Imaginary worlds are extremely successful. The most popular fictions produced in the last few decades contain such a fictional world. They can be found in all fictional media, from novels (e.g., Lord of The Rings and Harry Potter) to films (e.g., Star Wars and Avatar), video games (e.g., The Legend of Zelda and Final Fantasy), graphic novels (e.g., One Piece and Naruto), and TV series (e.g., Star Trek and Game of Thrones), and they date as far back as ancient (...) literature (e.g., the Cyclops Islands in The Odyssey, 850 BCE). Why such a success? Why so much attention devoted to non-existent worlds? In this paper, we propose that imaginary worlds co-opt our preferences for exploration, which have evolved in humans and nonhuman animals alike, to propel individuals toward new environments and new sources of reward. Humans would find imaginary worlds very attractive for the very same reasons, and under the same circumstances, as they are lured by unfamiliar environments in real life. After reviewing research on exploratory preferences in behavioral ecology, environmental esthetics, neuroscience, and evolutionary and developmental psychology, we focus on the sources of their variability across time and space, which we argue can account for the variability of the cultural preference for imaginary worlds. This hypothesis can, therefore, explain the way imaginary worlds evolved culturally, their shape and content, their recent striking success, and their distribution across time and populations. (shrink)

Cancer patienthood and survivorship are often narrated as stories about hair and wigs. The following article examines cultural representations of cancer in mainstream memoirs, films, and on TV across Western European and American contexts. These representations are both the ideological substrate and a subtly subversive staging of a newly globalized cancer culture that expresses itself as an embodied discourse of individual experience. Wigs have become staples of an alternative story of especially women’s cancer experience, one that contrasts with the (...) advertising slogans of what has been termed ‘Cancer Inc.’ But wigs are also a prop for consumerist self-(re)invention and can be appropriated stereotypically, with regard to stock gendered expectations – despite and alongside their subversive potential. (shrink)

Cities around the globe are immersed in transnational projects of place reconfiguration and attraction. Urban places, intent on competing in the globalized experience-based economy, undertake identity projects—on-going, dynamic processes through which places are produced and reproduced by conscious strategies of place making and identity building (see, for example, Nyseth and Viken 2009). In this article, I employ Henri Lefebvre’s conceptions of a “right to the city” in order to explore the right to full participation in imagining and shaping urban futures. (...) Spatial practices, such as those I term civic tinkering, may offer one way to help enable such imagining.My discussion draws from scholarship on imaginaries and place identity, as well as on my own qualitative field studies conducted in Roanoke, Virginia, in the United States, and Belfast, Northern Ireland in the United Kingdom. While my precise research questions differed in these two sites, I explored, in each instance, the processes of place identification and development centered on arts and culture, and the extent to which marginal groups and their concerns were engaged or considered in such processes. I also explore “tinkering” as a set of activities that hold potential for residents to more fully participate in the urban project byconstructing, altering, and disrupting spatial meanings. Tinkering may be any impermanent, unsanctioned, and informal activity endeavoring to positively alter a city’s identity. Henri Lefebvre described the relevance of such practices in his vision of the city as oeuvre, or ongoing project. (shrink)

In the face of enduring crisis phenomena, quantitative evidence of the renewed salience of socio-economic agendas advanced by radical right populist parties calls for more qualitative research work and in-depth case studies. The present paper aims to contribute to filling this gap through a cultural political economy (CPE) investigation of the Italian League (Lega) party that foregrounds its socio-economic positioning by reconstructing the party’s ‘economic imaginary’. The suggested synergy between CPE and a critical discourse analysis of the League’s (...) practical argumentation in the 2013 and 2018 electoral manifestos points to a composite economic imaginary that prioritizes: 1) production (vs financialization); 2) support of internal demand; 3) lowering of fiscal pressure; 4) protectionism and 5) welfare. The analysis shows how, under Salvini’s leadership, the party’s practical argumentation in EU matters has become constitutive of its overall political strategy and so exacerbated the claims at the core of the respective economic imaginary. In this vein, the League’s Euroscepticism has also polarized the relationship between the party’s socio-economic and socio-cultural stance, thus urging to go beyond the focus on economic imaginaries and sketch out a CPE research agenda on the League’s more encompassing struggle for hegemony in the Italian political economy. (shrink)

Through readings of iconic figures such as the cannibal, the child, the alien, and the posthuman, Gabriele Schwab analyzes literary explorations at the boundaries of the human. Treating literature as a dynamic medium that "writes culture"--one that makes the abstract particular and local, and situates us within the world--Schwab pioneers a compelling approach to reading literary texts as "anthropologies of the future" that challenge habitual productions of meaning and knowledge. Schwab's study draws on anthropology, philosophy, critical theory, and psychoanalysis to (...) trace literature's profound impact on the cultural imaginary. Following a new interpretation of Derrida's and Lévi-Strauss's famous controversy over the indigenous Nambikwara, Schwab explores the vicissitudes of "traveling literature" through novels and films that fashion a cross-cultural imaginary. She also examines the intricate links between colonialism, cannibalism, melancholia, the fate of disenfranchised children under the forces of globalization, and the intertwinement of property and personhood in the neoliberal imaginary. Schwab concludes with an exploration of discourses on the posthuman, using Samuel Beckett's "The Lost Ones" and its depiction of a future lived under the conditions of minimal life. Drawing on a wide range of theories, Schwab engages the productive intersections between literary studies and anthropology, underscoring the power of literature to shape culture, subjectivity, and life. (shrink)

We received several commentaries both challenging and supporting our hypothesis. We thank the commentators for their thoughtful contributions, bringing together alternative hypotheses, complementary explanations, and appropriate corrections to our model. Here, we explain further our hypothesis, using more explicitly the framework of evolutionary social sciences. We first explain what we believe is the ultimate function of fiction in general (i.e., entertainment) and how this hypothesis differs from other evolutionary hypotheses put forward by several commentators. We then turn to the proximate (...) features that make imaginary worlds entertaining and, therefore, culturally successful. We finally explore how these insights may explain the distribution of imaginary worlds across time, space, age, and social classes. (shrink)

The author starts by noting a discourse that is widespread but more or less diffuse in the media and certain contemporary political and intellectual quarters, and which has to do with ‘the permanence of the religious’: according to an idea now current, the religious might be resistant to the process of secularization of civil society, because of its psychological and existential implications, or if seen as a universal, irreducible component of human culture. The author analyses the different aspects of this (...) discourse, puts them into perspective in order to draw out their intellectual and political elements and attempts to reconstruct their historical and cultural origins and show how the refusal to historicize ‘religion’ is expressed today through various types of scientific argument coming out of the human and social sciences (arguments which appeal, for example, to the Latin concept of ‘civilization’, or the Germanic one of ( ‘Kultur’). (shrink)

The role of the cultural anthropologist in studying the results of information technology and artificial intelligence should be to contribute and reaffirm a sense of life which considers the human being in his or her totality, and to recognize the role of diversity and the imaginary. Technical revolutions have also proved to be cultural revolutions.The skills required by one culture, the identification and creation of problems and the solutions are interrelated. These interrelationships are worked out in a (...) cultural context endowed with its own experiences, knowledge and needs which define and make it different from other societies. The advanced technologies require new competences and new skills.This paper examines imaginary from two different viewpoints: (a) the imaginary aspect of body-mind relations, influenced by research into artificial intelligence and its prospects for the future; and (b) the roles and forms assumed by the imaginary in human-computer relations. (shrink)

Chicanas and Mexican women share a history of colonialism that has (a) sustained oppressive constructions of gender roles and sexuality, (b) produced and reproduced them as racially inferior and as able to be silenced, conquered, and dominated physically and mentally, and (c) contributed to the exploitation of their labor. Given that colonialism has also come to shape the way young women of Mexican heritage learn in mainstream US schools, informal education from everyday women's conviviality and solidarity becomes a pivotal context (...) in which they can learn how to reconstitute colonial legacies. We examine how a group of Mexican working-class immigrant women at home and in a sweatshop fashion a girl named Ana, the main character in the popular film Real Women Have Curves, into a confident young woman who engages in what Pérez (1999, 2003) refers to as empowering and dynamic decolonial ways of seeing, knowing, doing, being, and reconstituting. In spite of its contradictions that, at times, assist in reproducing Ana as an oppressed laborer, it is their doing that helps produce her as a woman who engages in decolonial practices by facilitating her to deftly negotiate an oppressive economic and patriarchal space, a mainstream feminist space, and a space where their embodiments and creative cultural discourse, practices, and beliefs shine. As such, the film provides a powerful counterstory (Delgado 1989) that disrupts the chokehold of the logic of colonialism and how it seeks to classify, stereotype, and control young women like Ana. (shrink)

This article takes a moment of intercultural exchange, first reported as "The Writing Lesson" by Claude Lévi-Strauss in Tristes Tropiques and later explored by Jacques Derrida in Of Grammatology, as the occasion for further reflection on the role played by the aesthetic in what it terms intercultural transference. Transference occurs whenever unconscious desires, fantasies or patterns of being and relating are enacted in an interpersonal or intercultural encounter, including the indirect encounters between literary or artistic objects and their recipients. It (...) emerges as a largely unconscious operation designed to bridge, close, fill or deny the inevitable gaps in knowing another person or another culture, and to manage the affects such gaps bring forth. Intercultural transference provides a framework to read "The Writing Lesson" differently and suggests a theoretical model able to account for the complex performances of intercultural transference that enter any exchange or translation between cultures. (shrink)

This book takes on current perspectives on transnationalism and children's relationships to media, childhood, and markets in converging global worlds. It introduces the idea of multi-sited imaginaries to explain how children's media and literacy performances shape and are shaped by shared visions of communities that we collectively imagine, including play, media, gender, family, school, or cultural worlds. It draws upon elements of ethnographies of globalization to examine the convergences of such imaginaries across multiple sites: early childhood and elementary classrooms (...) and communities in Puerto Rico and the Midwest United States. The analysis situates children's literacy and play practices in the intersections of local/global, rural/urban, Spanish/English/multilingual, and Latino multinational media/US multinational media, revealing how children use drama and pretense to relocate, take up, contest, and consume global media and consumer identities. (shrink)

This volume combines rigorous empirical and theoretical analyses with political engagement to look beyond reductive short-hands that ignore the historical evolution and varieties of Islamic doctrine and that deny the complexities of Muslim societies' encounters with modernity itself. Are Islam and democracy compatible? Can we shed the language of 'Islam vs. the West' for new political imaginaries? The authors analyze struggles over political legitimacy since the Arab Spring and the rise of Al Qaeda and ISIS in their historical and political (...) complexity across the MENA (Middle East and North Africa) region. Distinguishing multiculturalism from interculturalism and understanding multiple modernities, philosophers in the volume tease out the complexities of civilizational encounters. The volume also shows how the Paris massacres or the Danish caricature controversy do not remain confined to Europe but influence struggles and confrontations within Muslim societies. Gender and Islam are addressed from a comparative perspective bringing into conversation not only the experience of different Muslim countries with Islamic law but also by analysing Jewish family law. (shrink)

Volume 20, Issue 1, February 2019, Page 88-94.

A collaborative article by the Editorial Collective of Social Imaginaries. Investigations into social imaginaries have burgeoned in recent years. From ‘the capitalist imaginary’ to the ‘democratic imaginary’, from the ‘ecological imaginary’ to ‘the global imaginary’ – and beyond – the social imaginaries field has expanded across disciplines and beyond the academy. The recent debates on social imaginaries and potential new imaginaries reveal a recognisable field and paradigm-in-the-making. We argue that Castoriadis, Ricoeur, and Taylor have articulated the (...) most important theoretical frameworks for understanding social imaginaries, although the field as a whole remains heterogeneous. We further argue that the notion of social imaginaries draws on the modern understanding of the imagination as authentically creative. We contend that an elaboration of social imaginaries involves a significant, qualitative shift in the understanding of societies as collectively and politically-instituted formations that are irreducible to inter-subjectivity or systemic logics. After marking out the contours of the field and recounting a philosophical history of the imagination, the essay turns to debates on social imaginaries in more concrete contexts, specifically political-economic imaginaries, the ecological imaginary, multiple modernities and their inter-civilisational encounters. The social imaginaries field imparts powerful messages for the human sciences and wider publics. In particular, social imaginaries hold significant implications for ontological, phenomenological and philosophical anthropological questions; for the cultural, social, and political horizons of contemporary worlds; and for ecological and economic phenomena. The essay concludes with the argument that social imaginaries as a paradigm-in-the-making offers valuable means by which movements towards social change can be elucidated as well providing an open horizon for the critiques of existing social practices. (shrink)

Culture has been at the core of many recent developments in the social sciences, particularly after the so-called ‘linguistic turn’. This has also been seeping into discussions about the relation between culture and politics. The present paper proposes a specific theoretical approach in this respect. It mobilizes Castoriadis’s concept of the ‘imaginary’, as well as those of ‘collective subjectivity’ and ‘social creativity’. It also makes use of the rich case of ‘populism’, more generally, and Peronism, more specifically, so as (...) to make clear its workings in a sociological strategy that unfolds in both the theoretical and the empirically-oriented domains. The paper offers an alternative to Alexander’s and Laclau’s approaches to culture and politics. (shrink)

This article seeks to situate pharmacological cognitive enhancement as part of a broader relationship between cultural understandings of the body-brain and the political economy. It is the body of the worker that forms the intersection of this relationship and through which it comes to be enacted and experienced. In this article, we investigate the imaginaries that both inform and are reproduced by representations of pharmacological cognitive enhancement, drawing on cultural sources such as newspaper articles and films, policy documents, (...) and pharmaceutical marketing material to illustrate our argument. Through analysis of these diverse cultural sources, we argue that the use of pharmaceuticals has come to be seen not only as a way to manage our brains, but through this as a means to manage our productive selves, and thereby to better manage the economy. We develop three analytical themes. First, we consider the cultural representations of the brain in connection with the idea of plasticity – captured most graphically in images of morphing – and the representation of enhancement as a desirable, inevitable, and almost painless process in which the mind-brain realizes its full potential and asserts its will over matter. Following this, we explore the social value accorded to productive employment and the contemporary (biopolitical) ethos of working on or managing oneself, particularly in respect of improving one’s productive performance through cognitive enhancement. Developing this, we elaborate a third theme by looking at the moulding of the worker’s productive body-brain in relation to the demands of the economic system. (shrink)

Mobile technologies and networks facilitate the delocalization of traditional power structures within an economic frame. This shift usually incorporates the discourse of the body creation as well. Our bodies are constructs in which individuals as well as and social perceptions and projections, reality and fiction fuse together. In a similar way, we doubt about the representation of reality and highly editable and generative images. Nonetheless, some forms of bio-power can be identified in contemporary constructed mental images such as race or (...) ethnicity usually linked to religious or linguistic differences that are traditionally used as borderline zones. Many examples can be traced back to representations of both fauna and populations of the new world in colonial America. This phenomenon has also emerged in representations of cyberspace even though Internet is advertised as a place in which traditional distinctions and imbalances in power between individuals have been effaced. If Zizek's statement is true that in order to capture the spirit of an age you should not look to explicit social structures but rather to the ghosts that haunt us, and live in a region of nonexistent entities, the topic of globalization should not put aside issues of immigration and multiple representations of race. This situation is inherent to the present and future construction of both cyberspace and public physical space. Media imaginaries create a myriad of information that also includes artificial savages. This fact constitutes what some artists provocatively call a rather explosive universe of cultural misunderstanding under a new world border. (shrink)

The Counterhuman Imaginary proposes that alongside the historical, social, and institutional structures of human reality that seem to be the sole subject of the literary text, an other-than-human world is everywhere in evidence. Laura Brown finds that within eighteenth-century British literature, the human cultural imaginary can be seen, equally, as a counterhuman imaginary—an alternative realm whose scope and terms exceed human understanding or order. Through close readings of works by Daniel Defoe, Jonathan Swift, and Alexander Pope, (...) along with lapdog lyrics, circulation narratives that give agency to inanimate objects like coins and carriages, and poetry about the Lisbon earthquake of 1755, Brown traces the ways presence and power of the nonhuman—weather, natural disasters, animals, even the concept of love—not only influence human creativity, subjectivity, and history but are inseparable from them. Traversing literary theory, animal studies, new materialism, ecocriticism, and affect theory, The Counterhuman Imaginary offers an original repudiation of the centrality of the human to advance an integrative new methodology for reading chaos, fluidity, force, and impossibility in literary culture. (shrink)

Imaginary is, in Taylor's thought, a category of understanding social praxis and the reasons people give to make sense of these practices. The ultimate reason is the hypergood, which influences the strong decisions. Those strong evaluations outline the moral framework from which people address their own lives and the lives of others. We only recognize our cultural framework as an `imaginary' — challenging the supposition it is something `objective' — when others make their apparition in our lives. (...) After the encounter nobody remains the same; something in our imaginary has changed. The outcome of this process is the `best account' we have to make sense of our life. If we accept the category of `imaginary' and the process of `best account' as accurate enough to address Latin American reality, the problem we have to solve is how we can find out a Latin American social imaginary. (shrink)

The prospect of human societies being made anew on other planets is a powerful recurring theme in popular culture and speculative technoscience. I explore what Science and Technology Studies offers to analyzing how the future is made and contested in present-day endeavors to establish humans as multiplanetary subjects. I focus on the case of Mars One—an initiative that aims to establish a human settlement on Mars in the 2020s—and discuss interviews undertaken with some of the individuals who have volunteered to (...) be the first humans to live on Mars, drawing on STS work on futures and sociotechnical imaginaries and scholarly discussions of utopia. Seeing themselves as part of a project that would start to “establish what it means to live on another planet,” I discuss how interviewees talked about how sociotechnical relations could be remade in the future, both on Earth and on Mars, through the pursuit of this technoscientific project. I conclude that this project is an expression of a multiplanetary imaginary of human beings no longer subject to Earth—but, through sociotechnical inventiveness, able to live on other planets. (shrink)

Bioart is a form of hybrid artistico-scientific practices in contemporary art that involve the use of bio-materials (such as living cells, tissues, organisms) and scientific techniques, protocols, and tools. Bioart-works embody vulnerability (intrinsic to all beings) and depend on (bio)technologies that allow these creations to come into being, endure and flourish but also discipline them. This article focuses on ‘semi-living’ sculptures by The Tissue Culture and Art Project (TC&A). TC&A’s artworks consist of bioengineered mammal tissues grown over biopolymer scaffoldings of (...) different shapes and require sterile conditions of a bioreactor and constant care in order to survive. The article explores how bioart-works are always already intertwined with multiple (bio)technologies and techniques of care and labour, forming specific feminist technoecologies that challenge conventional bioscientific and cultural imaginaries of embodiment and the relation between physis and techné. TC&A’s sculptures expose life as the non/living: the processual enmeshment of the organic and inorganic, living and non-living, and growth and decay. The article argues that thinking with and through the feminist technoecologies of bioart mobilises philosophical inventiveness: not only does it problematise the entwinement of technology and biomatter and of culture and nature, but it also prompts us to rethink the ontology of life. (shrink)

This article provides a sociological explanation for urban “greening,” the normative practice of using everyday signifiers of nature to fix problems with urbanism. Although greening is commonly understood as a reaction against the pathologies of the industrial metropolis, such explanations cannot account for greening’s recurrence across varied social and historical contexts. Through a study of greening in Germany’s Ruhr region, a polycentric urban region that has repeatedly greened in the absence of a traditional city, I argue that greening is made (...) possible by a social imaginary of nature as an indirect or moral good, which I call urbanized nature, that is an outcome of, and subsequently becomes a variable in, urbanization. I draw on processual accounts of urbanization and the sociology of morality to explain urbanized nature’s emergence in the Ruhr at the beginning of the twentieth century, and its use to fulfill two competing visions of urban democracy in the postwar period. I find that rather than an ideological reaction against cities, greening is an aspirational practice that can be mobilized by a range of actors in a variety of places and times. By showing how a new social imaginary made new forms of moral action possible and how those ideals were then materialized in urban space, this article draws attention to the role of cultural imaginaries in urban change and to the material consequences of moral beliefs. (shrink)

This paper discusses the formation of Castoriadis’s concept of imaginary significations and relates it to his changing readings of Marx and Weber. Castoriadis’s reflections on modern capitalism took off from the Marxian understanding of its internal contradictions, but he always had reservations about the orthodox version of this idea. His writings in the late 1950s, already critical of basic assumptions in Marx’s work, located the central contradiction in the very relationship between capital and wage labour. Labour power was not (...) simply transformed into a commodity, as Marx had argued; rather, the instituted attempt to treat it as a commodity was a contradiction in itself, between the subjectivity and the objectification of labour. Castoriadis then moved on to link this claim to Weber’s analysis of the interconnections between capitalism and bureaucracy. The main contradiction of modern capitalism, whether wholly bureaucratised as in the Soviet model or increasingly bureaucratised as in the West, now seemed to be a matter of incompatible systemic imperatives: the need to control and to mobilise the workforce. Finally, difficulties with this model – and with the revolutionary expectations based on it – led to a more decisive break with classical theories and to the formulation of a bipolar image of modernity, where the vision of an autonomous society is opposed to the logic of calculation and domination, embodied in capitalist development. On both sides there is an imaginary component, irreducible to empirical givens or systemic principles. In this regard, Castoriadis remained closer to Weber than to Marx, but he also anticipated, in a distinctive way, later emphasis on the cultural dimension of modernity, and more specifi cally the notion of modernity as a new civilisation. (shrink)

Existe-t-il véritablement, du point de vue cognitif et épistémologique, une distance insurmontable entre grandes et petites mythologies, entre les récits fondateurs sur lesquels reposent nos références culturelles et littéraires et toutes ces métaphores qui façonnent et orientent en profondeur nos expressions langagières et les objets qui nous entourent et qui, elles aussi, racontent une histoire? Si aucune société ne peut vivre sans mythes, nul ne saurait vivre ni signifier sans métaphore. Et si Œdipe ou Philoctète sont des signifiants lourds de (...) sens capables de générer une pléiade de configurations poétiques sans cesse renouvelées, Levi’s, Coca-Cola ou Apple ne sont pas moins, bien qu’à une dimension et à un degré différent, des noms qui se sont progressivement érigés au statut de mythes contemporains grâce à une habile stratégie où image et récit fondateur se renforcent et se légitiment réciproquement. En tant que force qui harmonise l’ordre et le désordre, le chaos et le cosmos, la symétrie et la dissymétrie, la Loi et la dimension de la fête et du jeu, Apollon et Dionysos, la vie intérieure et l’expérience du monde ; bref, en tant que principe médiateur et réunificateur de l’univers, de la forme et du sens, la métaphore est ainsi l’un des noms possibles de l’imaginaire. L’autre nom, c’est évidemment l’Amour. En effet, du Moyen Âge à l’époque contemporaine, l’amour, en tant que construction à partir d’une image-écran médiatrice, est toujours une quête du sens, un acte de signification, c’est-à-dire un processus dynamique mettant en relation les éléments disjoints du monde et de notre expérience. From a cognitive and epistemological perspective, does an insurmountable distance really exist between big and small mythologies, between founding narratives on which our cultural and literary references are based, all of the metaphors that fashion and orient the depth of our linguistic expression, and the objects that surround us, which, in their own way, tell a story? A society cannot live without myths; nor would one know how to live or to signify without metaphors. If Oedipus or Philoctetus are heavily loaded with meaning and capable of generating a constellation of constantly renewing poetic configurations, Levi’s, Coca-Cola or Apple do no less. Despite being at a different dimension and degree, these names have been progressively built up to the status of contemporary myths by way of a clever strategy in which image and founding story provide reciprocal reinforcement and legitimization. As a harmonizing force of order and disorder, of chaos and cosmos, of symmetry and asymmetry, of the Law and the dimension of party and play, of Apollo and Dionysus, of interior life and the experience of the world, in short, as a mediating and reunifying principle of the universe, of form, and of meaning, metaphor is one possible name for the imaginary. Its other name is, obviously, Love. In fact, from the Middle Ages to contemporary times, love, as a construction growing forth from a mediating image-screen, has always been a quest for meaning, an act of signification, a dynamic process connecting the fractal elements of our world and of our experience. (shrink)

Travelling through various historical and geographical contexts, Social Imaginaries of Space explores diverse forms of spatiality, examining the interconnections which shape different social collectives. Proposing a theory on how space is intrinsically linked to the making of societies, this book examines the history of the spatiality of modern states and nations and the social collectives of Western modernity in a contemporary light. Debarbieux offers a practical exploration of his theory of the social imaginaries of space through the analysis of a (...) number of case studies. Advanced geography scholars will find the analysis of space and its impact on societies a valuable tool in understanding the ways in which space, culture and behaviour interact. Historians of Western modernity will also benefit from Debarbieux's analysis of case studies that impact modern life. (shrink)

The article presents a theoretical discussion and sociological analysis about the tensions in the building of social sex/gender relationships that are at the basis of the exclusion of women within the political field. It shows contents in dispute in the production of politics, considering the weight that categories play in the relations at a global level and in the school, the attributions inside the system sex/gender, the significations in politics, and the modes in which it is subjectified, resisted and confront (...) different logics to understand life and politics, considering the conceptual distinctions between Bíos and Zoé. This discussion allows the analysis of the imaginary institution within systematic difficulties and obstacles of political and legal kind during the post dictatorship in Chile, where based on arguments about the sex/gender system, the exclusion of women from the political field is established, limiting the development of politics that valorizes cultural diversity and human rights, accentuating discrimination and social exclusion. These shape the discussion over the modes in which the political field for women is configured, recovering the possibilities of conflict as an opening of that horizon. El artículo presenta una discusión teórica y análisis sociológico acerca de las tensiones en la construcción social de las relaciones sexo/género, que fundamentan la exclusión del campo político de las mujeres. Se distinguen los contenidos en disputa en la producción de la política, considerando el peso que tienen las categorías en juego en las relaciones a nivel global y en el espacio de la escuela, las atribuciones dentro del sistema sexo/género, las significaciones de la política, y los modos en que se subjetivan, se resisten y se confrontan diferentes lógicas para entender la vida y la política, teniendo como base las distinciones conceptuales entre Bios y Zoé. Esta discusión permite analizar la institución del imaginario en el marco de las dificultades sistemáticas y obstáculos de tipo político y legal durante la post dictadura en Chile, donde sobre la base de argumentos propios del sistema sexo/género, se establece la exclusión del campo político de las mujeres, limitando el desarrollo de políticas que pongan en valor la diversidad cultural y los derechos humanos, acentuando la discriminación y la exclusión social. Estos dan forma a la discusión sobre el modo en que se configura el campo de lo político para las mujeres, recuperando las posibilidades del conflicto como apertura de este horizonte. (shrink)

In recent years, the notion of a ‘clash of civilizations’, first put forward by Samuel Huntington (1996), has been widely used to explain the contemporary dynamics of geo-political conflict. It has been argued that the fundamental source of conflict is no longer primarily ideological, or even economic, but cultural. Despite many trenchant and largely debilitating academic critiques of Huntington's argument, the popular appeal of the ‘clash of civilizations’ thesis remains undiminished. In many parts of the world, the binary it (...) describes is often taken to be self-evident, especially after the tragic events of September 11. This paper uses the ideas of ‘social imaginary’ (Taylor, 2004) and ‘political myth’ (Blumenberg, 1984) to understand the popular appeal of the idea of civilizational conflict, and suggests that this appeal is unlikely to be punctured by theoretical arguments alone, but by an equally plausible political narrative located in an alternative social imaginary, acquired through cosmopolitan learning. (shrink)

Offering a field-defining survey of the topic, this is the first book to engage all the key figures in the social imaginaries field. It offers new perspectives on the productive tension between social imaginaries and the creative imagination, providing the first programmatic approach to the field as a whole.

Jean-Paul Sartre’s failures in Black Orpheus have been widely and rightly explicated by a number of theorists, most notably Frantz Fanon and Aimé Césaire. Sartre has rightly been criticized for imposing a white gaze onto his reading of colonized African poetry. It would seem that his work offers us no tools for anti-racist work today. For this article, I read his failures in the text alongside his work in The Imaginary and Being and Nothingness to argue that we can (...) learn from his failures and that his failures do offer us conceptual tools for anti-racist work today. I argue that Sartre’s main contribution ought to be understood as a provocation to white people. He is provoking white people to confront how whiteness works in their imaginary. The imaginary is nothing but what one puts into it, and what one puts into it is imbued with the historical, social and cultural. The image is imbued with the individual’s experiences within a historical, social and cultural situation. If this is the case, then the confrontation with and critique of the image is a political act. In confronting and critiquing the image, one is confronting and critiquing the situation in which the image emerges. The hope is that in doing so, white people could transcend the facticity of their whiteness in particular situations for the better, which in turn would have positive consequences for the larger sociopolitical situation. (shrink)

The paper focuses on the issue of truth-telling in non-fictional narratives of (in)justice. Based on examples of rape narratives, domestic abuse narratives, human trafficking narratives and asylum seeker narratives, I examine the various difficulties in telling the truth in such stories, particularly those related to various culturally conditioned ideas of how the world works, which at the same time form the basis of, among other things, legal discourse and officials’ decision-making processes. I will also demonstrate that such culturally conditioned ideas, (...) which are the basis of official discourse, can be considered within the category of both the social imaginary of the just world in the Taylorian sense of the term, and the social master narrative, which in the case of stories of (in)justice is often based on the just world hypothesis. (shrink)

The concept of the imaginary is pervasive within contemporary thought, yet can be a baffling and often controversial term. In Imagination and the Imaginary , Kathleen Lennon explores the links between imagination - regarded as the faculty of creating images or forms - and the imaginary, which links such imagery with affect or emotion and captures the significance which the world carries for us. Beginning with an examination of contrasting theories of imagination proposed by Hume and Kant, (...) Lennon argues that the imaginary is not something in opposition to the real, but the very faculty through which the world is made real to us. She then turns to the vexed relationship between perception and imagination and, drawing on Kant, Merleau-Ponty and Sartre, explores some fundamental questions, such as whether there is a distinction between the perceived and the imagined; the relationship between imagination and creativity; and the role of the body in perception and imagination. Invoking also Spinoza and Coleridge, Lennon argues that, far from being a realm of illusion, the imaginary world is our most direct mode of perception. She then explores the role the imaginary plays in the formation of the self and the social world. A unique feature of the volume is that it compares and contrasts a philosophical tradition of thinking about the imagination - running from Kant and Hume to Strawson and John McDowell - with the work of phenomenological, psychoanalytic, poststructuralist and feminist thinkers such as Merleau-Ponty, Sartre, Lacan, Castoriadis, Irigaray, Gatens and Lloyd. This makes I magination and the Imaginary essential reading for students and scholars working in phenomenology, philosophy of perception, social theory, cultural studies and aesthetics. Cover Image: Bronze Bowl with Lace , Ursula Von Rydingsvard, 2014. Courtesy the artist, Galerie Lelong and Yorkshire Sculpture Park. Photo Jonty Wilde. (shrink)

This reflection contrasts the dominant imaginary underlying ‘lawofthe Anthropocene’ with an imaginary reaching towards ‘law/sforthe Anthropocene’. It does so primarily by contrasting two imaginaries of human embodiment—law’s existing imaginary of quasi-disembodiment and an alternative imaginary of embodiment as co-woven with the lively incipiencies and tendencies of matter. It draws on ‘transcorporeality’ and ‘sympoiesis’ as inspiration for ‘sympoietic normativities’ as ways of co-living and co-organizing in the face of the catastrophic implications of the Anthropocene emergency.

Looking at one site, the Israeli checkpoints in the occupied Palestinian territory, this article seeks to understand the mechanisms by which violence can present itself as justifiable (or justified), even when it materializes within frames presumably set to annul it. We look at the checkpoints as a condensed microcosmos operating within two such frames. One is the prolonged Israeli-Palestinian ‘peace process’ (the checkpoints became a primary technology of control in the period following the beginning of the peace process), and the (...) other is regulatory power (disciplinary and biopower), which in the Foucauldian framework presumably sidelines the violent form which sovereign power takes. We argue that the checkpoints, which dissect the Palestinian occupied territories into dozens of enclaves and which are one of the most effective and destructive means of control within the current stage of occupation, can be seen as more than obstacles in the way of Palestinian movement; we suggest that they also function as corrective technologies that are meant to fail. It is with this failure that violence can appear as justified. In order to show the operation of this embedded failure, we examine one mechanism operating within the checkpoints: ‘the imaginary line’. The imaginary line is both a component within, and an emblem of a mode of control that constantly undoes itself in order to summon violence. Since it is never visibly marked in the physical space, the imaginary line is bound to be unintentionally crossed, thereby randomly rendering Palestinians as ‘transgressors’ of the rule and thus facilitating eruptions of violence by the soldiers stationed at the checkpoints. This article proposes an analysis of this hidden demarcation of space in order to question the different relations between subjects and power which it both assumes and constitutes. (shrink)

This collection will appeal to scholars and students of social and legal theory, visual culture, justice and governance studies, media studies, and criminology.

Scholars of modernity have taken a particular interest in processes of urbanization and—thinking of Simmel, Benjamin, Mumford and Weber—the character of different varieties of city. From a different angle, notions of urban imaginary have gained greater purchase in the field of contemporary urban studies in comparative analysis of varieties of city. This essay begins with notes on both classical accounts of the city in social theory and current concepts of urban imaginaries. The notes revolve around the essay’s main topic: (...) the institution of cities of New World, specifically those of the United States and Canada. Paralleling Castoriadis’ conception of the imaginary institution, the present author argues for a more exact notion of metropolitan imaginaries, differentiated from the broader subject of urban imaginaries. ‘Metropolitan imaginaries’ denotes processes of urbanization at the heart of networks of migration, transport, and flows of capital and culture. As part of larger imaginaries, metropolises generate immigrant cities. The specific kind of creation in question produces creativity also by concentrating intellectual and creative schools of design in architecture and visual culture. In sum, metropolises are not merely part of networks of connection and creation; they produce networks and act as the hubs of interaction and creativity within larger social imaginaries. The essay explores this argument in the contexts of US and Canadian modernity and state formation, with specific foci on New York, Chicago, and Toronto. The conclusion notes two limitations to the case presented here and sketches planned directions for future research. (shrink)

The volume _SocioAesthetics: Ambience – Imaginary_ collects scholars from social science, aesthetics, arts, and cultural studies in case-driven debate, ranging from biometrics to luxury commodities, on how a new alignment of aesthetics and the social is possible and what the possible prospects of this may be.

Jean-Paul Sartre’s failures in Black Orpheus have been widely and rightly explicated by a number of theorists, most notably Frantz Fanon and Aimé Césaire. Sartre has rightly been criticized for imposing a white gaze onto his reading of colonized African poetry. It would seem that his work offers us no tools for anti-racist work today. For this article, I read his failures in the text alongside his work in The Imaginary and Being and Nothingness to argue that we can (...) learn from his failures and that his failures do offer us conceptual tools for anti-racist work today. I argue that Sartre’s main contribution ought to be understood as a provocation to white people. He is provoking white people to confront how whiteness works in their imaginary. The imaginary is nothing but what one puts into it, and what one puts into it is imbued with the historical, social and cultural. The image is imbued with the individual’s experiences within a historical, social and cultural situation. If this is the case, then the confrontation with and critique of the image is a political act. In confronting and critiquing the image, one is confronting and critiquing the situation in which the image emerges. The hope is that in doing so, white people could transcend the facticity of their whiteness in particular situations for the better, which in turn would have positive consequences for the larger sociopolitical situation. (shrink)

To the extent of contesting visions of AI technology, both utopian and dystopian views of AI and humanoid technology resonate particular assumption of human subjectivity originated from modern enlightenment philosophy (i.e., Descartes, Kant). Accordingly, the series of transhumanism including Kurzweil, Moravec and Harrari envision evolution of human capability through the advancement of AI technology while assuming human subjectivities based on Cartesian dualism. As transhumanism is critically viewed by diverse perspectives including from philosophical, technological, cultural and religious stand points, post-humanism (...) address issues of human subjectivities and human/environmental relations with regard to evolution of AI technology. This article delves into media representation of futurist vision of AI technology in different regions in the world. Em(dis)bodiment of AI and humanoids in Hollywood and Asian SF (science fiction) films, for example, resonates philosophical and cultural debates between transhumanism and posthumanism. This article addresses theoretical discussions in relation to the development of AI technology and design of humanoid by comparing liberal views of human subjectivities (i.e., Descartes and Kant) with critical views against it (i.e., Heidegger and Foucault). The issues of cultural diversity in relation to the development of AI technology is particularly highlighted by introducing theories of non-Western scholarship and examining distinctive media representation of AI in the East and the West. (shrink)

The visual arts have managed to make the zombie an essential figure in popular culture. The cinematographic medium has contributed to building with him an imaginary of disaster against the backdrop of a pandemic. We will show the adequacy of the zombie with a collective imagination for which the world to come is inscribed under the sign of zombie collapse.

Moving from the structure of rites of passage, since Arnold Van Gennep’s renowned work (1909), to the essence of liminality captured by Victor Turner (1967), I propose a neurocognitive anthropological approach dealing with the bistable liminality found in human narrative imaginaries. In a brain-culture nexus, I will examine the liminal phase of the rites of passage by drawing on the enactive cognitive bistability property of the human brain. Recalling that the fundamental property of bistable systems is the alternation of two (...) distinct states of stable equilibrium, I propose a model that identifies the neurocognitive bases on which the transcultural variations of narrative motifs related to metamorphosis can be woven. (shrink)

The conversation seeks to extend and complicate Charles Taylor’s (2004) account of three constitutive formations of modern social imaginaries: market, the public sphere, and the nation-state based on popular sovereignty in two critical respects. First, it seeks to show how these key imaginaries, especially the market imaginary, are not contained and sealed within autonomous spheres. They are portable and they often leak into domains beyond the ones in which they originate. Second, it seeks to identify and explore the new (...) incipient and/or emergent imaginaries vying for recognition and demanding consideration in the constitution (as well as analysis) of contemporary social life, such as the risk-reward entrepreneurial culture. (shrink)

This introductory article provides a contextual and theoretical overview to this special issue of Body & Society. The special issue presents five selected case studies – focusing on the contexts of transplantation, psychiatry, amputation and war, and a transvalued media ecology of cancer – to offer meditations on a number of interlinked questions. The first of these is the entanglement of biomedical governance – political/economic as well as self-disciplinary – with the nexus of estrangement, which can denote both the distancing (...) of otherness and self-division. Second is the realm of feeling, of phantasmatic projection and of the ways in which the biopolitical becomes reciprocally, discursively, enmeshed in a wider cultural imaginary. Third is the shifting terrain of gender and feminist politics, a key dimension of which is the necessary reworking of feminist thought in the wake of a radically altered biomedical and biotechnological landscape. Under the rubric of Estranged Bodies, the collection considers themes of dissolution and the fragility of the body/subject read through bodily catastrophe, radical body modification and extreme medical intervention. Also considered is the notion of assemblage – the provisional coming together of disparate parts – which encourages a rethinking of questions of reconstituted, displaced and re-placed bodies. (shrink)

Many critics view Irigaray's work as an extension or deconstruction of a Lacanian paradigm. Few actually analyse it as a direct challenge to Lacanian concepts of symbolic subjectivity, and the consequent, alternative framework this would envisage. This article discusses a poss ible beyond the phallus, in relation to mediating concepts of the female imaginary and symbolic within her work, and an understanding of the female imaginary and symbolic within different feminist interpretations of the maternal imaginary and symbolic, (...) arguing that the imaginary is crucial in delineating a non-separatist cultural sublimation of female desire. Feminist revisions of the Oedipal by Jessica Benjamin and Kaja Silverman are examined in relation to the question of a maternal imagin ary and symbolic. Irigaray objects to Silverman's privileging of a Lacan ian concept of symbolic castration because it cannot negotiate between the literal relation to the body, and the metaphors and language of our cultural symbolic. Her female imaginary and symbolic provide this mediating link in direct challenge to the overly literal penis of Freud's castration complex and the essentially metaphorical nature of Lacan's phallus. Her mediation is related to the work of diverse psychoanalytic thinkers such as Andrew Samuels, Cornelius Castoriadis and Anthony Elliott. Returning to a feminist reading by Margaret Whitford, this article finally negates a Lacanian understanding of these structures and goes on to explore Irigaray's creative bodily imaginary, within two of her papers on analytic practice. Elaboration of a bodily and creative imaginary within the clinical setting can represent necessary mediation between real and symbolic and between the psyche and culture: this HISTORY OF THE HUMAN SCIENCES Vol. 10 No. 2 @ 1997 SAGE Publications (London, Thousand Oaks and New Delhi) pp. 41-60 [0952-6951(199705)10:2] mediation is personified through the hysteric, not through the Oedipal Law of the Father, which is finally the key question in culturally locat ing female desire, thereby connecting the theory of psychoanalysis with practice and with history. (shrink)

The social thought of Castoriadis and Lefort address Old World constellations. Yet both are positioned in a critical relationship to the Enlightenment and Romanticism, and pose questions about power, the political and citizenship relevant to different civilizational settings. Two political philosophies that emerged in the era of revolutionary critique are examined in this paper alongside Castoriadis and Lefort. Thomas Jefferson’s philosophy of republic and empire and Simon Bolivar’s creed of independence were American visions that connected with the political imaginary. (...) Each set down traditions open to interpretation and mythologisation. Both invoked an older rivalry of two images of the New World, as American or as Colombian, which was really a rivalry of Spanish and British Empires and their civilizational influences. Where earlier republican visions developed at the cusp of virtue and interest cultures had posed a particular range of questions about democracy, civic constitution and independence, American states now contained democratic and authoritarian potential. Even though Castoriadis and Lefort did not make these American contexts the centre of their work, each conceive the political and politics in ways that are relevant to American modernities. A key argument put in this paper with respect to Castoriadis and Lefort is that Castoriadis’s conception of creation is more salient to the republican revolutions more generally, while Lefort’s notion of political imaginary finds a strong case in the North American revolution. (shrink)