The author settles down a point of union between the philosophy of Plotino and the poetry that in honour to San Juan de la Cruz she published in the work Aunque haya niebla. In this poem's book she tries herself to see God without falling in the pantheism.

Informational theories of semantic content have been recently gaining prominence in the debate on the notion of mental representation. In this paper we examine new-wave informational theories which have a special focus on cognitive science. In particular, we argue that these theories face four important difficulties: they do not fully solve the problem of error, fall prey to the wrong distality attribution problem, have serious difficulties accounting for ambiguous and redundant representations and fail to deliver a metasemantic theory of (...) representation. Furthermore, we argue that these difficulties derive from their exclusive reliance on the notion of information, so we suggest that pure informational accounts should be complemented with functional approaches. (shrink)

There is a substantive disagreement with regard to the characterization of pre-reflective self-awareness despite the key role that is supposed to play for the distinction between conscious and unconscious states. One of the most prominent ones—between egological and non-egological views—is about the role that the subject of experience plays.I show that this disagreement falls short to capture the details of the debate, as it does not distinguish phenomenological and metaphysical disputes. Regarding the former, the contenders disagree on whether pre-reflective self-awareness (...) concerns the subject of experience or the experience itself. I first argue that such an awareness has to be indexical—de se or de mentis respectively—, and then show that de se awareness can straightforwardly address classical objec­tions against egological views, whereas de mentis awareness fails to support epistemological arguments in favor of non-egological ones. The metaphysical commitments of a phenomenologically egological view depend on what the corresponding de se awareness demands from reality. I consider two alternatives, the structural and the representational approach and offer some consid­erations in favor of the later and its prima facie neutrality with regard to the metaphysical dispute. (shrink)

Cognitive theories claim, whereas non-cognitive theories deny, that cognitive access is constitutive of phenomenology. Evidence in favor of non-cognitive theories has recently been collected by Block and is based on the high capacity of participants in partial-report experiments compared to the capacity of the working memory. In reply, defenders of cognitive theories have searched for alternative interpretations of such results that make visual awareness compatible with the capacity of the working memory; and so the conclusions of such experiments remain controversial. (...) Instead of entering the debate between alternative interpretations of partial-report experiments, this paper offers an alternative line of research that could settle the discussion between cognitive and non-cognitive theories of consciousness. Here I relate the neural correlates of cognitive access to empirical research into the neurophysiology of dreams; cognitive access seems to depend on the activity of the dorsolateral prefrontal cortex. However, that area is strongly deactivated during sleep; a period when we entertain conscious experiences: dreams. This approach also avoids the classic objection that consciousness should be inextricably tied to reportability or it would fall outside the realm of science. (shrink)

When reasoning about dependence relations, philosophers often rely on gradualist assumptions, according to which abrupt changes in a phenomenon of interest can result only from abrupt changes in the low-level phenomena on which it depends. These assumptions, while strictly correct if the dependence relation in question can be expressed by continuous dynamical equations, should be handled with care: very often the descriptively relevant property of a dynamical system connecting high- and low-level phenomena is not its instantaneous behaviour but its stable (...) fixed points (those in the vicinity of which it spends most of the time, after comparatively short transitory periods), and stable fixed points can change abruptly as a result of infinitesimal changes of the low-level phenomenon. We illustrate this potential gradualist trap by showing that Chalmers’ fading qualia argument falls into it. (shrink)

El presente texto efectúa un estudio narratológico de la novela de Jorge Volpi No será la Tierra. Se analiza la estructura contradictoria del libro, la multiplicidad de tramas, el narrador polifónico, el tiempo posapocalíptico, el espacio antiutópico y desencantado y los personajes, coprotagonistas del siglo XX. Todas estas características antes mencionadas contribuyen, en el ámbito de la desterritorialización, a desalojar posturas que tienden a anquilosarse en conceptos fijos y sin movimiento, por lo que los distintos rasgos narratológicos en las novelas (...) híbridas --aquellas que están compuestas por una yuxtaposición de subgéneros-- siempre estarán emparentados con las nociones de heterogeneidad, diversidad y pluralidad, en el marco de la caída de los grandes relatos del siglo XX. This text makes a narrative study of the novel by Jorge Volpi No será la Tierra.We analyze the contradictory structure of the book, the multiple frames, the polyphonic narrator, the post-apocalyptic time, the antiutopic and disenchanted space, and the characters, co-protagonists of the twentieth century. All these features contribute, in the field of deterritorialization, to vacate positions that tend to stiffen in fixed and motionless concepts, so that different narratologic features in hybrid novels --those that consist of a juxtaposition of subgenera-- always be related to the notions of heterogeneity, diversity and plurality, as part of the fall of the great stories of the twentieth century. (shrink)

RESUMENEl artículo estudia primero el paradigma religioso de Scheler, el ético de Jankélévitch y el ontológico de Rombach de la alegría, intentando en cada caso despejar los rasgos formales esenciales que definen el fenómeno en todos ellos. Redefine luego estos rasgos valiéndose de las nociones de sincronía y sintonía y muestra el trasfondo estético propio de los diferentes paradigmas de la alegría. Finalmente se refiere al enamoramiento como un modo abierto a todo hombre de experimentar la alegría en su esencia.PALABRAS (...) CLAVEALEGRÍA, SENTIDO, SINCRONÍA, ABSTRACTThe article first deals with Scheler’s religious, Jankélévitch’s ethical, and Rombach’s ontological paradigm on happiness, and describes the essential formal traits that define the phenomenon in the three patterns. Second, it articulates these traits by resorting to the notions of synchrony and syntony, and shows the aesthetic backgound proper to the different paradigms of happiness. Finally, the article refers to the act of falling in love as a mood open to every human being in order to experience happiness in its essential nature.KEYWORDSHAPPINESS, MEANING, SYNCHRONY, GRACE. (shrink)

The allocation of any scarce health care resource, especially a lifesaving resource, can create profound ethical and legal challenges. Liver transplant allocation currently is based upon urgency, a sickest-first approach, and does not utilize capacity to benefit. While urgency can be described reasonably well with the MELD system, benefit encompasses multiple dimensions of patients’ well-being. Currently, the balance between both principles is ill-defined. This survey with 502 participants examines how urgency and benefit are weighted by different stakeholders. Liver transplant patients (...) favored the sickest-first allocation, although all other groups tended to favor benefit. Criteria of a successful transplantation were a minimum survival of at least 1 year and recovery of functional status to being ambulatory and capable of all self-care. An individual delisting decision was accepted when the 1-year survival probability would fall below 50%. Benefit was found to be a critical variable that may also trigger the willingness to donate organs. The strong interest of stakeholder for successful liver transplants is inadequately translated into current allocation rules. (shrink)

Тhe text outlines Tertullian’s stances on the catastrophic unification (by way ofmarriage) of the daughters of men with the sons of God from the story about the fallenangels. The offspring produced by this merger is horrifically dangerous to the humanrace on earth, and therefore, Tertullian’s aim is to prevent any sort of reactualizationof such a disastrous event. He communicates this through his positions on the primordialsinfulness of the woman, and the blame cast onto the beautiful daughters of men,who, with their (...) unhumble and uncovered beauty tempted the angels so strongly, thatthey caused them to abandon their celestial abodes and functions, and descend to earth,thus disrupting the order in the world, and bringing people problematic knowledge andvarious problematic capabilities, of which the еvilest were those most appealing to thewomen.Tertullian’s aim is to insist on the necessity of the covering of women, especiallyvirgins, since those were the errant daughters of men from the story, so that they do notpose a danger to the chastity of men, and more importantly, to the innocence, moralityand the ontological stability of the angels, and with this, the structure and functioningof the religious community. These objectives are overviewed through his polemic withMarcion, and through his strong opposition to the customs of uncovering by a part ofthe women within the church(es). Through chosen examples from Tertullian’s opus,the instances in which he mentions the motif of the fallen angels through the blame andsin of the daughters of men, and the need to prevent any such transgression are shown. (shrink)

Rather surprisingly, Calvin's consideration of angels provides a window into his attitude to divine and human righteousness, divine power, human merit, and the Fall. It reveals his indebtedness to mediaeval discussions of angels, and also the originality of aspects of his treatment. The Chapter considers these topics chiefly by the use of material from Calvin's monumental Sermons on Job.

This article uses the life stories approach to leadership and leadership development. Using exploratory, qualitative data from a Forbes Global 2000 and FTSE 100 company, we discuss the role of the turning point as an important antecedent of leadership in corporate social responsibility. We argue that TPs are causally efficacious, linking them to the development of life narratives concerned with an evolving sense of personal identity. Using both a multi-disciplinary perspective and a multi-level focus on CSR leadership, we identify four (...) narrative cases. We propose that they helped to re-define individuals’ sense of self and in some extreme cases completely transformed their self-identity as leaders of CSR. Hence, we also distinguish the momentous turning point that created a seismic shift in personality, through re-evaluation of the individuals’ personal values. We argue that whilst TPs are developmental experiences that can produce responsible leadership, the MTP changes the individuals’ personal priorities in life to produce responsible leadership that perhaps did not exist previously. Thus, we appropriate Maslow’s metaphorical phrase ‘A falling of the veils’ from his discussion of peak and desolation experiences that produce personal growth. Using a multi-disciplinary literature from social theory moral psychology Personality, identity and character: explorations in moral psychology, Cambridge University Press, New York, 2009) and social psychology Prosocial motives, emotions, and behaviour: the better angels of our nature, American Psychological Association, Washington, 2010), we present a theoretical model that illustrates the psychological process of the TP, thus contributing to the growing literature on the microfoundations of CSR. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Realm Without Angels: MENCs Partnerships with Disney and Other Major Corporations Julia EkIund Koza University of Wisconsin-Madison My interest in partnerships between the MENC: The National Association for Music Educators and major corporations such as Disney dates back to 1996 when I was invited to attend a free premiere screening of the movie Mr. Holland 's Opus.1 Never one to turn down anything free, in January of that (...) year I joined more than twenty-fivethousandmusiceducators, administrators, and friends ofthe arts, who gathered at fiftyone locations across the nation to watch the movie. Sponsored and promoted by theNational Coalition for Music Education, ofwhich MENC is a member, in cooperation with the National AcademyofRecordingArts and Sciences Foundation, the American Music Conference, and Hollywood Pictures (a Disney subsidiary), the promotional screening was the result of an education/business partnership. I did not like the film much even though I agreed with its message that public schools and public school music should be adequately funded, and I was sorry that MENC had entered into a partnership to promote it. Part ofthe problem may have been timing. I had recentlyreturned froma parental leave during whichIhad sufferedseriouspostpartumcomplications and had struggled fornearly a yearwithpoor health. January 1996 found me trying to figure out how I would manage a full-blown academic career, my still fragile health, and a lively child. Ibristledatthevisionsofprofessionalismfostered by Mr. Holland's Opus, recognizing that I would never again have the luxury he did of indulging myselfuninterruptedly in my career; I knew that I might never again be seen as a "real professional " even though I was more exhausted and working harder than I ever had. From my perspective the film's images of teachers, teaching, andprofessionalismwereprofoundlymasculinist; I also knew that a popular film can play a powerful role in shapingpublic imaginaries. Who tends tobenefit fromtheperpetuationoftheseimagesof teachers, teaching, and professionalism, I wondered? Who tends to be harmed? So my first step on this journey was to write a critique of Mr. Holland's Opus. I soon discovered that the film itselfwas but one small part of a much larger story about MENCs deepening involvement in education /business partnerships. One of the main themes of Mr. Holland's Opus is that budget cuts can have devastating effects on music programs. The education/business partnership forged to promote Opus and the manner in which the film was promoted suggested that the corporate world is socially responsible and genuinely concerned both aboutthe quality ofAmerican education and the demise of music education. In no way did they intimate that corporate practices may be at least partially responsible for any declines in the quality ofpublic schooling. I was also aware, however, of a corpus of scholarship suggesting that recent trends toward corporate partnerships and philanthropy are window-dressing at a time when corporations are sneaking out the back door carrying everything else in the store. Critics contend that on the one hand, corporationsengageinmuchpublicizedacts of gift-giving or school partnership, which cost the corporations relatively little (or in the case of Opus, result in considerable financial profit for the corporation), while on the other hand, they chisel away at the financial infrastructure of©Philosophy ofMusic Education Review 10, no. 2 (Fall, 2002): 72-79. Julia Eklund Koza 73 schools with unrelenting demands for special corporate tax cuts, breaks, and incentives. This practice is especially detrimental to the arts because, relegated to the feminized status of "frill," they may be among the first subjects to suffer. Tax breaks are but one example of what critics term "corporate welfare." John Hood, in Policy Review, provides a list ofincentives states use to attract and keep corporations. In addition to tax abatements and tax credits, Hood mentions land giveaways, releases from infrastructure costs, the issuanceoftax-exemptdevelopmentbonds, offers to promote products, and job training packages. These deals are unfair to existing businesses, Hood argues, especially small ones that can never hope to receive such treatment, and he concludes that there is no clear-cut evidence these forms of corporate welfare benefit state economies.2 Accordingto JayTaylor, school-business partnerships have become increasingly popular; they quadrupled between 1982 and 1992 as financially strappeddistricts found themselves "dredgingfor dollars."3 Taylor explains that "school officials... (shrink)

Anselm is known for offering a distinctive definition of freedom of choice as “the ability of preserving uprightness of will for its own sake.” When we turn to Anselm’s account of the devil’s fall in De Casu Diaboli, however, this idiosyncratic understanding of freedom is not at the forefront. In that text, Anselm seemingly assumes a traditional understanding of free will defined in terms of alternative possibilities for the angels. These alternative possibilities must be present so the angels can (...) engage in ‘self-determination.’ God, however, does not face alternative possibilities to achieve His self-determination. Anselm thus explicates his notion of free will in terms of three different concepts: his distinctive definition of free choice, self-determination, and the principle of alternative possibilities. Despite attempts (by both scholars and Anselm) to explain how these three concepts are related, I argue that their relationship is problematic. In particular, I argue that Anselm is guilty of conflating and equivocating with regard to these concepts. I further importantly claim that the conflation obscures the fact that his understanding of self-determination calls into question God’s excellence over that of the good angels. (shrink)

In this book Tobias Hoffmann studies the medieval free will debate during its liveliest period, from the 1220s to the 1320s, and clarifies its background in Aristotle, Augustine, and earlier medieval thinkers. Among the wide range of authors he examines are not only well-known thinkers such as Thomas Aquinas, Duns Scotus, and William of Ockham, but also a number of authors who were just as important in their time and deserve to be rediscovered today. To shed further light on their (...) theories of free will, Hoffmann also explores their competing philosophical explanations of the fall of the angels, that is, the hypothesis of an evil choice made by rational beings under optimal psychological conditions. As he shows, this test case imposed limits on tracing free choices to cognition. His book provides a comprehensive account of a debate that was central to medieval philosophy and continues to occupy philosophers today. (shrink)

I have argued elsewhere that the traditional Augustinian account of the fall is conceptually defective. It offers causal explanations for the first instance of willing evil which violate affirmations of divine goodness and justice integral to Christian thought. Augustine is the most influential spokesperson for the conviction that the first human pair initiated fallenness on the earth by decisions and actions they took within time though indeed very near to time’s beginning. A supporting account, embellished imaginatively by the tradition, (...) enlarges the context to embrace a prior choice of evil by Satan early in his angelic career. The narrative structure of the Genesis tale of Adam and Eve, mistakenly read as a kind of history, converts easily into a doctrine of the fall as an event in time preceded and precipitated by other events in time regarded as its causes. The allure of this causal explanation arises from our natural wish to “understand” how the fall could occur. But by attributing the first sin to angelic or human pride, or collaterally to a supposed imperfection in the first humans as created, Augustine unwittingly shifts the ultimate responsibility for moral evil onto God. This makes creaturely freedom and responsibility into empty notions, thereby subverting the intentionality of the religious belief in fallenness. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Free Will and the Rebel Angels in Medieval Philosophy by Tobias HoffmannNicholas OgleFree Will and the Rebel Angels in Medieval Philosophy by Tobias Hoffmann (Cambridge: Cambridge University Press, 2021), xiv + 292 pp.Modern readers are often perplexed by the frequency and rigor with which angels are discussed in medieval philosophical texts. To the untrained eye, it may seem as if debates concerning the various properties and abilities of (...) purely spiritual beings are the epitome of Scholastic extravagance, which can be safely disregarded—if not outright ridiculed—as a fanciful diversion from more essential philosophical concerns. The truth, of course, is that angelological reflection gave rise to some of the most original philosophical ideas of the Middle Ages, from Anselm's two affectiones of the will to Aquinas's "real distinction" between essence and existence. Far from being an idiosyncratic theological addendum to an already complete philosophical system, consideration of the angelic nature was in fact a central component of medieval philosophy, without which certain crucial metaphysical and psychological insights might not have occurred. This often-neglected truth is given detailed expression in Tobias Hoffmann's Free Will and the Rebel Angels in Medieval Philosophy, which explores how philosophical investigation into the fall of the angels—that is, the hypothesis of an evil choice made by rational beings under optimal psychological conditions—helped bring about significant advances in medieval debates about free will. Focusing on the century immediately following the reception of Aristotle's action theory in the Latin West (from roughly the 1220s to the 1320s), Hoffmann examines how theological claims regarding angelic sin influenced medieval thinkers as they sought to reconcile the intellectualism of Aristotelian moral psychology with their understanding of free will as the power to choose between alternatives.This period is particularly deserving of study, Hoffmann argues, because it was then that the existence of free will first began to be "investigated within a philosophical account of action," rather than merely asserted on theological grounds as a necessary corollary of the doctrines of grace and sin (1). Consequently, theological anthropology took what Hoffmann calls a "psychological turn," with theologians newly determined to explain rational agency in terms of the interaction between different powers of the soul. In Hoffmann's estimation, the subsequent debates over the respective roles of intellect and will in the process of decision-making, as well as the relation between faulty cognition and voluntary wrongdoing, gave rise to some of the most innovative theories of free will in the later Middle Ages—including not only those of celebrated thinkers such as Thomas Aquinas and John Duns Scotus, but also those of lesser-known luminaries such as [End Page 388] John of Pouilly and Peter Auriol. Although the concerns that motivated these debates were primarily anthropological, having to do with specifically human psychological processes, Hoffmann's study foregrounds the role that the angels played in the unfolding of various controversies. Comparing medieval angelological discussion to the thought experiments commonly employed by contemporary philosophers, Hoffmann argues that angels proved significant because they provided a subject matter in which rational freedom could be considered in a pure and ideal form, abstracted from any material constraints (3). While the angelic nature was certainly regarded as worthy of study in its own right, it was also often viewed as an opportunity to explore the nature of cognition and volition simpliciter, in relation to which the distinctiveness of human psychology could be better understood.The book is divided into three parts, each of which traces the historical development of a distinct topic related to the free will debate. In the first part, Hoffmann presents a lucid account of the various ways that medieval thinkers employed Aristotelian ideas—including not only the essentials of his action theory, but also metaphysical doctrines such as the distinction between active and passive powers—as they sought to explain the psychological origins of free will. Comprising over half the text, these chapters provide a comprehensive overview of the free will debate from its origins in the writings of Anselm of Canterbury to its culmination in the proto-modern theorizing of William of Ockham, including a thorough discussion of the controversies... (shrink)

By means of a synthesis of Christian faith, theology and natural sciences, the significance of freedom in God’s plan of creation and redemption was contemplated. The triune God is the foundation of all freedom. The freedom of his creatures is extremely important to God. Despite the Angelic Fall, he created our universe, in which on the path of evolution human beings were given the freedom to choose for or against God. Possibly, the humans who committed the Adamic (...) class='Hi'>Fall belonged to the species Homo heidelbergensis. Through the perfect obedience of Jesus Christ to the point of death on the cross, the power of evil was overcome. The goal of all creation is ‘the freedom of the glory of the children of God’ (Rm 8:21). This will complete the freedom that God has placed in his creation from the beginning. It can be surmised that ‘the freedom of the glory of the children of God’ includes being integrated into the intra-Trinitarian communion. It is important for the fulfilment of God’s plan of redemption that more and more people follow Jesus Christ and try to become more and more like him. A crucial point in following Christ is obedience. Obedience and freedom are not a contradiction, but the two sides of a coin; and the metal of this coin is love. Contribution: The synthesis of Christian faith, theology and natural sciences made it possible to see more clearly how extraordinarily important human freedom is for God. This is not only important for theological research, but also has practical consequences for human beings. (shrink)

In this brief reply to Anne Margaret Baxley’s comments on my paper, “Exiting the State and Debunking the State of Nature,” I respond to her two critical worries about my thesis that there is an unbridgeable gap between Kant’s political theory, which is classically liberal, and his ethics/theory of enlightenment/moral theology, which is anarchist: that Kant’s strong moral epistemic skepticism in the Groundwork about knowing the true motives of our choices and actions, requires coercive State intervention in order to ensure (...) that we heed mutual relations of external freedom and do our juridical duties, and that the overall crookedness of the human timber, i.e., our almost inevitable empirical tendency to fall short of autocracy, requires the very same State interventions for the very same moral-political straightening purposes. I argue that Kant isn’t the moral epistemic skeptic he’s standardly taken to be—on the contrary, we have veridical, direct, occurrent, essentially non-conceptual, non-empirical awareness of autonomous choices and actions, via The Fact of Reason, and that coercing people to be morally good necessarily undermines the moral worth of their choices and actions and turns them into nothing but well-oiled, law-abiding robots of the State—so we must exit the State in order to belong to an ethical community instead, i.e., Kantian anarchism; hence my unbridgeable-gap thesis still stands. I end by self-advertising for existential Kantian cosmopolitan anarchism. (shrink)

Employing scotus' distinction between god's absolute and ordained power, This essay examines the episode of satan's fall in "paradise lost". The evil angels rebel because God exercised absolute authority in order to transform the natural into a moral order, One in which an angel's natural advantage is distinguishable from the good. Messiah operates in two roles: as the word, Instrumental to the natural order; as the son, Chief exponent of the moral order.

The story of the devil’s fall poses at least three separate philosophical puzzles, only two of which Anselm addressed. The first (Puzzle A) wonders how this angel could have committed a sin in the first place since he was created with a good will and good desires. A second puzzle (Puzzle B) consists of trying to explain why the devil cannot ever be forgiven for that first sin. According to Christian teaching, the devil is unable to “repent” (i.e., express (...) sorrow for) that first sin and thereby acquire forgiveness for it. Humans, by contrast, are portrayed as repeatedly sinning, repenting, and being forgiven. It is a mystery why no mechanism similar to that humans use for forgiveness is available to the devil. The final puzzle (Puzzle C) is slightly different. It wonders why the devil was never given a second chance. In daily life, most of us are given (and grant to others) second chances all the time. Given that the consequences of choosing incorrectly were in this case so disastrous and permanent, it seems inconceivable that a good God would permit one of His angels merely one chance to choose and thereby determine his eternal fate. And yet, despite this inconceivability, this is precisely the way the story is presented. Anselm addressed Puzzles A and B but never explicitly raised Puzzle C. I propose he failed to raise it because he conflated it with Puzzle B. In this paper, I first explain how he solved Puzzles A and B. I then go on to argue that Puzzle C does indeed constitute a separate puzzle that should not be conflated with Puzzle B. I then argue that the best (and perhaps only) way in which Anselm could solve Puzzle C is to appeal to a type of free will that conflicts with his solution to Puzzle A. As a result, I argue that there may be a latent contradiction in Anselm’s treatment of the devil’s sin unless an alternate solution to Puzzle C can be found. (shrink)

In these three dialogues, renowned for their dialectical structure and linguistic precision, Anselm sets out his classic account of the relationship between freedom and sin--its linchpin his definition of freedom of choice as the power to preserve rectitude of will for its own sake. In doing so, Anselm explores the fascinating implications for God, human beings, and angels of his conclusion that freedom of choice neither is nor entails the power to sin. In addition to an Introduction, notes, and a (...) glossary, Thomas Williams brings to the translation of these important dialogues the same precision and clarity that distinguish his previous translation of Anselm's _Proslogion_ and _Monologion_, which Professor Paul Spade of Indiana University called "scrupulously faithful and accurate without being slavishly literal, yet lively and graceful to both the eye and ear. (shrink)

Heaven falls into chaos during God's absence, and Hell becomes fairly democratic. With Lucifer caged up and out of the picture, demons build a relatively civil society through contracts. This is sovereignty by institution as opposed to acquisition. The leviathans are unlike the angels in that the angels lacked a unity of wills. Driven by their nature, people—and angels—cannot live in harmony without a central and absolute authority to keep them in order. Without the presence of God to command the (...) angels there can be no peace, only a natural state of war. The fact that even the heavenly host can fall into a Hobbesian state of nature does not bode well for humanity, but maybe that's why business has been so good for the King of the Crossroads. Each demon, after all, has willingly agreed to enter into the civil society of Hell. (shrink)

The fall of the Berlin wall, the uprising at Tiananmen Square, the war in the Persian Gulf, the conflict in Bosnia—such events have been fundamentally affected by modern technology. As we become instant spectators of war, famine, and revolution, time and space assume new global meanings. This provocative volume presents an eclectic group of contributors who attempt to make sense of the "now" and the "here" that define the modern age. The essays, by anthropologists, religionists, geographers, linguists, sociologists, and (...) historians, explore the temporal and spatial facets of social life. Their range is remarkable and includes English landscape painting, talk in corporations, agoraphobic women, the ecological structure of Los Angeles, the cosmology of the Holocaust, and the ritual spaces of Buddhist Japan and the Church of the Holy Sepulchre in Jerusalem. The editors' introduction addresses the diversity of these empirical concerns and positions them within a rapidly expanding theoretical landscape. David Hockney's striking painting on the book jacket captures the tension between somewhere and everywhere, between space and place, now and just a moment ago—hence "nowhere" or "now/here.". (shrink)

"In this concluding volume of his impressive study of the history of Western thought about the nature of love, Irving Singer reviews the principal efforts that have been made by 20th-Century thinkers to analyze the phenomenon of love.... [T]he bulk of the book is taken up with critical accounts of the modern thinkers who have systematically called into question the possibility itself of love as a union of distinct human selves. For the most part, these critiques are effectively executed, and (...) they bring a high level of critical acumen to bear on skeptical theses about love that are now too often accepted as truisms."—Frederick A. Olafson, _Los Angeles Times Book Review_ "Irving Singer... has developed a method of historical analysis flexible enough to deal with all kinds of love, from Greek homosexual love in Plato, to the _philia_ and _agape_ of the New Testament, to the courtly love of medieval romance, to the Romantics, for whom love was magic.... [This] final volume brings us to the present. In 'The Modern World,' Singer offers readings of Freud, Proust, and Sartre, among others. He shows how their work was formed in reaction to the 19th-century ideal of 'merging' of the identities of lover and beloved. More often than not, the great modern writers portray love as impossible, as a field of failure and regret.... This masterpiece of critical thinking is a timely, eloquent, and scrupulous account of what, after all, still makes the world go round."—Thomas D'Evelyn, _Christian Science Monitor_ "This is the third of a three-volume history of the philosophy of love. It begins with Kierkegaard, Tolstoy, and Nietzsche in the nineteenth century and treats Freud, Proust, Bergson, D. H. Lawrence, G. B. Shaw, Santayana, Sartre, and others in the twentieth. Although the author's approach is primarily historical, he intersperses critical remarks throughout. Most of the major themes which are discussed by philosophers of love make their way into this history, including friendship, sexual love, and the distinction between love that is based on the value of the beloved and love that bestows value on the beloved. Singer devotes a number of pages to his own views on falling in love, being in love, and staying in love.... Singer's exposition is lucid and organized; his criticisms are insightful."—_Ethics_ "In this third volume of historical overview of the development of the Western conception of love, Singer uses writers, philosophers, and psychologists to provide the reader with an overview of love in the late 19th and 20th century.... Analyzing authors such as Tolstoy, Proust, D. H. Lawrence, and Shaw and philosophers such as Nietzsche, Kierkegaard, Sartre, and Santayana, as well as Freud, Singer... links each contributor's thoughts to the influence of previous writers and also provides some psycho-historical insight into their personal lives that might have been either a source or direct result of their views. In this final volume, Singer proceeds to look at not just the 'great men' influence but also provides a chapter overviewing scientific contributions to our understanding of love.... Singer's work is a significant contribution to understanding the social construction of important, abstract social and personal values. By tracing love through different historical periods through a variety of voices, Singer has created a rich history of the struggle between the ideal and the real, between the dreams of what love should provide and the reality of what relationships have been in each historical period. By personalizing the voice through psychohistorical analysis, Singer also provides insight into the shaping of ideas through the intimate struggles of the shapers."—Mark V. Chaffee, _Contemporary Psychology_. (shrink)

In both the literal and metaphorical senses, it seemed as if 1970s America was running out of gas. The decade not only witnessed long lines at gas stations but a citizenry that had grown weary and disillusioned. High unemployment, runaway inflation, and the energy crisis, caused in part by U.S. dependence on Arab oil, characterized an increasingly bleak economic situation. As Edward D. Berkowitz demonstrates, the end of the postwar economic boom, Watergate, and defeat in Vietnam led to an unraveling (...) of the national consensus. During the decade, ideas about the United States, how it should be governed, and how its economy should be managed changed dramatically. Berkowitz argues that the postwar faith in sweeping social programs and a global U.S. mission was replaced by a more skeptical attitude about government's ability to positively affect society. From Woody Allen to Watergate, from the decline of the steel industry to the rise of Bill Gates, and from Saturday Night Fever to the Sunday morning fervor of evangelical preachers, Berkowitz captures the history, tone, and spirit of the seventies. He explores the decade's major political events and movements, including the rise and fall of détente, congressional reform, changes in healthcare policies, and the hostage crisis in Iran. The seventies also gave birth to several social movements and the "rights revolution," in which women, gays and lesbians, and people with disabilities all successfully fought for greater legal and social recognition. At the same time, reaction to these social movements as well as the issue of abortion introduced a new facet into American political life-the rise of powerful, politically conservative religious organizations and activists. Berkowitz also considers important shifts in American popular culture, recounting the creative renaissance in American film as well as the birth of the Hollywood blockbuster. He discusses how television programs such as All in the Family and Charlie's Angels offered Americans both a reflection of and an escape from the problems gripping the country. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Overtones:A CollagePaul Youngquist (bio)Mom leans against the keyboard of the old upright piano in the den. She puckers her lips and gently fingers the valves. A couple of times a month, she frees her trumpet from the purple velveteen lining its case—out of love or frustration I can never tell. She stares hard at the bell, pointed somewhere near my feet. She inhales deeply, pressing the silver mouthpiece to (...) her crumpled lips. A silent moment passes—torn by a noise pitched past the sun, a shrieking flare sound. Another follows and another, bright glissandos blinking out somewhere below middle C. They shatter everything I know about her. Everything I thought I knew. What sound was that, what cry? What aspiration to be free? After those initial stabs, she falls into familiar melodies: "Bugler's Holiday" by Leroy Anderson, maybe, or "When the Saints Go Marching In." I'm unsettled for the rest of the day.Trumpeter Don Cherry's sound unsettled me too. I was much older when I first encountered it on Ornette Coleman's The Shape of Jazz to Come. It took me back to Mom's cries. I heard her sound in his: bright, high, and transient: less pitch than smudge, transmitting unknowable overtones. On "Lonely Woman," for instance. Cherry states the plaintive melody in hazy unison with Coleman, blurs the third note, wavers and plays his peculiar temper, untimely and free to move beyond the platitudes of harmony until, after Coleman's baffled cry, he parts company to play a sixth above (if such language matters, and it doesn't), descending in half steps to resolve (not happily) on a minor third, Cherry now pitched below. Their unison breaks apart to reconverge, and the brief bridge feels like a heaving between sobs. This isn't music. It's too raw for the repartee of bebop or the sociability of swing. But everybody can feel it, which explains the scandal of Coleman and company's extended appearance in late 1959 at the Five Spot in New York's East Village. Writing in the New York Times Magazine years later, Joseph Hooper likened it to the furor erupting after Stravinsky's Paris premier of "The Rite of Spring" in 1913. In an interview with Terry Gross, Cherry remembers everyone who was musically anyone being there—from Leonard Bernstein to Thelonious Monk—to witness the sacrilege. The implacable trickster Charles Mingus appeared one [End Page 133] night with Phineas Newborn, a keyboard virtuoso famous for his perfect pitch. Newborn sat and stared at his cufflinks. He never played a note. After the set, Mingus barreled onto the stage and, with his long arms and big hands, crashed all the keys. "That's where it is," he bellowed. "It's all there." Everywhere and nowhere. Cherry and Ornette decentered intonation. They distempered tradition's scales. Afflicted with perfect pitch, Newborn couldn't follow their cries and whispers. They flew free from the comforting staff. Still you feel them, hear their immeasurable sound.Don Cherry: "I've always been on the outside, and that's a good quality for the music to have, like the wind in your face."Cherry's mother Daisy gave him his first horn when he was fourteen. It breathed life into him, offering a way to express sounds his body harbored. Born in Oklahoma City in 1936 to "Negro-Choctaw Indian parents" (his words—his mother's mother was half native), Cherry heard gospel, blues, and Indian songs from the start. The family's move to the Watts neighborhood of Los Angeles in 1940 only multiplied the sounds of diverse ethnicities mixed with the rumble of jazz from the Cherry Blossom, his father's club, where Don and his sister sometimes danced for dimes. His horn funneled all this sound—all the music he'd ever make—through a peculiarly powerful feeling: "that feeling to me, through as much music as I've learned, I still remember just that feeling when I first got that horn." What feeling exactly? "Infant happiness" (in-fant, not speaking). The feeling of life before language: "infant happiness, infant happiness, beautiful! That's what music is really... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Memorial Tribute to Leroy RounerEliot DeutschLeroy Rouner was an extraordinary academic leader, productive and creative scholar, brilliant teacher—and most importantly, I believe, an exemplary person. As a leader, in addition to serving in many administrative positions, Lee directed with great skill and flair the Institute for Philosophy and Religion at Boston University from its inception to the time of his retirement a couple of years ago. As a (...) scholar doing original work on the philosophy of civil religion he also edited over 20 volumes published by the University of Notre Dame Press on specific topics and themes from lectures presented at his Institute by thinkers of international repute from many different backgrounds and cultures. As a teacher he inspired his students wherever he taught to think clearly about basic issues in philosophy and religion as a form of praxis to what it means to live a flourishing life. I recall vividly when he visited a seminar of mine and urged the graduate students to be passionate about their work; indeed, he said, "I always want to see blood on the pages of my student's papers."As a person, Lee exhibited throughout the many years I knew him a spontaneous generosity of spirit and means that reflected his deep religiosity. Lee was compassionate by nature and a true believer in the redemptive power of faith, but he could at the same time both acknowledge and celebrate a genuine plurality of spiritual possibilities. Lee had a rare capacity for friendship and a great sense of humor that allowed him to never take himself too seriously or anyone else for that matter who, not uncommonly in our profession, tend to center the world on themselves. Lee was above all devoted to his family and whenever a lapse of time of our meeting face to face occurred he would phone or send a letter to bring me up to date on the activities of his wife and children, of whom he was justifiably proud.I first met Lee in 1969 when he attended one of our East-West Philosophers' Conferences here in Honolulu. We felt an immediate affinity that deepened over the years. He subsequently visited with us here as an invited lecturer, as a Visiting Professor and as a participant in all the East-West Philosophers' Conferences and the Research Conferences of the Society for Asian and Comparative Philosophy held here since 1969. I also had many opportunities to visit him and his Institute in Boston, especially during the time I spent in 1985 as a visiting professor at Harvard. We also joyously attended at the same time many academic meetings in cities throughout the country and in a numerous places abroad.My indebtedness to Lee is very large indeed—the most striking example of which was when, during the middle of a Fall semester many years ago, Lee flew from Boston to Honolulu to preside over the marriage of my wife Marcia and me. With that most generous gift, we were assured of an enduring and wonderful togetherness.Lee was a very dear friend and will be sorely missed by us and by the many friends he made here during his frequent visits. We do take consolation, though, in knowing that wherever the angels dwell so does the spirit of Leroy Rouner. [End Page 369]Eliot DeutschDepartment of Philosophy, University of Hawai'iCopyright © 2006 University of Hawai'i Press... (shrink)

What is man? “The feather of an angel was brought and tied to a donkey's tail that the donkey perhaps might turn into an angel”.Thus writes the greatest of all Persian-writing mystical poets of Islam, Maulânâ Jalâladdân Rûmî (1207-1273) in his conversations, Fîhi mâ fîhi, when pointing to the mystery of man's existence : man is able to attain a rank superior to that of the angels (who have no free will and are eternally good) provided he develops his God-given (...) faculties of reason and love; but he can sink lower than a beast if he neglects his spiritual powers and falls a prey to sensual pleasures and crimes owing to the misuse of his rational faculties. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Hidden Author: An Interpretation of Petronius’s SatyriconCecil W. WootenGian Biagio Conte. The Hidden Author: An Interpretation of Petronius’s Satyricon. Translated by Elaine Fantham. Berkeley, Los Angeles, and London: University of California Press, 1997. 236 pp. $35.The first four chapters of this book form a single unit since they deal with the same general thesis. In fact I can see no reason to divide this part of the (...) book into chapters except that (I suppose) they originally represented four different lectures in the Sather series. Two ideas are developed here. The first is that Encolpius has a tendency to impose literary models on reality. The second is that the “hidden author” is lurking behind Encolpius, laughing at him, and that the reader is “alerted by Petronius” (29) to interpret the text differently from the narrator. Thus, according to Gian Biagio Conte, a bond of complicity is created between the reader and the author, who “sets his traps and waits to laugh when his victim [Encolpius] falls into them” (27). Encolpius, therefore, is viewed as a “naive victim of events” (24), a man who wants to be a “sincere and trustworthy narrator” (24) but who cannot distinguish between fact and myth.The first of these ideas has been fully discussed elsewhere and is generally well accepted. I have discussed it myself (“Petronius, the Mime, and Rhetorical Education,” Helios 3 [1976] 67–74). I have problems with the second. First of all, I think that it is very risky to try to see a “hidden author” in a text where the narrator is different from the author. Moreover, Conte acknowledges that there is really not much difference between what has been called the “narrating I” and what he calls the “hidden author” (84). This makes me wonder what is the point of complicating the whole issue by positing a hidden author at all, especially since I do not find convincing the examples that he gives of instances when Petronius supposedly intervenes to alert the reader not to take Encolpius too seriously. When the latter, for example, describes Eumolpus in the art gallery as someone qui videretur nescio quid magnum promittere (83.7), does this really indicate a “narrator who is victim of his own illusions” (21)? Is this really an instance of the “hidden author” intervening in the text to give us an “advance notice of the deflation of the sublime” (21)? It seems to me that whatever discrepancy exists here can be explained by Beck’s observations, made long ago, concerning the difference between Encolpius the actor and Encolpius the narrator (see “Some Observations on the Narrative Technique of Petronius,” Phoenix 27 [1973] 42–61).Secondly, it has always seemed to me that it is Encolpius himself who consciously chooses to see his life in terms of literary models, simply because the patterns that he sees are more exciting than the reality which he experiences. Again, I myself have argued this point elsewhere (“Petronius and ‘Camp,’” Helios 11 [1984] 133–39). This, however, makes him a shaper of events, not a naive victim of them, and the reader smiles with Encolpius, not at him. Moreover, as regards the whole idea of literary models, Conte’s theory about the role of the “hidden author” seems to me to complicate the issue more than is necessary, or [End Page 304] is warranted. He says, for example, that Petronius wants to discredit, through parody, those forms of literature, such as the romance, from which Encolpius draws many of his models. On the other hand, he argues, strangely, that Petronius does not mean to devalue other genres, such as epic, from which (as Conte himself has so clearly shown) many of these models come: “the hidden author... constructs the story of Encolpius like a continuous parody of the tale of love and adventure. In turn, it is the function of Encolpius... to control relations with high epic and heroic literature and the high oratory studied in school” (37). However, as Conte himself points out (49), there are many similarities between the novels and declamations. Would it not be easier to assume that it is Encolpius who imposes the... (shrink)

Among the central meanings in Büchner's Woyzeck, there is one that comes clear only when we read the play in the context of the history of ideas—specifically in the light of certain currents of thought about human history and eschatology. Aspects of the play's expression are thereby elucidated, that are forcefully brought forward through the organization and compositional procedures of Berg's Wozzeck. Near the end of the long third scene of the opera, Wozzeck appears suddenly at Marie's window and alludes (...) cryptically to the mysterious signs that had come to him in the field the scene before, confiding to her that he is "on the track of something big." As those signs had first been presented through Wozzeck's eyes, they seemed like the imaginings and fears of a simple man about Freemasons and who knows what other objects of superstition, But now in the third scene he gives them a scriptural context, as though through a sudden insight: "Isn't it written, 'And behold, the smoke went up from the land, as the smoke from a furnace'?" What Wozzeck has recalled here is a passage in the Book of Genesis, chapter 19: "Then the Lord rained upon Sodom brimstone and fire from the Lord out of heaven. . . . and, behold, the smoke went up from the Land as the smoke from a furnace." The image is repeated in the New Testament Book of Revelation , chapter 9: "And the fifth angel sounded, and I saw a star fall from heaven unto the earth; and to him was given the key of the bottomless pit; and there arose a smoke out of the pit as the smoke of the great furnace; and the sun and the air were darkened by reason of the smoke of the pit." Both passages are about a holocaust visited by a wrathful God upon a corrupt and debauched people, and that is the idea that begins to form in Wozzeck's mind as he stands for the first time on the stage before his mistress. And he asks, "What will it all come to?" The answer to this thematic question lies in the strange unfolding of the drama, pressed forward by forces that lie, as Büchner had once put it, "Outside of ourselves"1 and by Wozzeck, who guarantees the outcome as he imagines himself becoming aware of what it must be. · 1. Letter to his family, February 1834: "I scorn no one, least of all because of his understanding or his education, for it lies in no one's power not to become a dumbbell or a criminal—because we have all become alike through like circumstances, and because the circumstances lie outside of ourselves . . ." Werner Lehmann, George Büchner: Sämtliche Werke und Briefe , 2:422. Leo Treitler, professor and chairman of the department of music at the State University of New York at Stony Brook, is the author of, among other works, "Dufay the Progressive" and "Homer and Gregory: The Transmission of Epic Poetry and Plainchant.". (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Xenophilia STEVEN SHANKMAN We often hear about xenophobia in today’s troubled Western world, about fear of the stranger, fear of the demonized other. But we rarely, if ever, encounter the term, or the inspiring idea of, xenophilia, love of the stranger, hospitality. Rarely, that is, unless we regularly consult the Bible and the two great Homeric epics. What do these foundational works of Western culture teach us about the (...) relation between xenophilia—the gesture of welcoming the potentially dangerous stranger—and what it means to be truly human? Let us begin with an explicit reference to the word xenophilia that appears in an essay by the great and radical 20th -century philosopher on the nature of ethical obligation, Emmanuel Levinas, written in 1959. Here Levinas remarks: “Monotheism [by which Levinas says he means Judaism, Christianity, and Islam] is not an arithmetic of the divine.... It is a school of xenophilia and anti-racism [Il est une école de xénophilie et d’antiracisme].”1 The relationship between monotheism, in the Abrahamic religious tradition, and xenophilia is suggested at the beginning of the eighteenth chapter of Genesis, when three strangers appear to Abraham, who runs towards them to offer them food and drink. Who are these three strangers? One of them, it turns out, is God, and the other two are angels, but their identity does not concern Abraham. What he sees are three men and he wants merely to be hospitable towards them, to serve them. At the conclusion of the previous chapter, Abraham, at the age of ninety-nine, was arion 28.2 fall 2020 74 xenophilia circumcised. He is, as you can imagine, now in great pain. The rabbis say that God, knowing that Abraham is such a hospitable person, purposely made the day very hot so as to discourage wayfarers from braving the heat and thus tempting Abraham to exert himself during his early recovery from the trauma of his belated and recent circumcision. I have indicated, in brackets, the verses in which Abraham addresses the stranger(s) in the singular and in the plural, which cannot be discerned in the translation into English: God [the ineffable Tetragrammaton ‫יהוה‬— most often pronounced Adonai today] appeared to him [Abraham] in the plains of Mamre while he was sitting at the entrance of the tent in the heat of day. He lifted his eyes and saw: And behold! Three men were standing over him. He saw them and ran toward them from the entrance of the tent, and bowed toward the ground. And he said, “Adonai [meaning ‘My Lord’ or ‘My Lords’], if I find favor in Your [singular form in the Hebrew] eyes now, please pass not away [singular form of the verb] from Your [singular] servant. Let some water be brought and wash your [plural] feet, and recline [plural form of the verb] beneath the tree. I will fetch a morsel of bread that you [plural] may sustain yourselves, then go on [plural form of the verb]—inasmuch as you [plural] have passed your [plural form of the adjective] servant’s way.”2 “God appeared to him [Abraham] in the plains of Mamre while he was sitting at the entrance of the tent in the heat of the day. He lifted his eyes and saw: And behold! Three men were standing over him.” Where, exactly, is God in this passage? The rabbis of the Talmud suggest that God did indeed visit Abraham, but that when the three strangers arrived, Abraham asked God to wait (can you believe such audacity?) while he, Abraham, could first meet the needs of the three wayfarers. First things first! From this the Talmud concludes that “Hospitality to wayfarers is greater than receiving the Divine Presence.”3 A beautiful thought! But the verses from Genesis are even more radical than that. We wonder whether the alternation, Steven Shankman 75 in Abraham’s address to the strangers, between his addressing them first in the plural then in the singular and then back to the plural again, does not suggest a response to our question of where God appears in this passage. Could this alternation be suggesting that the way God appears in these verses... (shrink)

Capricci are nonsense drawings that delineate an elusive but inevitable sense behind or, better, within the palpable nonsense of the elementary proposition of a drawing; they are capers on a tightrope stretched between the poles of pathos and the ridiculous. We shall succeed in not falling only if we step forward boldly and know not only what we are doing but also what we are up against in the making of a picture as well as in living in the world. (...) For the world, in its yawning impudence of death and the dance of blind eagerness, ambition, and noisy speechlessness, makes us look to art not, or not necessarily, to escape from the world but rather to learn how to take its measure.... There is a painting ["St. Vincent Ferrer Preaching"] joined to the Passion cycle in S. Polo which demonstrates as well as any paradox ever will how Giandomenico joined piety and irony in his religious art without curtailing the glory of either. He arrives, as it were, at a God-fearing irony. We see St. Vincent Ferrer preaching. He speaks so eloquently, so convincingly in praise of the divine truth, that light shines forth from him and angel's wings grow on his shoulders. Fascinated by the miracle but even more so by the saint's words, his audience sits spellbound at his feet; in the foreground, however, sits a youth, a fop perhaps, gorgeously dressed, with a singular smile on his face, his hand musingly poised to his cheek, who looks at us quizzically. He is the link between us and the miracle. "Can you believe it?" says the smile, and perhaps "I did not—and yes—how can you now not believe it, you need but look - as I did - for there it is!" It is, I think, the face of one who knows about the truth of the absurd and its inner logic. Credo quia absurdum: if it were not so, we could prove the existence of God by feeding data into a computer, and there would be many believers, whose faith, in turn, deserved but little credit. Needless to say, perhaps, the face that so speaks to us in laughter joined to wonder is a self-portrait.1 · 1. In S. Polo the painting of St. Vincent Ferrer Preaching hangs opposite a matching picture of The Finding of the True Cross. There is a beautiful young woman on the right who looks at us beseechingly and with her right hand points at the cross. Giovanni Domenico Tiepolo who looks out of St. Vincent Ferrer Preaching cannot help but see this lady and be affected by her earnest gesture. For a reproduction of the painting, see Maruz, G. D. Tiepolo, plate 22. Philipp P. Fehl is a professor in the department of art and design at the University of Illinois at Urbana-Champaign. He has edited Franciscus Junius: The Literature of Classical Art. His previous contribution to Critical Inquiry, "Turner's Classicism and the Problem of Periodization in the History of Art," appeared in the Autumn 1976 issue; the present essay was delivered in an earlier version at Stanford University in 1976 and is included in his collection of essays, Art and Mortality. His capricci, Birds with Titles, were exhibited in a one-man show at Kenyon College. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 123.4 (2002) 629-633 [Access article in PDF] Phiroze Vasunia. The Gift of the Nile: Hellenizing Egypt from Aeschylus to Alexander. Classics and Contemporary Thought 8. Berkeley and Los Angeles: University of California Press, 2001. xiv + 346 pp. Cloth, $45. Alexandre Tourraix. L'Orient, mirage grec: L'Orient du mythe et de l'épopée. Edited by Evelyne Geny. Paris: Presses Universitaires Franc-Comtoises, 2000. 165 pp. Paper, fi24.39. Professor (...) Tourraix is an optimistic reactionary. He sets out his aim with refreshing clarity. He seeks to challenge "l'orthodoxie provisoirement établie," which denies that the Greeks were "tributaires de la représentation du monde véhiculée par leur langue... indo-européenne." Tourraix accuses the "adepts" of this "orthodoxy" of citing Dumézil when he excluded Greece from the regularity of Indo-European patterns of thought, while they reject his basic trifunctional theory. This, Tourraix insists, is not a "doctrine" or an "ideological credo," but the result of a "rational elaboration" (15-16).Tourraix is not concerned with radical outsiders. He dismisses the whole of Said's Orientalism because of the latter's blunder in referring to the chorus of the Persae as women. He warns that Bernal should not be taken seriously because his works are not founded on a "scientific hypothesis but on ideological presuppositions" (75). Tourraix's opponents are the professional classicists, notably Martin West, Walter Burkert, and Ruth Edwards. These promote the idea of a substantial Southwest Asian influence on Greek civilization but are unconcerned with Egypt. In the terminology of this reviewer, Tourraix's polemic is not against the "Revised Ancient Model" but as a supporter of the "Extreme" version, he opposes the "Broad Aryan Model."Tourraix's two centers of concern are Troy and Thebes. Troy interests him as a marginal entity between Greek and Barbarian. He admits that pottery and Hittite texts indicate that there were Mycenaean influences in the Troad. On the other hand, he rightly points out that Homer Hellenized the Trojans more than evidence from other sources can sustain. It has also been impossible to correlate the Homeric version of the city's fall with the date and scale of the destructions of Troy VI, VIIa, and VIIb. Tourraix therefore follows the hypothesis of Paul Wathelet that the destruction described in the epics was not that of an unimportant settlement on the Dardanelles but was really that of the great Greek city of Thebes, which was undoubtedly destroyed in the thirteenth century B.C.E.This is just one example of Tourraix's general approach, which is not to accept things at face value but to probe more deeply. On the central theme of his [End Page 629] book, he agrees that many Greek myths and legends would suggest "Oriental" connections and origins and that much Greek iconography appears to be "Oriental" or Egyptian (75). But he knows that such symbols were devoid of content (23). Unfortunately for his scientific credentials, however, he frequently has to rely on the words probablement or peut-être to see Indo-European essences behind the Oriental forms (e.g., 22-23).Clearly Tourraix has always been concerned with Indo-European "cultures." He has published extensively on both Greeks and Persians and the relations between them. When looking at Greek culture, he sees three main indicators of "l'héritage indo-européen." The first is language: He takes a Whorfian view of its determining power and is unconcerned that less than 40 percent of the Greek vocabulary has known Indo-European cognates. The second indicator is trifunctionalism: Tourraix sees the Indo-European base whenever he encounters a triple. Three, however, is an attractive number to speakers of many languages. The Christian Trinity appears to have originated among Aramaic speakers, and Mesopotamian and Phoenician cities had the same tripartite division of the male inhabitants into citizen, resident alien, and slave that later occurred in the Greek poleis. Thus, besides its vagueness, trifunctionalism is not an... (shrink)

This is the text of the 2022 Boyle Lecture. After some acknowledgements, it introduces the theological problem of the suffering of nonhuman creatures in the natural world as described by evolutionary science. It sets aside the neo-Cartesian objection that this suffering should not be considered real. The lecture then considers, and initially rejects, theodicies based on some form of fall event. An account is offered based on the premise that Darwinian evolution was the only way God could have given (...) rise to a biological world containing the sorts of values we observe. Although this remains the preferred basis for an evolutionary theodicy, consideration is finally given to the extent to which certain phenomena, such as parasitism, cancers, and viral infections, might be thought to exhibit a resistance to the divine will. The tentative suggestion is made that this resistance might derive from temptation by spiritual powers, thus incorporating into an overall only-way account an element of angelic fallenness. (shrink)

In the last 2500 years, since the beginnings in ancient Greece of the literary genre we call “history,” the relationship between history and law has been very close. True, the Greek word historia is derived from medical language, but the argumentative ability it implied was related to the judicial sphere. History, as Arnaldo Momigliano emphasized some years ago, emerged as an independent intellectual activity at the intersection of medicine and rhetoric. Following the example of the former, the historian analyzed specific (...) cases and situations looking for their natural causes; following the prescriptions of the latter—a technique, or an art, born in tribunals—he communicated the results of his inquiry.2Within the classical tradition, historical writing had to display a feature the Greeks called enargeia, and the Romans, evidential in narrtatione: the ability to convey a vivid representation of characters and situations. The historian, like the lawyer, was expected to make a convincing argument by communicating the illusion of reality, not by exhibiting proofs collected either by himself or by others.3 Collecting proofs was, until the mid-eighteenth century, an activity practiced by antiquarians and erudite, not by historians.4 When, in his Traité des differentes sortes de preuves qui servent à établir la vérité he l’histoire , the erudite Jesuit Henri Griffet compared the historian to a judge who carefully evaluates proofs and witnesses, he was expressing a still-unaddressed intellectual need. Only a few years later Edward Gibbon published his Decline and Fall of the Roman Empire, the first work that effectively combined historical narrative with an antiquarian approach.5 2. See Arnaldo Momigliano, ”History between Medicine and Rhetoric,” Ottavo contributo alla storia degli studi classici e del mondo antico, trans. Riccardo Di Donato , pp. 14-25.3. See Ginzburg, “Montrer et citer.”4. See Momigliano, “Ancient History and the Antiquarian,” Contributo alla storia degli studi classici , pp. 67-106.5. See Henri Griffet, Traité des differentes sortes de preuves qui servent à établir la vérité de l’histoire, 2d ed. . Allen Johnson, in his Historian and Historical Evidence , speaks of the Traité as “the most significant book on method after Mabillon’s De re diplomatic” . See also Momigliano, “Ancient History and the Antiquarian,” p. 81, and Ginzburg, “Just One Witness.” On Gibbon, see Momilgiano, Sesto contributo alla storia degli studi classici e del mondo antico , pp. 231-84. Carlo Ginzburg is Franklin D. Murphy Professor of Italian Renaissance Studies at the University of California, Los Angeles. His two most recent books are Ecstasies: Deciphering the Witches’ Sabbath and Il giudice e lo storico. (shrink)

In various cultural and religious contexts, from West Asia to Southeast Asia, we come across a number of quite similar creation myths in which a peacock, seated on a cosmic tree, plays a central part. For the Yezidis, a sect of Sufi origins that has moved away from Islam, the Peacock Angel, who is the most glorious of the angels, is the master of the created world. This belief may be related to early Muslim cosmologies involving the Muhammadan Light (Nur (...) Muhammad), which in some narratives had the shape of a peacock and participated in creation. In a different set of myths, the peacock and the Tree of Certainty (shajarat al-yaqīn) play a role in Adam and Eve’s fall and expulsion from Paradise. The central myth of the South Indian Hindu cult of the god Murugan also involves a tree and a peacock. The myth is enacted in the annual ritual of Thaipusam, like the Nur Muhammad myth is still enacted annually in the Maulid festival of Cikoang in South Sulawesi. Images of the peacock, originating from South India, have moved across cultural and religious boundaries and have been adopted as representing the different communities’ peacock myths. (shrink)

Since last year, major initiatives have been undertaken by the chair of theoretical philosophy at the University of Tübingen in order to enhance the reception of analytic metaphysics in the European landscape. Here we review the 2013 summer workshop, intended to be the first of an annual series, on “Existence, Truth and Fundamentality”, the invited speakers being Graham Priest (Melbourne), Stephan Leuenberger (Glasgow), Dan López de Sa (Barcelona), Francesco Berto (Aberdeen), Friederike Moltmann (Paris – Pantheon Sorbonne) and Jason Turner (Leeds). (...) The workshop’s scope is fairly large, focusing on three different aspects of contemporary research in metaphysics. However, the underlying idea of organizers Thomas Sattig and Alessandro Torza consisted in exploring their interconnections and even new areas which possibly share the same problem spectrum. Also, they thought of bringing together both young and senior protagonists of the contemporary debate. In this sense, the main thread followed by the speakers consisted in enquiring the ideas of fundamentality, dependence and grounding with respect to ontology (Berto, López de Sa, Turner) and the truthmaking debate (Priest, Moltmann, Leuenberger), thus pretty much in line with some latest tendencies in metaphysics, such as, prima inter paria, the works of Kit Fine. When we say that something is more fundamental than something else, we move into a non-conventional (for the standards of 20 th century philosophy) metodological framework, hardly focusing on the question about what there is, and rather tackling the issue of how fundamentally there is what there is, or how the existence of something is required as a ground for the existence of other things. Here is how Jonathan Schaffer explains the methodological transition in his influential “On What Grounds What” (2009): -/- Among the many assumptions Quine and Carnap share is that metaphysical questions are existence questions, such as whether numbers exist. They only disagree on the further issue of whether such questions are meaningful (at least as the metaphysician might pose them). But why think that metaphysical questions are existence question of this sort? Return to Aristotle’s Metaphysics. There are virtually no existence question posed. The whole discussion is about substances (fundamental units of being). At one point Aristotle pauses to ask if numbers exist, and his answer is a brief and dismissive yes. [. . . ] For Aristotle, the question about numbers is whether they are transcendent substances or grounded in concreta. The question is not whether numbers exist, but how. (Schaffer, 2009, p. 347) -/- The conference opened with Graham Priest’s intriguing and peculiar review of Buddhist cornerstone “The Fundamental Verses of the Middle Way” (Mūlamadhyakamakārikā) by Nāgārjuna (ca. 150-ca. 250 AD), seen as a unrecognized forerunner of multi-valued semantics and dialetheism. Priest shows that Nagarjuna’s thought indeed has valuable analytic grip (contrary to the traditional mystical dismiss of his works altogether) and is even in accord to some formal schemas rejecting both the laws of excluded middle and non-contradiction. Dan López de Sa was interested in the topic of grounding, raising concerns about how to explain the kind of “reality” exemplified by what is not fundamental, but rather derivative on something else. He proposes a conceptual and non-primitive analysis of grounding as linked to fundamentality and derivation, and argues that the view can be advocated along with the acceptance that at least something is not fundamental. Subsequently, he illustrates an impressive range of applications linked to contemporary debates in meta-ontology, truthmaking and philosophy of time. Stephan Leuenberger discussed a semantics for “total logic”, a variant of first order logic which is claimed to have several applications with respect to the issue of excluding negative existentials from the scope of theories accounting for a given ’totality’ of facts. For example, materialism is the claim that everything there is can be traced back to physical facts or to truth implied by those facts. What about the claim that “There are no angels”? According to Leuenberger, ordinary logic falls prey of modal arguments (if it is possible that there are angels, by modus tollens, that it is not metaphysically necessary that everything there is is physical). So, there is space for the introduction of a new operator, the totality operator, claiming of what enters its scope that “that’s the whole truth”. Consequently, total logic’s semantics tackles David Chalmers’ well-known conceivability-based argument in favour of zombie’s (subjects producing behaviour but experiencing no qualia) possible existence. Friederike Moltmann presented a massive array of natural language-based examples on the role played by case-constructions, such as “it is the case that Caesar crossed the Rubicon”, “the case of the stolen statue”, “the case in which it might rain”, and so forth. She suggests that we should take surface phenomena of our language very seriously with regard to the determination of ontological categories and truth-makers. Cases are provided by many natural languages with their own existence predicates (“to occur” and “to present itself ”), and these do not apply to other kind of entities, such as objects and events. Trying to derive a substantive thesis on their nature, she claims that they are filtered entities, a structure taking into account some features of the corresponding objects and events and preserving their relational pattern. Jason Turner discussed meta-ontological concerns against the claim that ontological debates are defective. Analysed the structure of a metaphysical theory and identified two different forms of defectiveness that can occur in ontological questions, the defection from without and the defection from within, the author provided an original solution in order to avoid such difficulties. He argued thus in favor of a logical constancy, a translation principle thanks to it would be possible reconceive an ontological defection. Lastly, Francesco Berto’s talk closed the workshop with a sagacious discussion of meinongian quantification. He substains that Meinongians and Quineans experience no conceptual equivocation. Even if the former claims that “There are things that do not exist”, something that the latter contrasts with the interpretation of existential quantifiers as all-including, they still rely upon the same concept of “existence” and they understand each other when they are outside the ontology room, so that it cannot be that they lack competence. Subsequently, Berto deals with the objection that Meinongians commit analytic falsehood in separating the meaning of “to be” from that of “exists”. The Quinean has no independent evidence for analytic equivalence aside from her emphatic stress on the “is” in “there is”. Meinongians, however, can retort to linguistic considerations and claim that existence predicates display fairly different functions. -/- As for what regards our internal division of the “philosophical labor”, Fabio Ceravolo reviewed Moltmann and Berto’s talks; whereas Mattia Cozzi took care of Priest’s and Leuenberger’s, and Mattia Sorgon of those given by López de Sa and Turner. Conclusively, we would like to thank Thomas Sattig and Alessandro Torza for all of their organizational efforts and the kind welcome they reserved to us. We hope we will have further opportunities to collaborate with Tübingen in supporting similarly innovative and valiant european initiatives. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:"When Israel Came Forth from Egypt":Aquinas on the Gifts of Judgment and Purgatory*Daria SpezzanoOne of my favorite scenes in Dante's Divine Comedy is in the beginning of the Purgatorio, when Dante and Virgil are standing on the shores of Mount Purgatory after climbing out of the darkness and chaos of hell. They find themselves at daybreak looking across the sea that separates the living from the dead. As the (...) sun rises, Dante sees a ship, swift as a bird, flying toward them across the waters, powered by the wings of a bright angel at the helm. In contrast to the wails and shrieks of the damned, the souls it carries are singing: "In exitu Israel de Aegypto."1 They have been judged worthy of [End Page 961] being purified for eternal life. It is the first of many songs we hear in the joyfully penitential soundtrack of purgatory, as Dante and Virgil climb with those being cleansed up the mountain, getting lighter as they go, until Dante crosses over into the brighter radiance and even sweeter music of paradise.2Dante's image captures well the essence of the doctrine of purgatory even if he poetically embroiders many of the details. As Pope Benedict XVI puts it more succinctly, with reference to Paul's teaching on salvation through fire in 1 Cor 3:12–15, the suffering of purgatory is a transforming "fire that burns away our dross and re-forms us to be vessels of eternal joy."3 In his 2007 encyclical Spe Salvi, the Pope writes that purgatory is a state of "blessed pain, in which the holy power of Christ's love sears through us like a flame, enabling us to become totally ourselves and thus totally of God." The Pope supports the view that purgatory takes place in the experience of divine judgment; for those who are saved, "the fire which both burns and saves is Christ himself, the Judge and Saviour." It is an existential encounter with the Lord, outside of earthly time, in which "we experience and we absorb the overwhelming power of [Christ's] love over all the evil in the world and in ourselves. The pain of love becomes our salvation and our joy" (§47). The Pope underlines in Spe Salvi that, contrary to an atheism that would substitute human for divine justice, there can be no true hope for eternal life without faith that God will ultimately bring about "an 'undoing' of past suffering, a reparation that sets things aright," not only for ourselves but for all of human history (§42–43). In Pope Benedict's view, the image of our final judgment by Christ, enfolding within it complete purification from evil, is "the decisive image of hope." (§44).For many Catholics today, though, teaching on the coming reality of Christ's divine judgment, and the transformative purgatorial suffering that it will require in the best case for most of us, tends to fall on resistant ears.4 [End Page 962] It seems outmoded at best, and hard to reconcile with who Jesus is, in the popular imagination. One firm tenet of popular Christology, after all, is that Jesus does not judge, and he certainly does not want us to suffer. It is not uncommon to hear those who identify as Catholic claim that Christ's Gospel teachings of inclusivity and tolerance support and promote the freedom to embrace whatever moral decision each individual feels to be good for themselves, no matter how contrary it may be to the Church's teaching. And where the infallibility of individual choice is celebrated, there can of course be no requirement for conformation to a higher standard of justice, and so no need for ultimate purification in accord with that standard. Although the Church is judgmental, the narrative goes, Jesus is not. In fact, the kind of judgmental and punitive attitude displayed by the institutional Church is exactly what Jesus condemns. In other words: I am happy for Jesus to be my friend, but not so delighted for him to be my judge.But according to Thomas Aquinas, I should be. I will argue that Thomas offers us helpful insight... (shrink)

This article examines Aquinas’s theory of free choice and moral responsibility throughout his De malo and provides a careful analysis of question 6 “on human choice.” We argue that Aquinas here proposes an account of free choice as incompatible with determinism. We also show briefly that Aquinas’s account of the fall of the angels in the De malo confirms our interpretation.

Preview: At times, the COVID-19 Pandemic has spent words of their value. We academic philosophers have written many articles in relation to it, and plenty of social media posts, as well as other discourse on it. It all seems effete to stop the flames we have kindled that led to this global tragedy. Our civilizational unsustainability and instability have borne down on us the last year and a half, and at times it seems to reveal a dire fall. There (...) is a sense of failing to avoid a pandemic-onium all too visible and nearing as we descend to the depths. Like the Devil’s palace, this place is also of our own creation. Whether this zeitgeist is but the Calvinist vision of perennial despair reappearing its fantastical face or indeed a portent of the times to come, we cannot but at time see through the eyes of the rebel fallen angel, with smoldering sorrow and anger for our world, if not heaven, well lost. It becomes hard in such moments to have any hope that one’s own work at self and communal cultivation is anywhere near enough. It sometimes feels as if all we can do is fiddle as Rome burns. Are we participating in our own downfall? Even if not in the confines of academic philosophy, and doing broad based cultivation work in philosophy as a way of life, how can one not but feel helpless and wrathful about our own situation, for the countless dead by government inaction to the virus, corporate greed and entitlement to protect vaccine formulas, hubristic populace quests for superior conspiratorial knowledge, growing authoritarianism, unchecked white supremacist fascism, and biological devastation caused by an unsustainable late-capitalistic, hyper abstracted, global economy? Those feelings seem righteously luciferian. However, our global wisdom traditions, with nuance, challenge us against mere smoldering anger, or at least not without guidance. To go further, our PWL wisdom traditions have long exhorted us to strive for ataraxia, and even to amor fati, especially at the worst of times. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Sixth International Buddhist-Christian Conference, August 5–12, 2000Paul IngramThe Sixth International Buddhist-Christian Conference, sponsored by the Society for Buddhist-Christian Studies, will take place at Pacific Lutheran University, Tacoma, Washington, from August 5 to 12, 2000. The Program Committee has approved the general conference theme as “Buddhism, Christianity, and Global Healing.” The conference will follow the structure, with some variations, of the last international conference that met at DePaul University (...) in 1996: morning working group sessions on several themes interrelated with the general conference theme; afternoon sessions devoted to individual papers; and evening plenary sessions.Evening plenary themes and speakers have been identified: Dr. A. T. Ariyaratne and Dr. Cecil Murray (senior pastor of the First AME Church in Los Angeles) will address the topic “The Non-Violent Struggle for Economic and Social Justice”; Sulak Sivaraksa and John B. Cobb Jr. will speak on “Consumerism and Ecology: Buddhist and Christian Perspectives”; Rita Gross and Daniel Maguire will speak on “Buddhism, Christianity, and Issues of Gender”; and Virginia Straus and a Christian speaker yet to be identified will address “The Earth Charter: A Buddhist and Christian Response.”Working Group cochairs and themes have also been identified: Buddhist-Christian Practice and Mind-Body Healing (Venerable Yifa and Mary Jo Meadow); Ecology, Consumerism, and Corporate Consciousness (David Chappell and Donald Mitchell); Gender: Issues of Oppression and Justice (Judith Simmer-Brown and Donald Luck); Buddhist-Christian Dialogue with the Natural Sciences (Ken Tanaka and Nancy Howell); Buddhist-Christian Dialogue on the Earth Charter (Virginia Straus and Jay McDaniel); The Interior Dialogue: Buddhist-Christian Meditative/ Contemplative Practice (Susan Postal and Ruben Habito); and The Role of Orthodoxy/Orthopraxis in Buddhist-Christian Dialogue (Rita Gross and John Keenan).For the first time in the twenty-year history of our international conferences, a special afternoon seminar will be cochaired by Sallie King and Paul Knitter that will focus on specific case studies on particular issues of peace and justice work that are [End Page 179] interrelated with the themes of the plenary sessions and working groups. These sessions will meet in the afternoon throughout the conference week and will involve a presentation in case-study format from a Buddhist and a Christian engaged in a practical way that illustrates the themes of the conference. They will be asked to describe their situation and what they are doing and, particularly, to speak about how Buddhism or Christianity guides them in their work, the problems and successes they have had, their hopes, and their struggles, after which there will be open conversation with those present. Finally, afternoon sessions will be devoted to individual papers and presentations organized around the conference’s themes and other themes that emerge as individual papers are submitted.A preliminary call for papers will be published in the spring 1999 edition of the Society for Buddhist-Christian Studies Newsletter. Individuals who are not members of the society but wish to have a copy of this call for papers may E-mail the editor of the newsletter, Harry Wells, at.The Department of Religion of Pacific Lutheran University, along with its administration, faculty, and staff, are currently working hard to make this conference enjoyable and memorable. Travel, room and board, and other information regarding Tacoma, Pacific Lutheran University, motels, and excursion arrangements will be made available in the fall 1999 edition of the Society for Buddhist-Christian Studies Newsletter. The final call for papers appears on pp. 242–243.Paul IngramPacific Lutheran UniversityCopyright © 1999 The University of Hawai’i Press... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Four Prose PoemsRosmarie Waldrop (bio)Conversation 9 On Varieties of OblivionAfter bitter resistance the river disappears into the night, he says. Washes the daily war out into tides of wounded dream. I know no word to dive from, the dark so dense, so almost without dimension, swallowing the sounds back into eclipse while making love to my body. Fish smell travels the regions of sleep, westward like the dawn. Then (...) I wake, too early to bring anything back, unsure of what I want, terrified I’ll fail to seize it by a hair.We need a grand decor for oblivion, she says. But the sea takes all with equal tenderness. As the past does. Already it suffuses the present with more inclusive tonalities. Not constraining it in melodic sequence, but setting a rooster next to the silence that molds my words. Or injured flesh. Impersonal. Only an animal could be so.An avatar of the holy ghost, he chuckles. Or the angel of the annunciation beating his wings against a door slammed shut. Behind it, love already plays the organ. With or without him. He is invisible because we have rejected his message.On old photos, she says, I see a stranger standing in my skin. As if an apple could fall too far from the tree. Yet she is called my past and functions as near-certainty. The way some beliefs are exempt from doubt, are as it were the hinges on which my doubts and questions turn. So that I seem the same to you while I’ve already moved through the next door. From left to right. [End Page 63]Conversation 10 On SeparationMy separation from the landscape started even earlier, she says. In my mother’s mirror, which staged dialectic and confused my instincts. There are few trains in the thick smoke, the run-down station, more waste of grain, more images lost. I carry a mirror in my cortex, but cannot inhabit my womb. Or the silence that is the matter between parts of speech.A pebble in an eddy, he says, reveals the course of the current. Sometimes it’s a small difference that makes our closeness arch, for a moment, into a solid vault, a space thick with birdsong and green sun. Then it again slips through my fingers. I search for a word, and nothing exists but the gap beckoning me to some strange horizon without event.Only out of body could we be out of the panic of time, she says. Momentarily bracket it maybe, in illness, degrees of withdrawal. But hours reproduce, days go by consumed by heat, the flimmer above the lake. I can’t distinguish gravity from other distortions of space, or sign from symbol. My sense of time begins six billion years ago, when the fish stretched their fins onto dry land though the sea groaned in their belly, or forty, with breasts and monthly bleeding. The now always already darkening, the way a sentence anticipates the period it will stiffen in.The galaxies avoid collapsing onto each other by virtue of their recessional motion, he says. Father and son walk away from the bed in opposite directions. But sweat clings to our names, the secretions of closeness. As if we were submerged in one and the same sleep. If I withdraw into more impermeable regions, your shadow grows. All respiratory passages lead to you. As if you were the certainty the game of doubting presupposes. The niggling voice of death. [End Page 64]Conversation 11 On DepthIt would take more than a pebble, she says, to sound your undertones. Something slips away as you speak, tense with life, like a startled beast in the woods. Is it a lizard, snake, or unused thought that runs alongside your words, while the rustling vines close over the trace of flight?Isn’t this a case, he says, of deep breathing pulled into spasms of interpretation the way children are pulled into the future by the very gravity of their innocence. And with a speed unlimited by the young space. The joints between future and present swell and sweep apart whole galaxies, but even the... (shrink)

Exploring what theologians at the University of Paris in the thirteenth century understood about the boundary between humans and animals, this book demonstrates the great variety of ways in which they held similarity and difference in productive tension. Analysing key theological works, Ian P. Wei presents extended close readings of William of Auvergne, the Summa Halensis, Bonaventure, Albert the Great and Thomas Aquinas. These scholars found it useful to consider animals and humans together, especially with regard to animal knowledge and (...) behaviour, when discussing issues including creation, the fall, divine providence, the heavens, angels and demons, virtues and passions. While they frequently stressed that animals had been created for use by humans, and sometimes treated them as tools employed by God to shape human behaviour, animals were also analytical tools for the theologians themselves. This study thus reveals how animals became a crucial resource for generating knowledge of God and the whole of creation. (shrink)

In the Qur'ān, a mysterious event is mentioned in four different parts. According to the most mufassar (exegetes), the essence of this event in the Qur’ānic verses is the knowledge of revelation, which include divine orders about how the earthis transferred to the lower level, starting from the angels in the upper level. Ultimately, this information is delivered to the missionary angel who will execute the order. During this transfer, the devils secretly try to capture this information. The purpose of (...) Satan is inform the priests to inform them in advance. However, shihābsstep in and prevent the devils to reach these information. Thus, the security of the information, which include divine orders, are provided and prevented the passageof unauthorized hand. This event in the Qur'ān requires a systematic analysis of the culltural structure of pre-Islamic Arab society, the perception of the incident of the interlocutory mass in the process of conquest, and the various comprehension efforts in parallel with the cultural changes that have taken place. The problem of preserving the knowledge of unseen with shihābswill be studied in various aspects by considiring the subject and taking into consideration the different approaches in the historical process.SummaryThe Qur’ānic verses are classified in two kinds such as mutashabih (ambiguous) end muhkam (unambigious) according to the meaning of the text. The verses that convey the meaning immediately without recourse to any further analyses, are called “muhkam”, and the verses that appear to be ambigious meaning in terms of signifying more than one possible meanings, are called “mutashabih”. One of the mutashabih which mentioned in the verses is prevention of the attempts of the demons which trying to steal unseen knowledge with shihābs. The attempts of the demons to listen to the unseen realm were included in different surahs. This subject fall into the verses of 40/al-Jinn 72/8-10, 54/al-Hijr 15/16-18, 56/al-Saffat 37/6-10 ve 77/al-Mulk 67/5 depends on their occasion of the revelation of the Qur’ān order. In these verses, the concepts of shihāb, mārid, rajim, duhūr, malaa’l-a’lā, haresen shedīden, man khataf al-khatf ve burūc come to the forefront and the various linguistic analyzes are made about them.Shihābs, which thrown to prevent the demons from listening to the sky did contention as a part of prophet Muhammad in risaleti and various ideas were put forward in this direction. In addition to those who acknowledged this event as a miracle of apostleship, and who acknowledged that they emerged together with apostleship, opinions were also put forwerd based on before apostleship by attributing various evidence. All these opinions are explained in detail.In the first period, the preservation of the sky with shihābs was understood as a physical fact and various inferences were made in this direction. It is possible to see this situation clearly in the riwayats which are based on prophet Muhammad. According to this, shihāb is nothing else from preserving preserving the sky by moving fireballs. In some comments, the star shift is explained as the shihāb.As in other matters, the tredition of the isharī tafsīr has been approached this event with a different perspective. These moving parts of fire, seen in the outer realm in the conservation of divine knowledge, are expressed in terms of concepts that will represent the struggle of the human commentators against the devil in the inner world of human. According to them, the shihābs are the fire of spiritual knowledge that burns the devils. In this way, human fend off kind of bad thoughts that surround himself in his spiritual world.The shihābs was regarded as the miracle oh prophethood, because it was being used as a guard mechanism to prevent the divine order coming to the Prophet Muhammad from falling into the hands of devil forces. According to this, it was claimed that the shihābs first appeared together with the apostleship. However, it was documented by some scholars were based apostleship because of the various examples of poetry belonging to the jahiliyya period. Whether it is the timing of the event or the views that base it before or after the apostleship, the point in which they all converge is that the movement of sky in the occasion of the revelation of the Qur’ān period has increased more markedly than the other periots. At the same time, the inability of bringing reports of devils who were the source of the knowledge of priests was accepted as a reason for the disappearance of the job soothsayer which was common in Arab society. Throwing of shihābs and as a result of this disappearence of priesthood were accepted as the miracle of the prophet Muhammad.In the tafsir tradition, shihābs were accepted as the stars thrown into the demons. However, it was observed that there was a different approach to this incident in the modern period. The prominent idea is that this incident which described in the verses is a matter of concern to unseen realm. Therefore, it was emphasized that things which they said about the subject could not go beyond the predictions. The idea of being accepted without any additions to the expressions of the verses came to the forefront.One of the ideas raised recently is the level of perception of unseen realm According to this, the verses do not mention any obstruction in the outer orgy. As a claim that, to speak of fireballs and moving stars is opposite to the universe order. This information subject to the verses is nothing but the thought of perception of revelation in Arab society. Therefore, the verses by using their concepts, reported that their knowledge was inaccurate and that there was no intervention for revelation. (shrink)

Capricci are nonsense drawings that delineate an elusive but inevitable sense behind or, better, within the palpable nonsense of the elementary proposition of a drawing; they are capers on a tightrope stretched between the poles of pathos and the ridiculous. We shall succeed in not falling only if we step forward boldly and know not only what we are doing but also what we are up against in the making of a picture as well as in living in the world. (...) For the world, in its yawning impudence of death and the dance of blind eagerness, ambition, and noisy speechlessness, makes us look to art not, or not necessarily, to escape from the world but rather to learn how to take its measure. . . . There is a painting ["St. Vincent Ferrer Preaching"] joined to the Passion cycle in S. Polo which demonstrates as well as any paradox ever will how Giandomenico joined piety and irony in his religious art without curtailing the glory of either. He arrives, as it were, at a God-fearing irony. We see St. Vincent Ferrer preaching. He speaks so eloquently, so convincingly in praise of the divine truth, that light shines forth from him and angel's wings grow on his shoulders. Fascinated by the miracle but even more so by the saint's words, his audience sits spellbound at his feet; in the foreground, however, sits a youth, a fop perhaps, gorgeously dressed, with a singular smile on his face, his hand musingly poised to his cheek, who looks at us quizzically. He is the link between us and the miracle. "Can you believe it?" says the smile, and perhaps "I did not—and yes—how can you now not believe it, you need but look - as I did - for there it is!" It is, I think, the face of one who knows about the truth of the absurd and its inner logic. Credo quia absurdum: if it were not so, we could prove the existence of God by feeding data into a computer, and there would be many believers, whose faith, in turn, deserved but little credit. Needless to say, perhaps, the face that so speaks to us in laughter joined to wonder is a self-portrait.1 · 1. In S. Polo the painting of St. Vincent Ferrer Preaching hangs opposite a matching picture of The Finding of the True Cross. There is a beautiful young woman on the right who looks at us beseechingly and with her right hand points at the cross. Giovanni Domenico Tiepolo who looks out of St. Vincent Ferrer Preaching cannot help but see this lady and be affected by her earnest gesture. For a reproduction of the painting, see Maruz, G. D. Tiepolo, plate 22. Philipp P. Fehl is a professor in the department of art and design at the University of Illinois at Urbana-Champaign. He has edited Franciscus Junius: The Literature of Classical Art. His previous contribution to Critical Inquiry, "Turner's Classicism and the Problem of Periodization in the History of Art," appeared in the Autumn 1976 issue; the present essay was delivered in an earlier version at Stanford University in 1976 and is included in his collection of essays, Art and Mortality. His capricci, Birds with Titles, were exhibited in a one-man show at Kenyon College. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:ECHIC—The European Consortium for Humanities Institutes and Centres 2023 Annual ConferenceIlenia Vittoria CasmiriEcological Mindedness and Sustainable Wellbeing, ECHIC—The European Consortium for Humanities Institutes and Centres 2023 Annual Conference, May 25–27, 2023, University of Ferrara, ItalyThis year’s annual conference of the European Consortium for Humanities Institutes and Centres (ECHIC) invited international scholars with diverse backgrounds to explore visions of a desirable future world that is both environmentally sustainable and socially (...) just. In stressing the social and political relevance of the humanities in Europe today, the main goal of the Consortium, as it is articulated on the conference website, is the pursuit of the highest international standards of excellence with a spirit of innovation and exploration of new research areas:Since the World Commission on Environment and Development published Our Common Future (1987) [commonly known as the Brundtland Report], the notion of... sustainability has been expanded to incorporate environmental, cultural, legal, and economic features of a low-carbon future and to encompass the wellbeing of all living species, which involves material aspects such as the social acceptance of resource-efficient transitions and immaterial ones such as flourishing human capabilities. [End Page 625]The participants of the 2023 ECHIC conference on Ecological Mindedness and Sustainable Wellbeing presented original, multidisciplinary perspectives, and offered valuable opportunities to develop holistic approaches to the prismatic issue of environmental sustainability. Bringing together cultural diversity as well as local and global perspectives, keynoters and panelists addressed the vast array of challenges imposed by the perpetuation of anthropocentric worldviews. Their challenge to traditional demarcations between the humanities, the social sciences, economy, law, architecture, engineering, and the life and medical sciences, generated synergies for exploring interconnections between life forms, resources, and heritage. While the theoretical frameworks varied considerably, they all advocated for the need to overcome ideological, cultural, and spatial barriers in favor of broader, more inclusive approaches to other disciplines, other cultures, other humans, other species. Overall, the conference not only exposed the cultural and economic roots of social inequality and of uneven distribution of resources, thanks to unsustainable modes of capitalist production and consumption, but also highlighted the media’s positive effect in eliciting pro-environmental behaviors.Toward More Sustainable FuturesThe prismatic nature of the concept of sustainability inspired keynote speakers Alexa Weik von Mossner (University of Klagenfurt), Adrian Ivakhiv (University of Vermont), Tim Waterman (University College London), and Antonio López (John Cabot University) to address climate apocalypse impacts on the human physical and psychological well-being from diverse personal and academic backgrounds.In the opening keynote lecture, “Growing Hope: Narratives of Food Justice and Sustainability,” Weik von Mossner explores the psychological implications of affect and emotion in the communication of environmental issues. Her diachronic account illustrates the rise and fall of the South Central Farm in Los Angeles, a sanctuary for locals by providing fresh produce, stimulating a sense of community, and representing a symbol of resilience against systemic inequalities. Weik Von Mossner elucidates the psychological benefits accruing from exposure to such a sustainably inhabited space. Her analysis of Scott Hamilton Kennedy’s documentary, The Garden (2008), affirms that climate change narratives across media may prompt food justice activism (Retzinger 2011, 337) by eliciting the emotional engagement of its audience. [End Page 626]However, observes von Mossner, the greater the popularity of the Farm, the greater the threat posed to its existence. Through documentaries, news articles, and online campaigns, the South Central Farm has received national and international attention. At the same time, media have shed light on the struggles faced by marginalized communities and provided a solid basis for discussions on social justice, environmental activism, and the value of communal spaces. She explains that activists used social media to voice their concerns about the potential eviction and the loss of a vital resource for the local community, leading to an outpouring of support from environmentalists and celebrities who had realized to what extent the predominantly low-income, minority community was affected by limited access to fresh food and green spaces.Adrian Ivakhiv, delivering his keynote “How to Face the Angel of History: A Call to Anthropocenic Conscience” the following day, suggests that a pervasive lack of an emotional... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:TRANSCENDENTAL THOMISM AND THE THOMISTIC TEXTS JOHN F. x. KNASAS Genter for Thomistic Studies Houston, Temas SOME THIRTY YEARS ago in the journal Thought, there appeared an article by Fr. Joseph Donceel, S.J., entitled " A Thomistic Misapprehension? " Its thesis is that American Thomism had seen too much of the a posteriori in Aquinas's noetic.1 In fact the interpretation was so a posteriori that it bordered on empiricism (...) and positivism. Donceel intends to balance the American understanding of Aquinas by spotlighting various Thomistic texts that speak of an a priori contribution of the intellect to human knowledge. Donceel is merely calling attention to something that some outstanding European Thomists, e.g., Defever, Marechal, and Rahner have known for some time. Donceel's " balanced" interpretation is what is called Transcendental Thomism. In sum, the position claims that the human intellect is not so complete a tabula rasa that it fails to make an a priori contribution to the data of sensation. This contribution is the intellect's very dynamism to Infinite Being. The dynamism has a constitutive role in human experience. Swept up within this intellectual torrent, the data of sensation stand before us in consciousness as finite and limited. So " objectified " the data are disposed for the traditional abstvactive account of the specific and generic natures. After the Second Vatican Council, Thomism generally fell into disrepute among American Catholic intellectuals. Phi1 Joseph Donceel, " A Thomistic Misapprehension?" Thought, 32 (1957) : 189. 81 82 JOHN F. X. KNASAS losophy departments " pluralized." Their members represented analytic, existential, and process philosophy.2 If Thomism remained vibrant, it was in the a priori strain. Both on the philosophical and theological levels, it was at home with the pluralism tha.t marked the time.3 The current emphasis on political activism, however, ha:s caused even Transcendental Thomism to suffer an eclipse. In the heat of political struggle, Transcendental Thomism, too, appears decadent and bourgeois. The case can be made, though, that the uncovering of the intellect's a priori dynamism to the Infinite was a crucial move for liberationists. Gutierrez notes 4 that the Transcendental Thomist understanding of the human intellect posits a single finality for human nature. The traditional distinction between the temporal and eternal planes loses meaning. Human history becomes salvation history. In this way, then, Transcendental Thomism continues to exercise its influence. This paper investigates the purported Thomistic texts expressing an apriorism. The texts cited by Donceel are all found in Marechal's Cahier V.5 There MarechaI mentions many others besides. Hence, my paper will use the Marechalian collection. My treatment focuses upon the texts that are seemingly most a priori. I. A central text for Marechal is De Veritate, q.l, a.4, ad 5m (first set). Aquinas remarks: 2 See "Is a 'Catholic' Philosophy Department Possible? " by the Committee on Research (Thomas I.angan, K. I,. Schmitz, Jude P. Dougherty) of the ACPA (HJ78). 3 On Transcendental Thomism's capacity to admit a theological pluralism without falling into a relativism, see Gerald A. McCool, Catholic Theology in the Nineteenth Gent1.ry (New York: The Seab1iry Pres8, 1977), pp. 258-9. 4 Gustavo Gutierrez, A Theology of Liberation, trans. by Caridad Inda and John Eagleson (New York: Orbis Books, 1973), p. 69. 5 Oahier V is a volume in Jl.riarechal's monumenfal Le point de depart de la metaphysique. Subsequent references to Oahier V are from Donceel's substantive translation A J,[wrechal Reader (New York: Herder and Herder, 1970). TRANSCENDENTAL THOMISM AND THE TEXTS 83 The truth by which the soul passes judgment on all things is the first truth; for, just as from the truth of the divine intellect there flow into the angelic intellects those: intelligible species by which angels know all things, so does the truth of the first principles by which we judge everything proceed from the truth of the divine intellect as from its exemplary cause. Since we can judge by means of the truth of these first principles only insofar as this truth is a likeness of the first truth, we are said to judge everything according to the first truth.6 The text illustrates a " dynamic exemplarism " in Aquinas... (shrink)

Perhaps no one is more qualified to write about Japanese culture than Donald Keene, considered the leading interpreter of that nation's literature to the Western world. The author, editor, or translator of nearly three dozen books of criticism and works of literature, Keene now offers an enjoyable and beautifully written introduction to traditional Japanese culture for the general reader. The book acquaints the reader with Japanese aesthetics, poetry, fiction, and theater, and offers Keene's appreciations of these topics. Based on lectures (...) given at the New York Public Library, The Metropolitan Museum of Art, and the University of California, Los Angeles, the essays -though written by a renowned scholar- presuppose no knowledge of Japanese culture. Keene's deep learning, in fact, enables him to construct an overview as delightful to read as it is informative. His insights often illuminate aspects of traditional Japanese culture that endure today. One of these is the appreciation of "perishability." this appreciation os seen in countless little bits of Japanese life: in temples made of wood instead of durable materials; in the preference for objects -such as pottery- that are worn, broken, or used rather than new; and in the national love of the delicate cherry blossom, which normally falls after a brief three days of flowering. Keene quotes the fourteenth-century Buddhist monk Kenko, who wrote that "the most precious thing about life is its uncertainty." Throughout the volume, Keene demonstrates that the rich artistic and social traditions of Japan can indeed be understood by readers from our culture. This book will enlighten anyone interested in Japanese literature and culture. (shrink)

This book chapter applies ‘The Decline and Fall of the Spectacle-Commodity Economy’ – the Situationist account of the Watts Rebellion (Los Angeles, 1965) – to the August riots (England, 2011) and the global Occupy movement that followed. It draws two conclusions: that both May ‘68 and Occupy were formed by the political violence that preceded them; and that, although the Situationist essay makes problematic claims about race, its assessment of the Spectacle-Commodity Economy remains valuable. In fact, if combined with (...) intersectional theory, it can provide a useful counterbalance to identity politics that can prevent what Alain Badiou calls an ‘immediate riot’ from becoming a ‘historical riot’ by fragmenting mass social movements and undermining unity. (shrink)

Although De Casu Diaboli is not a traditional locus for a discussion of faith and reason, it is nonetheless subtly permeated by this topic in two ways. The first concerns Anselm’s general strategy for answering the student’s questions regarding the cause of the devil’s first sin. Anselm ends by claiming the devil willed incorrectly for no other cause than that his will so willed. Anselm thus ultimately calls upon the student to have faith in the mysterious, libertarian selfdetermining power of (...) the created will; explanation must cease and the student must accept that God would only have punished the devil if the devil’s will were freely to blame. This implicit, ultimate appeal to faith appears in stark contrast to the content of the entire treatise—a treatise up to that point filled with explanations of how the devil sinned in terms of the structure of the angels’ wills and intellects. In other words, the purpose of the treatise had been to provide a reason for the devil’s sin. It would seem that such reasons-giving discussions which occupy the first part of the work would be unnecessary if Anselm were ultimately to appeal to the student to rest upon his faith. The first part of the paper accordingly explores and attempts to alleviate this seeming tension. Additionally, Anselm explains that the devil had some compelling reasons to choose the way in which he did given his particular epistemic state. Despite this, the devil was to have faith in God’s prohibition and not follow his reasons for doing otherwise. The second part of the paper, therefore, discusses how the relative priority of faith can be inferred from Anselm’s discussion of the devil’s first sin. (shrink)