This research analyses to what extent the use of debates on literature and cross-cutting themes presented by means of journalistic texts encourages critical thinking in the compulsory secondary education (ESO), concretely within a sample of 128 participants from third year of the secondary school. Firstly, the study investigates the effectiveness of these debates for the correct establishment of literary knowledge from the chosen book, The Life of Lazarillo de Tormes; secondly, the progression (or regression) of critical thinking (...) among the students. To do so, it has been developed and validated a required tool to measure this critical capacity, taking as a starting point Watson Glaser Critical Thinking Test; even if the test was too complex and ambiguous for the level of the students, the test fulfilled most of the requirements to perform this measurement. That is why it was decided to adapt the structure of this test to a new one, Critical Competence Test (CCT), that allows a test to be carried out to assess the key aspects of critical thinking such as identifying assumptions, evaluating arguments, drawing conclusions, and problem solving. The development of the CCT is of great importance because a short test was obtained, with an approximate duration of ten minutes and an understandable language for any level as it has been formulated on purpose for Spanish speakers. All this to facilitate the study participants to carry out the test and the improvement of critical capacity that is intended to be obtained with this research. (shrink)

This article traces the life of Russian chemist Dmitri Mendeleev from childhood in Siberia, through education and training to become the first formulator of the Periodic Table, the logo of chemistry. His unique contribution is described and analysed; what factors helped him be the first formulator? What did he do after making his most famous discovery? In addition the article peeps into his personal life, his dealings with his family and the authorities. Finally we look at honours he (...) received in later life. (shrink)

In this article the continuity between two types of late medieval and Renaissance narrative is approached, although they are separated by around 200 years and belong to different literary genres. The first part of the article analyses the genre of autobiography, the experience of shared environment in urban settings, and the difficulties of its survival in a Renaissance monarchy, as shown in Sem Tob de Carrión's Proverbs and in Lazarillo de Tormes. The second part analyses the ethical principles (...) that, according to the Sem Tob Carrión's Proverbs, justified the formulation of a legal complaint against the monarch; and it analyses the degree of moral responsibility contracted by the characters of Lazarillo de Tormes in the genesis of the scandalous ethical case in which they are involved. (shrink)

The work _De spiritu_ is an important but neglected work by Aristotle. It clearly shows for the first time that Aristotle assumed a special body as the ‘instrument’ of the soul. By means of this soul/body the soul forms the visible body of plants, animals and human beings.

BackgroundIn the Canadian Alliance for Healthy Hearts and Minds (CAHHM) cohort, participants underwent magnetic resonance imaging (MRI) of the brain, heart, and abdomen, that generated incidental findings (IFs). The approach to managing these unexpected results remain a complex issue. Our objectives were to describe the CAHHM policy for the management of IFs, to understand the impact of disclosing IFs to healthy research participants, and to reflect on the ethical obligations of researchers in future MRI studies.MethodsBetween 2013 and 2019, 8252 participants (...) (mean age 58 ± 9 years, 54% women) were recruited with a follow-up questionnaire administered to 909 participants (40% response rate) at 1-year. The CAHHM policy followed a restricted approach, whereby routine feedback on IFs was not provided. Only IFs of severe structural abnormalities were reported.ResultsSevere structural abnormalities occurred in 8.3% (95% confidence interval 7.7–8.9%) of participants, with the highest proportions found in the brain (4.2%) and abdomen (3.1%). The majority of participants (97%) informed of an IF reported no change in quality of life, with 3% of participants reporting that the knowledge of an IF negatively impacted their quality of life. Furthermore, 50% reported increased stress in learning about an IF, and in 95%, the discovery of an IF did not adversely impact his/her life insurance policy. Most participants (90%) would enrol in the study again and perceived the MRI scan to be beneficial, regardless of whether they were informed of IFs. While the implications of a restricted approach to IF management was perceived to be mostly positive, a degree of diagnostic misconception was present amongst participants, indicating the importance of a more thorough consent process to support participant autonomy.ConclusionThe management of IFs from research MRI scans remain a challenging issue, as participants may experience stress and a reduced quality of life when IFs are disclosed. The restricted approach to IF management in CAHHM demonstrated a fair fulfillment of the overarching ethical principles of respect for autonomy, concern for wellbeing, and justice. The approach outlined in the CAHHM policy may serve as a framework for future research studies.Clinical trial registrationhttps://clinicaltrials.gov/ct2/show/nct02220582. (shrink)

Santayana's Life of Reason, published in five books from 1905 to 1906, ranks as one of the greatest works in modern philosophical naturalism. Acknowledging the natural material bases of human life, Santayana traces the development of the human capacity for appreciating and cultivating the ideal. It is a capacity he exhibits as he articulates a continuity running through animal impulse, practical intelligence, and ideal harmony in reason, society, art, religion, and science. The work is an exquisitely rendered vision (...) of human life lived sanely. In this first book of the work, Santayana provides an account of how the human animal develops instinct, passion, and chaotic experience into rationality and ideal life. Inspired by Aristotle's De Anima, Darwin's evolutionary theory, and William James's The Principles of Psychology, Santayana contends that the requirements of action in a hazardous and uncertain environment are the sources of the development of mind. More specifically, instinct and imagination are crucial to the emergence of reason from chaos. Separating himself from the typical thought of the time by his recognition of the imagination, Santayana in this volume offers extensive critiques of various philosophies of mind, including those of Kant and the British empiricists. This Critical Edition, volume VII of The Works of George Santayana, includes a chronology, notes, bibliography, textual commentary, lists of variants, and other tools useful to Santayana scholars. The other four books of the volume include Reason in Society, Reason in Religion, Reason in Art, and Reason in Science. (shrink)

Santayana argues that instinct and imagination are crucial to the emergence of reason from chaos. Santayana's Life of Reason, published in five books from 1905 to 1906, ranks as one of the greatest works in modern philosophical naturalism. Acknowledging the natural material bases of human life, Santayana traces the development of the human capacity for appreciating and cultivating the ideal. It is a capacity he exhibits as he articulates a continuity running through animal impulse, practical intelligence, and ideal (...) harmony in reason, society, art, religion, and science. The work is an exquisitely rendered vision of human life lived sanely. In this first book of the work, Santayana provides an account of how the human animal develops instinct, passion, and chaotic experience into rationality and ideal life. Inspired by Aristotle's De Anima, Darwin's evolutionary theory, and William James's The Principles of Psychology, Santayana contends that the requirements of action in a hazardous and uncertain environment are the sources of the development of mind. More specifically, instinct and imagination are crucial to the emergence of reason from chaos. Separating himself from the typical thought of the time by his recognition of the imagination, Santayana in this volume offers extensive critiques of various philosophies of mind, including those of Kant and the British empiricists. This Critical Edition, volume VII of The Works of George Santayana, includes a chronology, notes, bibliography, textual commentary, lists of variants, and other tools useful to Santayana scholars. The other four books of the volume include Reason in Society, Reason in Religion, Reason in Art, and Reason in Science. (shrink)

The Writings of Charles De Koninck, Volume 1, introduces a projected three-volume series that presents the first English edition of the collected works of the Catholic Thomist philosopher Charles De Koninck. Ralph McInerny is the project editor and has prepared the excellent translations. The first volume contains writings ranging from De Koninck's 1934 dissertation at the University of Louvain on the philosophy of Sir Arthur Eddington, to two remarkable early essays on indeterminism and the unpublished book "The Cosmos." The short (...) essay "Are the Experimental Sciences Distinct from the Philosophy of Nature?" is also included and demonstrates for the first time De Koninck's distinctive view on the relation between philosophy of nature and the experimental sciences. A comprehensive introductory essay by Leslie Armour outlines the structure and themes of De Koninck's philosophy. The volume begins with a biographical essay by De Koninck's son, Thomas. "Charles De Koninck, perhaps because of his untimely death, is not as well known to English-speaking readers as Etienne Gilson and Jacques Maritain, but his work belongs to that same world-class scholarship as his notable contemporaries. It is almost an understatement to say that his contribution to the philosophy of science remains timely. Readers are fortunate that his former student, Ralph McInerny, has seen fit to collect and to translate, where necessary, some of De Koninck's most important work for this volume." --Jude P. Dougherty, The Catholic University of America "Ralph McInerny is doing us the incalculable good of making available to a general public the writings of Charles De Koninck. This volume, the first of many to come, begins a chronological presentation of the books, articles, essays, and addresses of one of the strongest and most penetrating thinkers of the last century, who was at once an extraordinary philosopher and theologian, with the profound and simple faith of the proverbial peasant. May we continue now to learn from the great De Koninck, and include in our prayers the intentions of his gracious disciple, who is so felicitously discharging the office of piety to a revered and unforgettable master." --Ronald P. Mc Arthur, President Emeritus, Thomas Aquinas College. (shrink)

Since World War I, the United States has pursued the defense of Western civilization as a critical element of its own national interest. In his provocative reconsideration of that goal, Robert Strausz-Hupe asks whether the American people can still agree upon and adopt foreign policies consistently devoted to that end. He specifically examines popular and paradoxical attitudes that often undermine Washington's ability to defend American and Western interests, attitudes towards society and the state, politics and government, instruments of foreign policy (...) and the people who wield them. As the backdrop for his analysis, Strausz-Hupe employs the wisdom of Alexis de Tocqueville's Democracy in America, reiterating Tocqueville's finding that the driving force of American life is its passion for equality and democracy. To this insight, Strausz-Hupe adds another: When one realizes that domestic politics is the driving force behind foreign policy, one understands why "the foreign policy of the United States cannot be other than the defense of democracy everywhere." Unlike some analysts, however, Strausz-Hupe believes that this proposition states only the problem for American statesmen not the answer. The answer, Strausz-Hupe concludes, lies in a universal federation of democratic states. In an appreciative foreword that examines the evolution of Strausz-Hupe thought, Walter A. McDougall demonstrates that this idealistic vision of a democratic world-state has been the unifying thread in Strausz-Hupe's intellectual career, not the calculating Realpolitik so often attributed to him. Democracy and American Foreign Policy will be of central importance to international relations specialists, policymakers, political scientists, and students of political philosophy. Its chapters include "Tocqueville and Nationalism"; "Tocqueville and Marx"; "The Hypocrisies of Egalitarianism"; "Foreign Policy and Interest Groups"; and "Isolationism and the New World Order.". (shrink)

The paper investigates the cultural unit of “sanctity” in the light of the notion of “form of life”, in order to show how jazz master John Coltrane pursued sanctity as a regulative model with regards both to personhood and musicianship, so as to translate his existential quest into music. Firstly, the paper briefly summarizes: what we mean today by sanctity ; what are the relationships interweaving music and sanctity ; what we mean by form of life—a notion brought (...) into philosophical discourse by Ludwig Wittgenstein—in semiotic terms and why we can apply it to sanctity. Afterwards, the paper addresses Coltrane’s musical career, relying both on hagiographic discourse built around him and his discography, with special focus on three game-changers among his albums: Giant Steps, A Love Supreme, and Ascension. Coltrane headed a twofold conversion: he abandoned his native Methodist faith to embrace a personal form of syncretic pantheism; he abandoned the language of traditional jazz to embrace the avant-garde technique of modal composition and the once despised free jazz. Not only Coltrane wanted to be a saint, not only was he regarded as such to the extent that a “St. John William Coltrane Church” was established in San Francisco, but he tried to be one through music; namely, by conveying his spiritual journey via sonic means: proposing a musical catechism, a musical mass, and his own mystique. Consistently with the process of selection any saintly figure—and mystiques especially—undergoes in order to be canonized stricto sensu, only some tokens within Coltrane’s body of work were included in the canon, while his later works were left out due to their radicalism. (shrink)

As a broad, sprawling field, American psychology has become increasingly molecular, making it inordinately difficult to discern or fomulate an overarching conception that would counter the centrifugal forces that make psychology a conglomeration of interests for which there is no organizing center. To illustrate the lack of such a conception and its adverse consequences, the major works of two people who had such a conception but who have had no influence on psychology are discussed. One of them is John Dollard, (...) who in the mid-thirties wrote Criteria for the Life History, which was nothing less than an indictment of the lack of such as overarching conception. The other is Alexis de Tocqueville who wrote Democracy in America. How was this young Frenchmen, who spent nine months in this country before the middle of the nineteenth century, able to write a book that explained so well the American character? What "psychology" permitted him to understand so much, to describe so clearly the individual in the larger picture? Dollard spelled out his conception, De Tocqueville did not. An attempt is made to fomulate De Tocqueville's overarching conception. (shrink)

In his posthumously published Living Up to Death Paul Ricoeur left an impressive testimony on what it means to live at a high old age with death approaching. In this article I present him as a teacher who reminds us of valuable lessons taught by patients in palliative care and their caretakers who accompany them on their way to death, and also as a guide in our search for a modern ars moriendi, after—what many at least experience as—the breakdown of (...) traditional religious belief in a personal afterlife. These lessons can be summarized in the following theses. ‘Living up to death, one cannot experience one’s own death. Therefore, never consider someone dying as moribund’. ‘Though everybody is alone in dying, nobody should die alone.’ ‘The preparation for death is an affirmation of life’. ‘Life experienced as a gift can be given up’. The plausibility of the last thesis, however, may go beyond the confines of austere philosophical thinking. (shrink)

The purpose of this article is to investigate the relationship between the discourse of death, or thanatology, and self-fashioning, in John Chrysostom’s thirteenth homily In epistulam ad Romanos. The study argues that thanatology became a very important feature in the care of the self in Chrysostom’s thought. The central aim here is to demonstrate the multi-directional flow of death, as a corporeal discourse, between the realms of theology, ethics, and physiology. Firstly, the article investigates the link between the theological concepts (...) of sin and death. Secondly, the study argues that death also becomes a highly paradoxical discourse when it enters the realm of Chrysostomic virtue-ethics, where the mortification of excessive passion leads to life, while ‘living’ in passion only results in death on every level of existence – death as a discourse therefore becomes interiorised, a process functioning as a subset of a more extensive biologisation of the spiritual life-cycle. Finally, Chrysostom also utilises death in a very physiological way, especially in his comments on the relationship between sin and the passions, and one’s physical health and appearance. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Diacritics 29.3 (1999) 63-80 [Access article in PDF] The Transversality of Michel de Certeau: Foucault's Panoptic Discourse and the Cartographic Impulse Bryan Reynolds and Joseph Fitzpatrick Above all (and this is a corollary, but an important one), the phenomenological and praxiological analysis of cultural trajectories must allow to be grasped at once a composition of places and the innovation that modifies it by dint of moving and cutting across (...) them. --Michel de Certeau, Culture in the PluralThrough his rigorous examinations of the common, the quotidian, the personal, the plural practices that establish and continually transform societies, Michel de Certeau develops a conception of culture born of the perpetual transgression, however subtle or pronounced, of the boundaries imposed by all totalizing systems, whether theoretical or social. This view of culture as a "cutting across" of boundaries, which can be found in many forms throughout his work, achieves a special significance for the study of subjectification in his discussion of "Spatial Practices" that comprises the third section of The Practice of Everyday Life. In an important essay on Certeau's theory of space, Ian Buchanan argues that "our understanding of culture must commence with an understanding of the formation of the subject," and that the latter is addressed by Certeau through his essays on space [129-30]. Following this assertion, we want to argue that Certeau's analyses of spatial practices in Heterologies, "The Gaze: Nicholas of Cusa," and The Practice of Everyday Life [particularly the chapter "Walking in the City" 91-110], outline a theory that describes subjectivity as what amounts to, as Certeau puts it in Culture in the Plural, "a composition of places and the innovation that modifies it by dint of moving and cutting across them" [146]. Furthermore, by articulating the close relationship between Certeau's spatial theory and our own work on "transversal movement," we will attempt to show that the method of analysis Certeau uses in "Walking in the City" (and describes in several other works) is itself marked by the "transversal" tactics that his theory describes. 1 By focusing in particular on Certeau's methodological critique of Foucault in both The Practice of Everyday Life and Heterologies, we will demonstrate the various ways in which he moves beyond what Bryan Reynolds and James Intriligator have labeled the "dissective-cohesive mode" of analysis, an analytical [End Page 63] [Begin Page 65] approach (characteristic of most dialectical argumentation) that breaks its subject matter into constituent parts and examines those parts with the goal of reassembling them into a unified and accountable whole (such as, say, the city or the human subject in "Walking in the City"). 2 Postmodern Space: Certeau and Jameson In his essay "Heterophenomenology, or Certeau's Theory of Space," Ian Buchanan situates Certeau's writings on the production of space within the postmodern debate over the autonomy of the subject, opposing Certeau's view to Fredric Jameson's "assumption that the subject takes his or her psychic bearings from the built environment and only has certain existence so long as he or she can cognitively 'map' this environment" [Buchanan 114]. Citing the example of the Westin Bonaventure hotel in Los Angeles, Jameson argues that "this latest mutation in space--postmodern hyperspace--has finally succeeded in transcending the capacities of the individual human body to locate itself, to organize its immediate surroundings perceptually, and cognitively to map its position in a mappable external world" [44]. The effect on cultural politics, according to Jameson, is that the subject "submerged" by this postmodern hyperspace is deprived of the "critical distance" that makes possible the "positioning of the cultural act outside of the massive Being of capital" [48]. Buchanan finds in "Walking in the City" the basis for a critique of this view though a conception of space stemming from "heterophe-nomenology," defined as "a phenomenology predicated by a heterogeneously constituted subject which does not take for granted the unity of the body" [112]. Focusing on Certeau's debt to Merleau-Ponty's theories of perception (which can best be seen in... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Beyond the Aesthetic Garden: Politics and Culture on the Margins of Fin-de Siècle ViennaScott SpectorThe rhetorical structure supporting Carl E. Schorske’s seminal Fin-de-Siècle Vienna: Politics and Culture 1 is frankly exposed. The argument—which may have single-handedly changed the discipline of cultural history—is an apparently simple one, and it is reasserted in this series of essays on diverse areas of cultural activity through the use of recurring metaphors. Schorske’s famous (...) thesis (modern culture as political surrogate for a marginalized liberal bourgeoisie) is represented through constantly resurfacing dichotomies: liberal political engagement and (vs.) the aesthetic “garden” of modern art; history and (vs.) desire and “the psyche”; politics and (vs.) culture. All of this is well known. In this essay I want both to assess our necessary debt to Schorske’s powerful work and to suggest what lies beyond it. If at the end of our own century we want to rethink Schorske’s founding project of an interdisciplinary cultural history of Central Europe, we cannot limit this initiative to the obviously important question of extending the contents of cultural inquiry (from high culture to popular culture, from the hegemonic nationality to non-German-speaking cultures, from patriarchy to the voices of women). The formal question packed up in the image of refuge from the historico-political in the aesthetic garden or the fortress of the psyche may offer most productive access to rethinking the Schorskean paradigm, instead of merely expanding its scope. For these reasons I want to focus on the rhetorical structure of Schorske’s essay collection against that of aesthetic and critical works from the Central European turn of the century. 2 Schorske’s historical analysis seems to be at odds [End Page 691] with these projects seen on their own terms—but to utter this is ironically to reiterate the tension between history or politics and aesthetic modernism articulated in the essays.The question at hand is hence two-fold. First of all, what is ideologically at stake in a historiographical construction that identifies Central European modernist aesthetic innovation as an escape from history and politics? Schorske’s interdisciplinary project of contextualization (his significant subtitle “Politics and Culture” has become an unshakable legacy for cultural history) is peculiar insofar as his diagnosis is that culture became increasingly isolated from political life. I have chosen to focus on the rhetorical opposition of “center” and “margin” in this essay because of Schorske’s implicit claim that the very class which was central to nineteenth-century Austrian liberalism—the German-speaking bourgeoisie—was “marginalized” by the rise of hostile anti-liberal ideologies (the “culture-makers” were “alienated along with their class in its extrusion from political power”). 3 As I hope to show, this geometry of center and margins was at the heart of the most innovative and potentially explosive play within so-called aestheticist texts around 1900. This brings us to the second half of this two-fold question: how might the “aesthetic moment” of the Central European fin de siècle be seen if we wish to go beyond Schorske’s diagnosis of a forced retreat into the temple of art, the fortress of the psyche, or the aesthetic garden? To get at both sides of this question—the ideological valence of the aesthetic moment and of its histories—I will focus on literary products, in particular on essays, for several reasons. One of these is that Schorske’s synthetic work is, after all, itself a collection of essays published over two decades.The privileging of the essay genre in coming to terms with the problem of turn-of-the-century aestheticism was established long before Schorske’s work. If we can find early examples of this generic strategy in fin-de-siècle authors such as Musil and Broch, the paradigmatic instance—and the place where the function of the essay-critique within aestheticist criticism is worked through—is the collection of Georg Lukács, Soul and Forms. 4 Several positions are taken in that work which may be useful to an understanding of Schorske’s essay project: Lukács asserts the essay’s fragmentary nature at... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Cogito, Ergo Sum: The Life of René DescartesDennis Des CheneRichard Watson. Cogito, Ergo Sum: The Life of René Descartes. Boston: David R. Godine, 2002. pp. viii + 375. Cloth, $35.00.Somewhere between hagiography and debunking lies truth. Or so we may think: the biographer's sources are almost always tipped one way or the other, and it is his or her job to establish, or divine, the way (...) of authentic fact and, if facts fall short, then of sturdy sober hypothesis. In general the debunker has more fun, especially when the weight of tradition favors the ennobling, if not the beatification, of its subject.Descartes is a case in point. Until a few years ago, there was in English no satisfactory biography. Now there are three: an "intellectual biography" by Stephen Gaukroger, the Descartes of Geneviève Rodis-Lewis, and Watson's. Gaukroger dwells on Descartes's natural philosophy, especially in the early years. Only after 300 pages does he reach the period of the Discourse, Descartes's first published work. Rodis-Lewis offers a more even-handed treatment, the fruits of a lifetime of study. Her Descartes resembles, not the modern scientist or professional philosopher, but the ancient sage for whom metaphysics is a once-in-a-lifetime affair, and even natural philosophy subordinate to wisdom. Watson's Descartes is an altogether more worldly type, born into a family of lawyers, well-connected, touchy [End Page 113] about his place in social and scientific circles, and not all that interested in what we think of now as philosophy. Nor, for that matter, is Watson: you will look in vain for an analysis of the Meditations, a discussion of method, or a definition of générosité. (Watson does conclude, I should note, with a discussion of Descartes's doctrine on the soul, whose title might well have been "The future of an illusion" if Freud had not used it already.)If you like your philosophy uncluttered by context, if you find it worthwhile to read or write about "Cartesian skepticism" or "Cartesian dualism" without troubling yourself to understand who the historical Descartes was, or what might have moved him to confront the skeptics and save the soul, then Watson is not for you. It is emphatically a Life, not a Life and Works. It is, moreover, a life in the manner of many modern biographers, in which the biographer, rather than conceal himself behind the curtains of scholarly convention, figures into the narrative, retracing the steps of Descartes's passage to Italy, examining the baptismal certificate of Descartes's illegitimate daughter Francine, and eating lunch at the Queen Kristina restaurant "next door to the house in which Descartes died" (303). The quality of a biography thus written depends in part on the personality of its author (and in the case of Cogito Ergo Sum, the author's wife, who intervenes more than once on the side of common sense during their peregrinations). Watson is, to my mind, an agreeable companion, dedicated to the search for biographical truth, impatient with hagiographic fog and time-hallowed error, down-to-earth in his assessment of Descartes's motives and circumstances.One example to show the differences among the three biographies. In November 1618 Descartes met the future Latin schoolmaster Isaac Beeckman in Breda. Beeckman records with enthusiasm their joint endeavors in physico-mathematics over the next few months (Gaukroger has the details). It seems clear that the impetus for studying the various problems mentioned in Beeckman's Journal came from Beeckman, who had been pondering physical questions since 1613 or before. Descartes's contribution, at least at first, was his immense mathematical skill. Their interests lay largely within the "mixed mathematics" of the period, especially hydrostatics and mechanics. They also discussed music, an aspect of the "new science" now often neglected (but see H. F. Cohen, Quantifying Music [Dordrecht, 1984]). On New Year's day 1619 Descartes presented Beeckman with his Compendium musicæ (Gaukroger 74, Rodis-Lewis 51/29). A decade later, Descartes, having heard that Beeckman had appropriated the Compendium to himself, became angry and eventually, late in 1630, dismissed Beeckman with a masterpiece of de haut... (shrink)

The Roman philosopher Boethius is best known for the _Consolation of Philosophy_, one of the most frequently cited texts in medieval literature. In the _Consolation_, an unnamed Boethius sits in prison awaiting execution when his muse Philosophy appears to him. Her offer to teach him who he truly is and to lead him to his heavenly home becomes a debate about how to come to terms with evil, freedom, and providence. The conventional reading of the _Consolation_ is that it is (...) a defense of pagan philosophy; nevertheless, many readers who accept this basic argument find that the ending is ambiguous and that Philosophy has not, finally, given the prisoner the comfort she had promised. In _The Prisoner's Philosophy_, Joel C. Relihan delivers a genuinely new reading of the _Consolation_. He argues that it is a Christian work dramatizing not the truths of philosophy as a whole, but the limits of pagan philosophy in particular. He views it as one of a number of literary experiments of late antiquity, taking its place alongside Augustine's _Confessions_ and _Soliloquies_ as a spiritual meditation, as an attempt by Boethius to speak objectively about the life of the mind and its relation to God. Relihan discerns three fundamental stories intertwined in the _Consolation_: an ironic retelling of Plato's _Crito,_ an adaptation of Lucian's _Jupiter Confutatus,_ and a sober reduction of _Job_ to a quiet dialogue in which the wounded innocent ultimately learns wisdom in silence. Relihan's claim that Boethius's text was written as a Menippean satire does not rest merely on identifying a mixture of disparate literary influences on the text, or on the combination of verse and prose or of fantasy and morality. More important, Relihan argues, Boethius deliberately dramatizes the act of writing about systematic knowledge in a way that calls into question the value of that knowledge. Philosophy's attempt to lead an exile to God's heaven is rejected; the exile comes to accept the value of the phenomenal world, and theology replaces philosophy to explain the place of human beings in the order of the world. Boethius Christianizes the genre of Menippean satire, and his _Consolation_ is a work about humility and prayer. _“Acknowledging that the _Consolation of Philosophy_ is ‘over-familiar and under-read,’ Joel Relihan puts to the side old bromides about the work and instead pays careful attention to the narrative Boethius constructs, grounding his readings in the contexts the work cultivates, especially its Menippean elements. The result is perhaps the first satisfying reading of the _Consolation_ to be produced, a satisfaction felt also in the ways Relihan mirrors Boethius himself in the thoroughness of his scholarship and the elegance of his exposition. No one who studies Boethius will be able to ignore this book.“ — Joseph Pucci, Brown University _ "Anyone who has been fascinated, intrigued, or perhaps puzzled by the meaning, structure, or argument of Boethius's _Consolation of Philosophy_ will find Joel Relihan's new book a welcome addition to the study of this core text of the early medieval world whose influence extends to the present time. Relihan's study is a tour de force that belongs in the library of all those who appreciate Boethius's depth and subtlety. Fortune's wheel has indeed turned in the favor of those who wish to explore with Relihan the intricacies and brilliance of the _Consolation_." —_Fr. John Fortin, O.S.B., Saint Anselm College _. (shrink)

The article addresses the psychological experience of the "We" developed in Being and Nothingness (BN), and how it resonates within the social dynamics of Critique of Dialectical Reason (CDR). It is problematized about which "We" is spoken in the condition of Being-with. In BN, Sartre demonstrates that the foundation of human relationships is conflict, as being-with-others is rooted in being-for-others. This, therefore, reflects on the impossibility of psychological experiences of the Us-object and We-subject to support alienation and engagement. We start (...) from the conjuncture of serial collectivity to address the experience of the Us-object, and the necessity of individual choice for engagement with others, which may or not occur when the experience of Us-object takes place. In this way, when individuals recognize themselves as part of a structure organized by a third party and aim for a common goal, the community subject happens. We noticed that Sartre, in Being and Nothingness and its developments, helps us to think about being-with-another, even in a virtual world of the 21st century. Sartre, throughout his life and although without success, strove to materialize the Being that he idealized for people: mutually committed to the responsible construction of a socio-material field “desirable for a community”, including conflict resolutions. (shrink)

Pontus de Tyard may be well known as a poet of la Pléiade, also as the bishop of Chalon-sur-Saône towards the end of his life, yet throughout all these, he was a philosopher. He played an important part in the Royal Academy in promoting philosophy in the French language, being one of the first to write in French. His metaphysics is a good example of the poverty of philosophy in the Renaissance. His first philosophical works were devoted to the (...) arts: Solitaire premier (1552) and Solitaire second (1555). Metaphysics appears for the first time in the Second Curieux (1578), when De l’Univers ou Discours de la nature du Monde et de ses parties, published 20 years prior, was divided into two parts. Hence one of the first metaphysics in French was born of physics and astronomy. There are three characters in Tyard’s Curieux: Curieux gathering all opinions he can find, Hieromnime expressing an orthodox theology, and Solitaire proposing in first person generally skeptical philosophical conclusions. The metaphysics of the future-bishop sometimes resemble a cabinet of curiosities, but with a theological guardrail. For metaphysical reasons, Tyard overpasses geocentrism and infinite universe to a universe in expansion of modern sciences. (shrink)

The Third Covenant explores the work of Pierre Teilhard de Chardin, Thomas Berry, and Albert LaChance, revealing through the lens of spirituality, science, and ecology, their understanding of human origin and evolution. Pierre Teilhard de Chardin, an early twentieth century geologist and priest, devoted his life as a scientist, clergyman, and mystic, to reuniting the artificial fracture between science and religion. Thomas Berry, a follower of Teilhard de Chardin and a highly respected cultural historian, furthered this reunification by repositioning (...) the human in the unfolding of an evolving universe, integrated and interdependent with the rest of the life systems of the planet. Albert LaChance, himself a six-year, face-to-face student of Berry, brought this new paradigm into his work as a poet, psychologist, addiction recovery professional, and most importantly, as a mystic and scholar of religion. Along with his daughter, Rebecca LaChance Goodwin, LaChance explores the development of this crucial shift in human understanding and its implications for the future. Parts I and II explore the elements of polarized thinking that makes us believe that we are separate from each other and the life systems of the planet. Thomas Berry's list of twelve principles for understanding the universe and the role of the human in the universe process describes the creative unfolding of our place in the universe. Part III introduces practical steps for achieving personal, familial, and cultural change. LaChance outlines his Twelve Steps of Ecological Spirituality to help us move from powerlessness and isolation to a state of reawakening to self, to humanity, to all species, to the planet, and to the universe. (shrink)

In fin-de-siècle France, we witness a strange circulation of concepts between philosophy, theoretical and experimental psychology, and the borderline realm of what we would now call meta- or parapsychology. This was a time characterized by a complex process of redefinition of the disciplinary frontiers between philosophy and psychology, which favoured the birth of hybrid conceptualities and stark oppositions as well. Furthermore, the great scientific advances in physics, physiology, and psychology fostered hope for a full rational explanation of reality, even of (...) its most unfathomable layers and seemingly bizarre phenomena. Focusing on the case of Émile Boirac’s research on what he termed ‘cryptopsychism’, notably in his book Our Hidden Forces, this article aims to show how Kantian notions and models of consciousness belonging to the canon of French spiritualist philosophical psychology were taken up by scientists such as Pierre Janet and ended up being assimilated and discussed in the more obscure and precarious realm of scientific inquiry into metapsychical phenomena. Far from being a mere historical curiosity, this quest for a scientific account of the latent and subconscious life of the mind sheds light on the intricate relationship between philosophy and the human sciences between the 19th and 20th centuries. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Virtue and Grace in the Theology of Thomas Aquinas by Justin M. AndersonThomas V. BergVirtue and Grace in the Theology of Thomas Aquinas by Justin M. Anderson (Cambridge: Cambridge University Press, 2020), xiii + 327 pp.To ignore Aquinas's theological backstory to his account of the virtues—namely, his account of grace in its relation to human action—is to distort his account of the virtues. This is the very valid (...) thesis explored by Justin Anderson in Virtue and Grace in the Theology of Thomas Aquinas. Anderson critiques the tendency among contemporary Anglophone virtue ethicists to quietly bracket his account of grace even as they admire his account the virtues. More pointedly, Anderson holds that Aquinas's account of virtue is inseparable from his account of sin, grace, "and God's presence in human life and action." He endeavors to evidence Aquinas's authentic account of virtue and its "inner reliance on the theological categories of grace, sin, and divine providence" (1).Anderson thus proposes a reading of Aquinas that is diachronic, analytical and systematic, and text-based, and which follows the logic inherent in Aquinas's own reasoning.And he delivers.After a brief overview of Aquinas's understanding of virtue in chapter 1, in chapter 2, Anderson explores the Thomistic distinction that will largely serve as a heuristic for most of the study: the distinction between virtue secundum quid (pagan virtue) and virtue simpliciter, virtue infused in us by God—virtue in the truest sense of the term.In chapter 3, Anderson traces the historical evolution in Aquinas's understanding of grace as this impacts his understanding of the conditions under which a person can possess or embody virtue. He bases this exploration in part on the work of both Henri Bouillard and Bernard Lonergan. First Anderson explores how that evolution came about in the context of the emergence of two powerful categories of thought: the Aristotelian concept of nature in the twelfth century and the category of the supernatural in the thirteenth. According to Bouillard, Aquinas's understanding of grace would [End Page 1421] have been further shaped by two sets of discoveries during his sojourn in Italy in the early 1260s, the first being two anti-Pelagian tracts of St. Augustine, and the second being the Liber de bona fortuna, a Latin compilation, possibly translated by William of Moerbeke, consisting of two chapters on good fortune, one taken from Aristotle's Magna Moralia, and the other from the Eudemian Ethics.Aquinas discovers in Augustine's anti-Pelagian works the contention that the beginning of faith is from God and not from the individual. As with the grace of final perseverance, both initiation and perdurance in faith are gratuitous gifts of God. In his encounter with the Liber (and particularly his consideration therein of the "problem of the first deliberation"), like other medievals, Aquinas "[was] presented Aristotelian investigations regarding the possibility of a divine movement, even unacknowledged by the agent, at the very roots of human action" (98). And, in Thomas's evolved understanding, this divine influence would constitute an inner movement within the human agent apart from those external circumstances ordained by providence.Anderson embraces the thesis that, in this context, and under these influences, Aquinas's understanding of grace underwent a "revolution," that a mature Aquinas—and this is the thesis of Lonergan—moves beyond a consideration of grace merely as habitus (gratia gratum faciens) to a notion of operative grace, of grace as a movement, utilizing "the unique idea of a 'moving grace', a movement of God in, and in some cases with, the human soul" (105).And—Anderson is emphatic—this revolution in thought quickly steers Aquinas clear of what centuries later will be termed semi-Pelagianism, and toward a firmly anti-Pelagian conception of the human capacity for virtue.Chapters 4–9 comprise the second and third parts of the book. It is here that Anderson masterfully and exhaustively engages in the heavy lifting of evincing just how, in fact, Aquinas's account of virtue is inseparable from his theology of grace. On the supposition that Aquinas's mature theology of grace understands the latter to... (shrink)

One of the founders of modern hermeneutics, German philosopher Wilhelm Dilthey (1833-1911) confronted the question of how modern, postmetaphysical human beings can cope with the ambivalence, contingency, and finitude that fundamentally characterize their lives. This book offers a reevaluation and fresh analysis of Dilthey's hermeneutics of life against the background of the development of philosophy during the past two centuries. Jos de Mul relates Dilthey's work to other philosophers who influenced or were influenced by him, including Kant, Schleiermacher, Hegel, (...) Comte, Mill, Nietzsche, Husserl, Heidegger, Gadamer, and Derrida. Weaving together systematic analysis and historical investigation, de Mul begins the book with an account of the horizon on which Dilthey developed his unfinished masterwork, Critique of Historical Reason. The author then elaborates a systematic reconstruction of Dilthey's ontology of life, relates the ontology to the work of other twentieth-century philosophers, and positions Dilthey's thought within current philosophical debate. (shrink)

IN HIS COMMENTARY on Wittgenstein's Philosophical Investigations, Garth Hallett records Wittgenstein's extensive reading of Augustine's Confessions. By contrast, he remarks that Wittgenstein never read anything of Aristotle. However, he also reports Rush Rhees as saying that at the time of his death Wittgenstein had in his possession the first two volumes of a German-Latin edition of Aquinas's Summa Theologiae, containing questions 1-26 of the Prima Pars. Question 13 concerns the Divine Names, the first article asking whether a name can be (...) given to God. Aquinas begins his answer by referring to the passage from De Interpretatione quoted above: "Since, according to the Philosopher, words are signs of ideas, and ideas the similitudes of things, it is evident that words function in the signification of things through the conception of the intellect.". (shrink)

_The Writings of Charles De Koninck_, Volume 1, introduces a projected three-volume series that presents the first English edition of the collected works of the Catholic Thomist philosopher Charles De Koninck. Ralph McInerny is the project editor and has prepared the excellent translations. The first volume contains writings ranging from De Koninck’s 1934 dissertation at the University of Louvain on the philosophy of Sir Arthur Eddington, to two remarkable early essays on indeterminism and the unpublished book “The Cosmos.” The short (...) essay “Are the Experimental Sciences Distinct from the Philosophy of Nature?” is also included and demonstrates for the first time De Koninck’s distinctive view on the relation between philosophy of nature and the experimental sciences. A comprehensive introductory essay by Leslie Armour outlines the structure and themes of De Koninck's philosophy. The volume begins with a biographical essay by De Koninck’s son, Thomas. “Charles De Koninck, perhaps because of his untimely death, is not as well known to English-speaking readers as Etienne Gilson and Jacques Maritain, but his work belongs to that same world-class scholarship as his notable contemporaries. It is almost an understatement to say that his contribution to the philosophy of science remains timely. Readers are fortunate that his former student, Ralph McInerny, has seen fit to collect and to translate, where necessary, some of De Koninck's most important work for this volume.” —_Jude P. Dougherty, The Catholic University of America_ “Ralph McInerny is doing us the incalculable good of making available to a general public the writings of Charles De Koninck. This volume, the first of many to come, begins a chronological presentation of the books, articles, essays, and addresses of one of the strongest and most penetrating thinkers of the last century, who was at once an extraordinary philosopher and theologian, with the profound and simple faith of the proverbial peasant. May we continue now to learn from the great De Koninck, and include in our prayers the intentions of his gracious disciple, who is so felicitously discharging the office of piety to a revered and unforgettable master.” —_Ronald P. Mc Arthur, President Emeritus, Thomas Aquinas College_. (shrink)

Utopias from ancient times to the present have come and gone. They remain as a part of literary, philosophical and historical texts and communal practices. Yet this subject has never ceased to inspire contemporary minds as well. My aim in this paper is to consider the communities known as favelas that have formed on the edges of the Brazilian city of Rio de Janeiro as a contemporary form of utopian community. The paper begins with a brief analysis of the concept (...) of utopia. Then follows a discussion of the Favela as an urban utopia as seen from the perspective of Latin American philosopher Enrique Dussel’s philosophy of liberation as represented in his book, The Philosophy of Liberation. The remainder of the paper will consider in what sense the Favela settlements can be understood as a form of utopia. Among additional sources for this paper, I will refer to the research on the favelas by such scholars as Janice Perlman and Catalytic Communities. Other sources will include art projects in the favelas, the novel and film City of God made on site, and photographs of Miguel Rio Branco taken in the Favelas. All of these artists’ representations reflectactual experiences of life in the Favelas. An underlying question throughout will be the role that art might play in understanding utopias. (shrink)

continent. 2.1 (2012): 22–28. Jeroen Mettes burst onto the Dutch poetry scene twice. First, in 2005, when he became a strong presence on the nascent Dutch poetry blogosphere overnight as he embarked on his critical project Dichtersalfabet (Poet’s Alphabet). And again in 2011, when to great critical acclaim (and some bafflement) his complete writings were published – almost five years after his far too early death. 2005 was the year in which Dutch poetry blogging exploded. That year saw the foundation (...) of the influential, polemical, and populistically inclined weblog De Contrabas (The Double Bass), which became a strong force for internet poetry in Dutch in the years to follow. In the summer of that year, a lively debate raged in the aftermath of Bas Belleman’s article “ Doet poëzie er nu eindelijk toe ?” (“Does poetry finally matter now?”), on a blog specifically devoted to this question. Up to that point, the poetical debate in the Netherlands had largely been confined to literary reviews (which were often subsidized), having become mostly marginalized in more mainstream media, where poetry could be covered by only a small number of so-called authorities. As a result, literary debate had acquired a rather placid quality. Though a variety of camps with different aesthetics could be discerned, most poetical positions shared a general acceptance of poetry as a form of art somewhat apart from fundamental political concerns. Late modernists would pursue subtlety and density of reference. Others would insist poetry was best understood as a form of entertainment that should ideally be accessible and work well on the stage. Still others would insist that poetry is mostly a play with forms. Linguistically disruptive strategies were valued highly by some, but mostly for their aesthetic effect. Values of disinterested playfulness reigned supreme everywhere. Any idea that poetry could be a field in which one confronts politics and the world was decidedly marginal. This led to a climate in which most attempts at polemics were DOA, often based on far too superficial positioning and analysis. The greatest polemical debates were revolving around the question of whether poetry should be difficult or easy, with both camps defining their ideas of difficulty and accessibility in ways that were so utterly shallow as to make the entire point moot. Debates were performed, rather than engaged with. It was a postmodern hell of underarticulated poetics. Half-consciously, people were yearning for new forms of criticism that could put the oomph back into poetry. Weblogs provided for ways to explore debate directly outside of the clotted older channels of the reviews and the newspapers. Belleman’s essay and the resulting online activity had shown that there was a widespread eagerness to take poetry more seriously as a social art form. It was in this environment that Mettes started his remarkable project Dichtersalfabet . At that moment, Mettes was active mostly in academic circles, having become noted at Leiden University as a particularly gifted student of literary theory. Within the Netherlands, the field of literary theory has a very odd relationship to literature as it is practiced in the country. Academic theory tends to have a mostly international view and engage with international debates of cultural criticism, literary theory, and philosophy, with academics often publishing in English and attending conferences around the world. Literature itself however is much more concerned with domestic traditions. Consequently, in the Netherlands, there exists a language gap between academic theoretical practice (as it is studied in the literary theory departments) and literary practice (which, academically, gets studied in specialized departments of Dutch literature). The Dichtersalfabet can be seen as Mettes’s attempt to close this gap. It is also an attempt to bridge the divide between theory and practice, in which he could apply his theoretical knowledge in a very unorthodox and unacademic critical mode that moreover could reach far beyond the domain of conventional criticism. Mettes’s goal was to trace a diagonal through Dutch poetic culture, to “strangle” what he perceived to be its dominant oppressive traditions of agreeable irrelevance, in order to see whatever might be able to survive his critical assaults. But he could only do so by means of a very serious engagement with poetry itself. To this end, he would go systematically through the poetry bookshelf of the Verwijs bookshop (part of a mainstream chain of booksellers) in The Hague, buying one publication per blog item, starting from A and working his way through the alphabet, reading whatever he might encounter that way in the restaurant of the HEMA store (another big commercial chain in the country). He would subsequently write down his reading experiences, refraining however from trying to write a nuanced book review. Rather, he would write about anything that caught his attention and sparked his critical interest. This way of working would yield vast, at times somewhat rambling, dense, lively, and generally brilliant essays, in which he held no punches. He never hesitated to pull out his entire arsenal of concepts from the international theory traditions, while never degenerating into mere academic exercise and pointless intertextualities. The attempt was rather to live the poetry that he read, and to engage it with the full range of political, academic, cultural, and personal references that he had at his disposal—all that composed the individual named Jeroen Mettes as a reader. Often what he wrote would not be according to the standards of what we usually think of as a critical review of a book of poetry. Sometimes he would even be a little sloppy in his judgments of poets or representations of the books he read, for example by basing an entire essay on the blurb of a book rather than its poetry content. But what he did was always brilliant writing nonetheless—virtuoso riffs on poetic fragments randomly found within capitalist society, exposing an incisive and insistent poetical sensibility. Mettes read poetry for political reasons, to see whether poetry could offer him a way to deal with a political world he detested. The right-wing horrors of the Bush years, the Iraq war, and the turn of Dutch public opinion towards ever more conservative, narrow-minded, and xenophobic views alongside a complete failure of the political left to present any credible alternative, were weighing heavily on the times in which Mettes reported on his reading. Poetry was to measure this world, diagram it, to lay bare its inconsistencies and faults, to indicate where lines of flight might be found. Amid the ruins of a world wrecked by imperialist policies, corporate capitalism, and doctrinal neoliberalism it would have to show the possibility of a new community. And it was, through its rhythmical workings, to release the reading subject from his confinement to ideologically conditioned individuality and lead him into the immanent paradise of reading. The stakes were high. Much higher than anything Dutch poetry had seen for many years. Mettes’s blog was widely read from the start. His posts sparked lively debates. Some of these subsequently led to the publication of extensive essays on a few key poets in some literary journals, particularly Parmentier and the Flemish journal yang , for which Mettes would become a member of the editorial board, a few months after starting the Dichtersalfabet . This could have been the start of a brilliant career, but this was not to be. The initial manic energy that fueled the blog gradually subsided. The Alfabet was updated less and less regularly. Mettes sometimes just disappeared for many weeks, then suddenly returning with a brilliant essay. Until, on September 21, 2006, he posted his final blogpost, consisting of no text whatsoever. That night I learned from his mentor at Leiden University that he had committed suicide. Mettes and I had had some fruitful exchanges on poetry, rhythm, music, and form, mostly on the blogs, but also by email. Three weeks before his death was the last time I heard from him: a very sudden, uncharacteristically curt note saying “My old new sentence epic.” Attached to that message I found a DOC-file of a work so major that I felt intimidated. This was N30 , a text he had been working on for over five years. After his death, it took me a long time before I dared to read it in its entirety. In the meantime, the work of preparing the manuscript for publication was entrusted by his relatives to his colleagues at yang magazine. It took them a few years to brush up the text and to edit the Dichtersalfabet -blog (which, apart from the Alphabet project itself, incorporated many other fragments of political, polemical, and theoretical writing) into book form along with the essays. The result of this labor was finally published in 2011 as a two-book set, and Mettes burst onto the Dutch poetry scene for the second time. The work was widely reviewed, on blogs, in journals, magazines, and newspapers. Many critics who had not followed the blogs in 2005 showed themselves surprised, baffled even, by the intensity of Mettes’s critical writing. But for those who had read the blog, the main surprise was in the poetry. During Mettes’s lifetime, some of his poems had already been published in Parmentier . Although these were strong texts by themselves, in no way did they prepare readers for N30 . Nothing like it had been written in Dutch before. Instead, N30 explicitly follows the American tradition of Language Writing, directly referencing Ron Silliman and his concept of The New Sentence. However, it would seem that much of the poetical thinking around his use of this technique puts him closer to a writer such as Bruce Andrews. For Mettes, using non sequiturs as a unit of poetic construction was not only a way of reinventing formal textual construction, but it was another way of finding the fault lines in the social fabric. From the perspective of the Language tradition, one may put N30 somewhere between Silliman and Andrews. N30 shares an autobiographical element with Silliman’s New Sentence projects, and as in Andrews, there is a concern for mapping out social totality within text—what Mettes refers to as a “textual world civil war.” Again this shows a formal textual strategy for allowing the person “Jeroen Mettes” to be absorbed by the world, which here appears as a whirlwind of demotic and demonic chatter, full of violence, humor, intensity, beauty, disgust, sex, commerce, and strife. Influenced as it may by American precursors, Mettes’s tone and form end up quite different from his American counterparts, consistently referencing a world that is Dutch, all too Dutch, taking on the oppressive orderliness of Dutch society with its endemic penchant for consensus by introducing chaos into its daily life and laying bare its implicit aggressions. The work’s 31 chapters each have a different feel and rhythmical outline, but none of them follow a predetermined pattern. Rather, Mettes would consistently edit and reedit the text, randomly rewriting parts of it, as he explains in his poetical creed Politieke Poëzie (Political Poetry). N30 – referring to the 1999 antiglobalist protest in Seattle – was to be the first text of a trilogy. The work itself was written “in the mode of the present.” A second text was to be written in the mode of the future, and a third one, in the mode of the past, was going to be an epic poem about the Paris Commune, and to form an alternative poetic constitution for the European project. I still deeply regret that Jeroen Mettes never got to complete those projects, just as I would be very keen on knowing what he might have had to say about more recent political developments. Instead, in 2006, he remained stuck in the horrors of the present, that ended up consuming him completely. He left Dutch literature with some of its most piercing criticism and its most profoundly moving, exciting and powerful poetry. Excerpts from N30 Translated by Vincent W.J. van Gerven Oei from Jeroen Mettes. "N30." In N30+ . Amsterdam: De wereldbibliotheek, 2011. Published with permission of Uitgeverij Wereldbibliotheek, Amsterdam. Chapter 1 1999. A day is a space too. And another man, who had chained himself, had his ribs crushed, and a motor has driven over somebody’s legs. Dutch health care system spends ±145 million guilders per year on worriers. A spiderweb vibrates as I pass by. Randstad renovating. She slaps her bag against her ass: “Hurry up!” OPINION IS TRUE FRIENDSHIP Your skin. It doesn’t express anything. “But the use of the sword, that’s what I learned, and you’ll need nothing more for the moment.” Just try to interrogate a guy like that. Gullit in Sierra Leone. Codes silently lying all around. But that’s simply what belongs to “that it’s just allowed”: that sigh of “world” (a word expressing that the trees are now standing along the water like black men with white bags in their hair); that’s nothing else right? And you see how everything has to move, and first of all what cannot do so. Without Elysium and without savings, barbarians lashing out, horny for an enemy, staring across the water, staring into the air—staring to get out of it. “You’ve never showed me more than the mall,” she said. All those “dreams” in the end—and now? It was lying on the stairway, so I picked it up and took it upstairs. Chapter 3 “You know what?” Telecommunication. For love… I don’t really like that cheap cultural pessimism, but… The holy city is on pilgrimage in the earthly bodies of the faithful until the time of the heavenly kingdom has come. The end of an exhausting autumn day behind the computer, my eyes filled with tears of fatigue. KITCHEN / INSTALLATION / SPECIALIST. Network integration. In the sun, stretched out on a sheet. (…) I don’t believe what I’m reading, because I want to believe something else. An illusion? Suits me. There’s a variety of shapes and tastes… “So what?” you may think. 102 dalmatians can’t be wrong. But I want more, dear… A feel good movie. I’m smashing the burned body. So what? We continue to save the European civilization. What’s there to win? Plato with poets = Stalin without gulag? Ball against the crossbar. No wonder. She comes straight to her point. She’s standing in the kitchen eating an apple. (…) The godless Napoleon had used her as a stable and wanted to have her taken down. “Our” Rutger Hauer. Ready or not here I come. Psst… are you also wearing a string? Nobody understands our desire. Cliffs breaking the waves and shattering the sunset. I used to be a real romantic (as a poet). A typical fantasy used to be the one in which I brutally raped mother and daughter Seaver from the sitcom Growing Pains . Nevertheless you only contain bad words. Eyelashes. Automatic or manual? That your skin always in the afternoon. Integration. The air is empty. Too bad! Hand in hand on their lonely way. Alaska! Chapter 12 May 5, 2001 [10:00-10:30] A dust cloud on a hill. Globe. Indian (British) (tie) / pope. Damascus. Rape. We’re carrying the ayatollah’s portrait through the streets. At the moment the girl is mostly suede jacket with white ribbons on her sleeves. A small explosion flares up/impact. Camouflage. Close up. We’re analyzing the situation. He’s dead right? Dead dead. Dead. Everything without, these, and only with the body. Indices signal death. Dollar bills are printed in factories. Holes. Light patch. Globe in a box. Microphone. What’s the situation? Grey impact on a green hill (field?). The water is blue. He has no lips. Interns on the background with skirts that are too long. This is an example of a sonnet. An Islamic woman pushes against the door of an electronics shop. Arrows (percentages (prices)). Is this what awaits the American? Touch screen interface. The word, an island, can only be a sign in that situation. We pull up a chair, join in on the fun. On the shelves only books about computers. One glance in the distance is enough to lighten up a luna park in the distance. She’s really desperate, especially when she laughs. Click. Ah. Next. And now it’s raining, but that’s ok. Yellow stains sliding over the south. Shallow caves light: clothes, boots, electrical equipment. 45. 22:10. Nothing gives you the right to eat more than people starving to death. The Hague. Slam dunk. Traffic light. Two H’s, one L (standing for the L (little prick)). We’re happy to say something. Clouds, small suns, temperatures, cities. The truth is never an excuse. Yellow. Yellow. Green. Yellow. Yellow. Yellow. Yellow. Green. Green. Yellow. Will you email me? Skeleton: “No.” Ex-nerds in brand-new and brightly red sport cars. $$$. I love. Shihab. Hooves in the sand. Skinny senior with over-sized sunglasses; old jockey (cap, trophy) smiling in slow motion. And there I am again, flashback, crying with my head in between my hands. Sometimes I’ve got the feeling that cannibals. Eyes: blue. Cancer. Why would I wait until tomorrow? Golden beams protruding from the lifted/lit earth. May 5, 2001 [11:30-12:45] You’ll remember this for the rest of your life. Graphs, diagrams. Bu$ine$$. Blue shirt, white collar, no neck (porn star). A name lights up. I’m hysteric. Will you join us? Letters falling in their words. Fingers set up a tent and start to dance. Young entrepreneurs from poor neighborhoods (read: black) guided by Microsoft. Kinda makes me happy, that sort of kitsch. A sense of exhaustion/impotence to see anything but the present. (…) Wouldn’t you like to? Orange explosion in an industrial zone. YOU’RE DOING THIS FOR AMNESTY INTERNATIONAL. Would you. A familiar face. Clouds and blossom. Sunflowers. Supermodels. Mountainous area in a rectangle: shades of brown, from dark to beige, more green toward the south. Tents and next to them (it’s all a blur) people. Plane. Stadium. Geometrical block of people. No, I ain’t crying. I don’t speak no more. I just want. Quote + photo. (Positive:) screaming crowd. Three-piece suit, seen from the back, before entering the arena. On the back: “Daddy abused me.” Oh, bummer. State of emergency has been declared and everyone has to cooperate. She’s cut her wrists. What we do know (…) is that there’s never been a unique word, an imperative name, nor will there ever be. [Click here for work that suits you.] Barefooted children are watching it (coherent pieces revelation of what’s lying below). Who knows how she’s changed during those two years. “Everything used to be better” + sigh. And here we are. An empty field of parquet. A city lying behind it. Explosion. Blue. A rain drop falling in my coffee. May 5, 2001 [14:30-15:30] A young Arafat on video speaking with raised finger. “I’m calling from my convertible.” Names on walls, victims, numbers… Tourists. Yellow. Yellow. “Your own child! Really, what kind of human are you?” I don’t want to hear it no more. A woman jumping out of the water in a yellow bikini against a background of fireworks and the Cheops pyramid. Thy sorrow shall become good fortune, thy complaints laudation. All planets will float and wander. Wo die Welt zum Bild wird, kommt das System (…) zur Herrschaft. It is something, but is it? May 5, 2001 [18:30-19:00] Iris. Leaves. NASDAQ. Open / and white and. For the one who’s doing nothing, just waiting. (…) NO DEFEAT is made entirely up of defeat -- since / the world it opens is always a place / formerly / unsuspected. October 2002. “Jeroen, I’m leaving for the cemetery, byeeee.” The rise of the middle class. My entire oeuvre is an ode to the. My entire head is a fight against the. God always demands what you cannot sacrifice. You may take that the easy way, but… “The state hasn’t made us, but we make the state” (Hitler). A stork exits the elevator. Skeletons of. Moscow. Helsinki. Palermo. Paris. Chapter 30 Like your paradises: nothing. United Desire, as only remaining superpower. And even though the sea is now calmer and the wind is blowing pleasantly in my face… Heart! Who determines whether a tradition is “alive”? The yellow leaf or the white branch? Mars. This sentence is a typical example. Most Dutch people are happy. No consolation. When I see a girl sitting at a table with a book, a notepad, a pen, a bottle of mineral water, her hand writing in the light—then I consider that one thing. “Presents,” “poetry,” “classics.” We are what we cannot make from ourselves. “Left”: mendicant orders, missionaries. Saint-Just: “A republic is founded on the destruction of its enemies.” She crosses the street with a banana peel between her fingers. (…) We chose our own wardens, torturers, it was us who called all this insanity upon ourselves, we created this nightmare… But “no”? Girl (just like a beach ball) talking rapid Spanish (Portuguese?) in a mobile phone. Do I have a chance now that her boyfriend is getting bold? CLIO, horny bitch. What else do you want? An old woman, between the doors of the C1000, is suddenly unable to go on; her husband stretches out his hand, speaking a few encouraging words. Selection from. Der Führer schenkt den Jüden ein Stadt. How can it reach us if we haven’t been already reached somehow? It doesn’t “speak.” No problem. Each word she uses is a small miracle, as if she doesn’t belong to it, to language, but wanders around with a pocket light looking for the exit; she’s never desperate (maybe a little nervous), lighting up heavy words from the inside. But indeed, we’re free. But the predicate is not an attribute, but an event, and the subject is not a subject, but a shell. That’s why also samurai, knights, and warriors raised the blossom as emblem: they knew how to die. Locked up in a baby carriage with a McDonald’s balloon. Blue helicopter, the blue sky. Whether you want to refer? The point is. How / Motherfucker can I sing a sad song / When I remember Zion? You’ll feel so miserable and worthless that you think: “If only I were dead!,” or: “Just put an end to it!” “So you’re an economist?” Her card—two little birds building a nest, her handwriting shaking—is still on the mantelpiece. Guevara: “No, a communist.” A straw fire, such was our life: rapidly it flared up, rapidly it passed. I’m fleeing, coming from nowhere. (…) Eazy-E drinking coffee with the American president. If I’d scream, would that be an event? Drown it: the cleaner it will rise up from the depths. No! The night, so fast… As if there’s something opened up in that face. Come on, we may not curse life. He shows me his methadone: “If you drink that all at once, you’ll die instantly.” The last one dictates how we should behave to deserve happiness. One shine / above the earth. “I want to go to Bosnia,” I said bluntly. I don’t even know the name of the current mayor. Let’s despise our success! “There is no future; this is the future. Hope is a weakness that we've overcome. We have found happiness!” Sun. Sushi. Volvo. I feel like a bomb about to explode at any moment. Makes a difference for the reconstruction right? The decor moves forward. Daughter of Nereus, you nymphs of the sea, and you Thetis, you should have kept his tired head above the waves! Alas! This sentence has been written wearing a green cap. I receive my orders from the future. A frog jumps into it. Her husband has turned the Intifada, which he follows daily on CCN, into his hobby, “to forget that he doesn’t have his driver’s license yet." Suddenly the sun slides over the crosswalk. Her (his?) foot is playing with the slipper under the table. Is this how I’m writing this book now? I’m not a fellow man. I hate you and I want to hurt you. These are my people. Their screaming doesn’t rise above the constantly wailing sirens which we've learned to ignore. My whole body became warm and suddenly started to tremble. Unfortunate is he who is standing on the threshold of the most beautiful time, but awaits a better one. Arafat’s “removal” is contrary to American interests. Jeep drives into boy. What you can do alone, you should do alone. A food gift from the people of the United States of America. Two seagulls. [...]. (shrink)

The question addressed here is how Aristotle can characterize the ‘unmoved mover’ that is the ‘first ousia’ and first principle of his metaphysics not only as being alive, but as a model for the best kind of human life. The first step towards understanding this characterization is the distinction between ‘motion’ and ‘activity’ that Aristotle develops in 6th chapter of Metaphysics. Only on the basis of this distinction can we understand how the unmoved mover can be active without being (...) in motion. The second is the argument in De Anima that the soul as principle of life is not any kind of motion, being unmoved even by itself. The soul indeed ‘moves’ in the sense of causing motion, but while remaining itself unmoved. On this basis we see that the meaning of ‘life’ in us is not fundamentally different from its meaning in the divine, and that therefore we can indeed find in the ultimate object of metaphysics a model for how we ourselves are to live. (shrink)

We study the life story of a former SS Leibstandarte soldier and we focus on the way the narrator deals with face threats by negotiating his identity constructions. The interviewee positions himself as a sportsman and an ignorant soldier, thus constructing denial of knowledge of and agreement with Hitler's ideology. These identities can be considered to be complementary, but they are built in quite different ways: the narrator explicitly presents himself as a sportsman, but mitigates his implicit construction of (...) ignorance. Given the social and historical context, this contrast in degree of explicitness is expected since the ignorance claim has been the subject of many previous discourses and debates of this subject. (shrink)

Lipsius’ De constantia, 17th Century Still Life Painting and the Use of Constancy Today. The present article revisits the main ideas from Justus Lipsius’ De constantia in the light of the present ongoing pandemic. Through his interest for the Stoics, Lipsius was able to contribute to a more general and European interest towards this topic, reviving the Stoic philosophy under the name of Neostoicism. The influence of his ideas can be seen in some art production, especially the one that (...) is connected to the places where Lipsius lived and it is a testimony to their popularity and the various ways of transmitting them. Even if the Stoic ideal remains an ideal, the Neostoicism of Justus Lipsius is meaningful in as much as any philosophy that deals with crises because it can help us view the text from both its relevancy and our recent general experience. The isolation, the anxiety, the uneasiness and fear are emotions that have been more or less present in our lives during this pandemic and they require a solution. Constancy is the solution that Justus Lipsius proposes. (shrink)

Historians, the good ones, mark a century by intellectual and social boundaries rather than by the turn of the calendar page. Only through fortuitous accident might occasions of consequence occur at the very beginning of a century. Imaginative historians do tend, however, to invest a date like 1800 with powers that attract events of significance. It is thus both fortunate and condign that Abiology@ came to linguistic and conceptual birth with the new century. Precisely in 1800, Karl Friedrich Burdach, a (...) romantic naturalist, suggested that his coinage Biologie be used to indicate the study of human beings from a morphological, physiological, and psychological perspective.i Many other neologisms of the period (and Burdach issued quite a few) were stillborn or survived only for a short while. Biologie, though, fit the time, and with slight adjustment received its modern meaning two years later at the hands of the Naturphilosoph Gottfried Reinhold Treviranus. In his multi-volume treatise Biologie, oder Philosophie der lebenden Natur (1802-1822), Treviranus announced: AThe objects of our research will be the different forms and manifestations of life, the conditions and laws under which these phenomena occur, and the causes through which they have been effected. The science that concerns itself with these objects we will indicate by the name biology [Biologie] or the doctrine of life [Lebenslehre].@ii Jean-Baptiste de Lamarck, also in 1802, employed the term with comparable intention.iii In the work of both of these biologists, the word became immediately associated with the theory of the transmutation of speciesCa new term in recognition of the new laws of life. Treviranus thought the progressive deposition of fossils.. (shrink)

In this chapter, I present some philosophical reflections on the theme of the imagination. The main inspiration for these reflections comes from two writers, both of whom are mentioned in Alain de Botton’s (2003) The Art of Travel: Joris-Karl Huysmans and Xavier de Maistre. De Botton uses both of these writers in his book as ‘guides’, people whose work prompts his own ruminations, Huysmans in the first chapter and de Maistre in the last. Speculatively, I infer from this structure that (...) de Botton has identified a similarity in the two writers’ attitudes to the relationship between travel and the imagination such that he regards it as appropriate to begin with one and to end with the other. There is a sense, I speculate, in which the wheel is meant to come full circle in de Botton’s book. Both Huysmans and de Maistre seem to be of the opinion that the nature of the imagination is such that it makes travel possible anywhere, notably and counter intuitively, in the place where travel typically both begins and ends: in the traveller’s own home. As I shall shortly suggest in more detail, Huysmans and de Maistre seem to agree that travelling in the imagination alone is preferable in certain ways to the real thing. Whether or not I am right in my speculative attribution of this observation to de Botton, I want, in this chapter, to extend it. I want to suggest that, although Huysmans and de Maistre do indeed draw similar conclusions about travel, they do so for very different reasons. I argue that Huysmans and de Maistre have radically opposing views of the nature of the relationship between the world of the imagination and the real world and therefore of the relationship between travel and the imagination. Using this contrast as a point of departure, I examine the role of the imagination in de Maistre’s travel literature and draw out its philosophical significance, articulating some philosophical insights de Maistre provides about the nature of the imagination per se and its role in human life. (shrink)

The Vrolik ethnographical collection consisted of roughly 300 skulls, mummified heads, skeletons, pelvises, wet-preserved preparations, and plaster models, collected by Gerard Vrolik (1775–1859) and his son Willem (1801–1863). Most prominent in this collection were the skulls, of which 177 remain in the collection of present-day Museum Vrolik. These skulls—a troubling heritage of colonialism and scientific racism—are the central subjects of this paper, which considers the changing meanings and values of these skulls for racial science over approximately 160 years, between ± (...) 1800 and 1960. These shifting meanings are analysed using the skulls themselves as primary sources, including the labels, numbers and handwriting present on them or their stands. Central topics addressed will be matters of classification, hierarchy, scientific bias, and disciplinary development of racial anthropology from the study and collection of idealized national types to a quantitative craniometry of populations. This paper demonstrates that during 160 years of study of this same set of crania, the skulls of white European origin gradually lost racial relevance and were increasingly normalized, whereas the skulls of dark-skinned people of African descent continued to be categorized in a typological racial scheme and as such were increasingly othered. (shrink)

In the absence of reliable external evidence for the career of Theocritus, scholars, both ancient and modern, have drawn numerous biographical inferences from a wide range of passages in his poems referring to place names, personal names, topographic features, deities and festivals, athletes, even varieties of fish and plant life. This paper argues that most of these belong in the realm of fantasy. Beyond his Sicilian origins and his extended residence in Alexandria, where his main associations are with its (...) royal patrons and its intellectual and literary life, we have little evidence with which to reconstruct the life of Theocritus as a writer. The chronology of his poetic activity is subject to similar uncertainty, although it can be argued that it extended over a longer period of time than many traditional accounts assume. (shrink)

In the preliminary work for his Theses On the Concept of History, Walter Benjamin quotes a passage from Henri Focillon’s La vie des formes, using Focillon’s description of classical style for his own notion of the dialectical image. The Essay locates Benjamin’s surprising reception of Focillon in their common interest in a life of forms, not so much in the sense of aesthetic liveliness as defined by Kant, but in its productiveness of other forms. Focillon’s idea of art history (...) is based on the dynamis or potentiality of artistic shapes giving way to ever new figures and forms. This is not only a key to Benjamin’s concepts of Fortleben/Nachleben in the early Essay The Task of the Translator but also to the ‘dialectical image‘ outlined in the Arcades Project. Benjamin, this Essay argues, refers to Focillon’s life of forms to conceptualise disharmonious and sudden changes of form. (shrink)

Among the extraordinary Polish philosophers of the past one hundred years, Zygmunt Zawirski deserves to be given particular attention for his fusion of analytic and historical scholarship. Strikingly versatile, and con tributing original work in all his fields of competence, Zawirski thought through issues in the philosophical aspects of relativity theory, on the claims of intuitionalistic foundations of mathematics, on the nature and usefulness of many-value Logics, and on the calculus of probability, on the axiomatic method in science and in (...) the philosophy of science, on the genesis and development of scientific and philosophical concepts, and in his crowning achievement, the conceptual history of notions of time. His work has been too little known in English despite the respect which has been so clearly shown by his Polish COlleagues and students. In this generous selection from his papers and from his great critical study L' Evolution de la Notion du Temps, Dr. Irena Szumilewicz-Lachman has provided a clear account of Zawirski's achievement; and she has written a fine comprehensive introductory essay which provides both the personal and historical context of his work and a systematic survey of his principal publications. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:THE SUMMA CONTRA GENTILES RECONSIDERED: ON THE CONTRIBUTION OF THE DE TRINITATE OF HILARY OF POITIERS JOSEPH WAWRYKOW University of Notre Dame Notre Dame, Indiana 0 NE OF THE most difficult and puzzling of Aquinas's works, the Summa contra Gentiles, has occasioned much controversy among scholars.1 Who are the gentiles against whom Thomas is writing? Is the work principally philosophical or theological in character? Why has Thomas delayed discussion (...) of the central Christian truths of Trinity and Incarnation to the fourth and final book of the contra Gentiles? How much credence should be given to the slightly later story (that is, post-Thomas) that Thomas composed the Summa contra Gentiles for "missionary purposes"?-these, and other such questions, have exercised the imagination of numerous students of Aquinas. In the recent literature, Mark Jordan's " The Protreptic Structure of the Summa contra Gentiles,, without doubt offers the most 1 Thomas Aquinas, Liber de Veritate Catholicae Fidei contra errores Infidelium seu 'Summa contra Geiitiles' Vols. II-III. Edited by C. Pera, P. Marc and P. Caramello (Turin: Marietti, 1961). References to the ScG list the book, chapter, and section numbers according to the Marietti edition. P. Marc in Volume I of this edition (Turin: Marietti, 1967), provides an indispensable introduction to the principal issues in the scholarship, with a strong emphasis on the problem of dating; see especially chapter I, article 3. For an English translation, see A. Pegis et al., Summa contra Gentiles, Vols. IIV (Notre Dame: University of Notre Dame Press, 1975). I would like to express my gratitude to the Institute for Scholarship in the Liberal Arts, University of Notre Dame, for a summer stipend that has supported the writing of this atricle. 617 618 JOSEPH WAWRYKOW innovative and promising approach to this controversial work.2 Jordan has raised the study of the contra Gentiles to a new level by identifying its genre through careful analysis. As his title indicates, for Jordan Thomas's Summa contra Gentiles is a protreptic work, an invitation to wisdom, to be precise, an invitation to Christian wisdom. Issued by one Christian to other Christians, the contra Gentiles in this view is a recommendation of the more serious and sustained pursuit of the Christian form of life, a recommendation that includes in its survey of the different layers of Christian wisdom the depiction of the failings of alternative, non-Christian, versions of truth.3 In the hands of Aquinas, this protreptic, moreover, itself becomes a schooling in wisdom (Jordan, p. 209) : in following Thomas in the numerous discrete arguments that constitute the contra Gentiles, the Christian reader will in fact become imbued in Christian wisdom, thus anticipating in the present life the completion of this pursuit of wisdom that will be provided in the beatific vision in the next. Jordan's is a powerful study and, on the basis of its structural observations about the contra Gentiles, both large and local, would seem in its core insight to be fundamentally correct. His recognition of the protreptic structure permits a balanced assessment of the traditional questions addressed to the contra Gentiles (for details, see the article), while highlighting the positive, Christian-theological intentions of Aquinas in composing this work. Yet, by observing two points at which his analysis flags, it will be possible to add to Jordan's genuine contribution. The first of these observations concerns Jordan's treatment of 2 Mark D. Jordan, "The Protreptic Structure of the Summa contra Gentiles," The Thomist 50 (1986) : 173-209. I have benefitted greatly from extended conversations with Professor Jordan about his work on the contra Gentiles. 3 Jordan specifies the term "protreptic" as follows (p. 192): "A protreptic was originally a persuasion to the study and practice of some art or skill; for philosophic writers, it became an exhortation to the practice of the philosophic art, which required virtues of inquiry and contemplation." Later (p. 194), Jordan indicates the ways in which Thomas has transformed ancient protreptic in offering this Christian protreptic. HILARY'S DE TRINITATE AND AQUINAS 619 Aquinas's approach to scripture in the fourth book of the Summa contra Gentiles. That the analysis of Thomas's approach here to scripture needs... (shrink)

Isaac Newton was indisputably one of the greatest scientists in history. His achievements in mathematics and physics marked the culmination of the movement that brought modern science into being. Richard Westfall's biography captures in engaging detail both his private life and scientific career, presenting a complex picture of Newton the man, and as scientist, philosopher, theologian, alchemist, public figure, President of the Royal Society, and Warden of the Royal Mint. An abridged version of his magisterial study Never at Rest, (...) this concise biography makes Westfall's highly acclaimed portrait of Newton newly accessible to general readers. (shrink)

Explores the interplay between ancient wisdom and modern cosmology Connects the philosophy of the I Ching with key recent advances in cosmology, such as the Big Bang theory, Roger Penrose's cyclic conformal cosmology, and his and Stuart Hameroff's cosmic quantum brain dynamics Explains the Taoist cosmology of Heaven-Humanity Oneness in the context of Teilhard de Chardin's evolutionism, Thomas Berry's cosmogenetic trinity, and Brian Swimme's 12 cosmological powers Examines the holographic unity of Heaven, Earth, and Humankind at microcosmic, mesocosmic, and macrocosmic (...) scales Is the universe inert and empty, or is it some way responsive to consciousness? Breathing new life into a question that has perplexed philosophers since ancient times and scientists for the last century, physicist Zhen G. Ma, Ph.D., offers a quantitative "theory of everything" that beautifully integrates ancient I Ching philosophy, Eastern Taoism, modern cosmology, and the quantum brain dynamics of consciousness. Sharing insights from his years of research on space physics and black-hole spacetime at institutions in China, Canada, and the US, complemented by studies in quantum brain dynamics and cosmological powers with Brian Swimme at the California Institute of Integral Studies, Dr. Ma explains how his integrated theory draws primarily on two key paradigms in the philosophy of cosmology and consciousness: Swimme's cosmic creation story of the universe as a green dragon and Roger Penrose and Stuart Hameroff's cosmic consciousness. Extending these theories further, Dr. Ma shows how they harmonize not only with the ancient Eastern philosophy of Heaven-Humanity Oneness, but also with a holographic cosmic principle that connects the quantum-plasma brain with the universe and the Earth with Heaven. He then looks at this holographic unity in the cyclic process of birth, growth, decay, and death and shows how it resonates with Einstein-Friedmann's cosmological dynamics and Hawking-Penrose's quantum gravity model. Demonstrating a quantitative paradigm of everything, Dr. Ma shows how humanity is inextricably and holistically blended into the cosmic fabric of the universe. (shrink)

Interpretations of Anselm's Proslogion range between the extremes of 'rationalism' and 'fideism' because of the challenge of unifying its philosophical and devotional aspects. In this book, Bayer argues that a 'monastic interpretation' - or an interpretation that takes seriously the intellectual significance of our existential commitments - offers a powerful compromise. Through an extensive study of Anselm's spiritualty, especially as it is manifested in his letters and homiletic works, coupled with a profound study of Anselm's philosophy of language in the (...) De grammatico and Monologion, Bayer aims to reveal the Anselmian unity of life and thought, and thereby also the harmony between faith and reason. In this way, he defends the Proslogion as a unified and probative argument. (shrink)

Skillful, sophisticated translations of two of Nietzsche's essential works about the conflict between the moral and aesthetic approaches to life, the impact of Christianity on human values, the meaning of science, the contrast between the Apollonian and Dionysian spirits, and other themes central to his thinking.

The phenomenological movement originates with Edmund Husserl, and two of his young students and collaborators, Edith Stein and Hedwig Conrad-Martius, made a notable contribution to the very delineation of the phenomenological method, which pushed phenomenology in a “realistic” direction. This essay seeks to examine the decisive influence that these two thinkers had on two specific areas: the value of the sciences and certain metaphysical questions. Concerningthe former, I maintain that Stein, departing from a philosophical, phenomenological analysis of the human being, (...) is interested particularly in the formation of the cognitive value of the human sciences. Regarding the latter, Conrad-Martius, given her knowledge of biology, tackled the question of the role and meaning of the sciences of nature. The second question, related to metaphysical themes, became a specific and relevant object of research for both women phenomenologists.It will be investigated by comparing two works, one by each thinker, namely, the Metaphysische Gespräche by Conrad-Martius and Potenz und Akt by Edith Stein. (shrink)

The main aim of this work was initially a modest one, 'to collect information as to the main facts of Hutcheson's life in Dublin prior to his appointment as Professor at Glasgow'. As the materials grew, however, and Scott's interest in Hutcheson deepened, the planned article expanded into a book that has since become the standard biography. The emphasis throughout is on the development of Hurcheson's thought in the context of an ongoing debate with his contemporaries.

Beyond being the first substantial publication on Fourier, this work contains the text of Fourier's seminal paper of 1807 on the propagation of heat, marking the first time it has ever appeared in print. This paper incorporates many of the mathematical creations on which Fourier's fame rests, including derivation of the diffusion equation, the separation of the treatment of surface phenomena from internal phenomena, the use of boundary values and initial conditions, and the development of "Fourier series" and the so-called (...) "Bessel functions."When submitted to the examiners of the Institut de France, the originality of the paper and the surprising nature of some of its mathematical revelations caused great controversy, and it was denied publication both in 1807 and in later years. Fourier had the support, among the examiners, of Laplace and Monge, but Lagrange was adamantly in opposition, so that Fourier's work did not appear in print until 1822, reworked into book form.Fourier's mathematical discoveries are intimately related to his interest in the solution of physical problems and their experimental verification. The mathematical methods he developed in connection with heat diffusion apply to physical situations far beyond the boundaries of this area. Generally, Fourier may be credited with one of the first major extensions of mathematical physics beyond the applications of Newton's laws of motion and universal gravitation.The opening biographical chapter of this book follows Fourier's career up to the submission of the 1807 paper, and the two closing chapters take up his life and work from that point on. Fourier had strong political motivations and spent much of his life in the public service. These chapters trace his political difficulties, both before and after 1807, when he was the prefect of a department of France and was subjected to the dislocations of Napoleon's ups and downs. These chapters also describe aspects of the turbulent but productive development of French science from the Revolution to 1830.The core of the book presents the paper of 1807 in its original French and with the original notation. Grattan-Guinness has divided the paper into sections by the sequence of the problems taken up, and he introduces and, where necessary, closes each section with commentary relevant to Fourier's later work in these areas. The paper itself (cllows the chronology of Fourier's discoveries, and among the topics treated are, in this order: heat diffusion between disjoint bodies and in continuous bodies; the appearance of partial differential equations; the special solution for the lamina; sine and cosine series for an arbitrary function; reflections on the vibrating string problem; solution for the annulus; the full Fourier series for an arbitrary function; reflections on n-body analysis; solution for the sphere; solution for the cylinder; steady-state diffusion in the rectangular prism; time-dependent diffusion in the cube; and Fourier's experimental work. (shrink)