Le Commentarium in Convivium Platonis de Marsile Ficin célèbre le Banquet de Platon. Mais dans cette reprise laudative, de notables infléchissements témoignent d’une réinterprétation décisive du legs du platonisme. En se centrant sur la seule réécriture du portrait de Socrate par Alcibiade, l’article met ainsi en évidence des modifications troublantes et répétées de détail en détail – la laideur du silène, l’atopie du philosophe et la puissance corybantique de ce Marsyas disparaissent au profit de l’éloge d’un Socrate qui « (...) charme » par son éloquence supérieure et apparaît comme un verus amator. Loin d’être mineures, ces modifications répondent en fait à un remaniement métaphysique de la conception de l’amour et, conséquemment, de la « philo-sophie », où se perd la dimension inquiétante de la mania platonicienne. L’effroi de la dépossession est désormais circonscrit dans le circuitus spiritualis normé d’une harmonie cosmique. (shrink)

The themes of hybris, erôs and mania are interconnected in Plato’s final opus, the Laws, regarding his narrator’s construction of sexually accepted norms for his ‘second-best’, utopian society. This article examines this formulation, its psychological characteristics and philosophical underpinnings. The role and function of his social programme are considered in the context of the Laws and the hypothetical polis outlined therein. However, this particular formulation is not a new development in later Platonic thought. It is, rather, a logical extension of (...) earlier Platonic ideas, expressed in a number of previous dialogues, and brought to bear in the peculiar circumstances of the ‘second-best’ polis. This can be especially observed in relation to the Symposium and Phaedrus. Instead of regarding the construction of sexuality in the Laws as a work in isolation, these earlier ideas are here considered intertextually as part of a broader Platonic continuum. (shrink)

As the lights at Arclight's swanky movie theater go up, at the end of Mania Akbari's _20 Fingers_, an Iranian gentleman stands up and begins the Question and Answer session with the following in Farsi: 'Ms Akbari, seeing as you've gone to all this trouble, wouldn't it have been better if instead of a film you'd just made an audio recording of the dialogue? You'd have spared us and not wasted our time or your own on this film.'.

In Plato’s Phaedrus, Socrates asserts that madness is a good thing if it comes from the gods, and demonstrates this using the example of love. Eroticism becomes thereby philosophy, the lover a philosopher, with Plato’s Socrates serving as prototype. The question remains, however, how madness can be reconciled with a philosophical search for truth which relies entirely on rationality. This question must be considered within the context of the growing antagonism between irrationality and rationality, enlightenment and counter-enlightenment, cultic ritual and (...) reason, in the fifth century. Evidence of this antagonism forms a helpful background for interpretation of the question of the role of insanity in the philosophy of the Platonic Socrates. It can be shown that Plato gives Socrates characteristics from the context of contemporary counter-enlightenment and thereby transforms these and integrates them into philosophy. This process can be clearly demonstrated by means of the comparison of Socrates with a gadfly in the Apology. (shrink)

This article examines the return of love in contemporary critical theory. While recent attempts to make sense of a politicized concept of love have focused on its reconciliatory promise for our age, this article considers love as a discourse of edification for a frustrated political subject, one whose radical hopes have been forged in waiting. Those who want to resist the idea that the revolutionary horizon has for ever receded can be easily tempted and sometimes blindly seduced by the force (...) of love. As an upbuilding discourse, the political appeal to love betrays a profound religiosity and a frustrated longing for transcendence, but it functions, also, to feminize political subjectivity, rendering it passive and wholly derivative of the dominant order. Marx’s attack on communist lovesickness and Beauvoir’s portrait of the grande amoureuse provide touchstones for a feminist critique of love, one that refuses its seductions without wholly dispensing with its critical and utopian dimension. Other critical theorists, notably Walter Benjamin and Theodor Adorno, intimate how love furnishes, not the affective grounds for political practice, but the recollection of a poetics of thinking. (shrink)

This chapter contains sections titled: The “Symptoms” of Love What is Love The Biology of Romantic Love Rejection in Love Conclusion.

The author tries to present "a clearer view of God's revealed ideal for the preacher, what he is and how he is to do his work." For that purpose he considers "his message and his authority, the character of the proclamation he is called to make, the vital necessity of his own experience of the Gospel, the nature of his motive, the source of his power, and the moral qualities which should characterize him, notably humility, gentleness and love." This preacher's (...) portrait, a portrait painted by the hand of God himself on the broad canvas of the New Testament is arrived at by the author by analyzing the different words used in the New Testament for the Christian preacher, such as Steward, Herald, Witness, Father, and Servant. This book, I believe, would be a very useful guide for every Christian preacher.—J. K. (shrink)

My study aims to offer a Schopenhauerian reading of Henry James's The Portrait of a Lady and D. H. Lawrence's The White Peacock. Throughout the dissertation, I am driven by two goals. First, I aim to examine the selected novels by considering Schopenhauer's philosophy. Secondly, I shall investigate why characters, especially the heroines, having recognised that their marriage was basically a mistake, still remained in their tormented relationships. Why it is important to answer this question and what makes this (...) a unique concern, especially in James's novel, is the possibility that previous studies and many other critiques have questioned the destiny of these heroines in regard to the novelists' anti-feminist tendencies or their social and personal concerns, while I believe that by using Schopenhauer's philosophy I can provide a deeper conceptualisation of the novels' ending. In so doing, in the second chapter I will describe the reception of Schopenhauer's philosophy in England, and the direct and indirect presence of his philosophy in Lawrence's and James's Works. In the third chapter, I concentrate on Schopenhauer's concept of freedom, morality and the will in James's novel. My fourth chapter considers Lawrence's philosophy of love and reveals how his philosophy differs from Schopenhauer's. Furthermore, it draws his readers' attention to the Schopenhauerian notion of the will-to-live, acknowledged in Lawrence's novel. (shrink)

Toward the Eastern Capital -- The love of truth -- The protection of country -- The philosophy of Buddhism.

This article has a twofold aim. On the one hand, it will seive as an introduction to the three essays by Johannes Bartuschat, Luca Bianchi and Paolo Falzone. In this sense, it provides an updated survey of the educational milieu in thirteenth century Tuscany and presents a sketch of Dante’s broader intellectual climate, quickly touching on a few instances of philosophical learning that Dante elaborated on: the hierarchy of knowledge and his conception of Christian Skepticism. On the other hand, these (...) pages try to draw a more individual profile of Dante as a thinker and involve the existential relevance of issues like that of ”recognized dignity’. Here, I will also suggest an unusual approach to look at Dante’s original philosophical project: i.e., a robust effort to draw the last implications from a radical understanding of Love. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:From the Perspective of the Self: Montaigne’s Self-PortraitPatrick HenryFrom the Perspective of the Self: Montaigne’s Self-Portrait, by Craig B. Brush; 321 pp. New York: Fordham University Press, 1994, $32.50.In a note to Chapter One, the author explains that his is the third book to center on the self-portrait of Montaigne but, unlike one—Miroirs d’encre by Michel Beaujour—his deals only with Montaigne and, unlike both—the other is (...) Montaigne’s Essays as the Book of the Self by Richard Regosin—his is not geared toward literary theory and offers no theoretical approach to self-portraiture or autobiography. What we have, then, is a close textual analysis of the essayist’s self-portrait which is shown to coexist with the ubiquitous voice of the moraliste, whose subject is mankind in general, and a third voice, particularly pronounced in the 1588 and 1595 editions of the Essays, that of the “essayer,” “whose topic is his own book, its aim, its method of inquiry, and its production” (p. 120). Throughout his study, even as he scrutinizes the self-portrait, Brush demonstrates that these three voices are interrelated, interdependent, and virtually inseparable. [End Page 173]Brush’s exhaustive enterprise: to depict “how Montaigne came to the project [of self-portraiture], how he conceived it, how he practiced it, what he had to say about it, what he learned from the strange practice, how it became a way of life for him” (p. 8) takes him into areas that have been well-debated by Montaigne scholars. Thus we find lengthy discussions of the sense of the word “essay,” authorial modesty, the role of the reader, titles, beginnings, digressions, additions, endings, skepticism, nominalism, Catholicism, dialogue, ethics, evolution, the use of personal pronouns, the structure of individual chapters and of the book as a whole, the link between La Boétie’s death and the self-portraiture project, and the interplay between self and other.On each topic, however, Brush inevitably offers a fresh insight, a quirky intuition, or a new departure that makes the discussion worthwhile. He paints the history of both domestic and official portraiture at the moment when Montaigne began writing; he explains why a self-portrait is not an autobiography; he opposes the treatise and the essay; he differentiates clearly between self-study, self-knowledge, and self-portraiture; he depicts what is missing from the portrait that the essayist deemed relatively complete, and he weighs carefully the opposed proclivities of the essayist toward self-improvement and self-acceptance. In addition, he points out how the impossibility of finding a “pure self” forced Montaigne “to paint himself in context” (p. 107) and argues forcefully that the essayist’s “love of life was a profoundly religious experience” (p. 210). In a particularly rich commentary on “Of practice” (pp. 82–83), Brush stresses the importance of writing for the author of the Essays. In this case, the writing of the essay may in fact have been more significant for him than the event that the writing narrates, thus underscoring the essayist’s claim that this book has made him as much as he has made it. Finally, Brush’s tenth chapter, “Study Without a Book,” eloquently elucidates the originality that Montaigne brought to his reading of the ancient adage “Know Thyself.”It was inevitable that Brush would cover much familiar material but by keeping his encyclopedic knowledge of the history of Montaigne criticism in the end notes and by rigorously analyzing the Essays, he has written an eminently readable, jargon-free study that will serve both the beginning student and the seasoned Montaigne scholar. Having no theory to impose, he is free to chart the amazingly rich variety and diversity of the Essays, aspects of the human condition that the essayist always underscored. His book, clearly the product of years of ruminating on the Essays, contains hundreds of quotations from Montaigne’s Travel Journal and from seventy-seven of the one-hundred-seven chapters penned by the essayist. By giving us, in the main, nothing but his own personal reflections on the Essays, he has also curiously and interestingly provided us with his... (shrink)

David Hume and Adam Smith are often regarded as founding fathers of modern social science and champions of self-interested material acquisitiveness. Against this view I argue that their moral and political philosophies are better understood as modern installments in the classical tradition of virtue ethics. By focusing on Hume and Smith's conception of self-love and particularly on their distinction of self-love from self-interest, I demonstrate their dedication to encouraging virtues beyond the instrumental virtues of the market. ;Hume and Smith regard (...) egoism as a natural and inescapable element of human nature, but they also believe that egoism is educable. Untrained egoism manifests itself in such basic forms of selfishness as vanity and ambition, but a properly educated and elevated egoism heightens our sensitivity to the well-being of others. Through a careful analysis of their dialectical rhetoric, I show how Hume and Smith educate the egoism of their readers in their moral works. By so doing I demonstrate that the Scots understood themselves not merely as advocates of the pursuit of wealth, but as moral educators aspiring to introduce their readers to a life beyond the furious pursuit of external goods. Their portraits of magnanimous statesmen and wise and virtuous sages serve as models of this higher life, a life distinguished by the pursuit of moral nobility through beneficent activity. By tracing the Aristotelian and Ciceronian origins of their understanding of the relationship of self-love to benevolence, I thus show that far from celebrating commercial self-interest and denigrating virtue, Hume and Smith draw on classical sources in their attempts to ennoble modern liberalism and encourage decency and respect for the dignity of others. And by focusing particularly on their conception of the proper magnanimity for modernity, that of the wise and virtuous man, I argue that Hume's and Smith's practical writings on history, politics and economics are best regarded as attempts to discharge the beneficent duties they describe in their moral philosophy, and thereby claim wisdom and virtue for themselves. (shrink)

Plato's definition of philosophy as a mania (in Phaedrus) in the first place distances philosophy from prudence of the so-called common sense and places it between the enthusiastic madness of poets and clairvoyants on the one hand, and ironic concealment on the other, which in this very madness prove to be parts of the same question: How can that which is unhidden be revealed in the hidden? Erotic enthusiasm of philosophy is a special sort of madness. It is the paradoxical (...) closeness that is rendered possible by distance. Approaching the distant is recollection. Recollection is by no means a reproduction of anything, but a (loving) thought of that which is always preconceived in previous intelligibility (disclosure of everything), so that it is always being concealed in it. (edited). (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Jean Wyatt THE CELEBRATION OF EROS: GREEK CONCEPTS OF LOVE AND BEAUTY IN TO THE LIGHTHOUSE A voracious reader all her life, Virginia Woolf stored up patterns and images which she naturally wove into the fabric of her novels.1 Integrating literature of the past into her own works was also an affirmation of her belief that "everything comes over again a little differently," as Eleanor says in The Years. (...) Acutely aware of the prevailing fluidity of human life, Virginia Woolf sought a counterbalance in the principle of eternal recurrence. The whole chain of human history forms a "gigantic pattern, momentarily perceptible." It becomes perceptible when elemental forces in human life coincide with the forms of individuals, "making them symbolical, making them representative."3 In Mrs. Ramsay, Virginia Woolf combines a personal portrait of her mother with an evocation of eternal life forces in the "symbolical outline" (p. Ill) of Aphrodite, goddess of love, beauty and marriage, that Mrs. Ramsay irradiates. Events, too, can be "symbolical, and therefore perhaps permanent," in the words of Bernard in The Waves, when they reflect the continuity of human experience. The dinner party in To the Lighthouse contains ritual elements, reminders that it is one in a series of communal feasts. The search for truth in the midst of human pleasures, by means of human love, recalls one such banquet in particular, the Symposium.'' The central concerns of the Symposium are those of To the Lighthouse: striving for knowledge through love; the desire to create that beauty arouses; the paradox of the eternal in the midst of the transitory. The figures and patterns of Greek literature were part of Virginia Woolf's mental formation. She began learning Greek at King's College in 1897, at the age of fifteen.6 For the next few years, Greek was her chief refuge from a stifling Victorian society. From 10:00 a.m. to 1:00 p.m. every day she read Greek: Homer, Aeschylus, Euripides, all of Sophocles, Plato. Twice a week she met for Greek lessons, first 160 Jean WyATT161 with Clara Pater, then with Janet Case. Her letters speak of Greek as "the greatest of comforts to me" (April, 1900), "my daily bread, and a keen delight to me" (June, 1900); it "has so much attraction for me... that I don't want to do anything else" (February, 1905).8 A diary entry from 1924 shows how Greek "worked its way" into her life. Upon meeting a herd of cattle, "I waved my stick and stood at bay; and thought of Homer.... some mimic battle. Grizzle grew more and more insolent and excited and skirmished about yapping. Ajax? That Greek, for all my ignorance, has worked its way into me." Seeing Grizzle as Ajax is not different in kind from transforming Mrs. Ramsay into Aphrodite, Mr. Carmichael into Poseidon. Greek was in the forefront of Virginia Woolf's mind in 1924 because she had been reading Greek steadily since 1922 in preparation for the article "On Not Knowing Greek." "The amount of reading... that went into the production of that essay... was remarkable," comments Quentin Bell. She published the essay in 1925, the year she began To the Lighthouse. "On Not Knowing Greek" shows that Virginia Woolf knew the Symposium well: she discusses it for four pages, not with the analytical lens of a literary critic, but with loving familiarity. She first read the Symposium when she was about sixteen, but her intimacy with it suggests that she must have read it more than once. At the center of the Symposium is Diotima's doctrine: man has to work through a series of human loves to arrive at the eternal. Lily pursues a similar quest for knowledge through love. She loves Mrs. Ramsay, but, unable to satisfy her love on a personal level, casts about for a way of reaching "the spirit in her, the essential thing" (p. 76). She finally finds a way of loving that takes her to the essence of things when, ten years after Mrs. Ramsay's death, she sees and loves a Mrs. Ramsay who transcends the individual to become the form of love and beauty. To understand the... (shrink)

This communication wants to deal with the relations between the Philosophy of Plato and the cult of Dionysus in Ancient Greece. This makes necessary to distinguish the cult of Dionysus with its feasts and secret rituals, especially the maenadic rites of women, from orphism. The Maenads practiced rites closely associated with mania and those rites included bloody sacrifice (sparagmos) and the consommation of raw flesh (omophagy). As we assumed in our book“Dionysos em transe: la voix des femmes”, this cult was (...) an iniciatic feminine rite, connected to biological transformations particular to women, as pregnance and birth. At the other side, orphism is an asceptic and vegetarian sect, which clearly influenced some platonic theories, as exposed in Cratyle or Gorgias, concerning “the body as the tomb of the soul”. What we want to show here is the dionysiac character of some other theories, as those about the mania in Phaedrus or even the so called “platonic theory of Love” in the Symposium. We are dealing than with the definition of Philosophy itself in platonic dialogs: is Philosophy a study about death as orphic influence demands or is it a work of birth, as dionysiac influence suggests? (shrink)

Readers generally know only one of the two famous James brothers. Literary types know Henry James; psychologists, philosophers, and religion scholars know William James. In reality, the brothers’ minds were inseparable, as the more than eight hundred letters they wrote to each other reveal. In this book, J. C. Hallman mines the letters for mutual affection and influence, painting a moving portrait of a relationship between two extraordinary men. Deeply intimate, sometimes antagonistic, rife with wit, and on the cutting (...) edge of art and science, the letters portray the brothers’ relationship and measure the manner in which their dialogue helped shape, through the influence of their literary and intellectual output, the philosophy, science, and literature of the century that followed. William and Henry James served as each other’s muse and critic. For instance, the event of the death of Mrs. Sands illustrates what H’ry never stated: even if the “matter” of his fiction was light, the minds behind it lived and died as though it was very heavy indeed. He seemed to best understand this himself only after Wm fully fleshed out his system. “I can’t now explain save by the very fact of the spell itself . . . that [Pragmatism] cast upon me,” H’ry wrote in 1907. “All my life I have . . . unconsciously pragmatised.” Wm was never able to be quite so gracious in return. In 1868, he lashed out at the “every day” elements of two of H’ry’s early stories, and then explained: “I have uttered this long rigmarole in a dogmatic manner, as one speaks, to himself, but of course you will use it merely as a mass to react against in your own way, so that it may serve you some good purpose.” He believed he was doing H’ry a service as he criticized a growing tendency toward “over-refinement” or “curliness” of style. “I think it ought to be of use to you,” he wrote in 1872, “to have any detailed criticism fm even a wrong judge, and you don’t get much fm. any one else.” For the most part, H’ry agreed. “I hope you will continue to give me, when you can, your free impression of my performance. It is a great thing to have some one write to one of one’s things as if one were a 3d person & you are the only individual who will do this.”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Aesthetic Turn: Reading Eliot Deutsch on Comparative PhilosophyJoseph GrangeThe Aesthetic Turn: Reading Eliot Deutsch on Comparative Philosophy. Edited by Roger T. Ames. Chicago: Open Court, 2000. Pp. xiv + 225. Hardcover $42.95.The quality of the eleven contributions to The Aesthetic Turn: Reading Eliot Deutsch on Comparative Philosophy, edited by Roger T. Ames, which celebrates the work of Eliot Deutsch, is one measure of the man. The other (...) is the man himself. It is no exaggeration to say that his efforts as a philosopher and editor of Philosophy East and West helped lay the foundation for the flourishing discipline now called comparative philosophy. In this work, some of the more important philosophers engaged in this worldwide effort comment on particular aspects of Deutsch's philosophy. The results are an exceptional tribute to an exceptional philosopher. Deutsch's responses show an open and gracious intelligence at work, one that is constantly learning from the insights of others.Arthur Danto offers his understanding of the relation between mysticism and art in Deutsch's philosophy. Deutsch's response brings the reader back to the formative years at Columbia University and the still simmering debate over what constitutes a genuine work of art. By revisiting this debate on the ontological status of the modern and the commonplace in a work of art we are provided flashes of insight into Deutsch's understanding of the mystical dimension of "radiant form" as the source of beauty in art. Graham Parkes offers a meditation on the form of the Zen rock garden and thereby prompts an enlightening discussion of the place of the arbitrary and the perfect in aesthetic experience. Essays by J. N. Mohanty and Thomas Kasulis inquire into Deutsch's theory of truth as the real presence of ontological "rightness" and the "fulfillment" of attention. The influence of Advaita Vedānta on Deutsch's thought is nicely brought out as is the continuity of his ideas with other classical European views of truth. Gerald Larson explores the role of the "Tradition Text" in Deutsch's comparative philosophy. Postmodern philosophers could learn from Deutsch's careful handling of historical sources even as he appropriates the moving center of Indian philosophy for his own philosophical projects.One of the most brilliant essays in this festschrift is contributed by Herbert Fingarette. By bringing together the art of "wei wuwei" and the act of suffering, understood as the process of letting be what is really happening, Fingarette restores to suffering its genuine spiritual core. To suffer is not just to suffer pain but rather to "Suffer the Way to be. Do not interfere. Be like water—passive, and yet in the end powerful" (p. 74). Deutsch is moved by this extraordinary essay to offer an exceptional restatement of the central doctrine of the Bhagavad Gītā and his own theory of free action and its relation to authentic art: "This power is compelling for others. It attracts, because it is evident; it calls because one recognizes its possibilities for oneself; it demands because it sets a standard by which one measures, as it were, one's own attainment as a person" (p. 193). The continuing presence of normative [End Page 116] thinking in the pursuit of liberation demonstrates just how serious and well-disciplined is the Asian understanding of moksha. This profound meditation by two wise men is one of the highlights of this book.But Deutsch can also be very tough. The exchange between him and Daya Krishna on the possibility of effective worldly action, given the tenets of the Advaita Vedānta school, offers the spectacle of two very powerful minds struggling with ultimate issues of deep metaphysical concern. Deutsch's response involves careful distinctions to be drawn between concepts such as person, self, and individual. These in turn allow him to paint a very concrete portrait of the acting person as first of all and always a loving being. The continuing relevance of forms of idealistic thinking to a largely secular world is given a robust defense in Deutsch's review of his lifelong efforts to craft a theory of the person as having within its very being the moral, social... (shrink)

From prehistoric stone tools, to machines, to computers, things have traveled a long road along with human beings. Changing with the times, places, and methods of their production, emerging from diverse histories, and enveloped in multiple layers of meaning, things embody ideas, emotions, and symbols of which we are often unaware. The meaning of "thing" is richer than that of "object," which is something that is manipulated with indifference or according to impersonal technical procedures. Things also differ from merchandise, objects (...) that can be sold or exchanged or seen as status symbols. Things, in the philosophical sense, are nodes of relationships with the life of others, chains of continuity among generations, bridges that connect individual and collective histories, junctions between human civilizations and nature. Things incite us to listen to reality, to make them part of ourselves, giving fresh life to an otherwise suffocating interiority. Things also reveal the hidden aspect of a "subject" in its most secret and least explored side. Things are the repositories of ideas, emotions, and symbols whose meaning we often do not understand. In an unexpected but coherent journey that includes the visions of classic philosophers from Aristotle to Husserl and from Hegel to Heidegger, along with the analysis of works of art, Bodei addresses issues such as fetishism, the memory of things, the emergence of department stores, consumerism, nostalgia for the past, the self-portraits of Rembrandt and Dutch still-lifes of the seventeenth century. The more we are able to recover objects in their wealth of meanings and integrate them into our mental and emotional horizons, he argues, the broader and deeper our world becomes. (shrink)

Palaeontology developed as a field dependent upon comparison. Not only did reconstructing the fragmentary records of fossil organisms and placing them within taxonomic systems and evolutionary lineages require detailed anatomical comparisons with living and fossil animals, but the field also required thinking in terms of behavioural, biological and ecological analogies with modern organisms to understand how prehistoric animals lived and behaved. Yet palaeontological material often worked against making easy linkages, bringing a sense of mystery and doubt. This paper will look (...) at an animal whose study exemplified these problems: the Chalicothere. Increasingly recognized as a specific type from finds across North America and Eurasia from the early nineteenth century onwards, these prehistoric mammals showed short back legs terminating in pawed feet, long front limbs ending in sharp claws, a long flexible neck, and herbivorous grinding teeth. The Chalicothere became a significant organism within palaeontological studies, as the unexpected mix of characters made it a textbook example against the Cuvierian notion of “correlation of parts,” while explaining how the animal moved, fed and behaved became puzzling. However, rather than prevent comparisons, these actually led to comparative analogies becoming flexible and varied, with different forms of comparison being made with varying methods and degrees of confidence, and with the anatomy, movement and behaviour of giraffes, bears, horses, anteaters, primates and other organisms all serving at various points as potential models for different aspects of the animal. This paper will examine some of the attempts to reconstruct and define the Chalicotheres across a long timescale, using this to show how multiple comparisons and analogies could be deployed in a reconstructive and evolutionary science like palaeontology, and illustrate some of the limits and tensions in comparative methods, as they were used to reconstruct organisms which were thought to be incomparable to any modern animal. (shrink)

Review symposium of Alexander Rosenberg’s Darwinian Reductionism: Or, How to Stop Worrying and Love Molecular Biology [2006]. -/- Worry carries with it a connotation of false concern, as in ‘your mother is always worried about you’. And yet some worrying, including that of your mother, turns out to be justified. Alexander Rosenberg’s new book is an extended argument intended to assuage false concerns about reductionism and molecular biology while encouraging a loving embrace of the two.

This paper focuses on abstraction as a mode of reasoning that facilitates a productive relationship between philosophy and science. Using examples from evolutionary developmental biology, I argue that there are two areas where abstraction can be relevant to science: reasoning explication and problem clarification. The value of abstraction is characterized in terms of methodology (modeling or data gathering) and epistemology (explanatory evaluation or data interpretation).

In his follow-up to Tavern League: Portraits of Wisconsin Bars, Carl Corey turns his camera on Wisconsin family-owned businesses in existence fifty years or longer. The businesses portrayed here—bakeries and barbecue joints, funeral homes and furniture builders, cheesemakers, fishermen, ferry boat drivers—have survived against all the odds, weathering tough economic times and big-business competition. The owners are loyal to their employees, their families, and themselves. And they are integral to their local economies and social fabric. The services and goods they (...) provide are usually for neighbors and friends. Generations serve generations, creating lasting relationships and strong, vibrant neighborhoods and rural communities. In For Love and Money, Carl Corey provides indelible glimpses of an increasingly endangered way of life. The Museum of Wisconsin Art’s Graham Reid has said, “As current and future generations come and go, these pictures will survive in the hands of the subjects, collectors, museums, and galleries. Will the businesses featured enjoy a similar longevity? Only time will tell, and we can only watch and hope, but Carl Corey has ensured that they will not be forgotten.”. (shrink)

Love comes in many forms. From friendship to parenthood, from the lover to the altruist, it touches all our lives. As time passes by this remains constant in the human experience. Love's Philosophy explores the basic expressions of love. In this book, White takes into account classical and historical perspecitives. His reflections explain the historical and contemporary formations of love, and offer alternative models to that most encompassing sensation, love.

Although reducing the costs of software maintenance has long been held as an important goal, few researchers have studied software maintenance — except in the context of software design. However, thinking in software design is itself muddled by the frequent confusion over the term ‘software’ and ‘programs’. In this paper we argue for a re-examination of the underlying philosophical foundations of programs, in order to establish software as a phenomenon in its own right. Once we understand the basic structure of (...) software theories, we will be in a better position to understand how theories of software relate to theories of programs. This might finally provide the insight needed to achieve the long awaited reduction in the cost of software maintenance. (shrink)

It is a common complaint that antireductionist arguments are primarily negative. Here I describe an alternative nonreductionist epistemology based on considerations taken from multidisciplinary research in biology. The core of this framework consists in seeing investigation as coordinated around sets of problems (problem agendas) that have associated criteria of explanatory adequacy. These ideas are developed in a case study, the explanation of evolutionary innovations and novelties, which demonstrates the applicability and fruitfulness of this nonreductionist epistemological perspective. This account also bears (...) on questions of conceptual change and theory structure in philosophy of science. †To contact the author, please write to: Department of Philosophy, University of Minnesota, 831 Heller Hall, 271 19th Ave. S., Minneapolis, MN 55455; e‐mail: [email protected]. (shrink)

John Norton’s argument that all formal theories of induction fail raises substantive questions about the philosophical analysis of scientific reasoning. What are the criteria of adequacy for philosophical theories of induction, explanation, or theory structure? Is more than one adequate theory possible? Using a generalized version of Norton’s argument, I demonstrate that the competition between formal and material theories in philosophy of science results from adhering to different criteria of adequacy. This situation encourages an interpretation of “formal” and “material” as (...) indicators of divergent criteria that accompany different philosophical methodologies. I characterize another criterion of adequacy associated with material theories, the avoidance of imported problems, and conclude that one way to negotiate between conflicting criteria is to adopt a pluralist stance toward philosophical theories of scientific reasoning. (shrink)

The problem of interpreting music’s function or role is scrutinized by grounding music’s significance through a selected reading of Platonic philosophy and a reinterpretation of the concept of “pharmakon” familiar to ancient Greeks, and in particular, the Athenians. Views on both mousike and the artistic practice of music in that era are taken into account. The “pharmakon” is analyzed through a concept of love as a harmonizing force and a variety of contexts are explicated, showing that it concerns any object (...) that gives rise to beneficial and detrimental effects. It also changes mental states or the manner of thinking in such a way that the value of the pharmakon is undecidable a priori and dependent upon an axiology of anticipation. Plato’s metaphysics and philosophy of music can be read to show that music can be both a poison and a remedy in regard to the ways it is used, which is analogous to drugs, medicine, or technological entities such as writing. In this context attention is given to the problem of mania, and how music can be both a force that gives rise to such a condition as well as a technique of alleviating it, since it is a tool for manipulating the intrapsychic dialogue of the embodied soul. -/- Znaczenie muzyki w nawiązaniu do Platona i pojęcia „farmakon" Problematyka interpretacji funkcji lub roli muzyki jest badana poprzez ugruntowanie znaczenia muzyki w wybranych wątkach filozofii Platona i reinterpretacji pojęcia „farmakon” bliskiego starożytnym Grekom, a zwłaszcza Ateńczykom. Uwzględnia się poglądy zarówno odnośnie mousike jak i ówczesnej praktyki artystycznej. „Farmakon” analizowany jest poprzez koncepcję miłości jako harmonizującej siły oraz przez różne konteksty, które są wyeksplikowane, aby wskazać na to, że dotyczy jakiegokolwiek przedmiotu, który powoduje korzystne jak i szkodliwe efekty. Zmienia także stany umysłowe lub sposób myślenia tak, że wartość farmakonu jest nierozstrzygalna a priori i powiązana z aksjologią antycypacji. Metafizyka i filozofia muzyki Platona może być czytana w sposób ukazujący, że muzyka może być zarówno trucizną jak i środkiem zaradczym, w zależności od formy jej użytkowania, co jest analogiczne z narkotykami, medycyną i technicznymi bytami takimi jak pismo. W tym kontekście zwraca się uwagę na problem szału i tego, że muzyka może być zarówno siłą, która wywołuje ów stan, jak i środkiem załagodzenia go, ponieważ jest ona narzędziem manipulacji intrapsychicznego dialogu ucieleśnionej duszy. (shrink)

The book addresses George Santayana’s philosophy of religion and its basis in his overall philosophical project with an exploration of some phenomenological aspects of his approach and his potential influence on contemporary religious thought. Emphasis is placed upon his Roman Catholic and Greek influences and his constructionist viewpoint toward Catholic symbols and dogma.

The goal of this paper is to encourage a reconfiguration of the discussion about typology in biology away from the metaphysics of essentialism and toward the epistemology of classifying natural phenomena for the purposes of empirical inquiry. First, I briefly review arguments concerning ‘typological thinking’, essentialism, species, and natural kinds, highlighting their predominantly metaphysical nature. Second, I use a distinction between the aims, strategies, and tactics of science to suggest how a shift from metaphysics to epistemology might be accomplished. Typological (...) thinking can be understood as a scientific tactic that involves representing natural phenomena using idealizations and approximations, which facilitates explanation, investigation, and theorizing via abstraction and generalization. Third, a variety of typologies from different areas of biology are introduced to emphasize the diversity of this representational reasoning. One particular example is used to examine how there can be epistemological conflict between typology and evolutionary analysis. This demonstrates that alternative strategies of typological thinking arise due to the divergent explanatory goals of researchers working in different disciplines with disparate methodologies. I conclude with several research questions that emerge from an epistemological reconfiguration of typology. (shrink)

In this paper, I will discuss and characterize transcendental and salvational aspects of two naturalistic philosophical projects, those of Robert Corrington, a contemporary American Naturalist and George Santayana, the first identifiable American Naturalist. I am considering here soteriological pathways available for transformation or transfiguration of the self toward a state of spiritual optimization in an imminent natural cosmos where all but limited gains seem to be out of human hands. The individual, imbedded in Nature, is caught up in an unteleological (...) stream of Nature's own formation. In my consideration of this subject in relation to Robert Corrington's work, I have found a helpful and insightful .. (shrink)

Günter Wagner’s Homology, Genes, and Evolutionary Innovation collects and synthesizes a vast array of empirical data, theoretical models, and conceptual analysis to set out a progressive research program with a central theoretical commitment: the genetic theory of homology. This research program diverges from standard approaches in evolutionary biology, provides sharpened contours to explanations of the origin of novelty, and expands the conceptual repertoire of evolutionary developmental biology. I concentrate on four aspects of the book in this essay review: the genetic (...) theory of homology and character identity networks; the implications for how we explain evolutionary novelties; the expanded set of concepts surrounding homology, and the epistemological conflicts between Wagner’s viewpoint and functionally-oriented evolutionary biology, as well as differences with other Evo–devo researchers. Together these have ramifications for how we interpret different explanatory approaches to evolutionary phenomena and understand relationships between the usefulness of concepts and the reality they represent. (shrink)

Robert Wilson’s The Eugenic Mind Project is a major achievement of engaged scholarship and socially relevant philosophy and history of science. It exemplifies the virtues of interdisciplinarity. As principal investigator of the Living Archives on Eugenics in Western Canada project, while employed in the Department of Philosophy at the University of Alberta, Wilson encountered a proverbial big ball of mud with questions and issues that involved local individuals living through a painful set of memories and implicated his institutional home in (...) outstanding moral obligations. It is engaged scholarship because it required building relationships with affected persons and taking responsibility for his institution’s legacy, as well as transforming Wilson’s own outlook along the way. It is socially relevant philosophy and history of science because it brings to light issues that remain salient today, especially how eugenic themes are ubiquitous in societal discourse and evinced in everyday decisions. It is interdisciplinary because to accomplish this type of analysis requires intellectual gymnastics that range over diverse domains of research: from standpoint theory and disability studies to oral history and governmental policy; from the evolutionary biology of prosociality and variation to conceptual questions about the categorization of human traits and types. (shrink)

Conceptual analysis aims to uncover the basic criteria of concepts that underwrite categorizing members via the method of cases. However, conceptual analysis has not been very successful and experimental philosophy has increasingly detailed this lack of success. This essay reviews Thinking Off Your Feet: How Empirical Psychology Vindicates Armchair Philosophy by Michael Strevens, which attempts a novel defence of conceptual analysis. It is a strategic intervention that seems to preserve a relatively traditional picture of philosophical inquiry. I concentrate on several (...) assumptions in this intervention that might be questioned and conclude there are good reasons to continue an interrogation of how we understand the philosophical enterprise. Ideally, this might encourage us to rebuild our picture of what philosophy is. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Politics and Eros in Aristophanes' Speech:Symposium 191E–192A and the ComediesPaul W. LudwigFor many of Plato's modern readers, Aristophanes' encomium of eros is the most memorablnvincing speech in the Symposium. Yet a key passage in the speech is not well understood. About three–fifths of the way through the speech, Aristophanes asserts that boys who are unashamed to lie with men are the most manly boys by nature. A great proof (...) of this, he says, is the fact that they alone end up in politics, where they become "real men."1 Since the same connection between sex and politics is the object of derision in Aristophanes' comedies, 2 many commentators have seen irony in this assertion.3 More have implicitly favored a straight reading, however, relying on the strength of the speech taken at face value. The type of irony at issue, dramatic or verbal, is also open to competing interpretations. Nor have the implications of either type of irony for the rest of the speech and for the dialogue as a whole been adequately treated. Does Plato make his character Aristophanes speak more wisely than he is aware of, in playful revenge for the comedian's own distorted portrait of Socrates?4 Or does Plato make use of the professional jester to clear the way for Socratic morality, on the assumption that Aristophanes' views about male homosexual eros were sufficiently well known to leave little doubt that his explicit praise of pederasty was tongue–in–cheek? [End Page 537]I. The Passage in ContextSymp. 191e–192aThe safest exegesis would first make sense of what Aristophanes professes to mean, comparing the philosophic content, which ought to stand or fall on its own merits, with the rest of the speech and with the other speeches in the dialogue, especially Socrates'. Irony could then emerge either as an alternative or as a supplement to the face–value reading. Assessment of the dialogue's own internal logic, as well as comparison with other Platonic dialogues, should precede recourse outside the authorship of Plato, viz. to the Aristophanic comedies.Aristophanes not only legitimates male–male desire, he asserts that it is best. He argues for his assertion on the grounds that male–male desire is connected to politics. This argument resonates with two themes sounded earlier in the dialogue, by Phaedrus and by Pausanias. The former praises male–male relations by saying that if by some chance a city or armed camp could come into being made up entirely of lovers and their boyfriends, their desire to refrain from all that is shameful and to seek honor in one another's eyes would result in their city's having the best possible government. If such were to fight side by side, even if their city or army happened to be small, they would well nigh conquer all mankind. For an in love would rather die than be seen in any act of cowardice () by his boyfriend (178d 4–179a 2). In other words, lovers make the best citizen–soldiers because the private aim of impressing the beloved serves the public goal of bravery in battle.Pausanias plays a variation on the same theme. He argues that barbarian tyrants outlaw pederasty because they are afraid of strong attachments arising among their subjects. Since proud thoughts are engendered by love, Pausanias reformulates the unwillingness to tolerate disgrace in battle into an unwillingness to acquiesce in tyranny. He cites the example of Harmodius and his lover Aristogeiton, who, in popular lore, dissolved the tyranny of the Peisistratids at Athens, thus clearing [End Page 538] the way for democracy (182b 6–c 7). Like Phaedrus, he mentions unmanliness as the crucial political defect that breeds tyranny (cf. 178d 4–6 with 182c 7–d 2). Like Phaedrus, he sees manliness as the willingness to take up arms, this time not in battle, but in a tyrannicide. And like Phaedrus, he sees male–male relations as the breeding ground for manliness.Unlike Phaedrus, Pausanias is especially concerned with education. The mature lover is assumed to possess already the civic virtues as well as a modicum of philosophy.5 He can initiate his younger... (shrink)

It is well documented that the application of business models to the higher education sector has precipitated a managerialistic approach to organisational structures ( Preston, 2001 ). Less well documented is the impact of this business ideal on the student-teacher encounter. It is argued that this age-old relation is now being configured (conceptually and organisationally) in terms peculiar to the business sector: as a customer-product relation. It is the applicability and suitability of such a configuration that specifically concerns this contribution. (...) The paper maintains that the move to describe the student-teacher relation in these terms is indeed inappropriately reductive, but not straightforwardly so. The problem arises in that we remain unsure of the contemporary purpose of education. We lack any firm educational ideals that, in themselves, cannot be encompassed by the business paradigm. Indeed, the pedagogical critique of education (broadly, that education is only of use in as much as it is of use to society) extends further than has yet been intimated and prevents one securing any educational ideal that does not immediately succumb to critique. This pedagogical logic is unassailable in any linear way but, when pressed, precipitates an aporetic moment that prevents it from assuming any totalising hold over education. We draw on the work of Emmanuel Levinas and Jacques Derrida to consider whether one might yet imagine an educational 'quasi-ideal' that will enable practitioners and institutions to counter the effects of customerisation. (shrink)

Alain Badiou argues in “Rancière and Apolitics” that Rancière has appropriated his central idea of equality from Badiou’s own work. We argue that Badiou’s characterisation of Rancière’s project is correct, but that his self-characterisation is mistaken. What Badiou’s ontology of events opens out onto is not necessarily equality, but instead universality. Equality is only one form of universality, but there is nothing in Badiou’s thought that prohibits the (multiple) universality he positsfrom being hierarchical. In the end, then, Badiou’s thought moves (...) in a Maoist direction while Rancière’s in an anarchist one. (shrink)

Philosophy of Molecular Medicine: Foundational Issues in Theory and Practice aims at a systematic investigation of a number of foundational issues in the field of molecular medicine. The volume is organized around four broad modules focusing, respectively, on the following key aspects: What are the nature, scope, and limits of molecular medicine? How does it provide explanations? How does it represent and model phenomena of interest? How does it infer new knowledge from data and experiments? The essays collected here, authored (...) by prominent scientists and philosophers of science, focus on a handful of mainstream topics in the philosophical literature, such as causation, explanation, modeling, and scientific inference. These previously unpublished contributions shed new light on these traditional topics by integrating them with problems, methods, and results from three prominent areas of contemporary biomedical science: basic research, translational and clinical research, and clinical practice. (shrink)

With the publication of Martin Heidegger’s Black Notebooks, it has become impossible to avoid Heidegger’s anti-Semitism. There has been the expected controversy with Heideggerians on the defensive and the philosopher’s detractors condemning his work outright. But there has been little serious exploration of the matter aside from several recent works. This article builds on this literature on Heidegger’s anti-Semitism and concludes that an anti-Semitic narrative lies at the heart of Heidegger’s history of the oblivion of Being as nihilism. Moreover, Heidegger (...) adopts the narrative framework set up by Friedrich Nietzsche in On the Genealogy of Morality. In the end, we assert that Heidegger advocates a kind of war against Judaism that seeks to eradicate the Jewish influence in the western tradition. Heidegger’s ‘metaphysical’ anti-Semitism aims to overcome the nihilism of the ‘Jewish Christian’ revenge [Rache] against death, a nihilism that has evolved into the technological effort to make everything secure. (shrink)

Many philosophers of biology have embraced a version of pluralism in response to the failure of theory reduction but overlook how concepts, methods, and explanatory resources are in fact coordinated, such as in interdisciplinary research where the aim is to integrate different strands into an articulated whole. This is observable for the origin of evolutionary novelty—a complex problem that requires a synthesis of intellectual resources from different fields to arrive at robust answers to multiple allied questions. It is an apt (...) locus for exploring new dimensions of explanatory integration because it necessitates coordination among historical and experimental disciplines . These coordination issues are widespread for the origin of novel morphologies observed in the Cambrian Explosion. Despite an explicit commitment to an integrated, interdisciplinary explanation, some potential disciplinary contributors are excluded. Notable among these exclusions is the physics of ontogeny. We argue that two different dimensions of integration—data and standards—have been insufficiently distinguished. This distinction accounts for why physics-based explanatory contributions to the origin of novelty have been resisted: they do not integrate certain types of data and differ in how they conceptualize the standard of uniformitarianism in historical, causal explanations. Our analysis of these different dimensions of integration contributes to the development of more adequate and integrated explanatory frameworks. (shrink)

Review by Alan Love of "Keywords & Concepts in Evolutionary Developmental Biology." Hall, Brian K. and Wendy M. Olson (Eds), Cambridge, Harvard University Press. Hb. 476+xvi pp.

While there are many points of opposition between the political philosophies of Marx and Kant, the two can greatly benefit from one another in various ways. Bringing the ideas of Marx and Kant together offers a promising way forward for each view. Most significantly, a powerful critique of capitalism can be developed from their combined thought: Kant’s political philosophy offers a robust idea of freedom to ground this critique, while Marx provides the nuanced understanding of social and political power structures (...) under capitalism that allows this idea of freedom to be properly applied. (shrink)

The Darwinian theory of evolution is itself evolving and this book presents the details of the core of modern Darwinism and its latest developmental directions. The authors present current scientific work addressing theoretical problems and challenges in four sections, beginning with the concepts of evolution theory, its processes of variation, heredity, selection, adaptation and function, and its patterns of character, species, descent and life. -/- The second part of this book scrutinizes Darwinism in the philosophy of science and its usefulness (...) in understanding ecosystems, whilst the third section deals with its application in disciplines beyond the biological sciences, including evolutionary psychology and evolutionary economics, Darwinian morality and phylolinguistics. The final section addresses anti-Darwinism, the creationist view and issues around teaching evolution in secondary schools. -/- The reader learns how current experimental biology is opening important perspectives on the sources of variation, and thus of the very power of natural selection. This work examines numerous examples of the extension of the principle of natural selection and provides the opportunity to critically reflect on a rich theory, on the methodological rigour that presides in its extensions and exportations, and on the necessity to measure its advantages and also its limits. Scholars interested in modern Darwinism and scientific research, its concepts, research programs and controversies will find this book an excellent read, and those considering how Darwinism might evolve, how it can apply to the human sciences and other disciplines beyond its origins will find it particularly valuable. Originally produced in French (Les Mondes Darwiniens), the scope and usefulness of the book have led to the production of this English text, to reach a wider audience. This book is a milestone in the impressive penetration by Francophone scholars into the world of Darwinian science, its historiography and philosophy over the last two decades. (shrink)

According to Joshua Alexander, philosophers use intuitions routinely as a form of evidence to test philosophical theories but experimental philosophy demonstrates that these intuitions are unreliable and unrepresentative.1 According to Herman Cappelen, philosophers never use intuitions as evidence (despite the vacuous sentential leader ‘intuitively’) and experimental philosophy lacks a rationale for its much-touted existence.2 That two books are diametrically opposed on methodology in philosophy is not noteworthy. But eyebrows might be raised at such contradictory accounts of the phenomenology of philosophical (...) inquiry. What is it that (analytic) philosophers do? Why is it so difficult to achieve consensus on the professional activities in which we engage? (shrink)

It is no longer worth dying. There is no Jacques Derrida to offer a magnificent portrait of the philosophy and personality of the recently deceased. As the last surviving member of his great generation, he practiced this duty of love, devotion and justice during the last decades. No one could do this service for him. All that can be offered is a prosaic adieu.