This paper examines the contemplative techniques that comprised wesley's method of spiritual transformation. By employing a psychoanalytic perspective that explains the pastoral effectiveness of the method, I claim that Wesley's view of spiritual growth was therapeutic and transformative as measured by contemporary clinical standards. Wesley's developmental model involved a series of spiritual phases each characterized by techniques and meditations that culminated in sanctification, a cognitive-emotional transformation marked by the eradication of sinful temptations and the perfection of altruism. Couched in a (...) theological idiom, the method helped individuals to work through conflicts created by the three main traumata of British middle class childhood: authoritarian parenting and unresolved bereavement grief. This paper argues that religious-cultural symbolism may promote transformations of archaic affect and neurotic conflict that progressively reshape these pre-reflective materials into complex existential insights and convictions. (shrink)

Keith Haartman argues that childrearing practices distinctive of the English middle class in the 18th century produced a type of personality structure characterized by excessive splitting. Methodism proved popular because the Methodist experience providing a way of confronting and working through the conflicts generated by this sort of personality structure. Unfortunately, although Haartman's argument is plausible, there is little or no evidence to support his central contention: that the individuals who found Methodism most appealing were associated with the childhood experiences (...) he posits. A somewhat different psychoanalytic interpretation of the same data that Haartman presents emerges when we pay attention to things, like the orality that pervaded the Methodist experience and the intended goal of the Methodist conversion experience, that Haartman ignores. This article concludes by suggesting that when psychoanalytic investigators study large-scale historical patterns, they would do well to recognize the limits of psychoanalytic explanation in this area. (shrink)

Georges Bataille agrees with numerous Christian mystics that there is ethical and religious value in meditating upon, and having ecstatic episodes in response to, imagery of violent death. For Christians, the crucified Christ is the focus of contemplative efforts. Bataille employs photographic imagery of a more-recent victim of torture and execution. In this essay, while engaging with Amy Hollywood's interpretation of Bataille in Sensible Ecstasy, I show that, unlike the Christian mystics who influence him, Bataille strives to divorce (...) himself from any moral authority external to the ecstatic episode itself. I argue that in his attempt to remove external authority he abandons the only resources that could possibly protect his mystical contemplation from engendering sadistic attitudes. (shrink)

At a time when there is a health care crisis in the United States, there is widespread appeal to religious healing of various types. Adequate research in this area is limited.Terms such as "ecstasy" are used inconsistently, limiting the usefulness of the term, producing confusion rather than understanding. A cross‐cultural comparative perspective is offered.

No altar da Igreja de Santa Maria della Vittoria, encontramos a bela escultura de Bernini, denominada “O êxtase de Santa Teresa”. Símbolo da entrega ao gozo espiritual, a escultura do artista italiano representa Santa Teresa de Ávila recebendo do anjo a seta do amor divino, reprodução perfeita do êxtase místico e religioso. Esse trabalho tem como objetivo analisar a ocorrência de Teresas na literatura brasileira, como heroínas divididas entre o sacro e o profano. Propomos o estudo do romance Tereza Batista: (...) cansada de guerra, de Jorge Amado, a partir da intertextualidade com a tradição literária baiana, de Gregório de Matos e Castro Alves, e em contraponto ao pensamento religioso da obra lírica de Santa Teresa de Ávila, em diálogo com a escultura extática da santa, criada por Gian Lorenzo Bernini.Palavras-chaves: Santa Teresa de Ávila. Jorge Amado. Castro Alves. Gregório de Matos. Sagrado. Profano.At the altar of the Church of Santa Maria della Vittoria, is located the Bernini’s sculpture, called "The Ecstasy of St. Teresa." Symbol of surrender to spiritual joy, the sculpture by the Italian artist represents St. Teresa of Avila affected by the arrow of the Angel, perfect reproduction of the religious and mystical ecstasy. This article aims to analyze the occurrence of Teresas in Brazilian literature, as heroines divided between the sacred and the profane. We propose to study of the novel Tereza Batista: cansada de guerra, by Jorge Amado, from the intertextuality with the literary tradition of Bahia, of Gregorio de Mattos and Castro Alves, and in opposition to the religious thought of the lyrical work of St. Teresa de Ávila, in dialogue with the ecstatic sculpture of St. Tereza, by Gian Lorenzo Bernini.Keywords: St. Teresa of Ávila. Jorge Amado. Castro Alves. Gregório de Mattos. Sacred. Profane. (shrink)

Essays discuss the evolution of consciousness, self-knowledge, aesthetics, religious ecstasy, ghosts, and dreams.

The Symposium and the Phaedrus are combined here because of their shared theme: a reflection on the nature of erotic love, the love that begins with sexual desire but can transcend that origin and reach even the heights of religious ecstasy. This reflection is carried out explicitly in the speeches and conversations in the dialogues, and implicitly in the dramatic depiction of actions and characters. Thus, the two dialogues deal with a theme of enduring interest and are interesting (...) for both their literary and their philosophical character. In addition to the introduction, the book contains substantial commentaries and thorough endnotes. Key Greek terms are discussed for readers who are unfamiliar with the language. A special feature is a discussion on the importance of the dramatic and literary aspects of the dialogues for interpreting their philosophical content. The introductions deal with the nature of the dialogues themselves as philosophical texts and with Plato’s philosophical assumptions and key concepts, as well as with the necessary background of Athenian society. The endnotes clarify any ambiguities and obscurities in the original text, identifying all references to people, places, gods, et cetera. The commentaries are designed to open up the dialogues for the reader, showing the issues that have been debated by commentators and considering some of the responses to them. They are designed to stimulate further reflection. (shrink)

This book investigates how Pragmatist philosophy as a philosophical method contributes to the understanding and practice of interdisciplinary dance research. It uses the author's own practice-based research project, Later Rain, to illustrate this. Later Rain is a post-dramatic dance theater work that engages primarily with issues in the philosophy of religion and socio-political philosophy. It focuses on ecstatic states that arise in Appalachian charismatic Pentecostal church services, states characterized by dancing, paroxysms, shouting, and speaking in tongues. Research for this work (...) is interdisciplinary as it draws on studio practice, ethnographic field work, cultural history, Pentecostal history and theology, folk aesthetics, anthropological understandings of ecstatic religious rituals, and dance history regarding acclaimed works that have sought to present aspects of religious ecstasy on stage; Doris Humphrey's The Shakers, Mark Godden’s Angels in the Architecture, Martha Clarke’s Angel Reapers and Ralph Lemon’s Geography trilogy. The project thereby demonstrates a process model of dance philosophy, showing how philosophy and dance artistry intertwine in a specific creative process. (shrink)

A philosophical essay under this title faces severe rhetorical challenges. New accounts of the good life regularly and rapidly turn out to be variations of old ones, subject to a predictable range of decisive objections. Attempts to meet those objections with improved accounts regularly and rapidly lead to a familiar impasse — that while a life of contemplation, or epicurean contentment, or stoic indifference, or religious ecstasy, or creative rebellion, or self-actualization, or many another thing might count as (...) a good life, none of them can plausibly be identified with the good life, or the best life. Given the long history of that impasse, it seems futile to offer yet another candidate for the genus “good life” as if that candidate might be new, or philosophically defensible. And given the weariness, irony, and self-deprecation expected of a philosopher in such an impasse, it is difficult for any substantive proposal on this topic to avoid seeming pretentious. (shrink)

Michael Grosso delves into the biography of St. Joseph of Copertino, a Dominican priest known to levitate, to explore the many strange phenomena which surrounded his life and develops potential physical explanations for some of the most astounding manifestations of his religious ecstasy.

The main findings on embodied spirituality within the Toronto Blessing are presented in this article. The aim of this study is to interpret ecstatic religious experiences from a psychological point of view. The theoretical framework is interdisciplinary, using theories from ego-psychology, social psychology, sociology, cultural anthropology, and ritual theory. Regarding the latter notion, Thomas Csordas has developed cultural phenomenology, which is a culturally constructed way of understanding a situation through using bodily senses in a sort of sensory engagement that (...) is linked with inter-subjectivity. This way of thinking assumes that the body can impart knowledge and help us understand apparently non-rational phenomena. Ecstatic phenomena can be interpreted as bodily knowledge, a habitus, stored or saved in the body to be later activated in a cultural and ritual context. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS The Recovery of Virtue: The Relevance of Aquinas for Christian Ethics. By JEAN PORTER. Louisville, Ky.: Westminster/John Knox Press, 1990. Pp. 208. $24.95 (cloth). On Faith: Summa Theologiae 2-2, qq. 1-16 of St. Thomas Aquinas. Translated by MARK D. JoRDAN. Readings in the Summa the· ologiae, Vol. 1. Notre Dame, Ind.: University of Notre Dame Press, 1990. Pp. 208. $9.95 (paper). Two recent publications well serve the (...) growing interest in what Aquinas has to say about virtue, human and divine. First, Jean Porter carefully studies the general " moral theory of Thomas Aquinas's Summa theologiae in the light of the problematics of contemporary Christian ethics, Protestant as well as Catholic " (p. 13). Her work incorporates a readable introduction to the main components of Aquinas's moral philosophy: a realist conception of the good, the instantiation of that good in the world of human actions and goals, and the ordering of choice towards the good through virtue. Secondly, Mark Jordan introduces a new translation in a " spare but accessible English" (p. 18) of the treatise on faith (Summa theologiae Ha-Hae qq, 1-16). Since both volumes concern the secunda pars of Aquinas's Summa theologiae, we can suitably examine their merits in this single review. The Recovery of Virtue aims at drawing the thought of Aquinas into a clearer dialogue with those who write about theological ethics in the English-speaking world. Accordingly, Porter prefaces her fine study with a fair, though brief, survey of Catholic moral theology since Vatican II and summary accounts of the dominant themes in the works of Gene Outka, James Gustafson, and Stanley Hauerwas. She th.en turns to a " reconstruction of the more strictly philosophical components " of Aquinas's moral theory as contained in the Summa theologiae. In chapter 2, Porter explains some basic notions which undergird Aquinas's general theory of morals, for example, his notion of goodness as something real; the premise that what is good or best for anyone is so in virtue of its being of a certain kind; the assertion that the self remains a legitimate " object " of theological charity; the view that one discovers intelligibility and organization within the created order; and finally, the conviction that the final perfection of the ra141 142 BOOK REVIEWS tional creature transcends the limits which creatureliness itself imposes. In chapter 3, Porter gives a fine account of Aquinas's action theory, illustrated by the sorts of good examples that Aquinas himself would have used today. Thomas Gilby once remarked that end so dominates the secunda pars that it should he read through to say what it means. Porter's first three chapters render a clear, organized analysis of Aquinas's moral teleology. Still, I would like to raise two small issues which may suggest lines for further inquiry. First, Porter asks whether Aquinas's teleological frame of reference allows for performing actions " without reference to any wider aim" (p. 76). As examples of those things which one can simply desire for themselves, she proposes engagement in or with: " fine music, a life of service, chocolates, children, religious ecstasy, sexual ecstasy... the list is endless" (loc. cit.). First of all, this list of examples seems to ignore a basic distinction between a finis cui and a finis cuius gratia, or the difference between something that is sought for itself and something which is sought for the sake of a further end. A person may never virtuously subordinate children and (service to) other people to his or her own goals or purposes (including delight). We can render them their due according to the diverse types of justice, even expect to receive something good from them in theological hope, and above all love them in theological charity. But we can never turn them into a finis cnius gratia. On the other hand, fine music, chocolates, and ecstasy both sexual and religious (if by the latter one means created thoughts and feelings about God and not union with God himself) always remain instrumental, that is, they can never virtuously serve as a finis cui. If we take Porter's example, Aquinas's teleological framework includes the chocolate ice-cream... (shrink)

No religious phenomenon appears more bizarre to the modern mind than shamanism. Eliade's comprehensive study illumines the phenomenon, cutting away various accretions and modifications, distinguishing it from related phenomena and relating it to more basic and general ones. Genuine shamanism is a kind of mysticism involving institutionalized techniques of ecstasy, initiatory rites and public spectacles, and a fairly determinate social role. Eliade finds the shamanic ecstasy to be the primary phenomenon and relates it to the pervasive belief (...) in a Supreme celestial Being. The ecstasy, a form of death, is an ascent by a privileged member of the community, enabling him to communicate directly with the Supreme Being. By virtue of this communication the shaman is empowered to inform the community of spiritual matters, to protect it from invisible evils and to render death and its aftermath less mysterious. The shaman's personal experience gives rise to poetic creation in allegory and myth, epic and lyric poetry, thus enriching the community's language. Eliade's erudition is enormous and his analysis convincing. This translation was made from a revised and expanded version of the French text and is presented with the usual Bollingen Series' handsomeness.—W. G. E. (shrink)

Collective moods are ubiquitous in social life. People may experience the sharing of a mood at a large sporting event, a concert or a religious ceremony, but also at a small family celebration or as part of a tour group. However, in philosophical discussions, collective moods are often framed as experiences of ecstasy, intoxication or even disinhibition at mass events without examining other aspects. Yet we practice and cultivate the sharing of moods in quite varied forms. In this (...) paper I intend to offer a differentiating suggestion as to the levels and forms of the sharing of moods, drawing on discussions of shared feelings, work on the phenomenology of social understanding, and social theory. (shrink)

This contribution to a symposium “on the consequence of blur” deals with the case of Agustín de Ribera and his followers in sixteenth-century Castile. Inquisition trial records report the appearance, around 1535 among the Moriscos (Catholic converts of Muslim origin) in Toledo, of a boy who had ecstasies and visions in which he traveled to the Hereafter and received revelations. Though considered by his followers and also by the Inquisition a prophet of Muhammad, Agustin and his visions appear to have (...) arisen in a context held in common with the Christian majority of Castile. This case thus reveals the existence of a hybrid form of Catholic Muslim religiosity, but only to scholars who do what is required to de differentiate — that is, to blur — the categories of identity and orthodoxy that were established by the Inquisition. Scholars have for too long allowed the Inquisition to overclarify for posterity the distinctions that existed between ethno religious groups and to define for us the nature of religious dissidence in early modern Spain. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 27.1 (2003) 40-61 [Access article in PDF] Montaigne, Skepticism and Immortality Zahi Zallou I IN THE LAST PAGES OF HIS ESSAY "Of Experience," Michel de Montaigne warns against the desire to "go outside ourselves." 1 While Montaigne apparently spares Christian mystics from his biting critique ("those venerable souls, exalted by ardent piety and religion to constant and conscientious meditation on divine things" [p. 856]), there is (...) no suggested criterion enabling one to discriminate between these "venerable souls" and those individuals dangerously engaging in similar practices, claiming to have similar mystical religious experiences. The latters' "care of the self" (cura sui) is a kind of caring that would paradoxically do violence to their human self (conceived by Montaigne as both mind and body): "That is madness: instead of changing into angels [in order to be closer to the divinitas of God], they change into beasts [a regression to the realm of animalitas]; instead of raising themselves, they lower themselves" (p. 856). With this conduplicatio, the repetition of the verb "to change," Montaigne emphasizes the role of agency, thus pointing out that they are to a large measure responsible for their condition, through their practices of self-care, or rather what Nietzsche has called their spiritual "incuria sui." 2 Neither the mind nor the body should be excluded from serious consideration, Montaigne stresses: "For it is indeed reasonable, as they say, that the body should not follow its appetites to the disadvantage of the mind; but why is it not also reasonable that the mind should not pursue its appetites to the disadvantage of the body?" (p. 681). Divorcing the mind from the body is, indeed, seen as an unwise, and potentially disastrous, practice: [End Page 40] Those who want to split up our two principal parts and sequester them from each other are wrong. (p. 484) To what purpose do we dismember by force a structure made up of such close and brotherly correspondence? On the contrary, let us bind it together again by mutual services. Let the mind arouse and quicken the heaviness of the body, and the body check and make fast the lightness of the mind. (p. 855) Montaigne's suspicion of claims pertaining to the transcendent realm is perhaps most forcefully expressed in his late additions to "Of Experience": "Between ourselves, these are two things that I have always observed to be in singular accord: supercelestial thoughts and subterranean conduct. [...] These transcendental humors frighten me, like lofty and inaccessible places" (p. 856). Not even Socrates, who is known to have engaged in excessive spiritual meditations, is spared from the essayist's critical reflections: "And nothing is so hard for me to stomach in the life of Socrates as his ecstasies and possessions by his daemon, nothing is so human in Plato as the qualities for which they say he is called divine" (p. 856). This should be seen as a qualification of his earlier discussion of Socrates's daimonion in "Of Prognostications": "The daemon of Socrates was perhaps a certain impulse of the will that came to him without awaiting the advice of his reason [discours]. In a well-purified soul such as his, prepared by a continual exercise of wisdom and virtue, it is likely that these inclinations, although instinctive and undigested, were always important and worth following" (pp. 29-30). What is at issue here is the contrast (yet without any tension) between reason's way and God's way, so to speak, between Socrates's "discours" (his reason, which dictates to him the appropriate and rational means of action) and his "demon" (Socrates's divine voice or "divine sign," 3 which informs him of what to do and, especially, not to do). 4 Due to Socrates's wise and virtuous character, the essayist speculates, the former never erred in acting on his impulses or undigested inclinations. Montaigne generalizes and is even tempted to translate some of his own past actions in terms of a Socratic-like divine inspiration: "Everyone feels within himself some likeness of such stirrings [...] And I have had some [...] by which I let myself... (shrink)

Mixing fiction, history, psychoanalysis, and personal fantasy, Teresa, My Love turns a past world into a modern marvel, following Sylvia Leclercq, a French psychoanalyst, academic, and incurable insomniac, as she falls for the sixteenth-century Saint Teresa of Avila and becomes consumed with charting her life. Traveling to Spain, Leclercq, Julia Kristeva's probing alter ego, visits the sites and embodiments of the famous mystic and awakens to her own desire for faith, connection, and rebellion. One of Kristeva's most passionate and transporting (...) works, _Teresa, My Love_ interchanges biography, autobiography, analysis, dramatic dialogue, musical scores, and images of paintings and sculpture to engage the reader in Leclercq's--and Kristeva's--journey. Born in 1515, Teresa of Avila outwitted the Spanish Inquisition and was a key reformer of the Carmelite Order. Her experience of ecstasy, which she intimately described in her writings, released her from her body and led to a complete realization of her consciousness, a state Kristeva explores in relation to present-day political failures, religious fundamentalism, and cultural malaise. Incorporating notes from her own psychoanalytic practice, as well as literary and philosophical references, Kristeva builds a fascinating dual diagnosis of contemporary society and the individual psyche while sharing unprecedented insights into her own character. (shrink)

The speculative power of theoretical reason is not only incapable of grounding itself, but is also powerless to integrate and unify all of the different aspects of our intellectual and spiritual life. This impotency of what Schelling called negative philosophy gives rise to the demand for a positive philosophy that supplies the integrative grounding in which das Unvordenkliche—that before which nothing can be thought—is rooted. I contrast what Schelling calls an “inverted concept” with Huineng’s account of wu-nien (no-thought) found in (...) the Platform Sutra (Tun-Huang Manuscript). Both Schelling and Huineng advance their respective ideas as not only the necessary basis of their thinking, but as a necessary experience one must undergo in order to realize and thus truly comprehend their teaching. Huineng connects this lived knowing with sudden enlightenment, while Schelling speaks of the exuberant fullness of ecstasy. I close with a brief account of Schelling’s appeal for pluralistic tolerance among different philosophical and religious traditions, in which he argues that such traditions are in error to the degree they lay claim to exclusive and infallible truth. (shrink)

We are exorbitant, and rightly so, when we cut any link we may have to cosmological powers. Levinas invites us to be exorbitant by distancing ourselves from visions of metaphysics, epistemology, and theology. We begin to listen well to Levinas when we hear him inviting us to break completely with the pagan world in which the gods are simply the highest beings in the cosmos and learn to practice an adult religion in which God is outside cosmology and ontology. God (...) comes to mind neither in our attempts to think him as the creator of the cosmos nor in moments of ecstasy but in acts of genuine holiness, such as sharing a piece of bread with someone in a time of desperate need. Levinas, in short, enjoins us to be exorbitant in our dealings with one another. This book asks how the "between" of Levinas's thinking facilitates a dialogue between Jews and Christians. In one sense, Levinas stands exactly between Jews and Christians: ethics, as he conceives it, is a space in which religious traditions can meet. At the same time, his position seems profoundly ambivalent. No one can read a page of his writings without hearing a Jewish voice as well a a philosophical one. Yet his talk of substitution seems to resonate with Christological themes. On occasion, Levinas himself sharply distinguishes Judaism from Christianity--but to what extent can his thinking become the basis for a dialogue between Christians and Jews? This book, with a stellar cast of contributors, explores these questions, thereby providing a snapshot of the current state of Jewish-Christian dialogue. (shrink)

Xenophanes claimed that God is a ball, which means that he is a perfect body. This idea is well developed in Jagannatha worship, who is a central Deity in Orissa, India. It’s a round form of Krishna, who is usually depicted in a human like form. Jagannatha, his brother Baladeva and sister Subhadra are justified as round forms because of their specific manifestation of ecstasy, that, according to aesthetical theory (rasa tattva) happened to them. Yet there are many other (...) explanations of the Jagannatha’s roundness. Round form personifies unity and diversity principle in Jagannatha worship, whose image was dear in Orissa duringlong historical period to different religious groups: Vaishnavas, Shaivaites, Jains, Buddhists and even some Muslims. Orissa also has a blending of different cultures, sub-cultures and traditions. Even now, it has 62 distinct tribal groups, that makes a largest collection of diverse tribes in a single state. As the legend goes, Jagannatha made His first appearance in the tribe of Savaras thousands of years ago. Up until now, there are cooks in the Jagannatha kitchen that are called sauviras. In worship of Jagannatha we find the model of axiological globalism, when the difference in the vision of the reality does not obscure the interior mood of wholeness, unity. (shrink)

The tradition of interpreting Plato's Phaedrus as simply a homage to passion ignores many passages that draw on ancient Greek religion, particularly the Eleusinian Mysteries. States of religious mania, particularly that experienced at Eleusis, included visions brought on by the use of some drug, or pharmakon. The experience of truth in the Phaedrus is read through the experience of ecstasy by initiates.

Plato's Bedroom is a book for people who want to be better at falling in love and being in love, with all the ecstasies and dangers erotic life can bring. It is also an inviting book for readers who are intellectually playful and up for a challenge, written with verve, and full of stories thoughtful persons will find to be mirrors of their own erotic selves. Drawing on Greek myth, Plato, Shakespeare, and a wide range of modern literature and movies, (...) the book gets Aphrodite talking with the young lovers in A Midsummer Night's Dream, and lets us listen in on Woody Allen arguing with Othello. The author's account of how we seek, fear, avoid, and sometimes destroy love, is astonishingly fresh and engaging. Throughout its pages, one hears the voice of an engaging teacher and the conversation of a wise friend. In short, this is a work of practical philosophy, not scholarship, though only a scholar could have written it. It invites readers into a deep appreciation of timeless ancient wisdom through reflecting on their own powers for love and their susceptibility to desire. A distinctive feature of the book is the interweaving of two guiding threads in Plato's conception of erotic experience: androgyny, that is, the integration of masculine and feminine; and creativity, in both a sexual and a spiritual sense. These two aspects of Plato's erotic vision, androgyny and creativity, lead readers to a sense of grateful wonder and sacred awe at our own erotic powers. Our natural experience of romantic love, articulated so well by Plato, points toward a more explicitly religious interpretation of love's commitments and pleasures. (shrink)

The academic community in the West tends to be suspicious of Russian philosophy, often relegating it to another category, such as “ideology” or “social thought.” But what is philosophy? There is no simple universal definition, and many thinkers consider it impossible to formulate one. The most credible attempt is nominalistic: philosophy is the practice in which Plato and Aristotle were involved. As Alfred North Whitehead wrote, “The safest general characterization of the European philosophical tradition is that it consists of a (...) series of footnotes to Plato.”If so, then Russian thought needs to be understood as an important part of the Western philosophical heritage, given that it offers perhaps the most elaborate set of footnotes to Plato's most mature and comprehensive dialogues: the Republic and the Laws. The status of ideas in Russian philosophy mirrors Plato's vision of them as ontological and political entities, “laws,” or ideal principles—as distinct from mere epistemic units or tools of cognition. The Platonic tendency to integrate and implement religious, philosophical, and political teachings culminated in twentieth-century Russia. In the Soviet state, perhaps more than anywhere else in history, philosophy became a supreme legal and political institution, acquiring the power of a suprapersonal, universal reason. Hence thought itself, in the moment of its triumph, became a prisoner in the social structures that Soviet ideocracy erected on a philosophical foundation. In discussing Russian philosophy, we inevitably consider the practical application of Platonic conceptions by the Soviet ideocracy to a state in which philosophy was called upon to rule.According to Sergei Averintsev, the emphasis on Platonism in the Russian intellectual tradition is nothing to be proud of; it should rather be lamented and repented. Despite the obvious Platonic preferences of Russian thinkers (from Ivan Kireyevsky to Aleksei Losev), Averintsev asks whether even now we might be able to reorient the tradition toward Aristotle instead—toward a more secular, tolerant, and analytic philosophy of human nature. “If Plato is the first utopian,” Averintsev writes, “Aristotle is the first thinker to look the spirit of utopia right in the eye and overcome it.... Aristotle's technique of thought is more neutral toward religion than is Plato's ecstasy.” Characteristically, the name index to the Palgrave Handbook of Russian Thought contains almost twice as many mentions of Plato as of Aristotle.Each national tradition has its own “strange attractor,” as they say now in complexity theory. English empiricism, French rationalism, German Idealism, American pragmatism... However stereotypical these generalizations are, they help to clarify the nations’ distinctive contributions to philosophy. Where does Russia stand in this row? I think that Caryl Emerson is correct to pinpoint, among the most distinctive features of the Russian intellectual tradition, the striving for “wholeness” (tselostnost’). Many Russian thinkers seem to evade definitive and particular “isms,” preferring to find ways of complementing (and thus diluting) those that are on offer. Faced with the claims for rationalism, for example, the Russian response tends to be that true rationality is or should be coupled with fullness of feeling. The characteristic Russian “ism” is at best “holism,” at worst “totalitarianism,” and is usually directed against Western thought. Kireyevsky declares: There [in the West] is a bifurcation [razdvoenie] of the spirit, a bifurcation of thoughts, a bifurcation of the sciences, a bifurcation of the state, a bifurcation of estates, a bifurcation of society, a bifurcation of family rights and duties, a bifurcation of morality and the heart.... In Russia, on the contrary, there is a predominant tendency toward the wholeness of the inner and the outer, of public and moral being.Vladimir Solovyov held that the goal of all knowledge was to comprehend “total unity” and to overcome all kinds of unilateralism, which he referred to as “abstract elements” (otvlechennye nachala). These one-sided elements included Realism, rationalism, empiricism, and positivism, all of which had been advanced by Western philosophical movements.Reading the Handbook, I was struck by how steadily, from one thinker to another, the concept of “unity” is reiterated in various synonyms and contexts: “all-unity,” “wholeness,” “totality,” “integrity,” “edinstvo,” “tsel'nost,’” “tselostnost,” “sobornost,” and so forth. Russian thinkers endeavor not to create something original and special but to unify everything that has already been done and known. Consider opponents, like the Slavophiles and Westernizers; take Petr Chaadaev and Vissarion Belinsky, Kireyevsky and Alexander Herzen, Dostoevsky and Solovyov—all are united by this “super-idea,” proclaiming its embodiment to be the all-embracing vocation of the Russian people. At the same time, they sharply reject all “private principles” and “trashy certainty” (Belinsky's driannaia opredelennost’)—anything that restricts and divides individuals or nations. All these forms of privacy and particularity must be overcome on the way to a universal whole that is even greater in scale than Western Catholicism. According to this logic of totality, we would be better off left with nothing than to be content with the particular and the limited. The first original Russian thinker, Chaadaev (1794–1856), makes the salto mortale of declaring Russia a country that has given nothing to the world, then proclaiming that Russia's destiny is to rise above the rest of the world and resolve all its contradictions. From nothing to everything: such are the philosophical foundations for the totalitarian aspiration of Russian thought, which eventually expressed itself in the revolutionary movements and communist experiments of the twentieth century.As is well known, Russian literature is considered in the West a far more powerful and original expression of philosophical ideas than Russian philosophy as such. Characteristically, then, almost half of the Handbook, its entire second part, is devoted to the dialogue of Russian philosophy with literature and art. As M. N. Forster remarks in the Handbook's concluding essay: “It is natural to wonder why this striking asymmetry between relatively modest achievements in pure philosophy and spectacularly high achievements in literature came about.” To the literary focus of Russian philosophy, we can add a political focus. At least a third of part one of the Handbook is devoted to Russian political and revolutionary philosophy, to Lenin and other Marxists, to Ivan Ilyin, and so on. In this context, both literature and politics assumed philosophical dimensions, often overshadowing philosophy itself.Bertrand Russell lamented that the system of philosophical categories in the West featured mostly nouns (being, consciousness, idea, matter, substance, and so forth), omitting adjectives, verbs, prefixes, and other parts of speech. This criticism should be applied to the category philosophy itself. Why the noun philosophy rather than the adjective philosophical, which can be applied to many areas of activity and creativity, including literature and politics?In Russian intellectual history, the philosophical, rather than philosophy, is the predominant category. The state, ideology, economics, politics and geopolitics, literature, art, warfare, space exploration—all these spheres in Russia and the USSR have been and remain abundantly philosophical, subordinated to certain philosophical tasks, though philosophy as such has never been as developed and sophisticated as in the West. As a discipline, Western philosophy “outsourced” itself to Russian disciples, leaving it to Dostoevsky and Tolstoy, Lenin and Trotsky, to test in literary and political practices a host of Western philosophical ideas, from those of Plato, Rousseau, and Hegel to those of Feuerbach, Marx, and Nietzsche.Likewise, the verb to philosophize is used in ways unusual and awkward in the West. “It is characteristic of the Russian people to philosophize [filosofstvovat'],” as Nikolai Berdyaev observed: “An illiterate Russian peasant likes to pose questions of a philosophical nature—about the meaning of life, about God, about eternal life, about evil and untruth, about how to realize the Kingdom of God.” The philosophical and philosophizing, as attributes and actions of the state and society, overpowered philosophy as a noun—as an academic discipline, if you will. Russian philosophy has had a very modest impact on the West, but the impact of the philosophical has been immense. Nineteenth-century Russian literature influenced Western culture with its philosophical interrogations and existential dilemmas, just as, in the twentieth century, the USSR influenced the West with the philosophical ideas (Marxism, materialism, dialectics, collectivism, socialism, communism) that determined Soviet ideology, politics, and economics.In the USSR of the 1920 and 1930s, for instance, philosophy as an independent academic subject was in a subdued position, as a servant of party ideology. But, meanwhile, the sphere of the philosophical spread to such distant domains as theater (Stanislavsky), physiology (Pavlov), and agriculture (Michurin), with all such activities glorified and sponsored by the state as “philosophically correct”—as faithful to “materialism” and “Realism.” Paradoxically, in the quintessentially philosophical state that was the USSR, the state of philosophy, with the repression of all independent thought and thinkers, was miserable. The fateful and often disastrous originality of Russian philosophy consisted precisely in its dissemination to other areas, in an act of kenosis or self-transcendence that can be viewed both as an aggressive philosophical appropriation of politics, economics, ideology, and literature—and as philosophy's sacrificial devotion to the world beyond its professional boundaries.So there are three features that make Russian thought relevant and dangerous: its Platonic utopian aspiration; its spirit of totality; and its tendency to transcend the boundaries of academic philosophy and to philosophize society, politics, and life in general. Russian philosophy has not been as good at explaining the world as at changing it, sometimes ethically and poetically, sometimes violently and aggressively. Teachers and students of Russian culture should be deeply motivated to draw more attention to the philosophical in Russia and to raise its status in the Western academy. In my view, we would do better service to Russian philosophy if we are frank enough to qualify it as dangerous, sometimes very toxic and addictive, fraught with totalistic tendencies. This philosophy is the voice of the “underground,” both in the Dostoevskian and Leninist senses.At the same time, however, the antidotes concocted in the Russian metaphysical laboratory are of enormous value: the Russian versions of personalism, existentialism, secular and religious liberalism, neorationalism, culturology, conceptualism, and postmodernism. These movements, which counteract totalization, need to be studied precisely because they were cooked up and tested under the same extreme conditions in which the most dangerous intellectual poisons have been produced. (shrink)

Muhammad Iqbal propounds a much wider view of knowledge and the universe than does Immanuel Kant. According to him, the fundamental pattern of knowledge remains the same whether we are dealing with the perceptual type of knowledge of everyday life or with a special type of knowledge called mystic or religious knowledge. This insight was not within the purview of Kant, who was working his way through specific limitations imposed by his Western legacy. Iqbal, no doubt, drew inspiration from (...) his Muslim legacy as bequeathed by thinkers like al-Farabi, according to whom higher thought (or 'intellect' as he called it) "rises to the level of communion, ecstasy, and inspiration". It was under the inspiration of Muslim Sufis and thinkers that he could enlarge his vision regarding the knowledge of man. In fairness to Kant, however, it may be said that Iqbal accepted his epistemic model in toto and extended its application beyond the pale of sensible and empirical knowledge into the non-sensible realm of entities with which religion deals - a venture which, if accepted, will extend human knowledge beyond its present limits into various directions and dimensions. (shrink)

In this groundbreaking study, Jean Pierre-Vernant delineates a compelling new vision of ancient Greece. Myth and Society in Ancient Greece takes us far from the calm and familiar images of Polykleitos and the Parthenon to reveal a fundamentally other culture one of slavery, of masks and death, of scapegoats, of ritual hunting and ecstasies.Vernant's provocative discussion of various institutions and practices including war, marriage, and sacrifice details the complex intersection of the religious, social, and political structures of ancient Greece. (...) The book concludes with Vernant's authoritative genealogy of the study of myth from antiquity to structuralism and beyond.Jean Pierre-Vernant is Professor Emeritus of Comparative Study of Ancient Religions at the Collège de France in Paris. Janet Lloyd is a translator and writer living in England. Distributed for Zone Books. (shrink)

This volume takes a multi-disciplinary approach to continental philosophy of religion, engaging with philosophy, theology, religious studies, anthropology, cultural studies, and new religious movements, to explore patterns of mind and mortality, existence and ecstasy, creativity and expression, political possibility and religious matrix.

This book studies how poetic structure transforms verbal imitations of religious experience into concepts. The book investigates how such a conceptual language can convey such non-conceptual experiences as meditation, ecstasy or mystic insights. Briefly, it explores how the poet, by using words, can express the ‘ineffable’. It submits to close reading English, French, German, Spanish, Italian, Armenian and Hebrew texts, from the Bible, through medieval, renaissance, metaphysical, and baroque poetry, to romantic and symbolistic poetry.

The Present Work Is A Rare Feat Of Critical And Candid Analysis Of The Religious Philosophies For Cleansing The Prevalent Shoddy Interpretations Of The Kernal Concepts Of Sikh Philosophy For Illuminating The Sikh Epiphany Of Ecstasy, Voluntarism And The Khalsa.

Voltaire has presented in his Letters on the English different themes, from religious ethics, literacy, politics, to dramas and science. The letters present us a comparison between England and France. In this parallel we shall present how Voltaire was concerned in evaluate a high standard of taste and refinements. This paper will review some of the last letters of those, which testify about this criterion of taste as a modern point of view. We shall present in Voltaire the eminence (...) of modernity in taste, refinements and on liberty of enjoying the ecstasies of a cosmopolitan life fulfilled with entertainments and luxury. We shall present how Voltaire fought against barbarism in benefit of civilization and some how against religiosity in benefit of an ethic hedonism. (shrink)

This chapter contains sections titled: “Christmas is here. Lovely, glorious, beautiful Christmas …” “Some men are Baptists, others Catholics; my father was an Oldsmobile man” “There it is, the ‘Holy Grail’ of Christmas presents …” “We plunged into the cornucopia quivering with desire and the ecstasy of unbridled avarice”.

In lieu of an abstract, here is a brief excerpt of the content:Maurice Blondel on the Practice of Supernatural ReligionAnne M. CarpenterIntroductionMaurice Blondel attended daily Mass to the very end of his life.1 This essay is, in a way, a meditation on this fact. But it is more nearly a confrontation with Blondel's philosophical argument in defense of human action's capacity for affirming the infinite, for "containing" the infinite in its affirmation of the infinite, an affirmation achieved in action's finitude. (...) That is, this is an essay on Blondel's argument for a supernatural religion that can be literally practiced. Much like Blondel's larger philosophical works, this essay spends its time exploring the coordinating ground of supernatural religion, which is the natural world split open in two directions: in its very existence, which is a supposition of what absolutely outstrips its power; in its very action, which in ecstasy takes the shape of a desire for a reversal that it cannot offer itself. So the natural world presupposes the supernatural and desires the supernatural while remaining, of its own power, natural. Blondel makes a theoretical distinction in the universe that, concretely, is a natural–supernatural one committed to a single destiny. This theory and this concreteness cohere in order to make the literal practice of religion both possible and necessary, terms that this essay explains. [End Page 1305]Action: The Problem of Theory and PracticeBlondel's later writing in the 1930s expands on an important paradox that appears in the very early L'Action (1893). That paradox has to do with a distinction between theory—that is, the world of ideas and reflection—and practice, by which Blondel means the concrete world of human action, a world that for Blondel is an expansive range or "body" of action. It is true, after all, that an idea is not a deed. And yet no deed is without its idea, without the mediatory power of the act of consciousness, nor without the mediation of this consciousness's rationality—a further synthesizing act within consciousness—even when the deed contradicts reason. "Hence," says Blondel, "it is because we find in our acts a kind of creative sovereignty that we have a consciousness of ourselves and reason; it is because we are reasonable and conscious of ourselves that we judge ourselves capable of voluntary initiative."2 The paradox, at one angle, is this leap or gap, this difference nevertheless sustained by a mediation, where ideas and deeds are non-identical yet inseparable. At another angle, it is a paradox that a "science of practice" has to straddle, since it studies (as science) what it is not: concrete action (practice). Blondel, whether young or of his latter days, is after the possibility of such a science. He is also after the bond between reasoning and acting. In this section, I also seek that bond, and I make use of Blondel's early and later works together to give a sense not of Blondel's development, but of the Gestalt of his life's work with respect to the bond between thought and action.3The bond first requires the rejection of monism. Though Blondel's stance toward theologies of his day tends to be more well-known among theologians, and therefore filtered through questions of nature and grace and carried through to a rejection of a two-tiered conception of the universe, still, his nearer interlocutors are often monists: modern philosophers and the modern sciences, and their strange compatriots in history, the spiritual movements of the fin de siècle, involving spiritualisms of various kinds, recollected in our popular imagination today in visions of crystal balls and séance tables. The positivism of the modern sciences and of modern (French) philosophy poses a totally self-contained "nature" that can be explained [End Page 1306] without religion, in a form of what English speakers might call "secularism," but which is more accurately filtered through French Republican desires for laïcité.4 While Blondel was writing, there were not only these political and scientific and philosophical trends, but also the semi-pantheistic, variously agnostic religious movements that dominated privileged circles in Europe at the time. These are a kind of... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies 23 (2003) 55-59 [Access article in PDF] Penetrating the Big Pattern Stephanie Kaza University of Vermont When does a personal journey begin? At birth? At the moment of first loss? At the point of spiritual self-awareness? In some previous lifetime? What are the markers? How does one define the journey? What makes such a story meaningful to others?My personal religious journey, the part I can remember, (...) begins when I first discovered light. I was sitting on the second-story deck of our house in Buffalo, New York, at age five, spellbound by the dancing shadows of the big apple tree. Shimmering leaves, light and dark changing by the second—alive, dynamic, radiant, and mesmerizing. Across the afternoon the light shifted, the sun dropping lower in the sky. Some big pattern penetrated my young consciousness. What was it?As I dressed for Easter Sunday and dutifully attended Methodist Sunday school, I didn't connect this social activity with the mystery I'd encountered. But when we drove across the country to move to Portland, Oregon, there it was again... the Rocky Mountains! Big, splendid space on a scale way beyond anything I'd ever known. A magnificent landscape, mountains of such measure I could not even comprehend what I was seeing. Despite the barbs of family squabbles, something really big entered my nine-year-old mind.For the next seven years we attended Unitarian-Universalist churches, first the big downtown church and then a small local fellowship. I sang in the adult choir downtown, getting myself to practice by bus in a proud, independent sort of way. Then in high school I played the piano for fellowship services and enjoyed my role in setting a reflective mood for others. The adults engaged in worthwhile discussions; our youth group visited various world religious temples for field trips. I especially enjoyed the dark, smoky mystery of the Greek Orthodox Church and its undecipherable chants.At Oberlin College, music was my spiritual companion. I had the good fortune to sing in an excellent choir under the demanding leadership of Robert Fountain, a protégé of Robert Shaw.We took up difficult Bach cantatas, eerie twelve-tone Schoenberg, and tender Ravel vignettes. We practiced five hours a week, including two hours every Saturday, and we were expected to memorize everything we sang. Each spring break we performed on tour, a concert each night, traveling by bus across Midwest and North Atlantic states. Before every concert, Mr. Fountain would lead us in a moment of silent prayer, indicating this music was serving some bigger purpose. The [End Page 55] year after I graduated, the choir sang the Mozart Requiem in Washington, D.C., to honor the dead soldiers and the war protesters, and to remember beauty in the midst of agony. Sometimes the harmonies would ring so perfectly in tune and soar so high, I would tremble with goose bumps, electrified with ecstasy. Now the big beauty was in my body, singing, communing, gathering me up in its mystery.Tree, landscape, beauty, song—what world religion was this? None I had been taught about, or at least in a way I could put these things together. The Vietnam War tore apart any sense of stability and meaning in my small world; I nearly lost my first great love to the killing fields. Where was God in this insanity? Not until things settled down could I turn my attention back to the mystery. By then I was exploring the gateways of ocean, redwoods, dance, and ritual. When my dance teacher, Tandy Beal, went to Naropa Institute in Boulder, Colorado, its first year, I followed her the next summer. "You should go," she said, "you'd love it." High in the mountain air, sitting by water, walking in the craggy hills, listening to Chogyam Trungpa teach, I fell in love—with everything! I learned to meditate, zazen- style; I tried dance and improvisational theater based in egoless practice; I absorbed Zen wisdom from Alan Ginsberg, Phillip Glass, Anne Waldman, crazy wisdom poets drawn to Trungpa.When I returned to Santa Cruz, I... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The “Magic” of Music:Archaic Dreams in Romantic Aesthetics and an Education in AestheticsAlexandra Kertz-WelzelO, then I close my eyes to all the strife of the world—and withdraw quietly into the land of music, as into the land of belief, where all our doubts and our sufferings are lost in a resounding sea....1Music serves many different functions in human life, accompanying everyday activities such as working, shopping, or watching TV, (...) as well as creating an individual world of sounds in which to relax, to enjoy life, or just to escape into one's dreams. Tia DeNora describes this personal use of music as a technology for the self and quotes Mireille, a contract cleaner, who thinks that "everybody should listen to music. It helps you to be calm, relaxed, to see your life differently."2This desire to change minds or moods and perhaps to be personally transformed by music also motivates adolescents to listen to their music giving them a strong feeling of self-identity and helping to relieve boredom, get through difficult times, or reduce tension.3 Although this obviously everyday use of music is usually different from the life-changing strong experiences with music which Robert Panzarella4 or Alf Gabrielsson5 investigate in their research, it nevertheless shows the natural human desire to use music to transform emotions or experience life more intensively. Certainly, adolescents do have different kinds [End Page 77] of intensive and even ecstatic experiences with music; for example, while attending a rock concert with its pseudo-religious implications, or a Friday night dance party with friends, or while making music in a band. Gabrielsson quotes the description of a young woman, attending an outdoor concert of Prince:One feels so free somehow. At concerts one can dance, jump, scream and sing as much as one wants. You are like a part of it all, not just a spectator. Throughout the whole concert the audience was in total ecstasy. It was only one thing that mattered: the music! You are filled with the wonderful feeling that everything is all right, that you are living only for what is happening 'right now.' You are in a way 'intoxicated with joy."... You don't think about what you are doing. You do what you feel like, without even thinking about it.6This desire for intensive or even ecstatic experiences through music is not only an aspect of individual life, it is also an important issue in the history of music and aesthetics from ancient times. One origin of music and art can be found in the relationship of music with religion and ritual, using sound's emotional and ecstatic power to connect the world of human beings and the sacred. Music as magic and a means of ecstasy was a frequent conceptualization in ancient Egypt, as well as in Greece, in the rites of ancient Celts and early Christians, and also in non-Western religions today.7 Priests or shamans among the Australian Aborigines, Native Americans, and West-African tribes use the emotional power of music to evoke trance in their contemporary practices.Unfortunately, the aesthetics of Western European art music, especially since the eighteenth century, tends to eliminate this sensual "magic"8 of music only to replace an ecstatic way of experiencing music with a more intellectual approach. The idea of absolute music or the aesthetics of formalism attempts to establish a "pure" approach to listening without feeling, imagination, or sensuality. It is a claim to elitism which might be one reason why it is difficult for students to be affected by Western European art music, since it appears to be far away from their own world of intensive music experience. Not only the way of listening and performing Western European art music, but also the music itself may prevent students from further involvement in "classical" music and having the kind of intensive experiences their "own" music offers them. If a goal of music education is not only to involve students in art music but also to deepen and enhance their lives through aesthetic experiences, it may be reasonable to start with their musical experiences and to... (shrink)

Mixing fiction, history, psychoanalysis, and personal fantasy, Teresa, My Love turns a past world into a modern marvel, following Sylvia Leclercq, a French psychoanalyst, academic, and incurable insomniac, as she falls for the sixteenth-century Saint Teresa of Avila and becomes consumed with charting her life. Traveling to Spain, Leclercq, Julia Kristeva's probing alter ego, visits the sites and embodiments of the famous mystic and awakens to her own desire for faith, connection, and rebellion. One of Kristeva's most passionate and transporting (...) works, _Teresa, My Love_ interchanges biography, autobiography, analysis, dramatic dialogue, musical scores, and images of paintings and sculpture to engage the reader in Leclercq's--and Kristeva's--journey. Born in 1515, Teresa of Avila outwitted the Spanish Inquisition and was a key reformer of the Carmelite Order. Her experience of ecstasy, which she intimately described in her writings, released her from her body and led to a complete realization of her consciousness, a state Kristeva explores in relation to present-day political failures, religious fundamentalism, and cultural malaise. Incorporating notes from her own psychoanalytic practice, as well as literary and philosophical references, Kristeva builds a fascinating dual diagnosis of contemporary society and the individual psyche while sharing unprecedented insights into her own character. (shrink)

In the article the author tries to analyze the vision of the path of spiritual formation in the philosophical and religious views of the Ukrainian Middle Ages and the early modernism representatives in the context of the doctrine of theosis. It is noted that the doctrine of deification is considered fundamental to the theology of holiness. Theosis, the idea of which is to renew the image and the likeness of God in a person, is the main goal of life (...) from the standpoint of the Eastern Church. After all, the combination of the Divine and human natures opens the way to God for a person. As a state of subjective experience of a human person, theosis is considered in hesychasm, which interprets it as synergy - an interacting combination of energies of man and God. The path to the development of knowledge about God is connected with the ascetic rejection from the worldly life, and the path to the union with Him is connected with the union of the Divine and human natures in a person. Followers of hesychasm believe that theosis is the practice of the subjective experience of a human person; synergy is the interacting combination of the energy of man and God. The main task of austerity is the attainment of divine grace. It dissolves the will of man in the process of a human being transformation. The doctrine of theosis had an impact on the formation of the theocratic idea in the culture of Kiev Rus, in which love of wisdom played an important role in human understanding themselves as the image of God. Analyzing the views of the Ukrainian Middle Ages and early modernism representatives on the path of spiritual development of man, the author concludes that they were characterized by the vision of deification as a person’s approach to God through self-exploration and moral improvement. Theosis is the final result on the path of spiritual growth for the representatives of the Middle Ages and early modernism philosophical conception, who attached great importance to gaining inner mystical experience and sought to experience spiritual ecstasy as the ultimate goal in the mystical path to deification. (shrink)

This article sets the dancing of religious and saints and their role models in the perspective of imitation in terms of an essential cultural technique of the Middle Ages. Since the religious were compelled in their search for God by the imitation of Christ and the saints, their dancing was also to be integrated into the symbolic order of the monastery. Given that dance and religious practice are both governed equally by two fundamental categories – regularity and (...) ritualization on the one hand, and ecstasy, unboundedness from all being and in result ascension to God on the other – this heterogeneous phenomenon could not be seamlessly integrated into another phenomenon. Here, it clashed with the symbolic ordering of the monastery; the ambiguities contained in this dualism could be reinforced or cancelled out. With the individual and his or her conscience becoming more appreciated, and the ushering-in of a more plural society, as well as the rearrangement of old role models which had been typical of mysticism towards Christ, had clear consequences for the image of God, which in the Late Middle Ages received a new more human face with the ‘playing’ God. As a result, believers re-anchored dance and all its facets in the order-oriented thinking of the European-Christian Middle Ages. Christ had become the best of all dancers, someone every believer had to imitate, at least in his or her soul. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy, Psychiatry, & Psychology 9.4 (2002) 349-351 [Access article in PDF] Mystical States or Mystical Life?Buddhist, Christian, and Hindu Perspectives Marek Marzanski and Mark Bratton THIS IS AN ORIGINAL and conceptually precise paper. It is a significant attempt to bring religion and psychiatry into conversation. With particular reference to three Oriental epistemologies—Tibetan and Zen Buddhism and Tantric Hinduism—Caroline Brett seeks to offer a means of differentiating mystical states from (...) psychotic ones. She is critical of reductionism in modern psychiatry that seeks either to elide religious experience into psychopathology, or seeks too sharp a distinction between them. Brett claims, by implication, to offer a more fundamental level of discrimination between religious experience and psychopathology than the "cognitive problem-solving model" that Jackson and Fulford propose (1997a).In both mystical and psychotic states, the author argues, there are radical alterations in the structure of experience. Psychotic states, however, result from failures to complete, or, at least, to negotiate smoothly, the transition from a commitment to an epistemology based on illusory reality to one structured according to ultimate reality—a reality that is brought into focus through an alignment of transcendent vision and mundane cognition. Although this epistemological "stuck-ness" can manifest itself in action as destructive behavior, for example, psychological isolation or social and occupational dysfunction, the basis of the distinction between mystical and psychotic states lies in real differences in the states themselves.In our view, there is a tendency in much psychiatric and theological literature to homogenize mystical states and to treat experiences that (arguably) occur on a number of different levels as if they were on the same level. It is still widely thought that a mystical consciousness can somehow be abstracted from the religious traditions out of which this consciousness emerges. It is assumed that we can talk about experience in abstraction from the shared consciousness produced by schooling in a specific historical religion (Shannon 1985, 493). Thus, the altered mystical state of a Zen Master or Saint Teresa of Avila in ecstasy are regarded as identical states of consciousness. Yet it is far from clear that mystical states can be talked about without explicit reference to the language and tradition in which the self is formed, or, in terms that would have different meanings in Abrahamic and Oriental religious traditions, un-selfed. [End Page 349]There is a related tendency to regard religious doctrines as attempts to interpret mystical experience, as second-order reflections on the language of experience, as if religious doctrines were local religious dialects into which core experiences could be translated. We suggest, rather, that there is an iterative relationship between a mystical experience and the religious framework out of which it emerges. Religious doctrines are better seen as sets of instructions designed to guide the movement of prayer, and the movement of prayer, in turn, exemplifies the religious doctrine that shapes it.So could mystical states within the framework of Tibetan and Zen Buddhism and Tantric Hinduism better be understood as exemplification's of the worldviews of those particular religious traditions? For example, the relinquishing of ego structures, the dissolution of subject/object boundaries, the yielding of the contrastive identity between experience and the world, and progress toward undifferentiated union of the self with the cosmic self, seem to exemplify the monist cosmology associated with some of those traditions. By the same token, the psychotic state could be interpreted as an exemplification of an existential stance that has for some reason defected from the movement toward transcendental cognition. The point is that the "real differences" Brett identifies in the two states cannot be understood apart from the religious epistemology and doctrines, which those states, positively or negatively, exemplify. "So far 'from mystical states' being a sort of paradigm of certainty, they have authority only within a frame of reference which is believed in on quite other grounds and are therefore properly to be tested according to their consistency with this" (Williams 1991, 149)The force of Brett's paper, like Jackson and Fulford, is to identify the boundaries... (shrink)

The mystical experiences of the ṛṣis , the spiritual giants of the early Vedic times, led to the creation of the Vedic hymns and eventually to the formation of the whole elaborate structure of the Vedic religion, as upheld by the Indian priesthood. But there were obviously others who pursued mystical experiences without themselves engaging, like the ancient ṛṣis , in attempts to transmit their experiences through mythological poetry and religious leadership. They adopted mystical ecstasy as their way (...) of life. Mysticism as a conscious way of life is, in India, called Yoga. Being outside the trend of Vedic mythological creativity and the Brāhmanic religious orthodoxy, the Yogis of Vedic times left little evidence of their existence, practices and achievements. And such evidence as has survived in the Vedas is scanty and indirect. (shrink)

Research into the so-called “philosophical” Hermetica has long been dominated by the foundational scholarship of André-Jean Festugière, who strongly emphasized their Greek and philosophical elements. Since the late 1970s, this perspective has given way to a new and more complex one, due to the work of another French scholar, Jean-Pierre Mahé, who could profit from the discovery of new textual sources, and called much more attention to the Egyptian and religious dimensions of the hermetic writings. This article addresses the (...) question of how, on these foundations, we should evaluate and understand the frequent hermetic references to profound but wholly ineffable revelatory and salvational insights received during “ecstatic” states. Festugière dismissed them as “literary fictions”, whereas Mahé took them much more seriously as possibly reflecting ritual practices that took place in hermetic communities. Based upon close reading of three central texts (CH I, CH XIII, NH VI6), and challenging existing translations and interpretations, this article argues that the authors of the hermetic corpus assumed a sequential hierarchy of “levels of knowledge”, in which the highest and most profound knowledge (gnōsis) is attained only during ecstatic or “altered” states of consciousness that transcend rationality. While the hermetic teachings have often been described as unsystematic, inconsistent, incoherent or confused, in fact they are grounded in a precise and carefully formulated doctrine of how the hermetic initiate may move from the domain of mere rational discourse to the attainment of several “trans-rational” stages of direct experiential knowledge, and thereby from the limited and temporal domain of material reality to the unlimited and eternal one of Mind. (shrink)

This chapter contains section titled: The Way of Equivocity Nature's Equivocity God's Equivocity Equivocity and Evil Deus Sive Ego? on the Equivocities of Religious Inwardness Gethsemane Thoughts: Between Curse and Blessing Gethsemane Thoughts: Between Curse and Blessing Deus Sive Nihil? the Equivocal Way and Purgatorial Difference.

In lieu of an abstract, here is a brief excerpt of the content:122 HISTORY OF PHILOSOPHY the godlike in himself. No longer would his serf-alienation be put at a distance and reified so that it overpowers him. No longer would a world without aim and without meaning compel him to refer aim and meaning to transmundane powers, Transcendental aims and meanings are not known and are not needed: the innocence of becoming, whose moments are equally valuable or valueless since there (...) is nothing wherewith to measure them, is the higher condition of man. For only an as yet meaningless world is receptive to the bestowal of new meaning, and only in such a world can man discover his true self-image--as sole creator of meanings. All this is carefully pieced together and supported by well-chosen texts. Professor Wein is on shaky ground, however, when he claims that Christ, not Dionysus, is the proper symbol of Nietzschean affirmation. Wein observes, quite rightly, that Nietzsche's affirmations were never clearly conceptualized, that they find expression almost wholly in moments of poetic ecstasy. But Nietzsche's lyrical outbursts are thoroughly Dionysian in character. Moreover, not only is Nietz.sche's representation of Christ as immanentist yea-sayer extremely forced, but Nietzsche's own denigration of human mutuality, of which Wein is critical, cannot be reconciled even with the distorted image of Christ which Nietzsche cherished. But that is a minor flaw (in spite of the subtitle) in an otherwise sensitive and searching essay. Elucidations rather than obfuscations of "what Nietzsche meant" are hard to come by. PE'rER Fuss University of California, Riverside Dooyeweerd and the Amsterdam Philosophy. By R. H. Nash. (Grand Rapids, Michigan: Zondervan Publishing Co., 1962. $2.50.) Dooyeweerd and the Amsterdam Philosophy provides a brief synopsis and critical discussion of several of the major tenets of the new School of Augustinian philosophy set forth by the Dutch philosopher, Herman Dooyeweerd, in his four-volume work A New Critique of Theoretical Thought. The central thesis defended by Dooyeweerd is the assertion that philosophy cannot be religiously neutral. Theoretical insight into the coherence of the aspects of the temporal world can be acquired, if, and only if, the philosopher answers questions about the ultimate origin of the world and his own relation to that origin. To reach a decision with respect to the origin of the world, both in its diversity and unity, requires an act of religions faith. The motive of form and matter, which dominated the classical Greek world, arose out of the encounter between the pre-Homeric religion of life and the cultural religion of the Olympic gods. Modern humanism, in contrast, has absolutized the theoretical attitude of thought and secularized the Christian idea of creation and freedom, thereby giving rise to a polar tension between a "Faustian" passion to dominate reality by scientific method and the notion of freedom, expressed in the absolute sovereignty of human personality. Within humanism reason is made the origin of the world, the giver of law. The ascription of primacy to the ideal of science may lead to the hypostatization of the categorical imperative, or to the absolutization of special forms of scientific thought. However, when primacy is ascribed to the ideal of human personality, transcendental thought may BOOK REVIEWS 123 become the origin of the norms of moral freedom and the formal origin of the laws os nature. The totality of the world may be interpreted in terms of the homo noumenon, or in terms of a totality of values, in terms of feeling or as the historical stream of experience. The interrelationship between the various aspects of reality is misconstrued by humanism when the modal laws of the world are absolutized, and a single aspect is made the basic denominator of reality. The neo-Augustinian philosophy of Dooyeweerd recognizes the priority of faith and would unmask the alleged neutrality of theoretical reason as a dogma concealing the religious foundations of theoretical thought. The Archimedean point of Dooyeweerd's philosophy is not cogito ergo sum, nor vivo in [luxu continuo, etiam cogitans, but it is rather: Ego, in Christo regeneratus, etiam cogitans ex Christo vivo. The heart in its Biblical sense is the religious root and center of human existence... (shrink)

Toward the end of Hume's Dialogues concerning Natural Religion , Philo catalogues the ‘frivolous observances’, ‘rapturous ecstasies’ and ‘bigotted credulity’ of ‘vulgar superstition’, concluding that ‘true religion, I allow, has no such pernicious consequences: But we must treat of religion, as it has com monly been found in the world’ . This would be a mild enough sort of caveat were it not nigh on impossible to determine exactly what counts as true religion, and how it figures in Hume's argument. (...) Typically, answers to this puzzle have required identifying the positions of the discussants, and then arguing that one of them represents Hume's views. A catalogue of the options may prove instructive. (shrink)

In this reply to Kent Brintnall's response to my essay on Georges Bataille and the ethics of ecstasy, I explore two primary questions: whether instrumentalization is inherently violent and non-instrumentalization is inherently non-violent, and whether there is a way to intervene in the world that avoids both “apathetic disengagement” and domination. I endorse the view that instrumentalization can be good as well as bad, and I suggest that it is possible to strive to intervene in the world without striving (...) to master it. I make reference to Sarah Coakley as a Christian theologian who advances particular practices that aim for non-dominating intervention in theworld. (shrink)

This Comment argues that Stephen Bush's critique of Georges Bataille's meditative practice fails to recognize how the disruption of the self, and the challenge to goal-oriented activity that comprise the heart of that practice, serve as an ethical limit that protects against sadistic and violent engagement with the world. The ethical disposition fostered by Bataille's practice is a dissolution of the self. In this reply to Kent Brintnall's response to my essay on Georges Bataille and the ethics of ecstasy, (...) I explore two primary questions: whether instrumentalization is inherently violent and non-instrumentalization is inherently non-violent, and whether there is a way to intervene in the world that avoids both "apathetic disengagement" and domination. I endorse the view that instrumentalization can be good as well as bad, and I suggest that it is possible to strive to intervene in the world without striving to master it. I make reference to Sarah Coakley as a Christian theologian who advances particular practices that aim for non-dominating intervention in theworld. (shrink)