Nietzsche is famous for rejecting a great many standard philosophical methods. He does this on the basis of critical assessments of these methods. Nietzsche's historical critiques are justly famous but the question of what his new philosophy is often not explored. The important issue is what Nietzsche believed were some of the possibilities left for philosophy if his criticisms of previous philosophies were correct. This book is called the 'Reclamation of Philosophy' because Nietzsche is engaged in a task of (...) reappropriating certain characteristics of past philosophies into his work. He reclaims philosophical reflection as practiced by French moralists, some Presocratic philosophers, and some German thinkers. As a mature writer he is no longer interested in philosophy simply as a place to display skill in analytic or logical reasoning. He is interested in a philosophy which can address the cultural and personal issues of people constructing themselves in their world. He is particularly interested in using philosophical talents to help to discover the values implicit in practices and assumptions which people hold. These 'values' are not just moral and aesthetic they are also epistemologically relevant. Nietzsche's Reclamation of Philosophy elucidates what Nietzsche has to say about value; particularly what he has to say about moral value, by looking at his views of aesthetic value. (shrink)

"Nietzsche versus Wagner", sometimes translated "Nietzsche against Wagner", is a critical examination of the composer Richard Wagner, whom Nietzsche praised in his early years and later declared his enemy. Nietzsche was close to the entire Wagner family, even Wagner's wives, but later had a falling out and spent a significant amount of energy attacking him. In this work, Nietzsche distances himself from Wagner's music and ideology, criticizing the composer's embrace of German nationalism and his turn to Christianity. Nietzsche contrasts (...) Wagner's decadent, pessimistic art with his own vision of a life-affirming, Dionysian aesthetic. The book reflects Nietzsche's broader concerns about the role of art and culture in society and his ongoing exploration of the tensions between Apollonian and Dionysian forces. Nietzsche also addresses the psychological and philosophical implications of Wagner's music, arguing that it represents a retreat from the complexities of reality into the comforting illusions of myth and religion. He sees Wagner's work as symptomatic of a broader cultural malaise characterized by a loss of vitality and authenticity. Through his critique of Wagner, Nietzsche seeks to reaffirm the values of individualism, creativity, and the joyful affirmation of life that he believes are essential to the rejuvenation of culture and the realization of human potential. This is one of three major works attacking Wager's music and legacy Nietzsche issued. This work was assembled and published at the end of 1888 under the title Nietzsche contra Wagner, shortly before his final mental collapse in January 1889. The text was published in December 1888 by C. G. Naumann in Leipzig. This new 2024 translation of the original 1888 German manuscript includes a new afterword by the translator, a timeline of Nietzsche's life and works, an index with descriptions of his key concepts, and summaries of his complete works. This translation is designed to allow the armchair philosopher to engage deeply with Nietzsche's works without having to be a full-time Academic. The language is modern and clean, with simplified sentence structures and diction to make Nietzsche's complex language and arguments as accessible as possible. This Reader's Edition also contains extra material that amplifies the manuscript with autobiographical, historical and linguistic context. This provides the reader a holistic view of this very enigmatic philosopher as both an introduction and an exploration of Nietzsche's works; from his general understanding of his philosophic project to an exploration of the depths of his metaphysics and unique contributions. This edition contains: • An Afterword by the Translator on the history, impact and intellectual legacy of Nietzsche • Translation notes on the original German, Latin and Greek manuscript • An index of Philosophical concepts used by Nietzsche with a focus on Existentialism and Phenomenology • A chronological list of Nietzsche's entire body of works • A detailed timeline of Nietzsche's life and works. (shrink)

SUMMARYDebates about Nietzsche's political thought today revolve around his role in contemporary democratic theory: is he a thinker to be mined for stimulating resources in view of refounding democratic legitimacy on a radicalised, postmodern and agonistic footing, or is he the modern arch-critic of democracy budding democrats must hone their arguments against? Moving away from this dichotomy, this article asks first and foremost what democracy meant for Nietzsche in late nineteenth-century Germany, and on that basis what we might learn (...) from him now. To do so, it will pay particular attention to the political, intellectual and cultural contexts within which Nietzsche's thought evolved, namely Bismarck's relationship to the new German Reichstag, the philological discovery of an original Aryan race, and Nietzsche's encounter with Gobineau's racist thought through his frequentation of the Wagner circle. It argues that Nietzsche's most lasting contribution to democratic thinking is not to be found in the different ways he may or may not be used to buttress certain contemporary ideological positions, but rather how his notions of ‘herd morality’, ‘misarchism’ and the genealogical method still provides us with the conceptual tools to better understand the political world we inhabit. (shrink)

Richard Wagner always represented for Nietzsche the Germany of that time. By examining Nietzsche's relationship to Wagner throughout his writings, one is also examining Nietzsche's relationship to his culture of birth. I focus on the writings from the late period in order to clarify Nietzsche's view of his own project regarding German culture. I show that Nietzsche created a portrait of Wagner in which the composer was a worthy opponent-someone with whom he disagreed but (...) viewed as an equal. Wagner was such an opponent because he represented the disease of decadence which plagued the culture and from which Nietzsche suffered for a time, but of which he also cured himself. In other words, Nietzsche emphasized his overcoming and revaluation of Wagner because he wanted his readers to understand it as a metaphor for his larger battle with decadence in general. The goal of this portraiture is to demonstrate on an individual level what could be done on a cultural level to revitalize culture. Through an analysis of Nietzsche's portrait of Wagner in the late period, I will claim that in order to understand Nietzsche's revaluation of decadent values in nineteenth century German culture, one must understand his relationship with the composer. (shrink)

Nietzsche's impact on the world of culture, philosophy, and the arts is uncontested, but his political thought remains mired in controversy. By placing Nietzsche back in his late-nineteenth-century German context, Nietzsche's Great Politics moves away from the disputes surrounding Nietzsche's appropriation by the Nazis and challenges the use of the philosopher in postmodern democratic thought. Rather than starting with contemporary democratic theory or continental philosophy, Hugo Drochon argues that Nietzsche's political ideas must first be (...) understood in light of Bismarck's policies, in particular his "Great Politics," which transformed the international politics of the late nineteenth century. Nietzsche's Great Politics shows how Nietzsche made Bismarck's notion his own, enabling him to offer a vision of a unified European political order that was to serve as a counterbalance to both Britain and Russia. This order was to be led by a "good European" cultural elite whose goal would be to encourage the rebirth of Greek high culture. In relocating Nietzsche's politics to their own time, the book offers not only a novel reading of the philosopher but also a more accurate picture of why his political thought remains so relevant today. -- from dust jacket. (shrink)

The article explores Nietzsche’s view that the Greek agonistic impulse in sport led to an ancient culture that prized the dialectics of philosophy and its humane offspring. The Greeks did not invent physical contests, but the Olympics are unique in the ancient world for bringing together once and future enemies under formal terms of contest. What did this signify? And what were its consequences? In Nietzsche’s view, the ancient Greek obsession with agon (contest) led to the greatest civilization of (...) the western world. How so? The paper shows how the Greeks learned to “spiritualize” violence and redirect its otherwise destructive power. This aggressive but rule-bound ethos became the competitive force in Greek culture to which we owe the disciplines of philosophy, drama, history, and science,—because each was conceived as a new arena of intellectual or artistic competition on the model of competitive sport. (shrink)

Anthony K. Jensen has successfully undertaken an essential project for the fields of Nietzsche studies and philosophy of history. In his interpretation of Nietzsche's second "Untimely Meditation," On the Uses and Disadvantages for Life[1] (henceforth HL), he demonstrates an attention to detail and meticulousness sometimes bordering on obsessiveness. This textual work is based on Jensen's comprehensive familiarity with the philosophical, philological, and historiographic culture in which Nietzsche was trained and to which he was in part responding. Unlike many (...) Anglophone philosophers interested in Nietzsche, Jensen is fully at home with German language and idiom. He combines this linguistic facility with philological expertise and encyclopedic archival research to bring sober clarity to a field often plagued by flights of interpretive speculation. Jensen is knowledgeable of not only the Anglophone but also the Germanophone secondary literatures, and he uses this expertise like a wide-angle lens to give his readers a synoptic perspective on the last thirteen decades of reactions to and interpretations of HL. I hasten to add, though, that his monograph is not simply a summary of the production, content, and reception of one of Nietzsche's early works; it is also a judicious philosophical evaluation of Nietzsche's views and arguments. It may not be the last word on HL, but the prospect of adding anything new and valuable is now daunting. (shrink)

ABSTRACT Nietzsche's investigation into the origins of morality bears some striking similarities to contemporary investigations into human evolution. Here I investigate these similarities, using a comparison between Nietzsche's GM and Gould and Lewontin's influential “Spandrels” essay as a departure point. I argue that Nietzsche defends a proto-evolutionary psychology about morality, where the inheritance of enduring biological drives conflicts with our culturally evolved moral system. While Nietzsche's claims about the evolution of morality fit well within a Darwinian framework (...) of natural selection, his claims about our underlying biology do not. Those claims cohere better with the non-Darwinian views found in nineteenth-century German biology and embryology. (shrink)

David E. Cooper elucidates Nietzsche's educational views in detail, in a form that will be of value to educationalists as well as philosophers. In this title, first published in 1983, he shows how these views relate to the rest of Nietzsche's work, and to modern European and Anglo-Saxon philosophical concerns. For Nietzsche, the purpose of true education was to produce creative individuals who take responsibility for their lives, beliefs and values. His ideal was human authenticity. David (...) E. Cooper sets Nietzsche's critique against the background of nineteenth-century German culture, yet is concerned at the same time to emphasize its bearing upon recent educational thought and policy. (shrink)

Nietzsche, the Godfather of Fascism? What can Nietzsche have in common with this murderous ideology? Frequently described as the "radical aristocrat" of the spirit, Nietzsche abhorred mass culture and strove to cultivate an Übermensch endowed with exceptional mental qualities. What can such a thinker have in common with the fascistic manipulation of the masses for chauvinistic goals that crushed the autonomy of the individual? The question that lies at the heart of this collection is how Nietzsche came to acquire (...) the deadly "honor" of being considered the philosopher of the Third Reich and whether such claims had any justification. Does it make any sense to hold him in some way responsible for the horrors of Auschwitz? The editors present a range of views that attempt to do justice to the ambiguity and richness of Nietzsche's thought. First-rate contributions by a variety of distinguished philosophers and historians explore in depth Nietzsche's attitudes toward Jews, Judaism, Christianity, anti-Semitism, and National Socialism. They interrogate Nietzsche's writings for fascist and anti-Semitic proclivities and consider how they were read by fascists who claimed Nietzsche as their intellectual godfather. There is much that is disturbingly antiegalitarian and antidemocratic in Nietzsche, and his writings on Jews are open to differing interpretations. Yet his emphasis on individualism and contempt for German nationalism and anti-Semitism put him at stark odds with Nazi ideology. The Nietzsche that emerges here is a tragic prophet of the spiritual vacuum that produced the twentieth century's totalitarian movements, the thinker who best diagnosed the pathologies of fin-de-siècle European culture. Nietzsche dared to look into the abyss of modern nihilism. This book tells us what he found. The contributors are Menahem Brinker, Daniel W. Conway, Stanley Corngold, Kurt Rudolf Fischer, Jacob Golomb, Robert C. Holub, Berel Lang, Wolfgang Müller-Lauter, Alexander Nehamas, David Ohana, Roderick Stackelberg, Mario Sznajder, Geoffrey Waite, Robert S. Wistrich, and Yirmiyahu Yovel. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Conflict and Contest in Nietzsche’s Philosophy ed. by Herman Siemens and James PearsonVanessa LemmHerman Siemens and James Pearson, eds., Conflict and Contest in Nietzsche’s Philosophy London: Bloomsbury, 2019. 302 pp. ISBN: 978-1-3500-6695-3 (cloth); 978-1-3501-6383-6 (paper). £23.30.Conflict and Contest in Nietzsche’s Philosophy is a collection inspired by the 2014 Friedrich Nietzsche Society conference on “Nietzsche, Love, and War.” However, the content of the book is broader than the conference, (...) encompassing the themes of conflict and contest in Nietzsche’s philosophy as a whole. The volume is divided into four main parts: part 1: “Nietzsche’s Ontology of Conflict”; part 2: “Conflict and Culture: Nietzsche’s Agon and the Greeks”; part 3: “Ethos and Conflict: Nietzsche’s Warriors and Warrior-Philosophers”; and part 4: “Conflict and Contestation in Language, Rhetoric and Style.” Surprisingly, the volume does not include a section dedicated to conflict and politics. This question is dealt with to some extent in individual chapters across the four parts of the book.The volume is composed of fourteen chapters largely drawn from the conference presentations, with additional chapters solicited from Nicolas Lema on agon and politics in Nietzsche’s early writings; Frank Chouraqui on hyperbole and conflict in the slave revolt in morality; Ritchie Robertson and Enrico Müller on Nietzsche and Burkhardt; and Guillaume Métayer on philosophy and terrorism and the notion of “Attentat” in Nietzsche. As such, the volume achieves a balance of views on these topics from both established and doctoral and postdoctoral scholars in Nietzsche studies, as well as from both Anglo-Saxon and Continental traditions in philosophy.The volume is ambitious and claims to fill what it identifies as a series of gaps and shortcomings in current Nietzsche scholarship. According to the editors, most commentators “have failed to recognize the integral role of conflict in Nietzsche’s philosophy not only as a theme, but as a dynamic and structural principle that cuts across the different domains of his thought and acts as a moving center of gravity throughout his philosophical development” (1). Conflict and Contest takes its starting point from the works [End Page 218] of Wolfgang Müller-Lauter and Paul van Tongeren, who both understand “conflict and struggle as the hermeneutic key” to understanding Nietzsche’s philosophy (8). The volume makes a welcome addition to Nietzsche scholarship, complementing the monographs of Yunus Tuncel’s Agon in Nietzsche (2013), Christa Davis Acampora’s Contesting Nietzsche (2013), and of course those recently published by the editors: Herman W. Siemens, Agonal Perspectives on Nietzsche’s Philosophy of Critical Transvaluation (2021), and James S. Pearson, Nietzsche on Conflict, Struggle and War (2022).The edited volume opens with a programmatic defense of the centrality of conflict and contest in Nietzsche’s work, beginning with his early writing on Greek agonistic culture, his middle period comprising an “extended apology of war” in HH and “a conflict-based theory of character” in D, a “stronger connection between knowledge and the conflict of drives” in GS and BGE, all the way to the development of his will to power thesis, which underpins, according to the editors, Nietzsche’s “radically immanent ontology of conflict” (5). The editors’ introduction offers an overview that includes a conceptual analysis of the terms “conflict,” “struggle,” and “will to power” (2–5), as well as an outline of the various domains of conflict across Nietzsche’s oeuvre (5–7): physical, biological, political, psychological, philosophical, and cultural.The editors make an important point right at the beginning of the book, namely, that Nietzsche has a highly differentiated understanding of conflict and struggle, reflected in the irreducible multiplicity of terms found in his philosophy, such as Agon, Auseinandersetzung, Concurrenz, Dissonanz, Gegensaetzlichkeit, Kampf, Konflikt, Krieg, Streit, Wettkampf, Wettspiel, Wettstreit, Widerspruch, Widerstreit, Zwiespalt, Zwietracht, and Zwist (1). Finding an adequate way of capturing this plurality of meanings in the original (German) text when translating into English is no doubt a challenge. In parts 3 and 4, for example, the term Kampf is translated variously as war, struggle, and contest, making it difficult for the reader to trace the various meanings back to the original... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Nietzsche. His Philosophy of Contradictions and the Contradictions of His PhilosophyAlan D. SchriftWolfgang Müller-Lauter. Nietzsche. His Philosophy of Contradictions and the Contradictions of His Philosophy. Translated from the German by David J. Parent. Foreword by Richard Schacht. Ghicago: University of Illinois Press, 1999. Pp. xviii + 246. Paper, $21.95.Since this work first appeared in 1971, Wolfgang Müller-Lauter has been at the forefront of German Nietzsche scholarship. (...) The long overdue appearance in English translation of this important work is a welcome addition to the Nietzsche literature and, although dated in some respects, it remains an important work that warrants careful attention. As Richard Schacht notes in his foreword, the original publication of this work was a significant event in the history of Nietzsche studies in Germany. Coming ten years after the publication of Heidegger's massive two-volume Nietzsche, Müller-Lauter's book "provided a much-needed counterweight" to Heidegger's idiosyncratic treatment (ix). Aside from proferring a significant rejoinder to the Heideggerian interpretation, Müller-Lauter also responds to a vast array of German Nietzsche scholars, some well-known (K. Löwith, K. Jaspers, E. Fink, K. Schlechta), but many much less familiar. As such, this book is an important piece of historical scholarship, offering the contemporary English-speaking reader an interesting picture of German scholarship on Nietzsche before Heidegger's work took center stage as the dominant (unfortunately, some would say only) German work worth engaging.But Müller-Lauter's book is not just of historical interest; it offers a powerful and profound reading of Nietzsche's corpus focused on the question of contradiction, both the contradictions readers find amidst Nietzsche's various works and Nietzsche's own philosophy of contradiction, namely, that contradictoriness is in some sense constitutive of the world. For Müller-Lauter, contradiction, the unresolvable conflict between essentially antithetical perspectives, grounds Nietzsche's philosophizing in wills to power. Emphasizing the plurality of conflicting wills to power, Müller-Lauter offers in successive chapters interpretations of Nietzsche's views on history as the "concrete occurrences" of these conflicting wills to power; nihilism as the process by which an organized system of forces (physical, social, intellectual, cultural) disintegrates into an antagonistic multiplicity of competing wills; morality as demanding truths that, once discovered, it can neither face nor accept, fleeing instead into a fictitious world of its own creation; Christian truthfulness as a destruction of truth that presents a "multiplicity of mutually opposing untruths" (72). All of these interpretations are shown to rest upon a contradiction at the heart of Nietzsche's own account of will to power, namely, that the strong will to power both affirms the multiplicity of perspectives and yet imposes its perspective as absolute.This is the paradox of the overman, a paradox Müller-Lauter addresses in his final chapter on "the doctrine of eternal recurrence." Not surprisingly, the eternal recurrence reveals itself to be essentially contradictory. But this contradiction is not self-refuting; rather "since the eternal recurrence is only as a thought and a doctrine, its meaning remains insurmountably split into a duality" (121) reflected in two ultimately incompatible types of overman. There is, on the one hand, the "powerful overman" who sees the entirety of what is as necessary for his own existence; to affirm eternal [End Page 453] recurrence is to understand everything that has been as a necessary series of events that ends with himself at its apex. But there is also the "wise overman," who understands the totality of what has been and is as necessary for his having arrived at the present moment in which he transcends himself and becomes other. Where the meaning of the powerful overman's affirmation of eternal recurrence resides in his appearance as the being who is dominant, the meaning of the wise overman's affirmation lies in understanding and accepting what has been as the precondition for both what he presently is and what he can become. Although both types of overman want recurrence, Müller-Lauter concludes they want something different in it and by it: the wise overman "is concerned with dissolving in the stream of... (shrink)

This paper examines Nietzsche’s idea of eternal recurrence and the notions of reincarnation in Onyewuenyi and Majeed with a view to showing how convergence and divergence of thought in the Nietzschean, Onyewuenyean and Majeedean philosophy contexts can inform cross-cultural philosophizing. Nietzsche’s idea of eternal recurrence represents his deep thought, which claims that every aspect of life returns innumerable times, in an identical fashion. On the other hand, Onyewuenyi posits that reincarnation is un-African as he conceives it as the theory that (...) when the soul separates from the body, at death, it informs another body for another span of life, while Majeed sees evidence of the African rootedness of the belief in reincarnation, based on his study of the Akan people of Ghana and concedes that the belief, itself, is irrational, since there is no scientific or empirical basis for it. Attempts are made to highlight the dynamics of Nietzsche’s idea of eternal recurrence and to articulate the essential ingredients of Onyewuenyean and Majeedean conceptions of reincarnation. These forms of thought will be examined critically to exhibit their convergence and divergence in the context of cross-cultural philosophizing. Keywords: eternal recurrence, reincarnation, will to power, vital force, cross-cultural philosophy, spirit-world. (shrink)

Philosophy and Truth offers the first English translation of six unpublished theoretical studies written just after the publication of The Birth of Tragedy and simultaneously with Untimely Meditations. In addition to the texts themselves, which probe epistemological problems on philosophy's relation to art and culture, this book contains a lengthy introduction that provides the biographical and philological information necessary for understanding these often fragmentary texts. The introduction also includes a helpful discussion of Nietzsche's early views concerning (...) class='Hi'>culture, knowledge, philosophy, and the Greeks. (shrink)

Whether Nietzsche’s genealogical critique of morality is best understood as an internal or as an external critique remains a matter of controversy. On the internalist interpretation (Ridley, Owen, Merrick ), the genealogical enterprise takes as its starting point the perspective being criticized, gradually revealing it to be untenable ‘from within.’ On the externalist interpretation (Leiter, and arguably Geuss, Williams, and Janaway ), this constraint is lifted; the starting point of the critique need not be the perspective being criticized, but may (...) be that of someone who already suspects the latter to be untenable. According to a common objection to ‘external critique’ interpretations, the limited-scope objection, since an external critique to a value-system could only work on an audience whose members were predisposed to abandon that system of values, ‘external critique’ interpretations impose a severe limitation on the transformative potential of Nietzsche’s project. ‘Internal critique’ interpretations, by contrast, can seem hard to reconcile with the polemical character of On the Genealogy of Morality (which lends the book its subtitle, Eine Streitschrift) and with Nietzsche’s frequent remarks to the effect his works were addressing a particular, ‘higher,’ kind of individual. -/- The overarching goal in this paper is to call into question the usefulness of the ‘internal-external’ or ‘immanent-transcendent’ dichotomy for understanding Nietzsche’s genealogical critique. I argue that the apparent usefulness of the distinction between external and internal critiques when approaching Nietzsche’s works rests on the assumption that any critique of values must itself be grounded on values that function as evaluative-critical standards. If the assumption is right, then one of two things, either the values that are deployed as standards coincide with those that are the target of critique, in which case the critique is internal, or they are not (etc.). Thus the assumption is liable to render us forgetful of a third possibility, that of a critical strategy that does not work by deploying (internal or external) values as standards of critical assessment, but by revealing something about the nature of value, and more precisely about the origin of any individual’s commitments to their values. -/- On the view that I defend, one of the crucial steps of Nietzsche’s genealogical method is to bring his reader to realize that any individual’s commitment to their values is expressive of and rooted in their commitment to preserve their way of life. Realizing this does not require that the reader abandon their own values. But it does require that they acknowledge that were they committed to a relevantly different way of life, they would subscribe to different values. And this, in turn, suffices to bring about a transformation in their understanding of and relationship to those commitments through the further realization that it is ultimately always up to them to undertake the project of taking distance from and ‘re-evaluating’ those values. (shrink)

The paper argues that an adequate account of Nietzsche's conception of value must take into consideration the complex interaction of intrahuman forces, such as drives and affects, and interhuman cultural forces which together give rise to values. The paper goes on to confront three major interpretive tendencies in Nietzsche scholarship which stem, I argue, from overly reductive accounts of value. The tendencies, exemplified by Richard Schacht, Maudmarie Clark, and Alexander Nehamas respectively claim: that value is or should be objective (...) in character, that value claims are reliant on consistent with truth claims, and that value is realized most highly in individual lives. On the basis of the conception of value articulated, the paper ultimately defends the view that value, for Nietzsche, is intra- and intersubjective in its origins, non-cognitive in character, and realized most importantly as the cultural, rather than individual, level.Im Beitrag wird gezeigt, dass eine angemessene Darstellung von Nietzsches Wertkonzept die komplexe Wechselwirkung von solchen Kräften, die im Menschen selbst zu finden sind, wie Triebe und Affekte, und zwischenmenschlichen kulturellen Kräften, die im Menschen selbst zu finden sind, wie Triebe und Affekte, und zwishcenmenschlichen kulturellen Kräften, die im Menschen selbst zu finden sind, wie Triebe und Affekte, und zwischenmenschlichen kulturellen Kräften berücksichtigen muss. Es werdent drei einflussreiche Interpertationslinien in der gegenwärtigen Nietzscheforschung, vertreten durch Richard Schacht, Maudmarie Clark und Alexander Nehamas, gegenübergestellt, die, wie ich meine, von einem allzu reduzierten Ansatz hinsichtlich des Wertes ausgehen, indem behaptet wirt: dass Werte objektiv sind oder sein sollen, dass Wertansprüche abhängig sind von oder konsistent sind mit Warheitsansprüchen, dass Werte vor allem im individuellen Leben realisiert werden. Der Beitrag stellt dagegen, dass Werte für Nietzsche ihrem Ursprung nach intra- und intersubjektiv sind, ihrem Charakter nach nonkognitiv und eher auf der kulturellen als der individuellen Ebene realisiert werden. (shrink)

In his first book, The Birth of Tragedy, Nietzsche observes that Greek tragedy gathered people together as a community in the sight of their gods, and argues that modernity can be rescued from 'nihilism' only through the revival of such a festival. This is commonly thought to be a view which did not survive the termination of Nietzsche's early Wagnerianism, but Julian Young argues, on the basis of an examination of all of Nietzsche's published works, that his religious (...) communitarianism in fact persists through all his writings. What follows, it is argued, is that the mature Nietzsche is neither an 'atheist', an 'individualist', nor an 'immoralist': he is a German philosopher belonging to a German tradition of conservative communitarianism - though to claim him as a proto-Nazi is radically mistaken. This important reassessment will be of interest to all Nietzsche scholars and to a wide range of readers in German philosophy. (shrink)

The object of my dissertation is to demonstrate that the conceptual thrust of Nietzsche's philosophical activity is a sustained endeavor to negate the Socratic basis of Western ontology through the re-implementation of the Aeschylean tragic paideia. Nietzsche's most consequential objection against Socrates is the latter's neutralizing of Hellenic mythos with the "cold edge" of reason and the "naive optimism" of science. Accordingly, we may most properly understand Nietzsche's effort as a movement against aesthetic Socratism, since it is (...) with its "supreme law," "To be beautiful everything must be intelligible," that Socrates--from behind his "Euripidean mask"--quelled the Dionysian spirit in Attic aesthetics, ipso fact put into operation an impulse-taming didacticism, and thus made ready the social climate for the institutionalization of the Judeo-Christian moral system. ;Nor, as I urge, is this a mere intellectual position, a philosophical exercise for Nietzsche. Just as the Platonic Socrates saw the need for a new moral and aesthetic direction, so does Nietzsche regard the culturo-political reformulation of Western society as a practical goal. Two interrelated themes of his appear to speak in favor of this observation: his regard of the composer Richard Wagner as the new Aeschylus who would reanimate the Dionysian spirit within German culture, and his persistent call for the somato-intellectual overcoming of humankind as we know it. That is, Wagner's musical dramas would at once transform Western/Socratic aesthetics and prepare the socio-cultural mentality for the rise and establishment of the Ubermensch as a new and profoundly "superior" "species" of human beings. That the younger Nietzsche did indeed regard Wagner as useful toward the achievement of such an artistic and cultural inversion may be noticed from the fact that he terminated their friendship virtually immediately after the composer signalled that he was turning to a more traditional and acceptable subject--Christianity. ;Despite this loss, Nietzsche ineluctably presses on his vision of the future "masters" of the earth. Indeed, in The Will to Power he implicitly offers at least two dissimilar "blueprints" whereby that goal could be realized. Only one of these plans of action, however, could ultimately prove useful in the establishment of the Ubermensch, while the other could at best permit only isolated communities of Ubermenschen to exist for a relatively short time, before succumbing to the rabble's socio-cultural levelling tendency. Only after the rabble's lifestyle would have become intolerable even to themselves, such that they would collectively rise up to transcend their mass-identity in all its manifestations, could the emergence and future of the Ubermensch as a phenomenal being be assured. (shrink)

Overshadowed by his critiques of traditional morality and Christianity, many of Nietzsche’s insightful philosophical analyses have often been neglected. Although Nietzsche as philosopher has, at long last, been recognized, his epistemological reflections are a fairly recent discovery in Anglo-American philosophy. This is curious because some of the earliest German interpreters of his thought had emphasized the link between his metaphysical views and his analyses of human knowledge. At the beginning of this century, Eisler and Rittelmeyer discussed the importance (...) of Erkenntnistheorie for a full understanding of Nietzsche’s philosophy. Despite their basic grasp of his philosophical intentions, they sometimes misunderstood or underplayed central points in his critical negations. With rare exceptions, the significance of what Nietzsche called an “internal phenomenology” has often been overlooked. Even when it is alluded to, the full meaning of this method of analysis is not brought out. My intention here is to show how the concept of causality is construed by Nietzsche and how his analysis of its origin is related to a phenomenology of human intentionality. The analysis of the derivation of the idea of causality that is presented by Nietzsche has an intrinsic interest and the issues concerning the formation of the concept and its validity are obviously still vital ones. (shrink)

The paper states that, in Ukrainian reception of his philosophy, Nietzsche appears to be a highly ambivalent thinker. Nietzsche himself often defined his philosophizing as ambiguous, and so in this article I try to explicate the different fluctuations in the reception of his ideas. I follow the transformation and adaptation of some of Nietzsche’s key ideas which, in Ukrainian context, got unexpected formulations and ideological connotations. Drawing on this, I argue that most significant elements in the Ukrainian reception are connected (...) to the literary reading of Nietzscheanism. Finally, the main topics of Ukrainian Nietzscheanism are related to ‘histo-rical nihilism’ as a diagnosis of culture. The article traces how Nietzsche’s ideas became a powerful tool in critical approach to naturalism, emotional writing and provincialism. The important characteristics that developed the ideas of Nietzscheanism in Ukraine include the following points. The desire to find a strong man. The problem of individual freedom and its place in society, as well as the criticism of obscu-rantism. The understanding of the critical moments in history and actualization of creativity. The openness to interpretation, discussion, and diagnosis of the cultural conditions. The re-evaluation of the role of morality and religion, the awareness of the tragedy of being and finally, the search for the balance between intelligence and voluntarism. (shrink)

This chapter contains sections titled: Non‐Scientific Confirmations of Schopenhauer's Metaphysics in “The Wisdom Deposited in Language,” Zhu Xi's Neo‐Confucianism, Animal Magnetism and Magic Scientific Confirmations of Schopenhauer's Metaphysics in Plant and Animal Physiology, Comparative Anatomy and Physical Astronomy The Independence of Will from Intellect The Will as Kant's “Thing‐in‐Itself” Schopenhauer's Paradoxical References to the Brain Some Nietzsche‐Related Parerga in On the Will in Nature Notes References Further Reading.

Nietzsche scholars have long been divided over whether Nietzsche is an aristocratic or a democratic thinker. Nietzche's Culture of Humanity overcomes this debate by proving both sides wrong. Jeffrey Church argues that in his early period writings, Nietzsche envisioned a cultural meritocracy that drew on the classical German tradition of Kant and Herder. The young Nietzsche's 'culture of humanity' synthesized the high and low, the genius and the people, the nation and humanity. Nietzsche's early ideal (...) of culture can shed light on his mature period thought, since, Church argues, Nietzsche does not abandon this fundamental commitment to a cultural meritocracy. Nietzche's Culture of Humanity argues that Nietzsche's novel defense of culture can overcome some persisting problems in contemporary liberal theories of culture. As such, this book should interest Nietzsche scholars, political theorists and philosophers interested in modern thought, as well as contemporary thinkers concerned with the politics of culture. (shrink)

Nietzsche, the so-called herald of the 'philosophy of the future', nevertheless dealt with the past on nearly every page of his writing. Not only was he concerned with how past values, cultural practices and institutions influence the present - he was plainly aware that any attempt to understand that influence encounters many meta-historical problems. This comprehensive and lucid exposition of the development of Nietzsche's philosophy of history explores how Nietzsche thought about history and historiography throughout his life and how (...) it affected his most fundamental ideas. Discussion of the whole span of Nietzsche's writings, from his earliest publications as a classical philologist to his later genealogical and autobiographical projects, is interwoven with careful analysis of his own forms of writing history, the nineteenth-century paradigms which he critiqued, and the twentieth-century views which he anticipated. The book will be of much interest to scholars of Nietzsche and of nineteenth-century philosophy. (shrink)

Like Kant, the German Idealists, and many neo-Kantian philosophers before him, Nietzsche was persistently concerned with metaphysical questions about the nature of objects. His texts often address questions concerning the existence and non-existence of objects, the relation of objects to human minds, and how different views of objects significantly impact various commitments in many areas of philosophy—not just metaphysics, but also semantics, epistemology, science, logic and mathematics, and even ethics. This book presents a systematic and comprehensive analysis of (...) Nietzsche’s material object metaphysics. Remhof argues that Nietzsche embraces the controversial _constructivist_ view that all concrete objects are socially constructed. Reading Nietzsche as a constructivist, Remhof contends, provides fresh insight into Nietzsche's views on truth, science, naturalism, and nihilism. Remhof investigates how Nietzsche’s view of objects compares with similar views offered by influential American pragmatists, and explores the implications of Nietzsche’s constructivism for debates in contemporary material object metaphysics. _Nietzsche’s Constructivism _is a highly original and timely contribution to the steadily growing literature on Nietzsche’s thought. (shrink)

The Qing dynasty scholar Wang Guowei 王國維 (1877–1927) has received little recognition in the English-speaking world, and even less in the philosophical community. Raised to be a Ruist (or Confucian) scholar official, he gave up this path to pursue the study of the “new learning” (xīnxué 新學) from the West and became enamored with German aesthetic philosophy, especially the works of Kant, Schiller, Schopenhauer and Nietzsche. However, by the start of the modern Republic period in China, Wang had denounced (...) all his previous research interests and dedicated himself to “old learning” (jiùxué 舊學), fearing for the future of China’s traditions and cultures. Taking Wang Guowei as a case study, my dissertation functions as an exercise in decolonial philosophy, highlighting the impacts of coloniality on his thinking while attempting to revitalize his theories from the perspective of decoloniality. -/- The Introduction sets up this case study by clarifying the points laid out in the title: Who is Wang Guowei, what is coloniality, and why is this case study “philosophical?” To begin, it details the specifics of Wang’s life and explaining his approach to comparative thinking, which became a target of criticism for later Chinese thinkers, including Qian Zhongshu. Next, it offers an overview of the concept of coloniality, referring to thinkers such as Aníbal Quijano, Maria Lugones, Walter Mignolo and Nelson Maldonado-Torres. From this point, this chapter moves into the literature on colonialism in China, emphasizing Anne Reinhart’s understanding of China’s situation as one of “semi-colonialism.” To end, it briefly outlines the earliest and latest periods of Wang’s life, in order to bookend my own discussion, which focuses on the period after he became invested in new learning and before he abandoned it for old learning. -/- Part I centers on Wang’s philosophical essays, all of which were published in the journal Education World between 1903 and 1908. Chapter 1 focuses on Wang’s earliest writings on “philosophy” (zhéxué 哲學), wherein he aims to properly introduce this imported discipline to his peers and make them aware of its value. Chapter 2 concentrates on the earliest of Wang’s major philosophical influences: Kant and Schopenhauer. Although Wang was attracted to Kant’s demarcation of the limits of reason, he could not accept his reimagining of the demands of reason as regulative principles. And while he sympathized with Schopenhauer’s criticisms of Kantian philosophy, he eventually came to regard metaphysical pessimism and the will to life as flawed theories. Chapter 3 deals with the two thinkers who shaped Wang’s views the most in his later philosophical essays: Nietzsche and Schiller. After rejecting Schopenhauer’s metaphysics, Wang came under the influence of Nietzsche and adopted a psychophysiological worldview. However, even though he accepted Nietzsche’s conception of the will to power, he could not accept Nietzsche’s view of overcoming. For Wang, consolation is all we can hope for in this life, and the best means to attain it is through the creation and appreciation of art, which prompts him to look to Schiller and his doctrine of aesthetic education. -/- Part II revolves around Wang’s mature aesthetic writings, specifically his Remarks on Lyrics in the Human World (1908–1909), a work in the “remarks on lyrics” (cíhuà 詞話) genre of literary criticism, which he published just before the Qing dynasty fell in 1911. Under the influence of decoloniality, Chapter 4 examines this work through the lens of praxis, highlighting the specifics of the traditional “remarks on lyrics” genre. After discussing the unique praxical features of this work, Chapter 5 analyzes it through the lens of theory, discussing its most significant ideas, such as its reimagining of the beautiful and the sublime, and the concept of “poetic worlds” (jìngjiè 境界). -/- The Conclusion examines everything discussed in Chapters 1 through 5 from the perspective of coloniality. It begins by determining how, and to what extent, colonial modernity impacted Wang’s thinking, in terms of both theory and praxis. It then provides some ways in which Wang’s theories and practices can contribute to the development of intellectual “worlds otherwise.” Beyond this, it aims to demonstrate how investigating the scholarly endeavors of non-Western thinkers caught in confluence of tradition and modernity can give us glimpses of alternatives to our modern intellectual and ontological modalities, thereby furthering the movement of decoloniality. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 27.2 (2003) 478-480 [Access article in PDF] The German Aesthetic Tradition,by Kai Hammermeister; xv & 259 pp. Cambridge: Cambridge University Press, 2002; $60.00 cloth; $22.00 paper. In some ways, aesthetic theory has become a thing of the past. With the exception of a kind of fascination with works such as T. W. Adorno's Aesthetic Theory, as a project, as a tradition, aesthetics has surrendered its (...) once monolithic and grandiose position as the philosophical contemplation of art and the notion of artistic beauty to more diminutive fields such as literary theory, poetics and cultural studies. In some ways, this is due to the very function of aesthetics: the philosophical investigation not simply of what is beautiful, but the formulation of prescriptive ideas about works of art and the judgement them according to these prescriptive ideas. This, in turn, has been looked upon with a certain degree of scorn with the rise of a more pluralistic art world and the bold denial that art needs the guidance of philosophy let alone have any prescriptive function or be able to be classified as "good" or "bad."But Kai Hammermeister's The German Aesthetic Tradition takes a very different view. A bold and difficult project, Hammermeister traces the complex and oftentimes abstruse contours of German aesthetic philosophy from its inception with Baumgarten in the eighteenth century through Adorno in the twentieth. In the process, he not only provides us with an excellent historical-philosophical account of the development of German aesthetic philosophy, he also implicitly argues for the relevance of aesthetics as a way not only of comprehending art, but of understanding the cohesive links between art, society, culture and philosophy.The German aesthetic tradition, as Hammermeister refers to it, was a prolonged intellectual argumentation with classical conceptions of art and beauty inherited from classical Greek thought during the eighteenth century. Classical aesthetics was dominated by two opposing conceptions of art and its function. For Plato, art mirrored the outside world (mimesis) and the judgement of good works of art was based on how well this mirroring of the objective world was carried out. Aristotle's idea was that art served a purgatory function (katharsis), cleansing the emotions of the individual through the identification of the observer with the work of art. All of the thinkers in the German tradition wrestle with this dual conception of art in some form privileging one over the other or, more often than not, combining them and extending their explanatory reach. But as in any tradition, they also struggle with the ideas and philosophies of previous thinkers within the tradition itself making Hammermeister's task more complex, one that he handles with adroitness and precision.The book's overarching argument and structure is triadic. Hammermeister sees the eighteenth century through German Idealism and Romanticism as [End Page 478] articulating a set of different paradigms for interpreting art. These are subsequently attacked in post-Hegelian philosophy and are then revived in different ways in the twentieth century as a reaction to Nietzsche's aestheticization of philosophy. Two paradigms emerge as central for the subsequent unfolding of the tradition. First, there is Immanuel Kant's conception of art as wholly separate from epistemology and from morality. For Kant, the work of art is centered in the experience of the subject and, in terms of form, exists outside its social context. This Hammermeister calls the "first strong paradigm of aesthetics" (p. 40). Next, there is the position of Friedrich Schiller who sees a connection between the work of art with culture, thought and morality. "[T]he culture of beauty demonstrates the freedom of man to turn himself into whatever being he envisions while remaining under the law of morality" (p. 57). For Schiller, there exists a kind of spillover effect of art into other domains of human thought and action—specifically in morality and politics—and this represents a crucial deviation from Kant's paradigm and another tendency within the tradition of German aesthetics, i.e., the aestheticization of other domains of human existence.Schelling and Hegel represent two other... (shrink)

In this essay I look at The Birth of Tragedy in order to explore two related issues. First, beginning with Nietzsche’s own later critical look back at the book, I argue that in lamenting both the influence of Schopenhauer, and the inclusion of an extended discussion of contemporary German culture, Nietzsche underplayed the interdependence of these elements and his analysis of tragedy and its significance in the book. Second, I argue that to understand Nietzsche's Schopenhauerian concept of (...) tragedy we may begin from the perspective of the term's common usage, attending to phenomena often labelled tragic, and glimpsing what holds sway just beneath their surfaces. Ultimately, although Nietzsche's expressed understanding of tragedy in these early years drew heavily on Schopenhauerian pessimism, it nevertheless exceeded that influence. (shrink)

Babich implicitly takes as her starting point a statement from the 1886 preface to The Birth of Tragedy, where Nietzsche praises his first book for having raised "a new problem--... the problem of science itself," and for having "dared... to look at science from the point of view of the artist, but at art from that of life." Indeed, though she focuses on the later texts, particularly the later Nachla, the interpretive framework of Babich's book is drawn from The Birth (...) of Tragedy. There, Nietzsche sought to reveal how the "Socratic optimism" that eclipsed the "tragic pessimism" of the early Greek dramatists was, in reality, a profound form of decadence, the sign of a sickly and declining culture. Babich argues that the descendent of "Socratism," modern techno-science, is also decadent, seeing life and nature as needing to be corrected. On this view, science is essentially reactive and conservative insofar as it seeks to halt and to master the ceaseless becoming, change, suffering, and death that characterizes natural life. Moreover, instead of granting its status as a pragmatic function in the service of a reactive form of life, science takes its perspective to be absolute, to reveal the way the world really is, and thus denies the irreducible ambiguity and multiplicity of the world. By contrast, the "aesthetic," "tragic," or "Dionysian" world-view suppressed by science remains the truly life- and world-affirming perspective. Acknowledging its status as Apollinian illusion, the aesthetic perspective simultaneously reveals the Dionysian chaos, the fundamental ambiguity and multiplicity that lies at the heart of what Babich, following Jacques Lacan, calls "the Real". Just as Nietzsche's book is not simply a study of Greek culture but a polemic against the present age, so too is Babich's book not simply an exposition of Nietzsche's philosophy of science but a call for a new tragic culture. (shrink)

This study explores Nietzsche's political education as a means of understanding his wider political thought. Incorporating biographical details of Nietzsche's own education, it outlines the course of political education that Nietzsche recommends as an antidote to the crisis in Western European culture. Heilke begins by examining Nietzsche's formulation of this crisis, especially his conceptions of "Romantic Pessimism," "Socratism," and Christianity. For Nietzsche, only a properly ordered education could resolve the problem of how one can transform a (...) society whose fundamental cultural and political premises one rejects. Through education Nietzsche sought to establish a new political and social system founded upon the principles of tragedy and grounded in the aesthetic tradition of German Romanticism. Nietzsche's Tragic Regime focuses on Nietzsche's political philosophy until his resignation from his post as professor in 1876, with attention also to the later writings. (shrink)

In this paper, I argue that culture plays a pivotal role for understanding Nietzsche’s own normative commitments. My argument develops as follows: Section 2 shows that Nietzsche advances an ideal of self-cultivation (Bildung) which is derived from the existential role of culture, elevating a peculiar concept of artistic creativity to ground his perfectionist understanding of value. Section 3 traces Nietzsche’s image of Goethe as exemplar of creative excellence. I contend that Nietzsche portrays Goethe as a male genius, rendering (...) his concept of self-cultivation entrenched in the cultural imagery of his time. The fin de siècle was obsessed with the image of genius as well as the relationship of creativity and gender. Moreover, as towering figure of German culture after the founding of the German Empire in 1871, Goethe was a frequent example of creative genius. Section 4 deepens the discussion of the role of gender in Nietzsche’s concept of creativity, exploring how the essentialist gender psychology of his mature works curtails the creative potential of women and explains his dismissal of feminism. (shrink)

The article gives an overview of works on philosophy published in the 19 th and 20 th centuries in Belarus, widely influenced by the reception of philosophical views and trends of leading Western European thinkers. The main philosophical ideas of German philosophers (I. Kant, G.W.F. Hegel, K. Marx, F. Nietzsche and others) found creative reflections among the intellectuals of the Northwestern Krai (Region) of the Russian Empire, which included Belarus in the 19 th century. The authors analyze the (...) role of foreign ideas in the first third of the 20 th century on the example of one of the first textbooks on dialectical materialism published by S.Ya. Wolfson in the 1920s (has undergone seven editions). On the basis of the analysis of dissertations (over 800 dissertation of the 1950s–1980s), the authors demonstrate the significance of Western socio-philosophical ideas for the development of philosophical culture in Belarus. Considering the content and features of the processes of transfer of foreign philosophical ideas for two centuries, it can be concluded that is the dominance of the conceptions of German philosophy, especially in the 19 th century. Interest in German philosophy also prevailed in pre-war Soviet philosophy, while the focus was on Marxism and materialistic philosophy in general. Another trend is the significant role of works on the history of philosophy, including personalities and approaches. All this demonstrates that national Belarusian thought developed in the context of European philosophical culture. (shrink)

Full-length studies of individual books of Nietzsche have been lacking until now both because of the immaturity of the field and because Nietzsche's style itself seems to contraindicate them. Close reading, however, reveals a great deal of literary and philosophical unity. This holds good even of Human, All-Too-Human, Nietzsche's longest and most unwieldy work. The book represents Nietzsche's break with Schopenhauer and Wagner, as well as the birth of Nietzsche as we know him in the later works. (...) The book's embrace of science as conducive to culture follows the early works' vilification of science as anathema to culture. This reassessment is possible because science is now seen as a method and a discipline rather than an insatiable drive for knowledge, and culture is now a broad set of symbols and activities rather than a narrowly focussed "unity of artistic style." Both changes were motivated by Nietzsche's rejection of Wagner. Part of the help science provides culture is its release from restrictive metaphysical beliefs. Nietzsche battles metaphysics, principally that of Schopenhauer, by means of scientific arguments meant both to provide alternative explanations of phenomena and to expose the origin of countervailing metaphysical beliefs. However, even when combined in a two-pronged attack, these arguments still fall short of their goal of refuting metaphysics. The scientific world-view may nonetheless aid the development of "free spirits," whose unalloyed devotion to knowledge makes them science's paragons. The free spirits are the prototypes for the later works' strong individuals, yet here they are viewed as crucial elements in the cultural development of general society. Nietzsche seeks both to create them and to encourage their devotion to the needs of culture. Part of his effort to do this is the deployment of a terse, elliptical style which will involve the reader more thoroughly than can be done by means of argument alone. Study of the book's structure reveals that its core, Parts 1, 5, and 9, outlines the relation between science, culture, and free spirits. (shrink)

This paper examines beliefs about four aspects of ethical leadership – Character/Integrity, Altruism, Collective Motivation and Encouragement – in Germany and the United States using data from Project GLOBE (Global Leadership and Organizational Behavior Effectiveness) and a supplemental analysis. Within the context of a push toward convergence driven by the demands of globalization and the pull toward divergence underpinned by different cultural values and philosophies in the two countries, we focus on two questions: Do middle managers from the United States (...) and Germany differ in their beliefs about ethical leadership? And, do individuals from these two countries attribute different characteristics to ethical leaders? Results provide evidence that while German and US middle managers, on average, differed in the degree of endorsement for each aspect, they each endorsed Character/Integrity, Collective Motivation and Encouragement as important for effective leadership and had a more neutral view of the importance of Altruism . The findings are reviewed within the social-cultural context of each country. (shrink)

Daybreak marks the arrival of Nietzsche's 'mature' philosophy and is indispensable for an understanding of his critique of morality and 'revaluation of all values'. This volume presents the distinguished translation by R. J. Hollingdale, with a new introduction that argues for a dramatic change in Nietzsche's views from Human, All Too Human to Daybreak, and shows how this change, in turn, presages the main themes of Nietzsche's later and better-known works such as On the Genealogy of (...) Morality. The main themes of Daybreak are located in their intellectual and philosophical contexts: in Nietzsche's training as a classical philologist and his fascination with the Sophists and Thucydides; in the moral philosophies of Kant and Schopenhauer, which are the central foci of Nietzsche's critique of morality; and in the German Materialist movement of the 1850s and after, which shaped Nietzsche's conception of persons. The edition is completed by a chronology, notes and a guide to further reading. (shrink)

This new, completely revised and re-written edition of aesthetics and subjectivity brings up to date the original book's account of the path of German philosophy from Kant, via Fichte and Holderlin, the early Romantis, Schelling, Hegel, Schleimacher, to Nietzsche, in view of recent historical research and contemporary arguments in philosophy and theory in the humanities. The original book helped make subjectivity, aesthetics, music and language a significant part of debate in the humanity. Bowie develops the approaches to these areas (...) in relation to new theoretical advances which bridge the divide between the continental and analytical traditions of philosophy. In light of the huge growth of interest in German philosophy as a resource for re-thinking both literary and cultural theory, and contemporary philosophy, aesthetics and subjectivity will be indispensable reading for students and teachers in all humanities subjects, from literature, to philosophy, to music and beyond. (shrink)

Nietzsche wrote The Gay Science, which he later described as 'perhaps my most personal book', when he was at the height of his intellectual powers, and the reader will find in it an extensive and sophisticated treatment of the philosophical themes and views which were most central to Nietzsche's own thought and which have been most influential on later thinkers. These include the death of God, the problem of nihilism, the role of truth, falsity and the will-to-truth in (...) human life, the doctrine of the eternal recurrence, and the question of the proper attitude to adopt toward human suffering and toward human achievement. This volume presents the work in a new translation by Josefine Nauckhoff, with an introduction by Bernard Williams that elucidates the work's main themes and discusses their continuing philosophical importance. (shrink)

Nietzsche is generally regarded as a severe critic of historical method and scholarship; this view has influenced much of contemporary discussions about the role and nature of historical scholarship. In this article I argue that this view is seriously mistaken . I do so by examining what he actually says about understanding history and historical method, as well as his relation to the founders of modern German historiography . I show, contrary to most expectations, that Nietzsche knew these historians (...) well and that he fundamentally affirmed their view of historical method. What he primarily objected to among his contemporaries was that historical scholarship was often regarded as a goal in itself, rather than as a means, and consequently that history was placed above philosophy. In fact, a historical approach was essential for Nietzsche’s whole understanding of philosophy, and his own philosophical project. (shrink)

Nietzsche vehemently attacks the traditional conception of the unitary self. This essay tries to show that some of the undermining of that conception had already been done in Schopenhauer’s work. We should not ignore the obvious fact that while Nietzsche is a philosopher of cultures, classes and epochs, Schopenhauer’s view of knowledge and ethics remains firmly ahistorical. 1 Nevertheless, if we first try to inhabit Schopenhauer’s point of view, we can look forward to Nietzsche and illuminate him from one (partial) (...) perspective. 2 For Nietzsche’s opposition to Schopenhauer’s conceptions of the subject and of the will is interwoven with more positive debts to his predecessor’s philosophy, and he by no means fully overcomes its problems and tensions. (shrink)

Students of Kierkegaard are familiar with his dogged polemic against Hegelianism, his critique of Friedrich von Schlegel's Romantic irony, and his visit to Schelling's lectures in Berlin. However, these are only a few well-known examples of a deep relationship that Kierkegaard had with German culture. In Faust, Romantic Irony, and System, Jon Stewart maps out the many ways in which German thinkers and writers inspired and influenced the Danish philosopher. Kierkegaard's famous criticisms of the Hegelians, Schlegel, and (...) Schelling has led many to view him as anti-German. As Stewart shows, however, he offered high praise for other German thinkers, including Johann Georg Hamann, Gotthold Lessing, and Friedrich Adolf Trendelenburg. Stewart traces the many points of contact between Kierkegaard and a range of German thinkers, and ultimately he argues convincingly that were it not for the influence of German culture, Kierkegaard would have been a very different, and less lasting, philosopher. (shrink)

Appearing between two historical touchstones—the alleged end of communism and the 100th anniversary of Nietzsche’s death—this book offers a provocative hypothesis about the philosopher’s afterlife and the fate of leftist thought and culture. At issue is the relation of the dead Nietzsche and his written work to subsequent living Nietzscheanism across the political spectrum, but primarily among a leftist _corps_ that has been programmed and manipulated by concealed dimensions of the philosopher’s thought. If anyone is responsible for what Geoff (...) Waite maintains is the illusory death of communism, it is Nietzsche, the man and concept. Waite advances his argument by bringing Marxist—especially Gramscian and Althusserian—theories to bear on the concept of Nietzsche/anism. But he also goes beyond ideological convictions to explore the vast Nietzschean influence that proliferates throughout the marketplace of contemporary philosophy, political and literary theory, and cultural and technocultural criticism. In light of a philological reconstruction of Nietzsche’s published and unpublished texts, _Nietzsche’s Corps/e_ shuttles between philosophy and everyday popular culture and shows them to be equally significant in their having been influenced by Nietzsche—in however distorted a form and in a way that compromises all of our best interests. Controversial in its “decelebration” of Nietzsche, this remarkable study asks whether the postcontemporary age already upon us will continue to be dominated and oriented by the haunting spectre of Nietzsche’s corps/e. Philosophers, intellectual historians, literary theorists, and those interested in western Marxism, popular culture, Friedrich Nietzsche, and the intersection of French and German thought will find this book both appealing and challenging. (shrink)

Safronov’s Nietzsche’s Political Economy is a pioneering appraisal of Nietzsche’s critique of industrial culture and its unfolding crisis. The author contends that Nietzsche remains unique in conceptualizing the upheavals of modern political economy in terms of the crisis of its governing values. Nietzsche scrutinises the norms which, not only preside over the unfathomable build-up in debt, the proliferation of meaningless, impersonal slavery and the rise of increasingly repressive social control systems, but inevitably set these precarious tendencies of modern political (...) economy on a collision course liable to culminate in an unprecedented human and environmental catastrophe. Safronov explores the core themes of Nietzsche’s political economy—debt, slavery, and the division of labour—with reference to the influential views of Adam Smith and Karl Marx, as well as against the backdrop of the Long Depression (1873–1896), the first truly international crisis of industrial capitalism, during which most of Nietzsche’s work was completed. -/- In Nietzsche’s assessment, modern political economy is predicated on the valuations that diminish humankind’s prospects and harm the planet’s future by consistently enfeebling the present, as long as there is profit to be made from it. Nietzsche’s critical insight, which challenges the most fundamental tenet of modern economics and finance, is that in order to build a stronger and intrinsically more valuable future in lieu of simply speculating on it, as though the liberal Promised Land could descend upon us like the manna from heaven at the wave of an invisible hand [of the market], it is necessary to walk from the future we dare to envisage resolutely back to the present we inhabit to determine what demands achieving such a vision would impose upon us, instead of embellishing the ‘here and now’ by cynically discounting the future to the [net] value of the present while disparaging, disowning and rewriting the past to unburden ourselves of its troubling legacy, as we continue to frivolously squander its capital to the alluring tunes of the ‘sirens who in the marketplace sing to us of the future’. The enabling mechanism for changing our valuing perspectives, Nietzsche tells us, lies dormant in us and it must be unlocked before it is too late. (shrink)

To understand Nietzsche’s pedagogy of self-overcoming and to determine its true import for contemporary education, it is necessary to understand Nietzsche’s view of the self that is to be overcome. Nevertheless, previous interpretations of self-overcoming in the journals of the philosophy of education have lacked serious engagement with the Nietzschean self. I devote the first part of this paper to redressing this neglect and arguing for a view of the Nietzschean self as an assemblage of ontologically basic affects which have (...) been guided and modulated by the incorporation of perspectives. This interpretation has important consequences for self-overcoming, for it constrains the individual’s conscious agency to operations on perspectives. In light of this view I then advance a competing conception of self-overcoming and discuss some of the shortcomings of antecedent interpretations. Although previous interpreters have done their part to exhaust the characteristic actions of self-overcoming, I argue that they have either exaggerated the deleteriousness of social influence in the formation of the authentic individual, or else ignore it altogether. In the final part I reconsider the debate over the democratic or aristocratic nature of Nietzsche’s pedagogy of self-overcoming. Interestingly, self-overcoming cannot be labeled strictly as either, and out of this ambiguity grows the role of the school as an agent of cultural transformation. (shrink)

Nietzsche wrote in a scientific culture transformed by Darwin. He read extensively in German and British Darwinists, and his own works dealt often with such obvious Darwinian themes as struggle and evolution. Yet most of what Nietzsche said about Darwin was hostile: he sharply attacked many of his ideas, and often slurred Darwin himself as mediocre. So most readers of Nietzsche have inferred that he must have cast Darwin quite aside. But in fact, John Richardson argues, Nietzsche was (...) deeply and pervasively influenced by Darwin. He stressed his disagreements, but was silent about several core points he took over from Darwin. Moreover, Richardson claims, these Darwinian borrowings were to Nietzsche's credit: when we bring them to the surface we discover his positions to be much stronger than we had thought. Even Nietzsche's radical innovations are more plausible when we expose their Darwinian ground; we see that they amount to a new Darwinism. (shrink)

Nietzsche says "good Europeans" must not only cultivate a "supra-national" view, but also "supra-European" perspective to transcend their European biases and see beyond the horizon of Western culture. The volume takes up such conceptual frontier crossings and syntheses. Emphasizing Nietzsche's genealogy of European culture and his reflections upon the constitution of Europe in the broadest sense, its essays examine peoples and nations, values and arts, knowledge and religion. Nietzsche's apprehensions about the crises of nihilism and decadence (...) and their implications for Europe's future are investigated in this context. Concerning the crossing of notional frontiers, contributors examine Nietzsche's hoped-for dismantling of Europe's state borders, the overcoming of national prejudices and rivalries, and the propagation of a revitalizing "supra-European" perspective on the continent, its culture and future. They also illuminate lines of syntheses, notably the syncretism of the ancient Greeks and its possible example for the European culture to-be. Finally certain of Europe's current problems are considered via the critical apparatus furnished by Nietzsche's philosophy and the diagnostic tools it provides. (shrink)

This book excavates the political thought embedded in Heidegger’s philosophy. Though keenly aware of the controversy over Heidegger’s National Socialism, Ward highlights the political ramifications of Heidegger’s thought as opposed to entering the polarized debate concerning the “Heidegger Case.” Chapter 1 accesses Heidegger’s political thought via the distinction Heidegger made between science and philosophy. This leads to Heidegger’s view that modern “culture,” is basically “... superficial and merely contemporary. ‘Liberalism’ will be its political embodiment”. Chapter 2 pursues these themes (...) with special emphasis on Heidegger’s opposition to any naturalistic or biological interpretation of human beings, and this in contrast with the racism of National Socialism. The third chapter describes how, for Heidegger, the rank of a people can be determined in terms of how that people comes to terms with the question of Being. Those who have not fallen away from this question still stand at the highest rank, while those who have are spiralling into decline. As in chapter 2, Nietzsche looms large in this chapter, and one gets the distinct impression here that Heidegger has taken up the Nietzschean project of restoring an order of rank sans physiologie. In chapter 4, Ward articulates “the decisive difference between Heidegger’s National Socialism and that of the National Socialists themselves”. This difference is explored through Heidegger’s interpretation of work—both physical and intellectual—as a means to understanding Heidegger’s critique of Marxism, the role of the university, and, therewith, the primarily philosophical foundation of the sciences within the spiritual mission of the German people. (shrink)

Friedrich Nietzsche was a troublesome genius, a figure outside the mainstream philosophical tradition whose very apartness has made him central to contemporary philosophy. Nietzsche and Political Thought reclaims the political implications of Nietzsche's work: it shows how his philosophy of power addresses key issues in modern political thought especially those having to do with the historical and cultural nature of human agency.In this thought-provoking study, Mark Warren claims entirely new ground. He develops a "postmetaphysical" political philosophy that provides a (...) link between Nietzsche's work and the later philosophies of the Frankfurt School and Michel Foucault.Warren comes to terms with Nietszche's views on power, freedom, domination, equality, ideology - topics that recent interpretations have neglected in favor of a focus on the literary and philosophical aspects of his work, but that in fact make these literary and philosophical concerns relevant to social and political thought. Importantly, Warren draws a distinction between the implications of Nietzsche's theories concerning power and agency for contemporary political thought and Nietzsche's own politics. He demonstrates how Nietzsche's actual political views did not reflect - and in large part falsified - his own philosophical insights which taken by themselves point toward a pluralistic society in which egalitarianism underscores individuality. But his politics, Warren argues, derived too heavily from a deficient understanding of modern social and political organization.Mark Warren is Visiting Assistant Professor of Political Science at Northwestern University. Nietzsche and Political Thought is included in the series Studies in Contemporary German Social Thought, edited by Thomas McCarthy. (shrink)

In the present article, the author analyses the interpretation of the phenomenon of Christ by Dostoevsky and Nietzsche. The author uses comparative and hermeneutic methods of historical and philosophical research. Dostoevsky's Christ and Nietzsche's Jesus are interpreted as “conceptual characters” (G. Deleuze), occupying an important place in the philosophical constructions of both thinkers. Stating the epoch-making event of the “death of God” in European culture, they discover the origins of nihilism in Christianity itself and attempt (each in his (...) own way) to recreate the original, pristine Christianity. Reconstruction of the original image of Christ makes it possible to comprehend not only the historical destiny of Christianity and the European portion of humanity, but also the prospects for overcoming the crisis of European and Russian (in the case of Dostoevsky) self-consciousness. It is argued that both interpretations, although far from orthodox Christianity, play the role of a central link in the development of the philosophic thinking of the Russian writer and German philosopher from the critical deposition of European humanism and metaphysics to new projects of human existence in the world. The conceptual images of Dostoevsky's Christ and Nietzsche's Jesus personally embody the spiritual attitudes and models of life that are timeless in nature, and at the same time serve as an expression of the “fundamental metaphysical positions” (M. Heidegger) of existential thinkers. The assertion of the absolute genuineness and beauty of the moral ideal of Christ allows Dostoevsky to return transcendence to the godless world – to substantiate the neo-Christian version of metaphysics, the religious-existential ontology. The “Glad Tidings” of Jesus, his life and death, appear in Nietzsche’s works as a practical elimination of transcendence, the Platonic dualism of the “true” and “visible” worlds. The spiritual attitude of Jesus reveals a direct affinity to Nietzsche's anti-metaphysical “philosophy of becoming”. (shrink)

In this provocative book, Randall Havas articulates an approach to Nietzsche which demonstrates that the authentic individual need not stand apart from his or her culture in order to resist the demands of conformism. On Havas's reading, the task of the Nietzschean individual is instead to replace the illusion of culture - "herd morality" - with real community, and in this way to avoid nihilism. It is such community that Nietzsche aspires to establish with his readers - a (...) claim that, in the author's view, suggests that Nietzsche's conception of the nature of community and, hence, of individuality must be understood in terms of his theory of reading and interpretation. Nietzsche holds that the category of the individual is itself a historical construct. Havas's interpretation of this view dissolves the threat it appears to pose to individualism. By treating genealogical method as a response to this threat, he shows how Nietzsche's defense of individualism, his conception of history, and his commitment to truth reinforce one another. On this reading, Nietzsche's more properly ethical concerns lie at the heart of his understanding of the will to knowledge. Havas argues that, for Nietzsche, ostensibly epistemological questions can be assessed only in the light of an understanding of the interdependence between individual and community. (shrink)