The purpose of this article is to show that in Merleau-Ponty’s lesser known works, one can find a path leading toward a phenomenology of the body that would not risk the “ambiguity of the flesh,” as The Visible and the Invisible is often charged with, but instead would sustain the ontology of nature that one finds in the “Working Notes” added to Merleau-Ponty’s last writings. Analyzing first his concept of nature, as it was developed in his courses at the Collège (...) de France, the proposed aim of this text is to question anthropological difference by focusing on Merleau-Ponty’s interpretation of the contemporary sciences, whereby the Ineinander between the physical, living, and human orders is re-founded by a new, negative concept of nature. By deconstructing classical ontology and its understanding of space, time, and objectivity, and by returning to the domain of perception, this new concept offers a novel way to reveal the advent of life in nature, its institution, and the emergence of a new corporeity in life itself. The model of Merleau-Ponty’s essential concept of institution becomes birth, and therefore the human body will no longer be interpreted as “one’s own body,” but rather will be understood, in a radically a-subjective way, as from, and based on, the participation of our perception with animality. Thereby, the concept of “ownness” becomes secondary; however, the notion of institution, established against the lexicon of consciousness and subjectivity, opens another sense of anthropological difference, one that is based only on the experiences of corporeity. (shrink)

This article aims to delineate a phenomenology of cinema centered on the double incorporation that Merleau-Ponty’s thought allows us to see at work in film. This incorporation is, first, of the elements in each other, and, second and primarily, of beings themselves, making of cinema a new way of symbolizing thinking and the relation to the other. To understand this double incorporation, we take up the question of the Gestalt and its evolution in the work of Merleau-Ponty, since it is (...) through the Gestalt that Merleau-Ponty not only evades the impasses of the theories, subjectivist as well as objectivist, of movement and image, but also succeeds in establishing—by way of a long and precise dialogue with the new natural sciences—an a-subjective phenomenology of the body. Intersubjectivity finally gives way to an “intercorporeity” that would itself be the ground of a redefinition of imagination and its relationship to perception. We thus find the source of a new aesthetics, where cinema reclaims what is proper to it. (shrink)

Cet article se propose de discuter la relation de l’herméneutique ricœurienne aux phénoménologies du corps, en explicitant d’abord la manière dont le dialogue critique avec la phénoménologie n’aura cessé de problématiquement féconder cette pensée. Une pensée qui de l’herméneutique a reconnu la force, mais aussi les errances, depuis ce dialogue même avec la phénoménologie et ses fondateurs. Mais ces errances, si Ricœur les a sans doute dévoilées mieux que nul autre au fil de l’œuvre fragmentaire, il ne les a pas (...) pour autant dépassées, d’avoir lui aussi, à la suite de toute la tradition herméneutique, laissé au seuil de l’interprétation ce qui relie justement les fragments, jusqu’au fameux aveu-texte ricœurien – Vivant jusqu’à la mort – : le lien nommé « Vie ». Ce lien, qui semble hanter l’interprétation, au sens même où Ricœur entendait le terme de hantise, comme tourment, nous montrerons ici que c’est la discussion ricœurienne de la « limite de la phénoménologie », qui permet de le reproblématiser, en suivant la triade « vie, mortalité et histoire ». Que ma chair soit aussi un corps, un corps parmi les corps, que l’altérité précède même la propriété, de telle sorte que devienne pensable tout ce que Soi-même comme un autre et La mémoire, l’histoire, l’oubli opposeront à la conception heideggérienne de la mortalité, de l’authenticité et de l’histoire, voilà en effet ce que, selon Ricœur, la phénoménologie ne serait jamais parvenue à penser ; voilà sa limite. Or, le but de cet article est justement de montrer, en reprenant dans son détail cette critique des phénoménologies du corps, que c’est une grande et paradoxale absence qui la marque : celle de la pensée merleau-pontienne. Paradoxale, parce que de cette pensée Ricœur s’est d’abord et longtemps réclamé, avant d’ignorer ses derniers virages et sa phénoménologie de l’Institution. Une phénoménologie dont nous nous proposons donc de comprendre l’absence, tout en montrant qu’en elle histoire et vie ne font qu’un, au point qu’elle dévoile peut-être le mieux les possibles de cet implicite de la vie et du désir qui hante l’œuvre ricœurienne : les possibles d’un déploiement nouveau de la phénoménologie de l’ histoire elle-même à partir d’une phénoménologie du corps vivant. (shrink)

L’ouvrage d’Anne Cova, tiré principalement de la partie inédite de sa thèse doctorale soutenue en 1994, porte sur l’histoire des débats autour d’une question : « la liberté de la maternité », dont les contours s’étendent bien au-delà des discussions entre les féministes et leur opposants, et qui d’une certaine manière reste aussi « brûlante » de nos jours qu’il y a cent ans, soit la période étudiée. Le dépouillement des plus importants périodiques spécialisés publiés entre 1890 et 1939 (...) (Régén... (shrink)

C’est par une description de la fête des Grandes Dionysies, célébrée chaque année à Athènes à la fin du mois de mars, que Mary‑Anne Zagdoun entame son ouvrage sur « l’esthétique d’Aristote ». Et pour cause : c’est principalement, on le sait, lors de cette panégyrie qu’avaient lieu les représentations théâtrales des œuvres qui constituent l’objet d’étude privilégié à partir duquel Aristote a élaboré une théorie artistique novatrice : les tragédies et, dans une moindre mesure pour ce que nous (...) e... (shrink)

Mary-Anne Zagdoun se propose, dans l’ouvrage qu’elle consacre à la philosophie stoïcienne de l’art, de combler une lacune. En effet, « l’ampleur et l’importance [de celle-ci] ont été longtemps », selon elle, « sous-estimées » et « il manquait sur la question un travail permettant de situer le problème dans l’ensemble de la philosophie stoïcienne ». (Introduction, p. 9) L’on peut dès à présent dire que le but fixé par l’auteur est atteint : si Mary-Anne Zagdoun souligne à (...) maintes reprises l’in... (shrink)

La pensée d’Anne Fausto-Sterling, biologiste reconnue dans l’espace anglophone, historienne des sciences et professeure à l’université de Brown (Rhode Island), est enfin accessible au lectorat français. La traduction de Sexing the Body, publié en 2000 aux États-Unis a été initiée par l’Institut Émilie du Châtelet pour le développement et la diffusion des études sur les femmes, le sexe et le genre et financée par la Région Ile-de-France. Dans sa préface américaine, l’auteure rappelle combien d...

Documentary film, in the words of Bill Nichols, is one of the "discourses of sobriety" that include science, economics, politics, and history-discourses that claim to describe the "real," to tell the truth. Yet documentary film, in more obvious ways than does history, straddles the categories of fact and fiction, art and document, entertainment and knowledge. And the visual languages with which it operates have quite different effects than does the written text. In the following interview conducted during the winter of (...) 1997, historian Ann-Louise Shapiro raises questions about genre-the relationship of form to content and meaning-with documentary filmmaker Jill Godmilow.In order to explore the possibilities and constraints of non-fiction film as a medium for representing history, Godmilow was asked: What are the strategies and techniques by which documentary films make meaning? In representing historical events, how does a non-fiction filmmaker think about accuracy? authenticity? invention? What are the criteria you have in mind when you call a film like The Wonderful, Horrible Life of Leni Riefenstahl "dishonest"? How does the tension between making art and making history affect documentary filmmaking? Should documentary filmmakers think of themselves, in the phrase of Ken Burns, as "tribal storytellers"? What kind of historical consciousness is produced by documentary film? (shrink)

Of all my recollections connected with the H of C that of my having had the honour of being the first to make the claim of women to the suffrage a parliamentary question, is the most gratifying as I believe it to have been the most important public service that circumstances made it in my power to render. This is now a thing accomplished.….

In close collaboration with the late Matthew Lipman, Ann Margaret Sharp pioneered the theory and practice of 'the community of philosophical inquiry' (CPI) as a way of practicing 'Philosophy for Children' and prepared thousands of philosophers and teachers throughout the world in this practice. In Community of Inquiry with Ann Margaret Sharp represents a long-awaited and much-needed anthology of Sharp's insightful and influential scholarship, bringing her enduring legacy to new generations of academics, postgraduate students and researchers in the fields of (...) education, philosophy, philosophy of education, Philosophy for Children and philosophy of childhood. Sharp developed a unique perspective on the interdependence of education, philosophy, personhood and community that remains influential in many parts of the world. This perspective was shaped not only by Sharp's work in philosophy and education, but also by her avid studies in literature, feminism, aesthetic theory and ecumenical spirituality. Containing valuable contributions from senior figures in the fields in which Sharp produced her most focused scholarship, the chapters in this book present a critical overview of how Sharp's ideas relate to education, philosophy of education, and the Philosophy for Children movement as a whole. The historical and philosophical nature of this collection means that it will be a vital resource for philosophers and educators. It should also be of great interest to teacher educators and those involved in the study of pragmatism and feminism, as well as the history of education across the globe, particularly in the United States of America. (shrink)

The co-instantiation thesis is pivotal to a significant solution to the problem of causal exclusion. But this thesis has been subject to some powerful objections. In this paper, I argue that these difficulties arise because the thesis lacks the necessary metaphysical framework in which its claims should be interpreted and understood. Once this framework is in place, we see that the co-instantiation thesis can answer its critics. The result is a rehabilitated co-instantiation solution to the troubling problem of causal exclusion. (...) But questions remain concerning the viability of certain of its applications. (shrink)

Ce colloque devenu livre comble une lacune. Alors que le sujet a été labouré pour le xviiie siècle, aucune synthèse n’existait jusque-là sur le mariage dans la littérature du xixe siècle. Or, la rupture avec les Lumières est frappante comme l’attestent, par exemple, les réécritures d’Inès de Castro étudiées par Maurizio Melai. Le thème du « mariage interdit », inspiré par la tragédie d’Houdar de la Motte (1723) mais subverti un siècle plus tard, illustre le passage de l’Ancien Régime aristocr...

Moates, Anne The European Group on Ethics in Science has made recommendations about the ethics of certain types of implanted medical devices, which include privacy, equity, informed consent, non-discrimination, precautionary principle, and non-instrumentalisation. Implant ethics, therefore would have to deal with issues of normality and disease with the admissibility of human enhancement.

Anne Pasquier,Marie Chantal,Steeve Bélanger.

Why equality cannot be conditional on a shared human “nature” but has to be for all For centuries, ringing declarations about all men being created equal appealed to a shared human nature as the reason to consider ourselves equals. But appeals to natural equality invited gradations of natural difference, and the ambiguity at the heart of “nature” enabled generations to write of people as equal by nature while barely noticing the exclusion of those marked as inferior by their gender, race, (...) or class. Despite what we commonly tell ourselves, these exclusions and gradations continue today. In Unconditional Equals, political philosopher Anne Phillips challenges attempts to justify equality by reference to a shared human nature, arguing that justification turns into conditions and ends up as exclusion. Rejecting the logic of justification, she calls instead for a genuinely unconditional equality. Drawing on political, feminist, and postcolonial theory, Unconditional Equals argues that we should understand equality not as something grounded in shared characteristics but as something people enact when they refuse to be considered inferiors. At a time when the supposedly shared belief in human equality is so patently not shared, the book makes a powerful case for seeing equality as a commitment we make to ourselves and others, and a claim we make on others when they deny us our status as equals. (shrink)

L’article tente de montrer l’influence du contact direct et vivant avec les œuvres d’art sur l’élaboration de la pensée esthétique diderotienne. Alors que dans l’article « Beau » de l’Encyclopédie, l’auteur reprend des concepts et des hypothèses élaborés par d’autres, l’ouvrage des Salons donne lieu à la véritable esthétique de Diderot. L’écriture des Salons transcrit ainsi le processus d’une impression sensible devenu affect esthétique et jugement critique. On trouve ainsi, dans les Salons, les germes d’une esthétique à la française, dont (...) les successeurs sont le Baudelaire des Salons et le Merleau-Ponty du « Doute de Cézanne » et de L’Œil et l’Esprit. Les Essais sur la peinture marquent cependant, dans la réflexion diderotienne, une césure : il ne s’agit plus de s’interroger séparément sur le dessin d’une part, et la composition d’autre part. Le philosophe doit montrer au peintre le lien qui unifie toute chose et la nature entière. La ligne s’avère ainsi, en deçà du dessin académique, ce qui unifie l’objet et la nature même. Mais comment comprendre l’articulation de la pluralité des ouvrages de la nature, thématisée dans les Essais sur la peinture, et l’unité de la « ligne vraie » recherchée dans le Salon de 1767? Le peintre doit-il rechercher la pluralité des lignes ou l’unité d’une ligne vraie et idéale? Selon Anne Elisabeth Sejten, il faut concevoir la pluralité des lignes de la nature comme vibrant autour de la ligne idéale – et ce faisant la désignant. Telle serait la leçon des Grecs selon Diderot. Le philosophe du XVIIIe siècle s’avère ainsi être le précurseur de l’esthétique de la fin du XIXe siècle et du début du XXe siècle, telle qu’elle fut développée par Valéry à propos de Degas, ou Lyotard à propos d’Adami. (shrink)

Journal of Philosophy of Education, EarlyView.

Across 13 essays "e; 12 of which were previously unavailable in English "e; Deleuze specialist Anne Sauvagnargues reveals the continuing potential of Deleuze, Guattari and Simondon to invent new concepts and new modes of creativity and existence. She redeploys their work, together with other key philosophers including Bergson, Lacan, Deligny and Ruyer, to create new concepts including geophilosophy, the artmachine, the ritornello, schizoanalysis and the machinic assemblage.

Ann Whittle offers a fresh approach to questions about whether our actions are free and whether we are morally responsible for them. She argues that the answers to these questions depend on the contexts in which we make claims about our abilities and our control over our actions.

Poetry -- Drama -- Philosophy -- History -- Fables, Novels, and Speeches.

Anne Conway was an extraordinary figure in a remarkable age. Her mastery of the intricate doctrines of the Lurianic Kabbalah, her authorship of a treatise criticising the philosophy of Descartes, Hobbes, and Spinoza, and her scandalous conversion to the despised sect of Quakers indicate a strength of character and independence of mind wholly unexpected (and unwanted) in a woman at the time. Translated for the first time into modern English, her Principles of the Most Ancient and Modern Philosophy is (...) the most interesting and original philosophical work written by a woman in the seventeenth century. Her radical and unorthodox ideas are important not only because they anticipated the more tolerant, ecumenical, and optimistic philosophy of the Enlightenment, but also because of their influence on Leibniz. This fully annotated edition includes an introduction which places Conway in her historical and philosophical contexts, together with a chronology of her life and a bibliography. (shrink)

Benjamin, Anne South Sudanese Catholic communities have been a significant part of the Australian church for nearly two decades, yet it appears little has been published on their pastoral needs. This article responds to this gap in the literature and focuses on current pastoral needs of Australian Sudanese Catholics that emerged from a study recently completed for the Sydney archdiocese and Parramatta diocese. As such, it provides the pastoral context and offers a platform from which appropriate pastoral initiatives might (...) be developed. (shrink)

A response to Kavita Shah's article Selecting Barrenness.

This is a bibliography of Ann Dummett's work.

In 2002, at the Shanghai Biennale, which she attended to publicize French artists’ work, the gallery-owner Anne Lettrée was fascinated to discover the vitality of young Chinese artists. Since that date she has made around ten trips to the People's Republic and set up contacts with more than 150 artists from all disciplines (painters, sculptors, photographers, etc.)Her meeting with Ma Liuming, who lives in Beijing and whose early work dates back 15 years or so, resulted in a show in (...) Paris, in the Anne Lettrée gallery, in 2003. With the title ‘Corps de Chine - Acte I’ it was the start of a series of events around gender and sexuality - or sexing - themes that are at the same time central and concealed in Chinese civilization. (shrink)

The essence of religion was once widely thought to be a unique form of experience that could not be explained in neurological, psychological, or sociological terms. In recent decades scholars have questioned the privileging of the idea of religious experience in the study of religion, an approach that effectively isolated the study of religion from the social and natural sciences. Religious Experience Reconsidered lays out a framework for research into religious phenomena that reclaims experience as a central concept while bridging (...) the divide between religious studies and the sciences. Ann Taves shifts the focus from "religious experience," conceived as a fixed and stable thing, to an examination of the processes by which people attribute meaning to their experiences. She proposes a new approach that unites the study of religion with fields as diverse as neuroscience, anthropology, sociology, and psychology to better understand how these processes are incorporated into the broader cultural formations we think of as religious or spiritual. Taves addresses a series of key questions: how can we set up studies without obscuring contestations over meaning and value? What is the relationship between experience and consciousness? How can research into consciousness help us access and interpret the experiences of others? Why do people individually or collectively explain their experiences in religious terms? How can we set up studies that allow us to compare experiences across times and cultures? Religious Experience Reconsidered demonstrates how methods from the sciences can be combined with those from the humanities to advance a naturalistic understanding of the experiences that people deem religious. (shrink)