In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Postmodern Theory and Biblical Theology: Vanquishing God’s ShadowWalter L. ReedPostmodern Theory and Biblical Theology: Vanquishing God’s Shadow, by Brian D. Ingraffia; xvi & 284 pp. Cambridge: Cambridge University Press, 1995, $59.95 cloth, $17.95 paper.At the beginning of John Updike’s new novel In the Beauty of the Lilies, a Presbyterian minister, trained by the Princeton Fundamentalists in the early years of the 20th century, is reading a book (...) by the popular agnostic Robert Ingersoll when he suddenly loses his faith. Brian Ingraffia’s Postmodern Theory and Biblical Theology puts secular clerics at the end of the century, secure in their atheism or agnosticism, in danger of the opposite fate. Postmodern theorists are at risk here of losing their doubt. At least they are in danger of losing their confidence that Christianity need not be taken seriously since Nietzsche announced its demise and Heidegger and Derrida elaborated its obituary.Ingraffia is straightforward about his intentions. “In this study I seek to analyze critically the antipathy exhibited in postmodern theory toward theology,” he begins. “Whereas modernism tried to elevate man into God’s place, postmodern theory seeks to destroy or deconstruct the very place and attributes of God” (p. 1). Ingraffia focuses on Nietzsche, Heidegger and Derrida, arguably the three most rigorous and original philosophers of what has come to be known more loosely as postmodern theory. He analyzes the development of each writer’s critique of Western metaphysics in its own right, but he also attends to the genealogy of subversive genealogies among them—in Heidegger’s critique of the residual metaphysics of Nietzsche, for example, [End Page 184] and Derrida’s attempt to deconstruct, at times by appealing to concepts from Nietzsche, the residual ontotheology of Heidegger. “By deconstructing the metaphysics of presence, these thinkers all claim to have deconstructed ontotheology, [that is,] both Greek metaphysics and Christian theology,” Ingraffia concludes. But as he has argued in different specific contexts throughout his persuasive book, “the logos of biblical theology is radically different from the logos of Greek philosophy and modern rationalism,” these being the real sources or substance of the ontotheology that postmoderism is so dead set against (p. 237). In planting a headstone over Christian theology, in other words, postmodern theory has got the wrong grave.The genuine “biblical theology” Ingraffia counterposes to the misrepresentations of Christianity by Nietzsche, Heidegger, and Derrida is found first and foremost in the New Testament letters of Paul. It is one of the striking features of the book that it brings a powerful voice from the first century into conversation and controversy with these powerful voices from the modern era. “The inventor of Christianity,” as Nietzsche labeled Paul in one of his many bitter aphorisms, is the central spokesman for the Christian understanding of truth that postmodernism has, deliberately as well as misadvertently, according to Ingraffia, misconstrued. Thus Paul’s doctrine of “the redemptive-eschatological separation between the present world and the world to come” (pp. 62 ff.), especially in the Letter to the Philippians, is set against Nietzsche’s doctrine of eternal recurrence; Paul’s discrimination of “flesh and spirit,” with a salutary attention to the koiné Greek meanings of these terms and their cognates in the Letter to the Romans, is opposed to Heidegger’s doctrine of the authentic self. And in the most original of Ingraffia’s Pauline probes, Paul’s distinction between the “letter” (gramma) foolishly grasped and the “Scripture” (graphe) spiritually apprehended in the Second Letter to the Corinthians is counterposed to Derrida’s grammatology, where arche-writing effectively levels all hierarchies and distinctions.The strength of Ingraffia’s argument lies in his clear and, on one level, sympathetic exposition of the different but related projects of these three thinkers. This is not the kind of defensive dismissal of “secular humanism” or “godless philosophy” that evangelical Christianity has sometimes made from behind the barricades of its antimodernist revolt. With lucid expositions of crucial turns of their arguments and judicious appeals to current scholarship on each figure, Ingraffia shows how Nietzsche and Heidegger, “theology students turned philosopher” (p. 47), derive important concepts by borrowing from Christian theology on the one hand... (shrink)

This article is primarily concerned with Zygmunt Bauman's ‘adoption’ of Levinas's ethic of primordial responsibility, and his attempt to found a ‘sociological’ critique of postmodern ambivalence upon the erasure of the face and loss of moral proximity. I have argued that the reading of Levinas which Bauman presents in Modernity and the Holocaust and Postmodern Ethics is radically incompatible with the redemptive significance of the Levinasian commandment; and that consequently, his attempt to determine the cognitive and aesthetic forms (...) involved in the adiaphorising trend of postmodern societies is unable to salvage the ethical relation from its own comprehensive/totalising necessity. I have also suggested that Derrida's reading of Totality and Infinity, discloses a certain ‘provocation’ in Levinas's writing; one which gestures towards a conception of ‘the ethical’ as an unforeseen possibility deployed within the resources of social identity. Thus, the idea of ‘situating’ Bauman's thought refers to what I consider to be his ambiguous position with regard to the ‘reflective’ project of a critical theory, and the transcendent necessity of the Levinasian commandment. Ultimately, it is this ambiguity which structures Bauman's writing of the ‘postmodern condition’. For having described the overwhelming powers of cognitive and aesthetic ‘heteronomy’ in the postmodern world, his only recourse is to a ‘politics of distant consequences’ in which the absolute difference of the face would have its originary demand intensified and retransmitted. Such a programmatic demand, I have argued, is radically at odds with an ‘ethical’ reception of racial, sexual or cultural ‘otherness’. (shrink)

"A book well worth reading as its expose of postmoderism has a clarity others would do well to imitate." --Tim Gay in NATFHE Journal Blue Velvet, sex, lies and videotape, Do the Right Thing, and Wall Street are just some of the provocative films that Denzin explores for their portrayal of the postmodern self. He examines the basic thesis that members of the contemporary world are voyeurs who, adrift in a sea of symbols, recognize and anchor themselves through cinema (...) and television. He skillfully weaves this idea back and forth between two kinds of texts: social theory, including poststructuralism, postmodernism, feminism, and marxism; and cinematic representations of life in modern America. The result is a solid assertion that postmodernism has shaped a dramaturgical society where the image has tragically replaced reality. Denzin offers a powerful reading of postmodern American society and the cinematic selves, however distorted, that inhabit this fantasy world. At the same time, he outlines the main contours of postmodern sociology and a postmodern sociological imagination that is responsive to the current historical moment. Images of Postmodern Society will play a key role in understanding the powerful relationship between postmodernism and the cinema for upper level graduates, gradate students, and contemporary scholars of cultural studies, communications, political science, anthropology, sociology, education, history, literary and cinema studies. "The book could be usefully incorporated into undergraduate sociology courses, particularly those that consider media and society, where it might serve as a basis for further discussion and examination of some important issues." --Journal of Communication "Images of Postmodern Society is a good book on two different levels. First, Denzin advances his own theory of postmodernism and, more specifically, of what he calls the "postmodern self," that is interesting and provocative. Second, this is one of the few books on postmodernity that is truly practical, in the sense that the book would be quite a good text to use in courses on the subject, whether they be in philosophy, sociology, film and media studies, cultural studies, and perhaps even anthropology. . . . I would certainly like to use the book for this purpose myself, and I would recommend the book for that purpose to colleagues in the departments mentioned." --Bill Martin, Philosophy Department, DePaul University "Denzin uncovers a profoundly important tension in postmodern culture . . . His work, then, demonstrates that the 'abundance of meaning' found in these films lies in the collision of modernist and postmodernist depictions of cultural practice." --Contemporary Sociology "Norman Denzin, one of the most interesting theorists and ethnographers in American sociology, has turned his critical eye to postmodern theory and contemporary American culture and society. Revitalizing Mills' sociological imagination, Denzin addresses the relations between Hollywood films of the 1980s, their constructions of self, and the structures of lived experience. He offers a postmodern sociology which addresses the increasingly conservative basis of postmodern ideologies of race, class, and gender. It offers an original postmodern critique of the postmodern. Images of Postmodern Society should be and will be widely read and discussed." --Larry Grossberg, University of Illinois. (shrink)

The task of speaking the truth is an infinite labor: to respect it in its complexity is an obligation that no power can afford to shortchange, unless it would impose the silence of slavery (Foucault 1989, p. 308).... the attainment of truth is the outcome of the development of complex and elaborate methods of searching, methods that... in many respects go against the human grain, so they are adopted only after long discipline in a school of hard knocks (Dewey (...) [1925] 1988, pp. 234-35). (shrink)

The revised edition of Subject to Ourselves, a lively and provocative book that was a leader on its topic in England, uses psychoanalytic theory as the basis for a fresh reassessment of the nature of modernity and postmodernism. Analyzing changing experiences of selfhood, desire, interpersonal relations, culture and globalization, the author develops a novel account of postmodernity that supplants current understandings of "fragmented selves." Subject to Ourselves includes a diverse set of case studies, including the power of fantasy in (...) military violence and war, the debate over sexual seduction in psychoanalysis, and the cultural uses of media and new information technologies. The book will be essential reading for students and professionals of social and political theory, psychoanalytic studies, psychology and cultural studies, as well as those with an interest in the modernity/postmodernity debate. Praise for the First Edition: 'This book not only fills an important gap in the literature, for it summarises a debate that is scattered across a decade of rather difficult texts, but also offers a resolution that is sensible and grounded in the best current thinking. It will be widely read by graduate students, faculty, and professionals in the humanities and social sciences.' Choice 'This is an informative and enjoyable book, which will be of use to students and academics...It is accessibly written and provides useful summaries of the different theories and debates in cultural and psychoanalytic theory. Recommended.' Radical Philosophy. (shrink)

In The Equilibrium Manifold, noted economic scholar and major contributor to the theory of general equilibrium Yves Balasko argues that, contrary to what many textbooks want readers to believe, the study of the general equilibrium model did not end with the existence and welfare theorems of the 1950s. These developments, which characterize the modern phase of the theory of general equilibrium, led to what Balasko calls the postmodern phase, marked by the reintroduction of differentiability assumptions and the application of (...) the methods of differential topology to the study of the equilibrium equation. Balasko's rigorous study demonstrates the central role played by the equilibrium manifold in understanding the properties of the Arrow-Debreu model and its extensions. Balasko argues that the tools of differential topology articulated around the concept of equilibrium manifold offer powerful methods for studying economically important issues, from existence and uniqueness to business cycles and economic fluctuations. After an examination of the theory of general equilibrium's evolution in the hundred years between Walras and Arrow-Debreu, Balasko discusses the properties of the equilibrium manifold and the natural projection. He highlights the important role of the set of no-trade equilibria, the structure of which is applied to the global structure of the equilibrium manifold. He also develops a geometric approach to the study of the equilibrium manifold. Applications include stability issues of adjustment dynamics for out-of-equilibrium prices, the introduction of price-dependent preferences, and aspects of time and uncertainty in extensions of the general equilibrium model that account for various forms of market frictions and imperfections. Special effort has been made at reducing the mathematical technicalities without compromising rigor. The Equilibrium Manifold makes clear the ways in which the postmodern" developments of the Arrow-Debreu model improve our understanding of modern market economies. (shrink)

This article presents a discussion of how postmodernist, poststructuralist and critical educational thinking relate to different theories of power. I argue that both Critical Theory and some poststructuralist ideas base themselves on a concept of power borrowed from a modernist tradition. I argue as well that we are better off combining a postmodern idea of education with a postmodern idea of power. To this end the concept of power presented by the works of Ernesto (...) Laclau and Chantal Mouffe is introduced. This concept controverts a number of major educational concepts, i.e. concepts such as causality, autonomy, subjectivity and originality. In other words, it allows us to take a fresh look at old concepts. Finally, I relate the discussion to a number of recent theories of learning. (shrink)

According to postmodern scholars, subjects are defined only through their relationship to power. However, if we are only political subjects insofar as we are subjected to existing power relations, there is little hope of political transformation. To instigate change, we need to draw on collective power, but appealing to a particular type of subject, whether "working class," "black," or "women," will always be exclusionary. Recent work in political and feminist thought has suggested that we can get (...) around these paradoxes by eliminating the idea of political subjects entirely or else thinking of political identities as constantly shifting. In this book, I argue that these are both failed ideas. Instead, I suggest a novel idea of a subject in outline as the agent of socio-political change. This subject moves within the tension of coherence necessary for an agency (the subject) and permanent openness necessary to counter the exclusionary character of a political collectivity based on identity (the outline). I also develop the idea of the moment of the limit, which refers to those moments when power structures fail to subject us, and transformative agency becomes a possibility. While I reject the idea of political autonomy, I show that there is always a moment in which subjects can contest the power relations that define them. Throughout the book, I ground these concepts in work by Adorno, Lacan, and Marx - the very theorists who are often seen as denying the subject's agency. (shrink)

Romand Coles here explores the writings of Augustine, Foucault, and Merleau-Ponty in order to fashion an ethos that emphasizes the value of dialogical relationships between the self and others. In his view, each of these thinkers has made significant contributions that must figure in any reconsideration of the relationship between the self, ethics, and power. Whereas Augustine saw depth as the dimension of freedom and truth, according to Coles's reading, Foucault regarded depth as "that dimension in which we rout (...) out the other and constitute ourselves in light of hegemonic norms implanted deep within us." After drawing out those aspects of Foucault's thought which point toward a "dialogical artistic ethics," Coles explores Merleau-Ponty's philosophy of depth, arguing that it elucidates the "intercorporeality" of the world in a way that emphasizes the value of our dialogical relations with different others. In conclusion, he brings the three thinkers together to assess their rhetorical and philosophical similarities and differences, and to argue against the tendency to see all postmodern thought as nihilistic and incapable of developing an ethico-political stance. Coles's highly original work seeks to provide an alternative to the positions that have structured most recent debate in political philosophy. Thus, his book points up difficulties in both the individualist and the communitarian readings of politics and ethics, even as it seriously explores the ethical dimensions and possibilities of postmodernist thought. His attempt to develop an ethos based on a specific conception of selves and the world enables him to cast provocative light on the continuing dialogue between rationalists and relativists about the nature of both selves and our social and political institutions. (shrink)

The grounded theory research method embodies a crucial element of postmodernist thinking due to its aversion to theory verification and its ability to imbue analysts with the power to discover theory. These processes closely mirror systems thinking because they allow for holistic examination. Postmodern systems thinking combines the worldview of postmodernism with systems thinking, creating a mechanism that is both respectful to the variations of human interaction and the need for "de-compartmentalizing" complex systems. The postmodern systems thinking (...) framework united with grounded action research could be a potent approach for the dissemination of localized, culture-specific ideas in countries susceptible to Western hegemony. (shrink)

Massive geopolitical shifts and dramatic developments in computerization and biotechnology are heralding the transformation from the modern to the postmodern age. We are confronted with altered modes of work, communication, and entertainment; new postindustrial and political networks; novel approaches to warfare; genetic engineering; and even cloning. This compelling book explores the challenges to theory, politics, and human identity that we face on the threshold of the third millennium. It follows on the success of Best and Kellner s two previous (...) books: Postmodern Theory, acclaimed as the best critical introduction to the field, and The Postmodern Turn, which provides a powerful mapping of postmodern developments in the arts, politics, science, and theory. In The Postmodern Adventure, Best and Kellner analyze a broad array of literary, cultural, and political phenomena--from fiction, film, science, and the Internet, to globalization and the rise of a transnational image culture. They use the best of modern and postmodern perspectives to illuminate contemporary life and to strive for a just and viable future. Gold Medal Winner in Philosophy--ForeWord Magazine's Book of the Year Awards. (shrink)

Contemporary histories and theories of empire generally remain within boundaries inspired by varieties of liberalism, and by Marxian theory and its hybrids, in which changing modes of production determine the forms of power, including empire. Liberal theorists and historians of empire generally trace a complex process in which expanding imperial power systems led ultimately to nation-states, democracy, and market economies. For Marxists and postmodern theorists, the formal aspects of empire remain unimportant compared to the broader workings of (...) modes of production and particularly, the global power of capitalism. Michael Hardt and Antonio Negri use the word “empire” to describe the workings of contemporary capitalism and its myriad forms of power. Whether they rely upon the formal definitions of empire or the Marxian-postmodern one, theories of empire often descend from modern utopian visions: perhaps the Kantian variety emphasizing a peaceful union of states and collective learning, or the Marxian one, although now taking into account changes in the mode of production and victims unattended to by Marx and Engels. New technologies and communications networks impress all contemporary theorists. Some proclaim the end of modern power systems and empire; others find empire in a new, postmodern form. Nonetheless, there are stubborn continuities with the modern in the very persistence of modern utopias, the dominance of nation-states, the pursuit of democracy, and the durability of capitalism. Theorists of power and empire have to explain these and other continuities, alongside the disappearance of the more than 400-year-old balance-of-power system in which imperial powers in the European core finally delivered vast power to the United States and the Soviet Union, and created new technologies that strengthen human connection as well as threaten vast destruction. The question of the power of the United States and its imperial status commands the center of attention. (shrink)

In his most recent book, Ermanno Bencivenga offers a stylistically and conceptually exciting investigation of the nature of language, mind, and personhood and the many ways the three connect. Bencivenga, one of the most iconoclastic voices to emerge in contemporary American philosophy, contests the basic assumptions of analytic (and also, to an extent, postmodern) approaches to these topics. His exploration leads through fascinating discussions of education, courage, pain, time and history, selfhood, subjectivity and objectivity, reality, facts, the empirical, (...) class='Hi'>power and transgression, silence, privacy and publicity, and play—all themes that are shown to be integral to our thinking about language. Relentessly bending the rules, Bencivenga frustrates our expectations of a "proper" theory of language. He invokes the transgressions of Nietzsche and Wittgenstein even as he appropriates the aphoristic style of Wittgenstein's Tractatus. Written in a philosophically playful and experimental mode, A Theory of Language and Mind draws the reader into a sense of continual surprise, therapeutic discomfort, and discovery. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Theory of International Bioethics: Multiculturalism, Postmodernism, and the Bankruptcy of Fundamentalism 1Robert Baker (bio)AbstractThis first of two articles analyzing the justifiability of international bioethical codes and of cross-cultural moral judgments reviews “moral fundamentalism,” the theory that cross-cultural moral judgments and international bioethical codes are justified by certain “basic” or “fundamental” moral principles that are universally accepted in all cultures and eras. Initially propounded by the judges at the (...) 1947 Nuremberg Tribunal, moral fundamentalism has become the received justification of international bioethics, and of cross-temporal and cross-cultural moral judgments. Yet today we are said to live in a multicultural and postmodern world. This article assesses the challenges that multiculturalism and postmodernism pose to fundamentalism and concludes that these challenges render the position philosophically untenable, thereby undermining the received conception of the foundations of international bioethics. The second article, which follows, offers an alternative model—a model of negotiated moral order—as a viable justification for international bioethics and for transcultural and transtemporal moral judgments.Man in the Twentieth Century can not be circumscribed by the standards of any single culture.American Anthropological Association (1948) in a statement officially denouncing the 1948 United Nation’s Declaration of Human Rights.Recently... so-called “liberal” medicine has revived the old rights of a clinic understood in terms of a special contract, a tacit pact made between one man and another. This patient gaze has even been attributed the power of assuming [a role in clinical decision making].Miracles are not so easy to come by....Michel Foucault (1975, p. 5) [End Page 201]An Overview of the AnalysisInternational bioethics originated in the trauma of the Holocaust, specifically, in the 1946–1947 Nuremberg “Doctors Trial” when a tribunal of three American judges convicted Nazi medical researchers of “crimes against humanity.” In justifying their judgment, the Nuremberg Tribunal cited 10 principles for morally permissible research, which, they claimed, were based on “fundamental” principles that civilized societies “all agree” upon and accept as the foundations of their “moral, ethical, and legal” norms. Foremost among the principles was one stating that morally permissible human experiments require the informed voluntary consent of the subject. The Nuremberg judgment soon became associated with the ideal of human rights declared in the 1948 United Nations Charter. These two ideas—fundamental principles of morality and human rights—have been linked in all major formulations of international bioethics promulgated in the past 50 years, including the Council of Europe’s 1997 Convention for the Protection of Human Rights and Dignity of the Human Being with Regard to the Application of Biology and Biomedicine (Council of Europe 1997; Dommel and Alexander 1997). In this paper, I explore the received justification for international bioethics—the idea that it is grounded in fundamental principles accepted in all societies—tracing it from its initial, almost off-hand, promulgation by the Nuremberg Tribunal, through its more thoughtful development by such bioethicists as Ruth Macklin, to its more complex use by the President’s Advisory Committee on Human Radiation Experiments.After a brief review of the evolution of the received justification, I discuss the viability of this justification in the face of the critique implicit in two important intellectual movements: multiculturalism and postmodernism. In the international context, multiculturalism asserts the claim that there are no common moral principles shared by all cultures. Postmodernism asserts a similar claim against all universal standards, moral and nonmoral. In the 1990s, bioethicists have attempted to respond to these claims in various ways. These responses are documented, analyzed, and then shown to be “bankrupt,” in the sense that they undercut the most important objective of moral fundamentalism: the justification of transcultural moral judgments, such as the condemnation of the Nazi doctors.A second article, which follows the present one in the same issue of the Kennedy Institute of Ethics Journal, revisits the contractarian tradition [End Page 202] of Hobbes and Locke, as it has been reinterpreted by David Gauthier (1986), John Rawls (1971, 1993), and Robert Nozick (1974), to develop the idea of negotiated moral order as the basis of international bioethics. When conceptualized as a negotiated moral order, international bioethics can accept the genuine insights... (shrink)

Acknowledging the power of the id-drives, Freud held on to the authority of reason as the ego’s best tool to control instinctual desire. He thereby placed analytic reason at the foundation of his own ambivalent social theory, which, on the one hand, held utopian promise based upon psychoanalytic insight, and, on the other hand, despaired of reason’s capacity to control the self-destructive elements of the psyche. Moving beyond the recourse of sublimation, post-Freudians attacked reason’s hegemony in quelling disruptive psycho-dynamics (...) and, focusing upon the social domain, they sought strategies to counter the oppressive (repressive) social restrictions and conformist impositions impeding individual freedom that result from thwarted desire. Postmodern celebration of desire at the expense of reason and sublimation leaves the Enlightenment prospects altogether and moves psychoanalysis into a new terrain, where the very notion of rationality and an autonomous ego upon which much of Freudianism rests has been deconstructed. Thus the debate that begins with Freud’s social theories reflects the deeper divisions, which arose with postmodern ethics and discarded Cartesian–Kantian notions of personal identity. Here we consider the moral framework in which Freudian social theory sits and a contrasting understanding of agency that confronts his modernist conception. In that debate, we discern the larger humanist confrontation with postmodernity. Yet, all who engaged Freud shared some version of his utopian ethos, albeit radically restructuring the theory upon which social reform might occur. (shrink)

When Freud wrote his classic Civilization and its Discontents, he was concerned with repression. Modern civilization depends upon the constraint of impulse, the limiting of self expression. Today, in the time of modernity, Bauman argues, Freud's analysis no longer holds good, if it ever did. The regulation of desire turns from an irritating necessity into an assault against individual freedom. In the postmodern era, the liberty of the individual is the overriding value, the criterion in terms of which all (...) social rules and regulations are assessed. Postmodernity is governed by the 'will to happiness': the result, however, is a sacrificing of security. The most prominent anxieties in our society today, Bauman shows, derive from the removal of security. The world is experienced as overwhelmingly uncertain, uncontrollable and frightening. Totalitarian politics frightened by its awesome power; the new social disorder frightens by its lack of consistency and direction. The very pursuit of individual happiness corrupts and undermines those systems of authority needed for a stable life. This book builds imaginatively upon Bauman's earlier contributions to social theory. It consolidates his reputation as the interpreter of postmodernity. The book will appeal to second-year undergraduates and above in sociology, cultural studies, philosophy and anthropology. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Theory in the “Post” Era: A Vocabulary for the 21st-Century Conceptual Commons ed. by Alexandru Matei, Christian Moraru and Andrei TerianLaura Elena Savu WalkerMatei, Alexandru, Christian Moraru, and Andrei Terian, editors. Theory in the “Post” Era: A Vocabulary for the 21st-Century Conceptual Commons. Bloomsbury, 2021. 376pp.Far from “mourning” the demise of theory, this timely and thoughtfully curated essay collection testifies to its “renewed vitality,” its compelling presence “across (...) fields, domains of life, and geocultural boundaries,” and its power to build an ever-expanding world community of practioners who are forming what has come to be known as a “theory commons” (ix). As the collection’s editors point out, theory’s new lease on life hinges on ensuring both the democratic workings of this “world discourse formation” (1) and on the responsible theorizing of the very notion of community in “a world threatened by all kinds of anti-communal actions and reactions, from runaway globalization to exacerbated tribalism and tunnel-vision politics” (x). Working on the margins, specifically, out of a Romanian “lab” called The Critical Theory Institute (CTI), which opened its doors in early 2000, the contributors seek to revise the “standard history of theory,” one whose “Western origins, authority, and cultural compass ” strike them as “exceedingly reductive” (3). This project of geotheoretical repositioning and recalibration aims to recast theory as a “quintessentially cross-linguistic, cross-cultural, trans- and intercontinental undertaking” (4). As such, it carries on the project, launched in a previous volume, Romanian Literature as World Literature (2018), of fashioning an alternative to the nation-state paradigm that has long shaped literary and intellectual histories. In both of these works, Romanian critics and theorists have tuned into a wide range of voices, and tapped into a shared conceptual and methodological apparatus—itself the product of “an ethno-linguistic medley of traditions” (8). This approach informs what editors see as the “epoch-making” (17) discursive paradigm that has taken shape in globally networked post-Cold War societies (17), a viral model of cultural influence that fosters an ontology of “contact, contagion, of infection, dissemination, and horizontal accumulation” (15).To give us a sense of theory’s complex genealogy and evolution, the editors reference the Bulgarian critic Galin Tihanov, who has attributed [End Page 122] important developments in contemporary theory to the achievements of theorists (Nikolai Trubetskoi, Roman Jakobson, Vladimir Propp, and Georg Lukács) and schools of thought (Russian Formalism and the Prague Linguistic Circle). In “Traveling Theory” (1983) and “Traveling Theory Reconsidered” (2000), Edward Said called attention to the migratory nature of contributions made, for instance, by Georg Lukács, whose theories moved across different European locales in this period. Since then, contemporary theory has branched out to integrate the travels and travails of scholars affiliated with theory labs located in Bulgaria, Hungary, Slovakia, and last, but not least, Romania (10).Theory in the “Post” Era highlights five characteristics that distinguish theory in the “post” era from earlier forms: 1) It has a “reluctantly epoch-alist” thrust (19; original italics), which assumes that the “post” lexicon entails “rupture, discontinuity, and opposition” (19), radical departures, tentative claims, provisional conclusions, and ex-centric perspectives; 2) it adopts a “self-reflexive and experimental” (20; original italics) stance in which theorists invoke inherited approaches or invent new ones; 3) it introduces a “transdisciplinary” (21; original italics) scope that allows authors to interrogate the foundations, aims, and methods of theoretical discourse and practice across several knowledge domains, from which they “borrow whole vocabularies and toolkits” (21); 4) it is “nationally, transnationally, and ecologically affiliative” (20) in ways that allow theorists to “think with others at a distance” (21) about global issues; and 5) it is programmatic, placing critical and theoretical concerns in the service of “the ethical, the political, and the communal” (22). Organized around three main themes (“Aesthetics,” “Temporalities,” and “Critical Modes”), the essays juxtapose discussions of pivotal historical events and cultural phenomena with literary analyses of Romantic era “classics,” modernist experiments, and postmodern works of the post-Communist era, a corpus that includes, but is not limited to, landmark works of national culture that are now part of a fast-expanding planetary... (shrink)

In the middle of the 1960s, Talcott Parsons — undoubtedly the world's most important sociologist in the first decades after the Second World War and at that time at the peak of his influence and reputation — took part in a debate about the relationship between theology and sociology. His contribution, later published in a volume called America and the Future of Theology, was a fervent plea for the significance of sociology in front of a theological audience. But not everybody (...) in this audience seems to have accepted his arguments. The theological commentator at the debate, Oliver Read Whitley, made it abundantly clear in his response that the wedding of the two disciplines which Parsons had suggested should not take place immediately. Its announcement should at least be postponed until certain matters of vital importance for the marriage would have been cleared up. He emphasized that if we assume that one of the crucial conditions of a happy marriage lies in the equal chances of the partners to talk to each other, then the marriage Parsons had proposed would probably not be successful. The dialogue between the partners could, under Parsons's conditions, only be “a conversation in which the social sciences speak and theology listens, afterwards hastening to adapt its views to what the social sciences have stated”. Theology thus would be a mostly `passive' or `dependent' partner and not a `fully participating equal colleague'.John Milbank's writings, particularly his brilliant book Theology and Social Theory, does not offer us the perspective of a happy marriage either. Frustrated and even outraged by a world in which if not sociology, then certainly the sciences or at least `secular reason' have the say, he does not put much effort into an attempt to carefully delineate the possibilities and the limits of communication and cooperation between theology and the social sciences. Instead, he turns the tables and declares theology to be the master discourse of the future. He repudiates the claims of sociology to present an adequate view of reality and thus to define a place even for the sacred, and tries to get beyond what he calls the `false humility' of theologians today. The social sciences, according to Milbank, are bound to a project of secular reason — without being able to self-reflectively understand what the historical conditions for the constitution of this seemingly self-evident notion and sphere of the `secular' were. “Once, there was no `secular'” is the forceful opening sentence of his book. Not only sociology, but also liberal political philosophy, political economy, Hegelian and Marxist philosophy of history, and postmodern philosophy and cultural studies — they all become the object of Milbank's mostly devastating critiques; they all seem to suffer from the same birth defect and to be doomed to perish in view of the revitalized theology or the revitalized Catholic thinking which Milbank so powerfully propagates and which he intends to develop into the `ultimate' social science. (shrink)

Introduction -- Postfeminist contexts -- Backlash, new traditionalism and austerity-nostalgia -- New feminism : victim vs. power -- Girl power and chick lit -- Do-me feminism and raunch culture -- Liberal sexism -- Postmodern (post)feminism -- Queer (post) feminism -- Men and postfeminism -- Cyber-postfeminism -- Third-wave feminism -- Micro/macro-politics and enterprise culture -- Postfeminist brand culture and celebrity authenticity.

The creative imagination changes itself and the world in ways we cannot anticipate. This restless creativity gathers not just refutable facts; it hunts self-transforming revelations, semiotic prizes acclaimed and defended in the realms of inner awareness and political power. So doing, it eludes final description in any one set of signs. This means, I argue here, that sign systems must themselves give chase. Texts of this kind will not be the fixed embalmed arrays of signs and symbols that have (...) sustained our civilizations to date. These texts will be a new kind of artificial life, creative agents that rewrite and re-express themselves on-the-fly, in ways unpredictable by their founding authors. The deconstructive turn in postmodern theory sought interpretive vistas and strange loops to be teased, once upon a time, from each embalmed text. Beyond postmodernity is an aesthetics and a critical theory of empowered texts — sign arrays never quite the same and that, like time itself, sit still for no one. After an initial push by us, they self-evolve. Human sociobiology, asking how culture rewrites the agenda of replicating genes, provides a first glimpse of this new adventure in semiotics and human self-discovery. (shrink)

This volume brings together for the first time the highly influential essays, many of them classics, of one of the most prominent scholars in social philosophy and feminist theory. These essays provide a compelling view of many of the major trends in social theory over the past fifteen years—trends that Linda Nicholson herself helped to shape. The Play of Reason examines the legacies of modernity in contemporary political, social, and feminist thought and the unraveling of these legacies in postmodern (...) times. Linda Nicholson first focuses on the tension in modern social theory between attempts to recognize change and diversity and struggles to capture such change in overarching frameworks of meaning and value. She illuminates the consequences of these conflicting tendencies in relation to Marxism, feminist theory, and classical liberal accounts of the family and the state. Nicholson then asks how theory and the resolution of difference are possible after such overarching frameworks are abandoned. She shows how a pragmatic understanding of theory answers widespread fears about relativism. The Play of Reason is a powerful demonstration of a politically engaged social theory. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Dmitry Khanin THE POSTMODERN POSTURE Postmodernists—the sectarians ofour day—proclaim that the old kingdom of historical narrative and historical subject has perished, and is now being replaced by a new one of ahistorical discourses and ahistorical characters. According to these prophets, "history" is anyway just changes in ways of talking about history. Anyone who does not agree with the ahistoricity of the postmodern world oudook may be accused—and (...) tried on the spot—of defending the cause of the totalitarian Reason against the most liberating movement of today. This postmodernist abuse of history is paradoxical, since the very notion of history coming to its end and giving way to the ahistorical kingdom of freedom and merry debauchery is itself a very old idea, even a mythological one. The description ofhistory as marching toward its own demise relies on a whole tradition which portrays history as a drama. Aristode's conception of tragedy as a sequence of actions culminating in a dénouement has no doubt shaped this view of historical process. Christian and other religious millenarians have announced the end of history already many times. Yet another notorious instance of such eschatological daydreaming is the futurology of Karl Marx, who envisaged the kingdom of communism as occupying this same ahistorical space. A rather obsolete idea, perhaps, but it seems still to attract postmodernists, though they give it a characteristic twist, since they sincerely believe theory, discourse, écriture (i.e., theoretico-symbolical activity) are much more important than any actual historical contentprocesses and events. One of the most notable spokesmen for this approach is Arthur Danto, who insists that world history evolved in a good Hegelian manner until the theorists came to understand that history depends on their Philosophy and Literature, © 1990, 14: 239-247 240Philosophy and Literature texts much more than theorists themselves depend on historical processes and events.1 Many theoreticians working in an otherwise Marxist tradition similarly are glad to assert with FredricJameson that we must say farewell to Marx's positivistic illusion that history is driven by laws disguised as economic forces.2 In the epoch of "late capitalism," says Jameson, consumption gains the upper hand over production and becomes the mainspring of history. Of course, in light of recent doings in Europe I am tempted to ask if we owe it to postmodernists—and their ahistorical, inconsistent, and generally confounding claims about history lying in ruins—that the Berlin Wall actually is in ruins and Vaclav Havel is president of Czechoslovakia. Even more daring theorists may now declare an era of "very late capitalism." Here it will not be merely the mass media that act transformatively on society (as McLuhan claimed), but rather consumer goods themselves, like state-of-the-art washing machines or French perfumes, which create a new aura of intellectual discourse. TL· Postmodern Scene: Excremental Culture and Hyper-AesÜietics, a book by two Canadian authors, Arthur Kroker and David Cook, promotes such a sea change in the theoretical landscape and along the way presents a joyous recapitulation ofthe latest fads in postmodern thinking. The new apostolic generation ofpostmodern critics seems to enjoy the beautiful new things that can be bought for bucks, worrying at the same time that bucks may be losing some of their purchasing power. Like Hari-Krishnas dancing in the street they luckily possess a sort of happy consciousness which also recalls their puritanical great grandfathers who regarded profligacy as the greatest sin and much preferred saving to spending. In what follows I want to draw a portrait of this new postmodern posture. A few main assumptions underlie Kroker's and Cook's wake for postmodernism, which, in its peculiar genre of philosophic obituary, epitomizes and thus prepares for future oblivion views which were exceedingly popular in the preceding decade. First of all, the authors adopt Baudrillard's equation of Marx and Nietzsche: "Marx and Nietzsche shared a deep and common affinity in meditating upon historical (Christian) and materialistic (capitalist) expressions ofthewill ofpower."3 From Baudrillard's perspective Marx appears as a pathetic romantic who tried to defend the "referential illusion" by renaturalizing concrete labor even though its entirely abstract character was brilliandy revealed in Das Kapital. Baudrillard... (shrink)

The collapse of the Weimar Republic remains central to the history of the 20th century and to contemporary debates on 'classical modernity' and its Europe-wide crisis in the wake of the First World War. The present issue of Thesis Eleven focuses on three dimensions of the Weimar crisis: the experience of fundamental societal crisis and closure and its diagnostic power in relation to the rise of fascist movements; the cognitive and normative resources that sought to work against this crisis-ridden (...) sense of closure; and third, the degree to which these counter tendencies anticipate postmodern interrogations of the premises of classical modernity. (shrink)

This book examines the moral philosophy of Paul Ramsey--one of the 20th century's most influential ethicists--from a theological perspective illustrating that religion can still play a substantial role in our ongoing moral inquiries. Ramsey wrote prodigiously on ethical issues including politics, medical research, the Vietnam war, and nuclear proliferation. His ethical theory, which concentrates on divine love, or `agape, ' as well as justice and order, provides a middle ground between fundamentalism and secularism. Therefore, Ramsey's ethics will appeal to the (...) 21st-century social conscience. McKenzie grounds his theological exploration in a comprehensive history of the theological and philosophical influences on Ramsey's thought, including Jonathan Edwards' theory of natural morality. He also explores a multidisciplinary selection of Ramsey's writings. In conclusion, McKenzie argues that Ramsey's natural law theory will continue to have significant and increasing relevance for morality in the postmodern world. This is the most thorough study of Paul Ramsey's work as well as a significant contribution to philosophy and theology. (shrink)

The ways in which knowledge relates to power have been much discussed in radical education theory. New emphasis on the role of gender and the growing debate about subjectivity have deepened the discussion, while making it more complex. In Getting Smart , Patti Lather makes use of her unique integration of feminism and postmodernism into critical education theory to address some of the most vital questions facing education researchers and teachers.

Coleman's rational choice theory introduces the idea of a "social optimum" into sociological theory. This idea of conceiving best outcomes is central to the project of reasoned progress and is an important tonic against the postmodern doubt. The utility maximization approach is inadequate, however, because it is locked into an analysis of social structures. As a result it cannot conceptualize common standards, which are essential to best outcomes. These are treated adequately only within a cultural analysis. Welfare economics has (...) dealt with this problem of best outcomes for a long time. Its history with the problem verifies the insuperable difficulties in a conception of action as utility maximization. When Coleman generalizes that approach, he manages only to reduce standards to power. This is inadequate. Some implications of conceiving common standards as culture are discussed. (shrink)

Three types of unification patterns in the history of physics are considered. The paradigmatic example of synthesis is chosen to be Maxwell’s fusion of electricity, magnetism and light. The analysis of Maxwell’s works enables to extract three hallmarks of any successful scientific unification. The hallmarks appear to be crucial since any violation of them inevitably leads to a radical decrease of the unifying theory’s predictive power. It is contended that classical (Maxwell) and modern (Einstein) milestones of physics growth are (...) in good agreement with the rules extracted. However, all the three basic stages of ‘post-modern’ physics – i.e. the electroweak theory of Weinberg and Salam, GUTs and SUSY approach culminating in the superstrings – can be described as violations of the synthesis rules. (shrink)

Purpose. The purpose of the study lies in critical reconstruction of Thomas Hobbes’s social contract theory as an important principle not only of modern political anthropology, but also of modern and postmodern social projects. As well as, in the unfolding of the fundamentally important both for the newest social-philosophical and philosophical-anthropological discourses of the thesis that each individual is the origin of both personal and institutional freedom and justice, making the contract first of all with himself, with his desires (...) and sorrows and then with other people and the state. Theoretical basis. The principle of social contract offered by Hobbes became a new social, methodologically significant and relevant principle of regulation of activity, which indicates essential for the modern political philosophy and the philosophy of law transition from teleological to legal ideas of justice. For an in-depth study of the philosophical and anthropological aspects of Hobbes’s contractualism, we used the historical-comparative and contextualization method, as well as the works of leading native and foreign researchers of Hobbes, who uphold the provisions on the organic affiliation of fundamental socio-philosophical and philosophical-anthropological questions about the nature of man, the relation of coercion, freedom and justice with the discourse of social contract. Originality. On the basis of a consistent analysis of the anthropological component of Hobbes’s theory of social contract, an in-depth understanding of modern contractualism and contemporary discussions in the field of its existential and anthropological component is offered, as well as the thesis that political anthropology is the core of the philosophical anthropology because it makes possible the methodologically important understanding of the basic problems of human existence – the interaction of justice and freedom, self-interest and public good, as well as it quite clearly outlines the ways to overcome the dilemmas of liberalism and communitarianism, individualism and holism. Conclusions. Political anthropology of T. Hobbes constructed in the context of a modern social project, justified the issue of interaction between freedom and justice, which is fundamentally important to nowadays, through the search for such a way of social relations, in which an individual, being in the realm of social existence, would seek to limit his own selfishness and freedom for the sake of the common will of the majority. Thanks to Hobbes, the idea of external humility in disobedience to the inner, of freedom of conscience as a "human and citizen", of an understanding of individual independence, which is not just a permissible but accepted by state power, has been acquired with exceptional theoretical and practical meaning. Thanks to Hobbes’s works, the essence was revealed by the relationship between the cooperative and the conflicted vision of man. (shrink)

In the 1960s, Marshall McLuhan emerged as a guru of the emergent electronic media culture. His book Understanding Media (1964) was celebrated as providing key insights into the role of the media in contemporary society and McLuhan became one of the most discussed and debated theorists of the time. During the 1980s, Jean Baudrillard was promoted in certain circles as the new McLuhan, as the most advanced theorist of the media and society in the so-called postmodern era. His analysis (...) of a new, postmodern society rests on a key assumption that the media, simulations, and what he calls "cyberblitz" constitute a new realm of experience and a new stage of history and type of society. Both McLuhan and Baudrillard provide provocative theses on the role of the media and new technology in constituting the contemporary world. They provide important and influential models of the media as all-powerful and autonomous social forces that produce a wide range of effects. In this study, I first explicate McLuhan’s media theory and how it can be deployed to produce analyses of modernity and postmodernity that connect McLuhan’s work with Baudrillard. I then explore how McLuhan’s media theory shaped Baudrillard’s theory and the similarities and differences in their work. I lay out what I consider the important contributions of their work, but am also concerned to delineate the political implications of their media theory and to point to alternative theoretical and political perspectives on the media and the contemporary moment. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies 20 (2000) 267-278 [Access article in PDF] Book Review Healing Deconstruction: Postmodern Thought in Buddhism and Christianity Healing Deconstruction: Postmodern Thought in Buddhism and Christianity. Edited by David Loy. Atlanta: Scholars Press, 1996. 120 pp. The philosophers have only interpreted the world, in various ways; the point, however, is to change it.--Karl Marx, Eleventh Thesis on Feuerbach Healing Deconstruction, edited by David Loy, is a (...) collection of essays which are situated by and elaborate the intersection of radical Christian, Buddhist, and deconstructionist discourses. With the exception of "Mindfulness of the Selves" by Morny Joy, all of these essays were first presented at the Fourth International Buddhist-Christian [End Page 267] Dialogue conference in Boston in 1992. While each author addresses different aspects of problems associated with suffering, the self, language, and healing, they share certain poststructuralist sensibilities in common and, with the exception of Robert Magliola, share a commitment to developing "a more holistic praxis" (p. 2). The title of this volume is, says Loy, "intentionally ambiguous. On the one side, it emphasizes the healing possibilities of deconstruction in a field where the deconstructive turn has too often been understood reductively" and on the other, it "refers to the potential healing power of this dialogue for deconstruction itself, whose critique of logocentrism had led to a rupture within contemporary thought" (ibid.). 1 The authors both affirm "the liberating and healing potential of de-essentialized concepts and images, language, bodies and symbols" and maintain "that actually realizing this healing potential requires a move from theorizing to practice, for only that can truly deconstruct the self" (p. 10).Chief among the problems they identify as presenting barriers to developing a new way of relating to the world and a new self are dualistic thinking and the notion of the autonomous self. Each of the authors contributes to comprehending the philosophical factors that foster the creation of these barriers and what may be done philosophically to dismantle them. Moreover, Philippa Berry, Joy, and Magliola not only deploy Christian, Buddhist, deconstructionist, and feminist tactics to dismantle these barriers, they also articulate alternative modes of relating to the world.Creating new ways of relating to the world and new senses of self are clearly in order. Profit-driven global development, enforced by U.S. directed, taxpayer financed military power, is not only fostering the growth of illiteracy, homelessness, poverty, slave labor, and starvation for hundreds of millions of persons worldwide it is also threatening the biological basis of life. To make matters worse, revolutions in communication, transportation, and weapons systems have accelerated the rate at which these processes are developing around the world. The left used to say: either socialism or barbarism. Today we might say, either a way of life or death. In light of the fact that, as Joy indicates, "[r]acism, sexism, and classism still pervade our social structures in ways that damage the lives of billions of people"; it is clear that we need "a new way of relating to the world: a different sense of self" (pp. 71, 97). It is no exaggeration to claim that we must build an alternative mode of being and becoming to that which presently exists in order to ensure that all human beings are able to enjoy the rich abundance of life. The authors in Healing Deconstruction make diverse contributions to this end and provocatively stimulate our thinking about how we might best create an alternative mode of human existence.Their contributions suffer, however, from problems which are, among other things, symptomatic of the state of critical theory and politics as we begin the twenty-first century. With the triumph of global capitalism and the retrenchment of the political right, critical theory and politics, particularly in their academic manifestations, have in large measure retreated from the radical agendas that characterized political movements in the 1960s. Whereas anticolonial, civil rights, antiracist, feminist, indigenous, environmental, and working class organizations and movements sought to transform existing institutions in order to insure universal access to social, [End Page 268] political, and economic resources, most liberals and many... (shrink)

In We Have Never Been Modern Bruno Latour challenges the intellectual community to find an alternative to modernism that does not privilege either the discursive or the material in the construction of knowledge. A central aspect of his thesis is the rejection of postmodernism as a version of linguistic constructionism. I challenge his assessment of one postmodern, Michel Foucault, by arguing that Foucault's work successfully integrates the discursive and the material. Focusing on Foucault's theory of power, I argue (...) that he provides a viable alternative to both modernism and linguistic constructionism that is particularly relevant to political theory. His approach to knowledge entails the intimate integration and interaction of the material and the discursive in every aspect of its constitution. I argue that his conception offers an understanding of politics and power that avoids the pitfalls of the material/discursive dichotomy. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Prudence: Classical Virtue, Postmodern PracticeFrancis A. BeerPrudence: Classical Virtue, Postmodern Practice. Ed. Robert Hariman. University Park: Pennsylvania State University Press, 2003. Pp. xi + 337. $65.00, cloth."Would it be prudent?" The phrase echoes in memory, linking Dana Carvey from Saturday Night Live to the presidency of the first George Bush. Robert Hariman has been wrestling with prudence for over a decade, and he has now produced (...) a powerful volume that brings together not only his thoughts but also those of a number of other distinguished authors. The result is a book that will become a standard reference for those interested in prudence.The subtitle, Classical Virtue, Postmodern Practice, and the title of the first chapter, "Theory without Modernity," give some idea of the subtexts that drive the book. This is a book about prudence, and more. It is about virtue in classical, modern, and postmodern settings. It is about the dynamic complexity of practice—decision, judgment, and action in public and private life.Hariman gives us a definition: "Prudence is a mode of reasoning about contingent matters in order to select the best course of action" (5). That would be too easy. He also surrounds prudence with a penumbra of related words to broaden our understanding of the complex lattice of semantic meaning. Our legacy from the Greek and Roman lexicon includes words like phronesis and prudentia. Contemporary nouns involve cautiousness, circumspection, and care. Related adjectives are "careful, judicious, tactful, discerning, sensible, frugal, wise, sage, level-headed, balanced, moderate, politic, practical pragmatic, expedient" (vii). These synonyms, for Hariman, describe a narrow, modern form of prudence, part of the calculative tradition inherited from Aristotle, that ultimately leads to the saddle points of rational choice. They are, however, only a part of the story. Hariman aims to relieve their "stodginess" by recovering the performative tradition of prudence from Cicero. Prudence, from this perspective, is defined not just abstractly as a set of rules but more dynamically as a set of roles. Prudence includes character, and is performed by characters. Pericles in Athens is an iconic example of superb political leadership that blends the honor of the leader with the glory of the state. Prudence combines integrity of the self with respect for others. This is a broad, ambitious interpretation [End Page 176] of prudence. It recuperates not only a classical vision of prudence but also one of politics. It rearranges other virtues to revolve in a constellation around prudence. In this reconstituted form, prudence reemerges to shine as "a crucial element of political leadership," the central political virtue.The book is divided into three parts: "Conceptual Frameworks," "Rhetorical Structures," and "Provisional Networks." All three of the sections are identified in structural terms, which is interesting since Hariman's conception of prudence as a primary political virtue is very agent-centered. The structures, however, provide the settings in which the political observers and actors perform. The first section provides a sample of the rich literature that focuses on philosophical concepts of prudence in earlier times and places. It begins with a chapter by Robert W. Cape Jr. that discusses "Cicero and the Development of Political Practice in Rome." This chapter is critical to the book, since it lays a part of the foundation. It is the first substantive essay and it must also make the case for combining calculative and performative prudence. Cape gives us a fine exposition of prudentia in the Roman context. Interestingly, he suggests that "prudentia is a contraction of providentia, "'foresight.'" (37).The virtue of prudence was typically associated with age and experience. Imprudence, on the other hand, was associated with youth, recklessness, and impropriety (37). Prudence involved knowledge of practical matters, law, and custom as well as proper speech, including rhetoric, and behavior. Prepon mattered. Prudence for Cicero, however, was much more than simply knowing how things work: it was ultimately the extended performance of justice on the public stage. The next chapter, by Eugene Garver, entitled "After Virtù: Rhetoric, Prudence, and Moral Pluralism in Machiavelli," moves the story of prudence from the late classical to the early modern period. As the title indicates, Garver's concern is also with the relation of... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 35.3 (2002) 223-243 [Access article in PDF] Style, Rhetoric, and Postmodern Culture Bradford Vivian Modern rhetoricians habitually avoid the canon of style. The reasons for this avoidance should be familiar to those versed in the disciplinary lore of rhetoric. Since the fifth and fourth centuries B. C. E., when oratorical virtuosos like Gorgias proclaimed that "Speech is a powerful lord, which by means of the (...) finest and most invisible body effects the divinest works" (41), the suspicion that rhetorical style amounts to irrational verbal excess has dogged those who would argue for the moral integrity of the art. Most recently, twentieth-century rhetoricians, Toulmin (1958) and Perelman (1969, 1979, 1982) in particular, realigned rhetoric with the study of argumentation after its apparent reduction, during the eighteenth and nineteenth centuries, to innocuous matters of form and taste by the elocutionist and belletristic movements. Consequently, the aesthetic capacities of rhetoric have received scant attention from modern rhetoricians, who resign considerations of style largely to supposedly regrettable episodes in the history of the discipline. For better or worse, then, modern rhetorical theory lacks a contemporary rationale and methodology for the study of style. 1Beyond unfortunate equations of rhetoric with grandiloquence, this scarcity in recent rhetorical scholarship corresponds to general humanistic and social scientific prejudices against the topic of style. Robert Hariman posits, "Established academic conceptions of style hardly prepare one to take seriously the aesthetic dimension of political experience" (7). As evidence for this claim, he cites Stuart Ewen's reflections on the "frustration" peculiar to research on style: "It seemed to be a universal category," Ewen writes, "transcending topical boundaries, an accolade applied to people, places, attitudes and things... a subject that was, at best, amorphous" (quoted in Hariman, 7-8). Yet the social ubiquity of style—"[o]n news magazines, sports magazines, music-oriented magazines, magazines about [End Page 223] fashion, architecture and interior design, automobiles, and sex"—indicates that it offers "a key to understanding the contours of contemporary culture" (qtd. in Hariman, 7-8). Hence, the paradox of style as a scholarly topic: that which exhibits its cultural importance makes it seem intellectually vacuous.Hariman's treatise on political style offers the most noteworthy attempt in rhetorical studies to remedy these trends; brief consideration of his insights will suggest further objectives for the study of rhetoric and style. 2 In Hariman's estimation, "style ultimately is a significant dimension of every human experience" because "relations of control and autonomy are negotiated through the artful composition of speech, gesture, ornament, decor, and any other means for modulating perception and shaping response. In a word, our political experience is styled" (3, 2). The distinctive contribution of rhetorical inquiry into political style involves "understanding the dynamics of our social experience or the relationship between rhetorical appeals and political decisions" rather than merely "cataloging discursive forms in the artistic text alone" (Hariman, 8).Accordingly, Hariman acknowledges that one must recognize the substantive social and political influences of style apart from its traditional connotations of individual artistic performance. "In this context," he explains, "although style still highlights aesthetic reactions it no longer enforces artistic autonomy. Style becomes an analytic category for understanding a social reality; in order to understand the social reality of politics, we can consider how political action involves acting according to a particular political style" (9). Thus, for Hariman, rhetorical choices in political style need not amount to a valorization of "artistic autonomy": "each political style draws on universal elements of the human condition and symbolic repertoire but organizes them into a limited, customary set of communicative designs... Each is thoroughly conventional, yet the means for personal improvisation and intelligent, innovate responses to unique problems" (11-12). His treatise therefore appears to dissociate style from its outmoded definitions while recommending the utility of rhetorical principles to the study of political culture.What Hariman calls the "cautious postmodernism" (6) of his project, however, hinders its innovative aspirations. The postmodern portion of his work endorses the study of style according to the aesthetic dimensions of social relations rather than "artistic autonomy" alone; but its... (shrink)

The Art and Craft of Political Theory provides a critical overview of the discipline's core concepts and concerns and its development of critical thinking and practical judgment. The field's interdisciplinary strengths are deployed to grapple with emerging issues and engage afresh enduring ideals and quandaries. While conventional definitions of key concepts are provided, original and controversial perspectives are also explored, revealing continuity in a tradition of thought while emphasizing its diversity and innovations. The Art and Craft of Political Theory illustrates (...) the analytic and interpretive skills, the moral and philosophic discernment, and the historical knowledge needed to appreciate a tradition of thought, to contest its claims, and to make good use of its insights. Topics include: - Science, Ideology, and Normative Theory - Biology, Culture, Human Nature, Power and Violence - Ancient, Modern, and Postmodern Political Thought - Liberty, Equality, Justice, Reason, and Democracy - Racial, Religious, Gender, and Economic Identities - Liberalism, Socialism, Capitalism, Communism, Anarchism, Feminism, and Environmentalism - Social Media, Automation, Artificial intelligence and other Emerging Technologies This concise, lively, and accessibly written book is essential reading for all students of political theory. (shrink)

Interstices of the Sublime represents a powerful theological engagement with psychoanalytic theory in Freud, Lacan, Kristeva and Zi zek, as well as major expressions of contemporary Continental philosophy, including Deleuze, Derrida, Marion, and Badiou. Through creative and constructive psycho-theological readings of topics such as sublimation, schizophrenia, God, and creation ex nihilo, this book contributes to a new form of radical theological thinking that is deeply involved in the world. Here the idea of the Kantian sublime is read into Freud and (...) Lacan, and compared with sublimation. The sublime refers to a conflict of the Kantian faculties of reason and imagination, and involves the attempt to represent what is intrinsically unrepresentable. Sublimation, by contrast, involves the expression and partial satisfaction of primal desires in culturally acceptable terms. The sublime is negatively expressed in sublimation, because it is both the "source" of sublimation as well as that which resists being sublimated. That is, the Freudian sublime is related to the process of sublimation, but it also distorts or disrupts sublimation, and invokes what Lacan calls the Real. The effects of the sublime are not just psychoanalytic but, importantly, theological, because the sublime is the main form that "God" takes in the modern world. A radical postmodern theology attends to the workings of the sublime in our thinking and living, and provides resources to understand the complexity of reality. This book is one of the first sustained theological readings of Lacan in English. (shrink)

The aim of this article is to explore the ways and forms in which history is present, represented and used in Vygotsky’s theorizing. Given the fact that Vygotsky’s theory is usually described as a cultural-historical theory, the issue of history is necessarily implicated in the theory itself. However, there is still a gap between history as implicated in the theory and an explicit theorizing of history – both in Vygotsky’s writings and in Vygotskian scholarship. Therefore it is expected that it (...) would be fruitful to shed light on some possible pathways that can bridge this gap. The prevailing theoretical role of history in Vygotsky’s theory is to serve as a general framework which provides tools for the development of higher psychic functions. Thus, history is recognized as a formative context of psychic life. Further, history appears in Vygotsky’s writings also as a projected better future. All these uses of history presuppose an idea of history as linear progress. But Vygotsky also argues for a stronger epistemological claim – that history is the most powerful explanatory principle. After conceptual and theoretical reflection on history, some limitations of Vygotsky’s historicizing of the history of psychic development will be pointed out and related to general epistemological problems of historicizing. Finally, Vygotsky’s cultural-historical theory, an edifice built up in the 1930s but relying on the rich philosophical and psychological legacy available up to that time, will be positioned against the pluralistic, postmodern and hermeneutic turn in contemporary social and human sciences. (shrink)

The idea of translating Gerdil into English is brilliant, the translation is very good and the introduction of William Frank precise and inspiring.... Rousseau proposes a complete break with tradition. A new man will arise who is severed from the whole heritage of the past. With him the history of mankind begins anew. In one sense we have here a transposition in the field of philosophy of education of the Cartesian cogito. The subject begins with himself. To this philosophical project (...) Gerdil opposes the idea of tradition. We have not made ourselves. Our parents have procreated us. The parents do not only procreate their offspring, they also introduce them into the natural and social reality, that is they educate. No education is possible without a lively dialogue with history and society. Since the beginning man stands in a close relationship to others, is made for the human society.... In these our times one form of modernity is collapsing and the mood of the day is an unclear postmodernity that in some of its versions could well be a return to barbarianism. All the more important is then that another form of modernity be rediscovered and brought to the attention of the American public. - Rocco Buttiglione, University of St. Pius V, Rome A timely translation of a compelling 18th century critique of Rousseau by the neglected Italian author, Hyacinth S. Gerdil. Gerdil's Anti-Emile may have been written as a critique of Rousseau's Emile, but it can equally be read as a critique of the philosophy embraced by the American educational establishment. Through the influence of John Dewey, Rousseau came to inform much of the educational theory regnant in the United States, with disastrous consequences, now acknowledge by nearly all. In a valuable preface to his translation, Professor Frank, drawing upon his experience both here and abroad, not only places Emile in context, but defends Gerdil's time-transcending, classical view of education against its modern detractors. "Gerdil," Frank tells us, "addressed his Anti-Emile to elders responsible for education, be they parents, teachers, or political authorities, who might find themselves swayed by the powerful rhetoric of Rousseau's Emile." The same may be said of this translation and its informative prefatory material, for it is clearly a study that will be valued by anyone interested in principled education. - Jude P. Dougherty, Catholic University of America Cover image: "Adam and Eve" by Tintoretto. St. Augustine's Press acknowledges the kind permission granted by la Scuola Grande di San Rocco, Venice, for the use of the image. All rights reserved by la Scuola Grande di San Rocco. (shrink)

The idea of translating Gerdil into English is brilliant, the translation is very good and the introduction of William Frank precise and inspiring.... Rousseau proposes a complete break with tradition. A new man will arise who is severed from the whole heritage of the past. With him the history of mankind begins anew. In one sense we have here a transposition in the field of philosophy of education of the Cartesian cogito. The subject begins with himself. To this philosophical project (...) Gerdil opposes the idea of tradition. We have not made ourselves. Our parents have procreated us. The parents do not only procreate their offspring, they also introduce them into the natural and social reality, that is they educate. No education is possible without a lively dialogue with history and society. Since the beginning man stands in a close relationship to others, is made for the human society.... In these our times one form of modernity is collapsing and the mood of the day is an unclear postmodernity that in some of its versions could well be a return to barbarianism. All the more important is then that another form of modernity be rediscovered and brought to the attention of the American public. - Rocco Buttiglione, University of St. Pius V, Rome A timely translation of a compelling 18th century critique of Rousseau by the neglected Italian author, Hyacinth S. Gerdil. Gerdil's Anti-Emile may have been written as a critique of Rousseau's Emile, but it can equally be read as a critique of the philosophy embraced by the American educational establishment. Through the influence of John Dewey, Rousseau came to inform much of the educational theory regnant in the United States, with disastrous consequences, now acknowledge by nearly all. In a valuable preface to his translation, Professor Frank, drawing upon his experience both here and abroad, not only places Emile in context, but defends Gerdil's time-transcending, classical view of education against its modern detractors. "Gerdil," Frank tells us, "addressed his Anti-Emile to elders responsible for education, be they parents, teachers, or political authorities, who might find themselves swayed by the powerful rhetoric of Rousseau's Emile." The same may be said of this translation and its informative prefatory material, for it is clearly a study that will be valued by anyone interested in principled education. - Jude P. Dougherty, Catholic University of America Cover image: "Adam and Eve" by Tintoretto. St. Augustine's Press acknowledges the kind permission granted by la Scuola Grande di San Rocco, Venice, for the use of the image. All rights reserved by la Scuola Grande di San Rocco. (shrink)

In celebration of the centennial of the Institute of Philosophy of the Catholic University of Leuven, a series of lectures was organized to outline the evolution of various philosophical disciplines in the time span 1889-1989. The lcture on ethics was an attempt to depict the transition from foundational and universalist ethics into a hermeneutical type of ethics that is anti-foundational and particularistic. Such can be interpreted as a transition from modernity into post-modernity,or from ethics into post-ethics : it is the (...) abandonment of the belief that ethics might offer a rational legitimation of ethical principles, or that such principles might be shown to be universal dictates of reason. Several historical and philosophical aspects of this criticism of rationalistic ethics are traced and evaluated, in discussion with authors such as Nussbaum, Rorty, Walzer, and Lévi-Strauss. — 1. The post-modern rehabilitation of moral sensitivity correctly criticizes the poverty of a moral life that is only based on principles. However, it is shown that even loyalty to a particular person or group can only be of an ethical nature ifsome universality is presupposed. — 2. The post-modern rehabilitation of tradition is based on two arguments: moral judging can only occur within a particular way of life, and this particularism is the most efficient anti-dote against totalitarian powers of rationalization and homogenization. Nevertheless, it is evidenced that the universalism of human rights is needed to safeguard such particularism. — 3. Other motives in the criticismof a universalist ethical theory derive from the Wittgensteinian or Heideggerian rejection of humanism as a form of subjectivism or anthropocentrism. The final conclusion is that the particularity of ethos has an important role to playin the development of our moral sense, but that this role is essentially heuristic. Thisparticularity is the experiential matrix for a responsibility that is nevertheless of a universal nature. Ethics can never be equated with the articulation of a particular way of life, or ethos, because it needs the tension between facts and values. Without such atension it is reduced to a positivism of culture. The foundational questions should not be abandoned. They are not rationalistic abstractions precluding experience, but they are the reminders that our norms are norms, i.e. tasks to be fulfilled and not just actualsocial sentiments and preferences. (shrink)

Among the most influential and enigmatic thinkers of the modern age, Nietzsche and Heidegger have become pivotal in the struggle to define postmodernism. In this work, Gregory Smith offers the most comprehensive examination to date of the turn to postmodernity in the writings of these philosophers. Smith argues that, while much of postmodern thought is rooted in Nietzsche and Heidegger, it has ironically attempted, whether unwittingly or by design, to deflect their philosophy back onto a modern path. Other alternative (...) paths emanating from both Nietzschean and Heideggerian thought that might more powerfully speak to postmodern culture have been ignored. Nietzsche and Heidegger, Smith suggests, have made possible a far more revolutionary critique of modernity then even their most ardent postmodern admirers have realized. Smith contends that the influences on the postmodern in the thought of Nietzsche and Heidegger are founded in a new vision of praxis liberated from theory. Ultimately, these philosophers do transcend the nihilism often found in the guise of postmodernism. Their thought is, moreover, consistent with the possibility of limited constitutional government and the rule of law. Smith's book takes the first step toward recovering these possibilities and posing the fundamental questions of politics and ethics in ways that have heretofore been closed off by late-modern thought. (shrink)

For the past few decades postmodernism has been at the center of debates about philosophy, history, culture, and politics, including feminist theory and politics. Its theoretical rationale can be found in poststructuralist modes of social and cultural analysis and its concerns are echoed in postmodern cultural practices. The range of theories broadly described as “postmodern” includes writers as diverse as Lyotard, Baudrillard, Derrida, Lacan and Foucault. Among women theorists Julia Kristeva and Luce Irigaray have been particularly important.

In the article, Thomas More’s vision of citizen education is a starting point for the analysis of the role of East European dissident thought and practice in addressing the present crisis of social agency posed by the legacy of postmodern philosophy and the surge of post-truth politics. The article argues that engaging with the experience of Eastern Europe in the last decades of the twentieth century offers a useful way of approaching the question of political action in relation to (...) social dreaming and an important context to address the postmodern deconstruction of the subject. The way the thought and practice of East European dissidence both resonates with and questions the main principles of postmodern theory makes it particularly relevant for the current historical and political momentum and can be seen as an important contribution to the debates belonging to the ethico-political turn. (shrink)

Gerhard Lenski's classical work on stratification, "Power and Privilege", was an effort to reconcile and to synthesize different approaches to inequality incorporated into the grand theories of the day. It anticipated a variety of developments in the theoretical and empirical understanding of inequalities. These include recognition of the multiplicity of inequalities; emphasis on race, class, gender, and other sources and systems of domination and subordination; and the intersection of these factors in complex patterns to create different standpoints and life (...) consequences. The result was ground-breaking work that underscored the multidimensionality of stratification systems, the variability of their influences, and the notion that their intersection in itself has implications beyond the sum of component parts. In these ways his work foreshadowed the possibilities of finding common ground between modern and postmodern perspectives, to make Lenski the last grand theorist of modernity and a forerunner of postmodern theories of inequality. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Nonplaces:An Anecdoted Topography of Contemporary French TheoryBruno Bosteels (bio)In its juridical sense, a non-lieu is a judgment that suspends, annuls, or withdraws a case without bringing it to trial. It is thus a judgment that announces or enunciates that there will be no judgment as to guilt or innocence, a finding that there is no place to judge. It therefore renders justice by refusing to render it under the (...) law, which it does when it pronounces or enunciates the non-lieu.—Peggy Kamuf, "Béance"1Inside the Spatial TurnIf modernity will always be remembered as an era dominated by questions of time and history, then perhaps the steady waning of modern ideals invites us to think of the entry into something called the postmodern as a passage dominated by questions of space and geography. As Michel Foucault once famously observed in a 1967 conference paper, first published two decades ago: "Perhaps we might say that some of the ideological conflicts that animate today's polemics oppose the pious descendants of time and the willful inhabitants of space" ["Of Other Spaces" 22]. This conflict over time and space presupposes a much larger argument that is not only historical but also methodological in nature. What is at stake is both a question of the passage, or transition, from modernity to postmodernity, if that is indeed what we decide to name modernity's aftermath, and a question of the theoretical consequences that follow from giving precedence to space over time in treating this very transition. With regard to this second question, too, Foucault's work stands as exemplary insofar as he was able to show the degree to which a vital emphasis on space, geography, and territoriality [End Page 117] forces us to take leave of the modern paradigm of consciousness—typically associated with the category of time and its unfolding in the mind or spirit—in favor of a situated understanding of knowledge, subjectivity, and power. "Metaphorizing the transformations of discourse in a vocabulary of time necessarily leads to the utilisation of the model of individual consciousness with its intrinsic temporality," Foucault observes in an interview with the editors of the French journal of geography Hérodote, and he continues: "Endeavouring on the other hand to decipher discourse through the use of spatial, strategic metaphors enables one to grasp precisely the points at which discourses are transformed in, through and on the basis of relations of power" ["Questions on Geography" 69–70]. Whether real or metaphorical, a willful displacement of our categorial apparatus from time to space thus might enable one to avoid the idealist temptation inherent in a strictly discursive or textual model, by inscribing all discourses and practices in the geopolitics of power relations.My aim in the following pages is not to go over the much-discussed shift from time to space once more, even as I take advantage of several of its methodological principles along the way. Instead, I want to map out a momentous change of perspective that has been taking place over the past few decades within the parameters of the so-called spatial turn itself. In fact, if and when modernity is coming to an end, both in the sense of completing itself and of revealing its character as a finite historical entity, not only does whatever shape critical thought takes in the face of this turnabout need to be securely fastened onto specific places and spaces but, if we are to believe a growing number of authors, particularly but by no means exclusively in France, the study of art, literature, politics, philosophy, and even anthropology would also require a thorough consideration of so-called "nonplaces" as a rigorous category for critical thinking today [for a brief discussion of the use of "nonplace" in Anglo-American anthropology, including Melvin M. Webber's notion of "nonplace urban realm" from the mid-1960s, see Weiner]. In the end, these proponents of the nonplace confront us with one disarmingly simple question: how can critical thinking in the present time respond to the task of having to work through whatever lies outside of the order that is actually in place?The Exhaustion of... (shrink)

In the three previous chapters we mapped out Žižek’s philosophical thinking—territory in which we situated his critique of “postmodern historicism”, as well as his bleak assessment of the struggles of the contemporary left. We have also examined his theory of revolution and his recourse to Christianity as a paradigm for communist brotherhood that may well function as a real alternative to capitalism. Throughout this interpretative and reconstructive exercise, I subjected Žižek’s proposals to a hail of critical questions and commentary, (...) on which I have not yet adequately elaborated. This will precisely be the task that I will undertake in the last two chapters of the book. Our starting point will be to pick up on some of Žižek’s central ideas with which I agree, while taking them to a philosophical terrain that will help us avoid their fatidic consequences: the avowal of subjectless revolutions. I am referring to two Žižekian motifs that are worth reconsidering: the ontology of incompleteness and the universal dimension of politics. Our goal is to “de-Lacanize” those concepts and to see how they could operate in a different kind of political ontology that does not resort to the figure of a transcendental subject, and that renders power as an inescapable condition of experience. I would then like to articulate the two aforementioned concepts with a third one—the Gramscian notion of hegemony—but read alongside the work of Ernesto Laclau and Chantal Mouffe. The purpose of this exercise is to create the conceptual conditions to formulate an emancipatory theory of democracy—a matter that will be taken up in the following chapter. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Critical Conditions: Postmodernity and the Question of FoundationsBruce KrajewskiCritical Conditions: Postmodernity and the Question of Foundations, by Horace L. Fairlamb; xii & 271 pp. New York: Cambridge University Press, 1994, $59.95 cloth, $17.95 paper.Some theories might be in critical condition, but others are terminal, run aground by their own illogic, according to Horace Fairlamb. Despite some theories’ terminal state, Fairlamb still senses dangers, for as he says in (...) his introduction: “If critical authority cannot turn to metaphysical permanence, transcendental subjectivity, scientific objectivity, formal systematicity, methodological closure, or any other transcending constraints for its authority, are we not left with nothing firmer than Nietzschean perspectivism and an anarchy of wills to power? Might not the respectable looking Trojan Horse of philosophical hermeneutics be filled with sophists, gamesters, and fascists?” Well, yes and no and maybe.Fairlamb explores the issue of foundationalism, later called foundationism, in eight chapters, an introduction, and a conclusion. Most of the eight chapters are labeled as devoted to single contemporary thinkers and theorists, all male: Stanley Fish, Jacques Derrida, Hans-Georg Gadamer, Michel Foucault, Jürgen Habermas. Fairlamb has problems with all these people, and he is very good at laying out objections, based in logic, that arise from the main positions of each. He wants to provide “an analysis of how certain strategies fail to address foundational problems” (p. xi).This analysis consists mainly of turning positions back on themselves, so that when Fish or Habermas or any one of the people addressed in the book makes a claim that indicates an anti-foundational position, Fairlamb jumps in to ask: where is the foundation for the anti-foundational positions? This tactic fills the book, and becomes the driving force of a number of questions and assertions that follow a similar pattern. For instance: “Fish’s radical hermeneutics condemns universalism, but constantly practices it” (p. 40), or “Gadamer’s vision of philosophical hermeneutics must have non-historical authority lest it reduce to his historically bound prejudices” (p. 127). At the end, Fairlamb feels he has demonstrated the logical paradoxes and argumentative blind spots of the various theorists and thinkers mentioned above, and he proposes instead what he calls “a heterological foundationism [that] is able to account for both what changes and what stays the same, and thereby account for the failure of both reductive foundationism and relativism” (p. 263).While I can applaud Fairlamb the logician, I cannot recommend the book. The deck is stacked from the beginning, as he admits early on: “I do not claim to represent the entire range of these authors’ works and thought, nor all their subsequent revisions and recantations” (p. xi). The game here is not to think about the thinkers at all, which is perhaps why Fairlamb rehearses some knee-jerk positions, such as an attack (p. 25) on Derrida’s too-famous statement “there is nothing outside the text.” While he cites (p. 266) Rodolphe Gasché’s [End Page 271] The Tain of the Mirror, Fairlamb apparently refuses Gasché’s reading of the sentence that “does not permit the conclusion that there is nothing else but texts, or for that matter, that all is language” (Tain, p. 281).By dealing only with the logic of some works, Fairlamb unburdens himself of the need, for instance, to attend to Gadamer’s Gesammelte Werke, or to any of the thinkers’ writings in their original languages, a task even some postmodernists agree is foundational for basic scholarship. One can only guess that the universal language of logic has no patience with foreign languages, except to lay bare the inconsistencies and paradoxes of selected bits of syntax.Bruce KrajewskiLaurentian UniversityCopyright © 1996 The Johns Hopkins University Press... (shrink)

In this article, I offer a preposterous history of Antigone’s adaptations that contrasts Sophocles’ classical tragedy with Jean Anouilh’s Euromodern melodrama and Ariel Dorfman, Patricia Nieto, and Sara Uribe’s postmodern Antigones in Latin America. I offer that history to understand a significant change in sovereign power when the state takes hold of the socially dead rather than living body. Here, I argue, we need to move from the theory of biopolitics to the theory of necropolitics to further explain (...) the role that slavery and its aftermath play in the radicalization of state violence under contemporary neoliberalism. I thus contrast the ancient violence inflicted in the publicly desecrated corpse of Polyneices with the Euromodern violence that misidentifies Polyneices and the postmodern violence that instead disappears not one but many Polyneices. This explains why enforced disappearances figure so prominently among postmodern Latin American Antigones, a form of violence that I trace back to the settler colonial logic of elimination whereby settlers claim nativity to the territory by means of erasing its prior inhabitants. (shrink)

In this eloquent guide to the meanings of the postmodern era, Albert Borgmann charts the options before us as we seek alternatives to the joyless and artificial culture of consumption. Borgmann connects the fundamental ideas driving his understanding of society's ills to every sphere of contemporary social life, and goes beyond the language of postmodern discourse to offer a powerfully articulated vision of what this new era, at its best, has in store. "[This] thoughtful book is the first (...) remotely realistic map out of the post modern labyrinth."—Joseph Coates, _The Chicago Tribune_ "Rather astoundingly large-minded vision of the nature of humanity, civilization and science."—_Kirkus Reviews_. (shrink)