differed over the practical consequences of their commitments. The closed subcultures inhabited by these groups meant that it took several decades before the germs of sanitarians were linked with those of surgeons and with the bacteria of microbiologists. Anyone who made a connection, such as the physicist John Tyndall, was dismissed as an inexpert interloper. Clearly, the singular specific disease germ theory was evolutionary in construction, not revolutionary.Worboys's ambitious monograph offers many fresh insights, including a finely tuned account of Joseph Lister's vacillating ideas and practices concerning wound management, and a splendid analysis of the problematic identification of specific germs causing cholera, smallpox, tuberculosis, diphtheria, typhoid fever, and scarlet fever. His meticulous survey of the contemporary literature unravels the deep uncertainty over whether “germs” were living organisms or chemicals, spontaneously generated or ancestral, causes or concomitants of disease. The fact that unpleasant wounds and the sick sometimes recovered spontaneously made sense only if patients constitutionally differed as an appropriate or inappropriate “soil” for “germ seeds” to blossom or perish. In this way ontological germ theories complemented the traditional medical concepts of constitutional strength and weakness and the healing power of nature. This insight underlines one of the strengths of the book, namely, its recognition of continuities in the construction of disease concepts and practices.Worboys successfully challenges the view that the British medical communities acted largely as onlookers while French and German practitioners honed a laboratory‐based medicine for the twentieth century. Overall, Worboys's monograph is a challenging and extremely readable medical history of germs. It will be essential reading for students taking history of medicine programs. (shrink)