From the nineteen sixties onwards a branch of philosophy of science has come to development, called history-oriented philosophy of science. This development constitutes a reaction on the then prevailing logical empiricist conception of scientific knowledge. The latter was increasingly seen as suffering from insurmountable internal problems, like e. g. the problems with the particular "observational-theoretical distinction" on which it drew. In addition the logical empiricists' general approach was increasingly criticized for two external shortcomings. Firstly, the examples of scientific (...) knowledge that the logical empiricists were focusing on were con sidered as too simplistic to be informative on the nature of real life science. Secondly, it was felt that the attention of these philosophers of science was restricted to the static aspects of scientific knowledge, while neglecting its developmental aspects. History-oriented philosophy of science has taken up the challenge implicit in the latter two criticisms, i. e. to develop accounts of science that would be more adequate for understanding the development 1 of real life science. One of the more successful products of this branch of philosophy of science is Lakatos's theory of scientific development, sometimes called the "methodology of scientific research programmes". This theory conceives science as consisting of so called research program mes developing in time, and competing with each other over the issue which one generates the best explan~tions of the phenomena that they address. (shrink)

For many years emotion theory has been characterized by a dichotomy between the head and the body. In the golden years of cognitivism, during the nineteen-sixties and seventies, emotion theory focused on the cognitive antecedents of emotion, the so-called “appraisal processes.” Bodily events were seen largely as byproducts of cognition, and as too unspecific to contribute to the variety of emotion experience. Cognition was conceptualized as an abstract, intellectual, “heady” process separate from bodily events. Although current emotion theory (...) has moved beyond this disembodied stance by conceiving of emotions as involving both cognitive processes (perception, attention, and evaluation) and bodily events (arousal, behavior, and facial expressions), the legacy of cognitivism persists in the tendency to treat cognitive and bodily events as separate constituents of emotion. Thus the cognitive aspects of emotion are supposedly distinct and separate from the bodily ones. This separation indicates that cognitivism’s disembodied conception of cognition continues to shape the way emotion theorists conceptualize emotion. (shrink)

This article aims to produce a perusal of the archaeological investigation undertaken by Michel Foucault as a diagnostic work of the present. This posture seeks to establish a critique of the dominant anthropological thinking in the French scenario of the nineteen sixties. For this task, we describe the conceptual apparatus forged in the Archeology of Knowledge to follow a double movement of strong Nietzschean presence: at the same time that Foucault makes his critique of the humanisms that permeate (...) the current philosophical thinking, he rehearses another way of thinking, freed from anthropological bonds and from any founding instance. (shrink)

Discussion of Marxism in the Western world since the nineteen-sixties has been dominated by a reaction against Hegelian ideas.1 This agenda has been shared equally by the analytical Marxism which has predominated in the English speaking world and by the structuralist Marxism which has been the major influence in the continental tradition. The main purpose of my own work has been to reassess these attitudes.

Rush Rhees wrote extensively on Plato and on Greek philosophy in general. In this set of notes written during the late nineteen sixties, Rhees develops a number of themes concerning language, measning and life deriving from Plato's philosphy.

The existence of a genetic program of development was proposed by molecular biologists in the nineteen-sixties. Historians and philosophers of science have since thoroughly criticized this notion. To fully appreciate its significance, it is interesting to consider the research which was pursued during this period by molecular biologists who proposed this notion. This study focuses on François Jacob's work and on the model of development supported by his lab in the early seventies, the T-complex model. This episode of (...) Jacob's scientific activity has since been forgotten. Characterization of this model shows that the notion of program was used in a metaphoric way and that it did not put any constraint on the work pursued in the lab at that time. Some attention is devoted to the origin of this metaphor in the context of the nineteen-seventies. (shrink)

This volume features essays about and by Paul Benacerraf, whose ideas have circulated in the philosophical community since the early nineteen sixties, shaping key areas in the philosophy of mathematics, the philosophy of language, the philosophy of logic, and epistemology. The book started as a worskhop held in Paris at the Collège de France in May 2012 with the participation of Paul Benacerraf. The introduction addresses the methodological point of the legitimate use of so-called “Princess Margaret Premises” in (...) drawing philosophical conclusions from Gödel’s first incompleteness theorem. The book is then divided into three sections. The first is devoted to an assessment of the improved version of the original dilemma of “Mathematical Truth” due to Hartry Field: the challenge to the platonist is now to explain the reliability of our mathematical beliefs given the very subject matter of mathematics, either pure or applied. The second addresses the issue of the ontological status of numbers: Frege’s logicism, fictionalism, structuralism, and Bourbaki’s theory of structures are called up for an appraisal of Benacerraf’s negative conclusions of “What Numbers Could Not Be.” The third is devoted to supertasks and bears witness to the unique standing of Benacerraf’s first publication: “Tasks, Super-Tasks, and Modern Eleatics” in debates on Zeno’s paradox and associated paradoxes, infinitary mathematics, and constructivism and finitism in the philosophy of mathematics. Two yet unpublished essays by Benacerraf have been included in the volume: an early version of “Mathematical Truth” from 1968 and an essay on “What Numbers Could Not Be” from the mid 1970’s. A complete chronological bibliography of Benacerraf’s work to 2016 is provided.Essays by Jody Azzouni, Paul Benacerraf, Justin Clarke-Doane, Sébastien Gandon, Brice Halimi, Jon Pérez Laraudogoitia, Mary Leng, Antonio Leòn-Sànchez and Ana Leòn-Mejía, Marco Panza, Fabrice Pataut, Philippe de Rouilhan, Andrea Sereni, and Stewart Shapiro. (shrink)

continent. 1.2 (2011): 70-75. cartography of ghosts . . . And as a way to talk . . . of temporality the topography of imagination, this body whose dirty entry into the articulation of history as rapturous becoming & unbecoming, greeted with violence, i take permission to extend this grace —Akilah Oliver from “An Arriving Guard of Angels Thusly Coming To Greet” Our disappearance is already here. —Jacques Derrida, 117 I wrestled with death as a threshold, an aporia, a bandit, (...) a part of life. —Akilah Oliver Moraine in geological lingo is that which is left behind. Moraine- a euphemism for the de-stabilizing referent of the writer-ly body as a “troubled and troubling landscape marked by cultural and historical signifiers, the body as flesh memory [...] the body as transitory” (Oliver, Author Statement). Moraine— a geological metaphor of the poet as a holder of memory, as an accumulation of rocks and debris carried along the edge, terminal, dropped at the foot of language (in language). “Flesh Memory” according to Akilah Oliver is "that which my body recalls [...] everything has to do with the task of remembrance and its narrative reinvention [...] I was always translating an idea of the world as it presented itself at any given time. To write was a choice about how to be seen, how to enter the world as translator, actor, participant, in the dialogues that apparently made the real 'real'" (Levitsky). Flesh. Memory. The stuff some poems are made from. The stuff that gets abandoned, gleaned, and picked up by more flesh and memory. "My body, my life has always felt like a kaleidoscopic rip in the dominant fabric [...] has always been a dialogue with the impossible and the apparent” (Levitsky). The impossible-body or poet's body anticipates and performs (through language) an irretrievable death. IN APORIA I realized everything I must have been doing must have been Death. It was Christmas or Labor Day—a holiday—and every time you turned on the radio they said something like ‘four million’ or ‘going to die’.” — Andy Warhol I’m trying on egos, [a justification for the planet’s continuance]. Oh hello transgressor, you’ve come to collect utilitarian debts, humbling narrative space. Give me condition and wheatgrass, I his body disintegrating. I his body is ossification. Death my habit radius, yeah yeah. I his body can’t refuse this summons. I can’t get out this fucking room. Tell me something different about torture dear Trickster. Tell me about the lightness my mother told me to pick the one i love the best how it signals everything I ever wish to believe true just holy on my ship. I jump all over this house. this is it [what I thought is thought only, nothing more deceptive than]: I his body keeps thinking someone will come along, touch me. As like human or lima bean. I’m cradling you to my breast, you are looking out. A little wooden lion you & Peter carve on Bluff Street is quieting across your cheekbone. Not at all like the kind of terror found in sleep, on trembling grounds. It is yesterday now. I have not had a chance to dance in this century. Tonight I shall kill someone, a condition to remember Sunday morning. To think of lives as repetitions [rather than singular serial incarnations]. To understand your death is as exacerbating as trying to figure out why as schoolchildren in mid-nineteen-sixties Southern California we performed reflexive motions: cutting out lace snowflakes, reading Dick and Jane search for their missing mittens, imagining snow. Disintegrat ing . The -ing gerund catapults from the non-finite verb into past, present, future. The -ing as a tail pinned to death, a dog spinning to bite and never fully reaching itself, always shy of the end, circumreferential; a double copulative: deathing. Possessively AO calls it “habit radius” (a virtual fetish attribute) or an inescapable death presence that “confronts us with the paradox of an unattainable object [...] through it’s being unattainable” (Agamben, 27). A flirtation or dialogue with an unknowable thing and aporia utilized as investigative instrument to engage (death) while (in Southern California) we “perform reflexive motions,” cut lace snowflakes, imagine snow, and pay rent like “yeah, yeah” what else is new. And this too, fiction. The book I wish to right. The restored fallen, heroic. Did you expect a different grace from the world? Or upon exit? I’m working on “tough.” They think I am already. All ready. Who is the dead person? Is "I'm sorry" real to a dead person? Browning grass. My hands on this table. A contentious century. A place to pay rent. Redemptive moments. Am I now the dead person? Dead person, dead person, will you partake in my persimmon feast? The body inside the body astounds, confesses sins of the funhouse. I too have admired the people of this planet. Their frilly, orderly intellects. The use they’ve made of cardamom, radiation as well. How they’ve pasteurized milk, loaned surnames to stars, captured tribes, diseases, streets, and ideas too. The living-body as archive: is it possible to experience the living-body as archive without a (kind of) death? Sifting the rubble, rummaging through hoarded debris, skin sheds, memory-napping, and re-awoken (in flesh and) on terrain. “An investigative poetics seeks to unravel staid communities of thought and grasp at what might always be just beyond reach; a poetics of inquiry that lies between language as meaning, and language as rapturous entry into the world of posited ideas and idealism”( Levitsky). Something snaps. Lights blow out prior to embarking upon an investigative poetics. It begins with a question (often a sexy aporia) that leads to openings. "Every politics of memory [...] implies an intervention of the state. It's a state that legislates and acts with regard to the nonfinite mass of materials to be stored, materials which must be collected, preserved” (Derrida & Stiegler, 62). It seems poetic investigation already contains the potentiality of an (invisible) archive if the writer is “always writing” especially when not. Here’s my stupid digital romantic inclination: the living-body (of a poet) is a self-sustaining archive of non-finite memories. But not even I really believe that. AO innovated and sculpted an investigative poetic praxis. In a conversation with poet Rachel Levitsky, poetic-voice is viewed not as a precious identifier, but as a means to think through/about form, concluding that form is linked to framing. While poetic-voice may have tendency to precede form, it also erupts as a result of framing techniques. “They are frames that hold the shape of thinking (which is also to say of imagining) [...].”7 This reminds me of my rabbit who symmetrically chewed the corners of his hutch, which makes me wonder if it’s an expression of the shape of some animal anxiety tick I won’t ever have access to. Beyond the form/frame, death is an unoriginal yet unique limit; death is a damn deathless thing. It functions as a source of poetic investigation; that thing always “just beyond reach.” And how is death not a fetish (in this case an obsessive reverence for something non-material)? “Insofar as it [death] is a presence, a fetish [...] it is in fact something concrete and tangible; but insofar as it is the presence of an absence, it is, at the same time, immaterial and intangible, because it alludes continuously beyond itself to something that can never really be possessed [...] The fetish is [...] a sign of an absence, it is not an unrepeatable unique object; on the contrary, it is something infinitely capable of substitution, without any successive incarnations ever succeeding in exhausting the nullity of which it is the symbol” (Agamben, 33). AO utilized absence (the absent body [catapulted by the death of a beloved]) as an apparatus to investigate. In the process of conversing with absence or that which is absent, the absent body is affectionately objectified, incessantly summonsed back to a place of recognition, of objects, a desire for the absent body to remain intact while exiting the structural limits of grammar and syntax by moving into chant forms “to say what cannot be said” (Levitsky). from AN ARRIVING GUARD OF ANGELS THUSLY COMING TO GREET dear oluchi- the light is blinking rapidly on the black boxy machine. your room seems bigger than before and i am still planning to read some of those robert jordan books of yours. yesterday at the used bookstore where i was browsing the mysteries to “stall reality” (they are really not mysteries at all, they just employ death as the plot mistress but are unable to grasp its mystery at all)—well the point is, things were calm down here for a while and the world was little. i want to be big like you. or i want you not vast, not dead, not gone, but human small and here. i am so selfish. that is what i really want. to see you again. to oil your scalp. to hear you walk in the door, say ma i’m home . give me a chance to say welcome home son. or when leaving, don’t forget your hat . what do you wear out there? i wish you could have taken your new shoes with you. i’m so proud of you. i’m sorry for the way you died. i miss you all the time. even before, i missed you. out there, one time, some different men said: “shake for me girl, i wanna be your backdoor man.” who dat you love. 5/18/03 A letter-poem in sixteen lines “dear oluchi-” is safe-housed in epistolary form. Poetic voice is rendered as internal thought meanderings, a not-so-much confession, private/(pillow?) talk in the desire to be heard/witnessed by the referent and reader with an intent to absolve. The diminutive “i” bears a relation to poet Fanny Howe’s “little g God” in that “One of the (many) things I like about little g God is that you can have a vodka tonic while you talk to little g God, sing along to Bowie’s “I’m Afraid Of Americans,” and hum Coltrane’s “A Love Supreme,” though maybe not all at the same time” (Oliver, 2009). Towards the middle of the poem AO is at a used bookstore and remarks on the funny employment of death as a ‘plot mistress’ that ‘they’ (the dubious employed mystery authors) are ‘unable to grasp’, thereby giving death a mouthpiece, a modeling job, something to do to pass the time. from THE VISIBLE UNSEEN When I first saw graffiti, I recognized in it an ugly aesthetic, a dialectics of violence, a distortion of limbs, a hieroglyph. It was only later when I read the names of the dead that I then saw the path of ghosts charted there; its narrative of loss for the visible unseen whose place in history has been fictionalized and rendered unseen under the totalizing glare of history. Inscriptions, traces, specters. Graffiti begs a public face just as ghosts require non-ghosts (humans) to sense them. The “visible unseen” is a game of hide-and-seek between public viewer and graffiti-inscriber, an ephemeral-violent aesthetic on an ephemeral-policed canvas. Graffiti-inscribers already submit to being forgotten, expect to be washed away; perhaps it’s a holy urban mandala created by gangster-type monks without Buddhism. [...] in its refusal to disappear it forces a discourse in the public imagination we are forced to see what we would rather not, to make sense of an encoded language that we cannot read on the level of meaning. it irritates, forces its agency on us, speaks outside and beyond semiotic reach. An epic font-size pervading the public’s imagination, illegible, I could just close my eyes, remain passive, drive past, abandon it beyond reach, push it further away beyond death walls. In Barcelona I watched a clean up crew wash walls with an awesome water hose but I was more intrigued by their bodies; not a distortion of limbs, not hieroglyph but also not entirely legible; the laboring body permanently erasing specters of the city, and of course they knew it was also an invitation for the ghosts to return. Graffiti is death’s little sister, is also an aporia. [...] Graffiti (fr GK -graph(os), something drawn or written, to diagram or chart) attempts to stage the impossible: to erase the essence of its own subjectivity. Graffiti is a cartography of ghosts, a mapping of elegiac rapture (the transporting of a person from one place to another, as in heaven) and rupture (the state of being broken open.) Dwelling is a fiction stasis. [...] The notion of the past as being something done with, a look-back event, inhibits the possibility of reading graffiti as rapture, as rupture. If graffiti posits history as always in the process of becoming undone. [...] Because what is the body, if not also a complex temple, an unstable site through which to negotiate subjects, materiality, economies, gods, and modes of representations? The site where we are all already belated. Graphein meaning “to write.” “Derrida says every archive makes a law, and the law of genre is its own rupture” (Bloch, 39). However, graffiti is an (non/anti)-archive of erasure due to (the politics of) washing out its subjectivity, which only adds onto (or is symptomatic of) its character. The inhibition of “reading graffiti as rapture, as rupture” is partly due to it being a “look-back” event in that it’s process involves scratching through layers to reveal previous specters underneath. Graffiti (as an ancient genre) has always been a thing of ‘becoming undone’, and therefore ‘belated and always in arrival’ (Levitsky). It’s a Dionysian activity done at night with it’s back turned toward us. "The specter [...] is of the visible, but of the invisible visible, it is the visibility of a body which is not present in flesh and blood [...] appearing for vision, to the brightness of day [...] something becomes almost visible which is visible only insofar as it is not visible in flesh and blood. It is a night visibility. As soon as there is a technology of the image, visibility brings night. It incarnates in a night body, it radiates in a night light" (Derrida & Stiegler, 115). (shrink)

Lying is by no means a new phenomenon in human existence, nor in philosophy or political science. Only Arendt’s phenomenological analysis, however, clearly reveals the constant tension between truth and lie inherent in the political space, and the structural weakness of the former compared to the latter. Adopting this perspective helps to understand the temptation of the so-called “post-truth” that manifests today in the form of “fake news”, conspiracy theories, and populist propaganda. This article sheds light on the political and (...) social conditions underlying the emergence of post-truth and on what distinguishes it from the political lie Arendt encountered in the nineteen-sixties in the United States. The Arendtian concept of qualitative plurality is proposed as an antidote to the unworldliness of post-truth. (shrink)

This non-article explores the limitations of applying brain science in “higher” disciplines. Many brain scientists believe that it is only a matter of time that everything human will be accounted for by the findings of brain science. Michael Polányi in the nineteen-sixties and recently Michael Gazzaniga argued against such determinism. They say that while “lower-level” processes constrain “higher-level” ones, they cannot determine them. The human mind is an emergent process, and it cannot be predicted from brain structure anymore (...) than traffic can be predicted from the structure of a car. I claim that in many instances, the application of brain science in psychology and literary studies merely re-states in brain-language what has already been said in psychology-language or literature-language. It can, however, be fruitfully applied when it refutes prevalent erroneous assumptions or resolves certain incongruities in the domain of “higher” disciplines. (shrink)

Sidney Hook's intellectual legacy is steeped in controversy. Matthew Bagger calls Hook "an unjustly neglected figure [whose] relative obscurity owes [in part] to his renown as a cold warrior, which repelled the generation of scholars that came of age in the late nineteen sixties and seventies."1 Indeed, for many scholars, a first point of reference for Sidney Hook is not pragmatism, nor even Hook's teacher and mentor John Dewey, but Hook's staunch commitment to anti-Communism. In 2004, Richard Rorty (...) wrote of him that "at the present time our major interest in Hook will be in his crusade against the influence of Stalinism on US intellectual and political life,"2 an assertion that has yet to... (shrink)

Var sak har sin tid -- Dansk filosofi -- Norsk filosofi -- Svensk filosofi -- Finsk filosofi -- Försök till ett bokslut.

Résumé L’incarnation phénoménologique a-t‑elle, dès Husserl, une origine christique? Ce qu’on a appelé le tournant théologique de la phénoménologie amorcé dans les années 1960 en France obéirait bien plutôt, en ce cas, à l’inspiration du mouvement phénoménologique dès ses débuts. On explore ici cette question, en mettant la chair phénoménologique à l’épreuve de l’athéisme de Deleuze et du thème du « corps sans organes » issu du rapport conflictuel d’Antonin Artaud avec la mystique chrétienne, et en remontant à la crise (...) ouverte par Arius ainsi qu’au Concile de Nicée.Does phenomenological incarnation have, already in Husserl, a Christian origin? What has been called the theological turn of phenomenology in the nineteen-sixties in France would in that case be much more in line with the initial inspiration of phenomenology. Exploring this question, we try here to put phenomenological flesh to the test of Deleuze’s atheism and of the theme of a “body without organs” resulting from the conflict between Antonin Artaud and Christian mysticism, and to consider anew both the crisis generated by Arius and the teachings of the Council of Nicaea. (shrink)

Fekete, describing his study as a "theoretical critique" of "modern critical theory in the Anglo-American tradition," sets out to "discover and elucidate... the historical interests" behind "bourgeois critical theory" and to show how this theory militates against human freedom. Fekete contends that modern critical theory, particularly as embodied in the work of Marshall McLuhan, has become the "theoretical face" of neocapitalism and that it has become absorbed into neocapitalist society. The Critical Twilight, designed to reveal the social causes and bias (...) of modern critical theory, grew out of the student unrest of the nineteen-sixties, when Fekete discovered the power of neocapitalist culture. (shrink)

Sixty-five computer science and computer information systems students were surveyed to ascertain their ethical beliefs on seven scenarios and nineteen ethical problems. All seven scenarios incorporated computer-related problems facing programmers and managers in the high tech world. Hypotheses were tested for significant differences between the students'' beliefs and the beliefs of experts in the field who responded to the same scenarios. The first two hypothesis tested whether female and male high tech students have the same ethical beliefs as the (...) experts who first examined these scenarios. The female students did not agree with the experts in seven of the nineteen problems while the male students did not agree with the experts in eight of the nineteen problems. Both computer information systems and computer science majors disagreed with the experts in ten cases. The last three hypotheses tested whether students from different income levels agreed with the experts. All three groups disagreed significantly with the experts on eight problems. (shrink)

Träume eines Geistersehers : unhistorische Überlegungen -- Die deutsche Studentenrevolte und ihr Nachspiel der Identitäten -- Der Ausgang aus der selbst verschuldeten Unmündigkeit als Auszug aus der Schuld -- Kairos und Krise : Ernst Blochs Philosophie der eschatologischen Formen und die Aporie des messianischen Augenblicks.

Background: More and more adults in their fifties and sixties are confronted with the need to support their ageing parents. Although many aspects of filial caregiving have been researched, a well-documented and comprehensive overview of the caregiving experience is lacking. Aim: This study aims for a better understanding of the caregiving experience of adult children by generating an overview of main themes in international research. Method: A literature review of qualitative studies, focusing on the experiences of adult children caring (...) for their ageing parents, was performed. The electronic EBSCO databases Academic Search Premier, CINAHL and PsycINFO, and Google Scholar were searched to identify relevant qualitative studies published between 2000 and 2017. The ‘SPIDER’ eligibility criteria directed the approach. The quality of studies included was screened with the assessment sheet designed by Hawker and colleagues. The experiences reported were analysed and themes were synthesized. Ethical consideration: Ethical requirements were respected in every phase of the research process. Findings: Nineteen qualitative studies met the inclusion criteria. The quality of the relationship with the parent appears to be an important determinant of the children’s caregiving experience. Within this context, three themes were found: caregiving as an emotional rollercoaster, a normatively demanding experience and an opportunity for personal development. Discussion: Children caring for their ageing parents have to deal with a wide range of contradicting and conflicting norms and values. Implications for healthcare professionals and future research have been discussed. Conclusion: Caring for ageing parents is a continuous quest for giving the best possible care and living up to one’s personal values, within the context of the parent’s declining health. Professionals who support filial caregivers should address not only practical responsibilities but also the normative questions and moral considerations caregivers are dealing with. (shrink)

This article presents the first results of a study of the decisions made by health professionals in South Australia concerning the management of death, dying, and euthanasia, and focuses on the findings concerning the attitudes and practices of medical practitioners. Mail-back, self-administered questionnaires were posted in August 1991 to a ten per cent sample of 494 medical practitioners in South Australia randomly selected from the list published by the Medical Board of South Australia. A total response rate of 68 per (...) cent was obtained, 60 per cent of which (298) were usable returns. It was found that forty-seven per cent had received requests from patients to hasten their deaths. Nineteen per cent had taken active steps which had brought about the death of a patient. Sixty-eight per cent thought that guidelines for withholding and withdrawal of treatment should be established. Forty-five per cent were in favour of legalisation of active euthanasia under certain circumstances. (shrink)

This paper discusses how, starting from Blaise Pascal’s Wager about God, in his later teaching Lacan rearticulates his Name-of-the-Father concept. Building on a discussion of Lacan’s (1963) single seminar session on the Names-of-the-Father and his 1968–1969 discussion of Pascal’s Wager in Seminar XVI, the author examines what this changing conception implies for the Lacanian approach of psychosis. It is argued that – contrary to what Lacan suggests in the nineteen fifties – within these works from the sixties the (...) Name-of-the-Father no longer refers to a privileged signifier, but to an act of faith concerning the virtuousness of the Other. This act of faith functions as a guarantee for the articulation of the subject, separates the subject from what Lacan calls “object a”, and establishes a positive expectant relation with the Other. The strength of Lacan’s revised conception is that it opens new perspectives on the psychoanalytic treatment of psychosis. (shrink)

Analytic philosophy of religion was gestated in the nineteen forties, born in the early fifties, spent its childhood in the sixties, and its adolescence in the seventies and early eighties. Since then it has grown into adulthood, and it reached the turn of the millennium in a state of vigorous maturity, with decline and senile degeneration nowhere in sight. This chapter unpacks this metaphor by tracing the main stages in the development of this discipline, beginning with the preoccupation (...) with religious language, moving on to focus on the pros and cons of theism, and leading to the much wider range of topics which are currently of interest to analytic philosophers of religion. Topics discussed in some detail include positivism and the later philosophy of Wittgenstein in their relation to religious language, the current state of the debates concerning the theistic arguments and the problem of evil, as well as Reformed epistemology, the debate concerning the nature of divine providence, and the important but under-explored topic of the nature of necessary truth. The chapter closes by situating analytic philosophy of religion in relation to other important contemporary movements in the philosophy of religion. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Metaphysics of Practice: Writings on Action, Community, and Obligation by Wilfrid SellarsRonald LoefflerSELLARS, Wilfrid. The Metaphysics of Practice: Writings on Action, Community, and Obligation. Edited by Kyle Ferguson and Jeremy Randel Koons. New York: Oxford University Press, 2023. 745 pp. Cloth, $115.00Wilfrid Sellars thought deeply about ethics, practical reasoning, and intentional agency throughout his career and published extensively on these issues, with much additional unpublished material housed (...) in the Archives of Scientific Philosophy at the University of Pittsburgh. In prominent places Sellars indicates that he regards his ethics as the key to his overarching project of reconciling our manifest nature as norm-governed rational beings with his nominalistic scientific naturalism. Yet with a few noteworthy exceptions, Sellars scholars have only very recently begun to seriously grapple with Sellars’s practical philosophy. No one has done more to initiate this recent trend than Jeremy Koons, who, together with Kyle Ferguson, collects in this volume virtually all of Sellars’s practical philosophical works, including approximately 200 pages of hitherto unpublished material—mostly correspondences with R. M. Hare, Robert Binkley, Hector-Neri Castañeda, Bruce Aune, and David Solomon.Sellars’s published practical philosophical writings are grouped thematically into four parts. A fifth part is dedicated to the unpublished writings. The editors also provide a sixty-page introduction, which offers a synopsis of Sellars’s overall vision of us as practically rational moral [End Page 728] agents, followed by summaries of each of the nineteen essays and the correspondences published in this volume.Sellars thinks of moral ought-judgments as simultaneously motivationally internalistic (with traditional emotivism) and as truth-apt and more or less rational (with traditional cognitivism). His key idea to combine these seemingly incongruent commitments is to regard moral ought-judgments as a species of we-intentions. Since intentions generally are “conceptually tied” to practice, in the sense that (absent interferences or defeaters) they determine proper action in accordance with norms of practical reasoning, we get, in this sense, a version of motivational internalism. Sellars models these normative connections in terms of a nuanced logic of practical reasoning—basically a logic of means–ends reasoning—that is largely parasitic on the logic of theoretical reasoning. This logic is cast in terms of shall-statements, which are linguistic expressions of intentions of the forms “Shall-be [p]” and “Shall [I do A if in C],” where the “Shall-be”s and “Shall”s express the states of intending and the square-bracketed portions the intended contents. Logically proper practical reasoning bottoms out in intentions that immediately give rise to actions (volitions), to be expressed by shall-statements of the form “Shall [I do A now].” Sellars makes the case for the truth-aptness of moral ought-judgments by treating them as a species of we-intentions. Such moral we-intentions are expressed by statements of the form “Shall(we) [We, any of us, do A if in C],” where both the “we” in the content expression and the “we” indexed to the “shall” are maximally inclusive, comprising every rational being at all. This appears to be what today we would call a combined mode and content account of moral we-intentions, where firs-tperson plural elements are built both into the mode of moral we-intending and the content of moral we-intentions. The truth-aptness of moral we-intentions, Sellars thinks, is secured by the fact that the first-person plural elements of the intention include every rational being at all. Sellars maintains that, due to this maximal inclusion, moral we-intentions are apt to yield genuine interpersonal agreement or disagreement (contra I-intentions) and they ground, via what seems to be a transcendental argument, Sellars’s fundamental principle of morality, expressed as “Shall(we) [We, any of us, maximize our general welfare]).” This principle provides the standard of objective moral correctness for any other moral judgment.Part 1 of the volume includes six essays in which Sellars offers comprehensive articulations of this overall picture, culminating in “Objectivity, Intersubjectivity, and the Moral Point of View” (OIM), the stand-alone seventh chapter of Science and Metaphysics, based on Sellars’s 1965–66 John Locke Lectures... (shrink)

Nineteen fifty-eight was an extraordinary year for cultural innovation, especially in English literature. It was also a year in which several boldly revisionary positions were first articulated in analytic philosophy. And it was a crucial year for the establishment of structural linguistics, of structuralist anthropology, and of cognitive psychology. Taken together these developments had a radical effect on our conceptions of individual creativity and of the inheritance of tradition. The present essay attempts to illuminate the relationships among these developments, (...) and to explain the foundational role played by mathematical, logical and information theory in all of them. (shrink)

The sixties may have been the defining decade of Arthur Danto's intellectual development. While focusing on the sixties, this chapter aims to set Danto's post‐historical view up against the main competing camp of the time, namely aesthetic modernism. Danto's sweeping claim about the non‐aesthetic purpose of “most of the art made in the course of art history” may seem dubious. Danto highlights the 1960s as a time when artists and critics alike started to move decisively away from the (...) idea that “quality in art” should be identified with the presence of compelling aesthetic properties. Danto is in this regard particularly scathing in his critique of Greenberg, whom he thinks based his art criticism on his own “practiced eye,” which supposedly could pick out “greatness” on the basis only of some mysterious retinal moment of satisfaction, incommunicable to the uninitiated. (shrink)

Combining insights from narrative analysis in sociology and trope theory in anthropology, this article develops a theory of tropes that emphasizes their historical production and political effects. Tropes function politically to enable some narratives, identities and resolutions while foreclosing others. As a powerful tool for socio-historical analysis, a consideration of tropes is crucial for deconstructing the taken-for-granted predicates and the `dangerous' consequences of political narratives. To illustrate the argument, the trope of `the Sixties' is analyzed as a case study.

A concise, elegant, and thought-provoking exploration of the mystery of consciousness and the functioning of the brain. Despite decades of research, remarkable imagery, and insights from a range of scientific and medical disciplines, the human brain remains largely unexplored. Consciousness-the awareness of our own and others' existence-has eluded explanation. Nineteen Ways of Looking at Consciousness offers a brilliant overview of the state of modern consciousness research in twenty brief, revealing chapters. Neuroscientist and author Patrick House describes complex concepts in (...) accessible terms, weaving brain science, technology, gaming, analogy, and philosophy into a tapestry that illuminates how the brain works and what enables consciousness. This remarkable book fosters a sense of mystery and wonder about the strangeness of the relationship between our inner selves and our environment. (shrink)

This special issue of _boundary 2_ revisits the 1960s through a global and multidisciplinary lens. It treats the decade as a global historical event, comprising decolonization, liberation, revolution, and movements against various establishments. Engaging questions of history and temporality, this issue illustrates that continued exploration and consideration of the 1960s around the world are crucial to a critical engagement with the present. Contributors to this issue represent a wide range of disciplines, from Latin American studies and sociology to political theory (...) and literary criticism. They bring a global perspective to the social and political legacy of the 1960s, touching on the Caribbean, Latin America, the former USSR, China, and France, as well as the United States. One contributor presents a reexamination of Latin American armed struggles in the 1960s that foregrounds the relatively positive influence of these struggles on present-day Latin American society and politics. Another contributor translates a seminal essay on José Martí written by one of Cuba’s foremost intellectuals in the mid-1960s, when the course of the Cuban revolution was still uncertain. Yet another contributor considers the forces that have sought to neutralize the struggles and negate the gains of the African American liberation movement in the 1960s American South. _Contributors_. John Beverley, Anthony Bogues, Christopher Connery, Roberto Fernández Retamar, Wlad Godzich, Boris Kagarlitsky, Nina Power, Hortense Spillers, Silvia D. Spitta, Alberto Toscano. (shrink)

Research on Sino-Japanese Relations is an important part of the field of Japanese Studies in China. This article offers an overview of research on Sino-Japanese relations over 60 years of PRC history. It focuses on research since the end of the Cold War, and especially on progress in the field since the beginning of the twenty-first century. On the basis of this overview, the author discusses gaps in the literature and directions for future research. The author would also like to (...) express in advance his regret that due to limited space it is not possible to mention every piece of important scholarship in the field. (shrink)

A critical appraisal of the theories founded on the theorem of the multiaxial flower , shows an evolution fromWettstein's original version of 1907 to various hypotheses founded on the the same theme and partly derived from the Wettsteinian doctrine. A number of circumstances such as semantic inconsistencies, but principally the choice of inadequate archetypes, prevented the success of the theory of a polystachyous floral region, because the deductions and interpretations emanating from this concept were not sufficiently convincing to defeat the (...) opposed theory of the uniaxial euanthous flower or anthostrobilus hypothesis. Only after the amendation of the theory of a multiaxial reproductive region on the basis of the anthocorm concept can one arrive at a plausible idea of the evolution of the angiospermous flower which is compatible with all aspects of the phylogeny of the Flowering Plants , and with the floral morphology and anatomy of the various kinds of flowers.Eine kritische Bewertung der Theorien die auf dem Theorem der mehrachsigen Blüte gegründet worden sind zeigt die Entwicklung von einer vonWettstein in 1907 vorgeschlagenen Originalversion zu mehreren, teilweise davon abgeleiteten, Theorien über das Thema der Entstehung der Angiospermenblüte. Verschiedene Umstände, wie z.B. semantische Widersprüche, aber in erster Stelle die Wahl eines inadäquaten Prototypus, verhinderten anfänglich den Erfolg der Hypothese eines mehrachsigen Blütenbereiches, weil es den hervorgehenden Schlussfolgerungen und Deutungen zu viel an Ueberzeugungskraft mangelte um die gegnerische Theorie der einachsigen Ranalesblüte oder Anthostrobilushypothese endgültig zu verdrängen. Erst die Ergänzung der Theorie einer vielachsigen Blüte ermöglichte die plausibele Darstellung der Evolution der Angiospermenblüte, welche Erörterung in befriedigender Weise in Uebereinstimmung ist mit allenA spekten der Phylogenie der Blütenpflanzen , und auch mit den morphologischen and anatomischen Verhältnissen bei Blüten jeder Art im Anklang ist.Une évaluation critique des différentes théories fondées sur le théorème de la fleur pluriaxiale montre une évolution qui commence avec une version originale proposée parWettstein en 1907 et qui mène à plusieurs théories, partiellement dérivées de l'idée wettsteinienne, sur le thème de l'origine de la fleur. Quelques circonstances, comme par exemple des contrariétés sémantiques, mais surtout la choix d'un prototype inadéquat, ont prévenu au début le triomphe de l'hypothèse d'une région florale pluriaxiale, puisque les conclusions et les interprétations qui provenaient de cette théorie étaient privées de toute conviction pour suppléer la théorie opposée de la fleur ranalienne et uniaxiale . Une explication recevable de l'évolution de la fleur angiospermique qui harmonise avec tous les aspects de la phylogénie des plantes floriales , et aussi avec les conditions morphologiques et anatomiques de toutes sortes de fleurs, ne gagnait de terrain qu'après le perfectionnement de la théorie de la fleur pluriaxiale. (shrink)

On June 4, 1925, Hilbert delivered an address to the Westphalian Mathematical Society in Miinster; that was, as a quick calculation will convince you, almost exactly sixty years ago. The address was published in 1926 under the title Über dasUnendlicheand is perhaps Hilbert's most comprehensive presentation of his ideas concerning the finitist justification of classical mathematics and the role his proof theory was to play in it. But what has become of the ambitious program for securing all of mathematics, once (...) and for all? What of proof theory, the very subject Hilbert invented to carry out his program? The Hilbertian ambition reached out too far: in its original form, the program was refuted by Gödel's Incompleteness Theorems. And even allowing more than finitist means in metamathematics, the Hilbertian expectations for proof theory have not been realized: a constructive consistency proof for second-order arithmetic is still out of reach. Nevertheless, remarkable progress has been made. Two separate, but complementary directions of research have led to surprising insights: classical analysis can be formally developed in conservative extensions of elementary number theory; relative consistency proofs can be given by constructive means for impredicative parts of second order arithmetic. The mathematical and metamathematical developments have been accompanied by sustained philosophical reflections on the foundations of mathematics. This indicates briefly the main themes of the contributions to the symposium; in my introductory remarks I want to give a very schematic perspective, that is partly historical and partly systematic. (shrink)

This groundbreaking study explores the ways young Americans today understand right and wrong, how they think out their morality, and how they live it out. It describes contrasting ethical styles in the biblical, utilitarian, and personalist traditions of our culture; first, as they structured the conflict between mainstream and counterculture during the 1960s, and second, as they have shaped the transformation of these values in new religious movements since the early 1970s. Coupling descriptive ethics with interpretive sociology, this study pursues (...) biography and moral dialogue with sixties youth who participated in a charismatic Christian sect, a Zen Buddhist meditation center, and a human potential organization (est). It shows the significance of these movements for the adherents' changing ideas of their own identity; their relationships, sex roles, courtship, and marriage; and their politics and vision of society. It analyzes the cultural logic and the social location of their ideas, which break down, recombine, and find renewal in the course of conversion. (shrink)

George Orwell's Nineteen Eighty-Four remains a book of the moment. This Companion builds on successive waves of generational inheritance and debate in the novel's reception by asking new questions about how and why Nineteen Eighty-Four was written, what it means, and why it matters. Chapters on a selection of the novel's interpretative contexts, the literary histories from which it is inseparable, the urgent questions it raises, and the impact it has had on other kinds of media, ranging from (...) radio to video games, open up the conversation in an expansive way. Established concerns are presented alongside newer ones. Individual essays help us see in new ways how Orwell's most famous work continues to be a novel for our times. (shrink)