This book examines how ancient authors explored ideas of kingship as a political role fundamental to the construction of civic unity, the use of kingship stories to explain the past and present unity of the polis and the distinctive function or status attributed to kings in such accounts. -/- It explores the notion of kingship offered by historians such as Herodotus, as well as dramatists writing for the Athenian stage, paying particular attention to dramatic depictions of the unique capabilities of (...) Theseus in uniting the city in the figure of the ‘democratic king’. It also discusses kingship in Greek philosophy: the Socratics’ identification of an ‘art of kingship’, and Xenophon and Isocrates’ model of ‘virtue monarchy’. In turn, these allow a rereading of explorations of kingship and excellence in Plato’s later political thought, seen as a critique of these models, and also in Aristotle’s account of total kingship or pambasileia, treated here as a counterfactual device developed to explore the epistemic benefits of democracy. -/- This book offers a fascinating insight into the institution of monarchy in classical Greek thought and society, both for those working on Greek philosophy and politics, and also for students of the history of political thought. (shrink)

Aristotle’s account of kingship in Politics 3 responds to the rich discourse on kingship that permeates Greek political thought (notably in the works of Herodotus, Xenophon and Isocrates), in which the king is the paradigm of virtue, and also the instantiator and guarantor of order, linking the political microcosm to the macrocosm of the universe. Both models, in separating the individual king from the collective citizenry, invite further, more abstract thought on the importance of the king in the foundation of (...) the polity, whether the king can be considered part of, or separate from, the polis, and the relationship between polis and universe. In addressing these aspects of kingship theories, Aristotle explores a ‘metaphysics of monarchy’, part of the long-running mereological problem of parts and wholes in the construction of the polis, and connecting his account of kingship to his thought on citizenship and distributive justice within the polis. (shrink)

The ambiguity of Xenophon’s Cyropaedia, a fictionalised portrait of Cyrus the Great and his rise to rule an empire, has led present-day interpretations to diverge widely. Should Cyrus be seen as an ideal king, whose capabilities exceed those of other rulers, or a despot whose ascent to power depends on deception and manipulation? This paper uses the modern conceptualisation of transgression to look at Xenophon’s careful depiction of political and personal boundaries throughout the work. It suggests that the key final (...) episode of the work, Cyrus’ return to his home in Persia (Cyropaedia 8.5), shows that Cyrus retains a respect for both political and personal boundaries; this offers a further challenge to ‘republic to empire’ readings of the work. (shrink)

Plato’s survey in Laws book 3 of the development of human society from its earliest stages to the complex institutions of democratic Athens and monarchical Persia operates both as a conjectural history of human life and as a critical engagement with Greek political thought. The examples Plato uses to illustrate the stages of his stadial account, such as the society of the Cyclops and the myths of Spartan prehistory, are those used by other political theorists and philosophers, in some cases (...) also drawing on the presence of the same stories in classical Greek epic and tragedy. By incorporating his critique into a timeline Plato is able to suggest that some approaches are limited in scope to specific social conditions, whereas his Athenian Stranger presents his analysis from an external and superior viewpoint, looking down on human society from above. (shrink)

In settings ranging from an Athenian home to a Persian palace, Xenophon shows women engaging in dialogue and asserting a distinctive perspective that comments on their own position in society. It also illuminates their experience of being the objects of the male gaze and restricted in their social interactions. In using women such as Theodote, an Athenian courtesan (Memorabilia) and Pantheia, a non-Greek queen (Cyropaedia) to represent ethical positions and virtue itself, Xenophon both draws on and contests the Greek literary (...) heritage, and the depiction of women in genres ranging from epic and tragedy to historiography. He represents a broader Socratic tradition from that evident in Plato’s work, in which women were more often used as interlocutors. These women appear as participants in the project of philosophical reflection on the pursuit of virtue, not just as the objects of male discussion. (shrink)

This paper explores the political thought and literary devices contained in the pseudo-PlatonicEighth Letter, treating it as a later response to the political thought and literary style of Plato, particularly the exploration of the mixed constitution and the mechanisms for the restraint of monarchical power contained in theLaws. It examines the specific historical problems of this letter, and works through its supposed Sicilian context, its narrator's assessment of the situation, and the lengthy prosopopoeia of the dead Syracusan politician Dion, before (...) concluding with a consideration of its contribution to our knowledge of Greek political thought after Plato. (shrink)

A new translation by Martin Hammond of Xenophon's Memorabilia and Apology of Socrates, with introduction and notes by Carol Atack, in the Oxford World's Classics series. -/- ISBN: 9780198856092 -/- 'Who would you say knows himself?' -/- In 399 BCE Socrates was tried in Athens on charges of irreligion and corruption of the young, convicted, and sentenced to death. Like Plato, an almost exact contemporary, in his youth Xenophon (c. 430-c. 354 BCE) was one of the circle of mainly upper-class (...) young Athenians attracted to Socrates' teaching. His Memorabilia is both a passionate defence of Socrates against those charges, and a kaleidoscopic picture of the man he knew, painted in a series of mini-dialogues and shorter vignettes, with a varied and deftly characterized cast—entitled and ambitious young men, atheists and hedonists, artists and artisans, Socrates' own stroppy teenage son Lamprocles, the glamorous courtesan Theodote. Topics given Socrates' characteristic questioning treatment include education, law, justice, government, political and military leadership, democracy and tyranny, friendship, care of the body and the soul, and concepts of the divine. Xenophon sees Socrates as above all a supreme moral educator, coaxing and challenging his associates to make themselves better people, not least by the example of how he lived his own life. Self-knowledge, leading to a reasoned self-control, was for Socrates the essential first step on the path to virtue, and some found it uncomfortable. The Apology is a moving account of Socrates' behaviour and bearing in his last days, immediately before, during, and after his trial. (shrink)

Chronicles Plato’s thought through the lens of his turbulent life. Plato is a key figure from the beginnings of Western philosophy, yet the impact of his lived experience on his thought has rarely been explored. Plato lived in turbulent times, born during a war that led to Athens’ defeat and decline. A restored democracy enabled the execution of his teacher Socrates. Carol Atack explores how his life in Athens influenced Plato’s thinking, how he developed the Socratic dialogue into a powerful (...) philosophical tool, and how he used the institutions of Athenian society to create a compelling imaginative world. Accessibly written, this book shows how Plato made Athens the place where diverse ideas were integrated into a new way of approaching big questions about existence and the societies we create, then and now. (shrink)

This paper examines the relationship between the political thought of Plato and Xenophon, by positioning both as post-Socratic political theorists. It seeks to show that Xenophon and Plato examine similar themes and participate in a shared discourse in their later political thought, and in particular, that Plato is responding to Xenophon, with the Statesman exploring similar themes to Xenophon’s Cyropaedia, which itself responds to sections of Plato’s Republic. Both writers explore the themes of the shepherd king and the kairos as (...) attributes of the excellent leader, and both use temporality and political ontology to do so. (shrink)

Introduction to Xenophon's work and overview of his philosophy. _Greece and Rome_ New Surveys in the Classics Vol 48.